File consists of the piano manuscript score for the music for a stageplay by Mahta Söödori for soloists, chorus, and orchestra.

File consists of the manuscript score and part for a sonata for violin and piano. The cover of score and part signed by Arthur Garami, violinist; inside cover of score has handwritten name Charles Reiner, pianist.

File consists of manuscript scores for a piece "pűhendatud minu isale" (dedicated to my father) for 4-part mixed choir, 4-part women's choir, tenor solo, and organ. Text of the cantata by F.R. Faehlmann, from the 25th psalm. File also includes a typeset note from the composer with a German translation of the text.

File consists of a manuscript copy of the part for B-flat clarinet, copied for Ezra Schabas.

File consists of a manuscript piano sonata.

File consists of a setting of the 42nd psalm.

File contains an annotated copy of the Canadian Music Centre (CMC) publication of Kasemets's "Estonian Suite." The suite consists of four movements:1. Lamentation2. Melody in 2 dance-rhythms3. Canon4. Swing-song.

File consists of a copies of the score for solo voice and piano as well as a version for youth choir and piano, all issued by Eesti Instituudi Väljaanne (Stockholm, 1950). File also contains sketches for one of the folk songs "Targa rehealune." The folk songs included are:1. Lalu mōju2. Orjalaul3. Muhulane4. Vaeslapse laul5. Poiste kutse6. Targa rehealune7. Pulmalaul.

File consists of sketches and the manuscript score for a duet for flute and clarinet.

File consists of manuscript scores for a symphonic prelude for orchestra.

File consists of tone row sketches and the manuscript score for a piano sonata.

File consists of the manuscript score and part for a piece for clarinet and piano, written in Hamilton, Ontario.

File consists of a copy of the manuscript score for piano, dedicated to Reginald Godden.

File includes three copies from the holograph score in ink, with pencil annotations by Kasemets; two holograph scores; and a draft and sketches in pencil.

File consists of the ink transparencies for settings of the Lord's Prayer (based on a tune from the 16th century) for SATB choir and SSA choir, as well as a setting of the 90th psalm for mixed voices (SATB), a cappella or with organ accompaniment.

File consists of a copy of the manuscript score with copied inserts and pencil annotations. The four carols are:1. The Salutation carol2. All in the morning3. Coventry carol4. Wassail song.

File consists of sketches, the master ink transparencies for the score and parts, and a copy of the program and accompanying programme notes from the premiere performance at the Royal Conservatory of Music ofToronto (January 12, 1956) by Jack Groob, violin ; Walter Babiak, viola ; and George Horvath, cello.

File consists of sketches, the pencil manuscript score, and ink transparencies of the parts for string orchestra (2 violins, viola, cello, and double bass).

File consists of a copy of the score and ink transparenices of the parts for string orchestra (2 violins, viola, cello, and double bass). Kasemets wrote this piece in Hamilton, Ontario during the Summer of 1954 and completed the vocal score on December 31, 1954. Texts from poems by Kathleen Raine; piano arrangement of string orchestra parts by the composer. The suite consists of 3 movements:1. The Goddess (rondo)2. The World (interlude)3. Passion (passacaglia).

File consists of the ink transparencies for the score. Translations of texts by E. Powys Mathers. The work consists of six songs:1. The Power of love2. The Beautiful boy3. Love4. Birds5. Dates6. Drinking song.

File consists of a copy of the complete score and pages 6, 8-11 of the ink transparencies.

File consists of the pencil manuscript score for the violin concerto, which has three movements:1. Toccata2. Elegy3. Chaconne.

File consists of two copies of the scores, created from the ink transparencies.

File consists of a copy of the cello part. The piece consists of three movements:1. Plainsong2. Chorale3. Spiritual.

File consists of sketches, the pencil manuscript score, a manuscript copy of the flute part, and a heavily annotated copy of the score. The piece was dedicated "to my friend Harry Somers" and consisted of settings of three poems by Lorca:1. El canto quiere ser luz = The Song wishes to be light2. Claro de reloj = Pause of the clock3. La guitarra = The Guitar.

File consists of a condensed pencil manuscript draft with instrumental cues and ink transparencies and copies of the full score for voice and orchestra. The songs are:1. In the beginning2. And death shall have no dominion.

File consists of the ink transparencies of the score and Catherine Hindson's copy of the BMI publication of the score, inscribed to the performer by the composer. The three songs, with texts by Percy Bysshe Shelley, are:1. To the moon2. A Widow bird sate mourning3. Music, when soft voices die.

File consists of the pencil manuscript score.

File consists of the pencil manuscript score.

File consists of sketches and the pencil manuscript score.

File consists of a draft manuscript score and the final manuscript score in ink for two arrangements by Udo Kasemets:1. The Nightingale (East Tennessee, West Virginia)2. He's gone away (North Carolina).

File consists of manuscript and copied scores of a set of two songs dedicated to Joe Brook and Malcolm Russell, respectively:1. Death, be not proud (text by John Donne)2. The Falcon (anonymous).

File consists of a copy of the manuscript score of a setting of a text by Paul Gerhardt.

File consists of the pencil manuscript score and parts for violin, viola and cello. File includes a copy of the texts by Carl Sandburg, extracted from *The New York Times Magazine* (January 5, 1958). The piece has four movements:1. Never two songs the same2. Moon rondeau3. Daybreak 4.Be ready.

File consists of various manuscript and copied scores for songs by Udo Kasemets for voice and piano:* From childhood's hour (text by Edgar Allan Poe) (December 26, 1958)* Dirge (text by Thomas Lovell Beddoes) (February 16, 1959)* Song I [Memory, hither come] (text by William Blake) (January 16, 1959)* Song II [How many times do I love thee, dear] (text by Thomas Lovell Beddoes) (December 17, 1958)* Song III [How sweet I roamed] (text by William Blake) (January 21, 1959)* The Lamb : song for Elizabeth from Udo.

File consists of pencil manuscript sketches, the full manuscript score ink transparencies, parts, and a copy of the program for the premiere performance. This piece was commissioned by the Saskatoon Symphony Orchestra and was premiered on March 6, 1960 with soloists Edward Abramson, flute and Andrew Dawes, violin, conducted by Udo Kasemets.

File consists of a copy of the manuscript score, dedicated "to Catherine," for an arrangements of three songs:1. Auction block (Nova Scotia)2. The Morning dew (Newfoundland)3. Lukey's boat (Newfoundland).

File consists of a manuscript score for piano dedicated to Tónu Kalam. The two pieces are:1. Little goat's song = Sokukese laul2. Dance of the goats = Kahe soku tants.

File contains a manuscript pencilcondensed score with intrumental cues.

File consists of tone-row sketches and the pencil manuscript score. The title "Pentagram" is crossed out on the cover of the score.

File consists of sketches, notes, and the manuscript score and parts for a piece for flute and piano. File includes Udo Kasemets' draft and typeset playing instructions.

File consists of a pencil manuscript sketch, untitled, [for piano?].

File contains sketches, manuscript and printed scores, playing instructions, and a typescript of the playing order for a performance on April 21, 1963. The file also includes correspondence from John Adaskin (Canadian Music Centre) and Geoffrey Payzant (Canadian Music Journal). This piece consists of eight movements, with texts based on trnaslations by Harold G. Henderson from Classical Japanese poetry: 1. Moon2. Winds3. Frogs4. Seasons5. On the temple bell6. Insects7. Canons8. Interludes.

File consists of sketches and the manuscript score and voice part for a musical collage for voice and piano with words by Walter Hickling.

File consists of the manuscript graphic score, sketches, parts, and other related notes for a piece written for John Beckwith. File includes an autographed letter signed (ALS) to John Beckwith, dated March 15, 1962.

File consists of copies and the pencil manuscript drafts for a two-volume set of piano pieces on well-known songs. Each volume consists of 10 songs.

File consists of the score, sketches (in pencil), and a typescript of playing instructions. This piece was dedicated to Robert Ashley and Gordon Mumma. File also includes of a copy of the BMI publication, with parts for two pianists (piano with wooden and/or skinned percussion; and, piano with metal and/or glass percussion).

File consists of charts, sketches, various realizations of the score, program notes, and notes on the March 1, 1969 performance. This piece consists of four movements, with texts by Samuel Beckett: Cascando, Radio play, VII, XXIII. Dedicated to Catherine.

File consists of the score, sketches, performance instructions, and transparencies for projection for a piece with texts by e.e. cummings, dedicated to Catherine.

File consists of sketches, scores, parts, and performance instructions for various realizations of this piece, including:c. realization for solo pianod. realization for miniature trioe. realization for the Isaacs Gallery Ensemblef. realization for ONCE Ensembleg. realization for the Infernoh. Triv and quad : a realization solo or trio concertante of Trigon (voice flute, and keyboard).

File consists of sketches, typescripts of text, performance charts, a copy of the timegraph (score), and various realizations of the piece.

File consists of sketches, score, and realizations with parts. File includes realizations for a solo performer; and for 2 lecturers and 3 instrumentalists. The piece is dedicated to Paul Kilburn.

File consists of a copy of the text-based score for a set of five pieces:1. Painters X (three or four or five etc.) or What they can do I can do better2. SSS : a performance poem3. The sound, smell, taste, touch, or How to take a trip without LSD : a cinematic experience4. Chance dance with tick of consciousness : an audience participation piece with music for amplified electric metronome(s)5. Bottlepiece.

File contains performance materials, including an annotated typescript score and a performance area sketch by Graham Coughtry. File includes performance materials for October, 1967.

File the manuscript text-based score and a copy of the BMI publication of the score.

File contains sketches and drafts, a typescript of the playing instructions, and performance charts. This piece is based on "Variations done for Gerald van de Wiele" by Charles Olson and was written in memory of Jackie Mumma. It consists of three movements:1. Le bonheur2. The charge3. Spring.

File contains pencil sketches, materials for the first performance with coloured inks, and 2 published scores, each with a different realization and with additions to tables in pencil and coloured inks.

File contains sketches and draft of performance instructions in pencil and coloured inks; a photocopy of score with typescript performance instructions, and a realization from a performance in pencil.

File consists of sketches and the manuscript score.

File contains performance instructions in pencil and coloured ink. File includes correspondence from John Cage and Samuel Beckett regarding permissions to use their texts.

File contains typescript performance instructions.

File contains the text-based score.

File consists of a copy of the CMC score, sketches, printed performance instructions, and a brochure for the Guitar '75 Festival. This piece, created in collaboration with Mike Nash, graphics and slides, was commissioned by the Guitar Society of Toronto for the First International Guitar Festival in 1975.

File consists of sketches, scores, and different realizations of this piece. Piece for 8 strings (and/or winds, and/or keyboards), percussion, 16 voice, 4 moving bodies, 4 channel tape, and a conductor consulting I Ching oracle.

File consists of sketches (coloured inks); score; "process data" (wall and road maps, addresses of participants, etc.); information and instruction to participants (typescript); list of "Eartharound" participants (ink); charts of tape mixes; notes for Ontario College of Art performances on March 5, 12, 31, 1974 (pencil and ink); and correspondence with Trevor Wishart, Conrado Silva, Paul Grant, Dick [Higgins], Pat Elliott, [Graham] Chal[lifour], Giancarlo Cardini, Don Druick, Pauline Oliveros, Clive Robertson, Bob Pritchard, Richard Teitelbaum, Svend Aaquist Johansen, and Alcides Lanza. The file includes Wor(l)d music: instructions for a stereo tapemix. Part of Quartet of quartets.

File consists of the manuscript score in coloured inks.

File consists of sketches and the score with performance instructions.

File consists of sketches, scores, and a program from a performance at York University (January 27, 1976).

File consists of the draft score, the typeset score with performance instructions and drumming score, and copies of the texts from *Touch the Earth : a self-portrait of Indian existence*, compiled and edited by T.C. McLuhan (New York).

File consists of a copy of the typeset score with performance instructions and rhythm score, and text-cards from pages of *The Past and Future Land* by Martin O'Malley (Toronto, 1976).

File consists of sketches, score, and a program and review from a performance by the Canadian Electronic Ensemble (CEE) in Toronto (April 21, 1977). This piece was commissioned by CEE and was written for four performers using voices, acoustical instruments, microphones, mixers, synthesizers with keyboards, amplifiers, and (preferably) quadraphonic loudspeakers. Optional pre-recorded tape or tape-delay system.

File consists of performance instructions, tape charts, and performance materials from May 1, 1977, including an annotated copy of the typescript score. Performed at the Music Gallery, for the Ontario College of Art open house.

File consists of sketches, performance instructions, tape charts, and performance materials, including posters and programs from realizations of this piece. Performances include: November 23, 1978 at the Music Gallery, Toronto and February 18, 1979 at Bloor Street United Church, Toronto.

File contains performance instructions and tape charts for a piece for four pre-recorded audio tape cassettes to be played back simultaneously in any combinations.

File contains charts and annotated maps; program of World Symposium on Humanity; performance instructions; typescript with annotations in coloured ink concerning realizations at Ontario College of Art (April 1978) and at Bloor St. United Church (April 1979); information on 64 sound sources; information on 92 sound sources; and mixed media collages. The piece is a "continuous playback of 64 recordings distributed between eight separate listening stations and a mixing systems programming and processing centre."

File contains correspondence with contributors; notebooks by contributors with selected texts and additional poems; Acrostics and Tankostics; readings from notebooks; scorebooks; artists' signatures book; radio script; Chainchant for piano solo with or without electronics; Musicworks number 21, 22; and, posters and flyers. This piece is "a collaboration of over 100 poets and musicians from Canada and the US in a poetical/musical statement, conceived and coordinated by Udo Kasemets." Texts selected from *The Fate of the earth* by Jonathan Schell.

File consists of sketches, scores, and notebooks, including:* Timescapes : celestial, terrestial, celesterrestial* Ragtime : an intercultural timescape for two groups of musicians* Taoist timebooks : acrostics and moon phase studies.

File consists of sketches, performance instructions, a copy of the score, and a poster and program for a performance October 12, 1984 as part of "Aggregates: A Festival of Toronto Groups." This piece was commissioned by the New Music Co-Operative and was written for Anne Bourne, Chris Devonshire, Gordon Monahan, Kim Ratcliffe, Stephen Donald, and Tina Pearson.

File consists of sketches and performance instructions for a piece for reader, organ, optional vocal and/or instrumental ostinato.

File consists of performance instructions, "I Ching chants" for one or more voices, and performance instructions and autograph scores for "What do you have to say about this? : one of 4096 realizations of 4-D I Ching."

File consists of four notebooks; a file of drafts and performance instructions; the score; and, programs and press clippings from a performance in Hamilton. The piece was conceived, compiled and coordinated by Udo Kasemets with the collaboration of Chris Devonshire, Chris Eddy, Gerard Leckey, Gary Murphy, and Ron Salapatek. Sound installation after Buckminster Fuller.

File consists of charts, performance instructions, and a program for a performance on March 10, 1989 in Hamilton, Ontario. The piece was written for 16-channel soundsystem and 2 separate voice channels.

File consists of two programs from Music Gallery performances.

File consists of two notebooks, charts, sketches, and photocopies of background informaton. File also includes publicity, correspondence, and the rehearsal schedule from a realization of this piece in October 1992, and materials from the CD recording and release.

File consists of a copy of the score for a piece for Adele Armin.

File consists of sketches and a copy of the Canadian Music Centre (CMC) score. This piece was written for the Bishop Strachan Singers and has three movements: 1. Po=Void2. Quarkanon3. Thought/night/light.

File consists of the score with performance instructions and photocopies of astronomical illustrations, for a piece to be played as part of *Timetrip to Big Bang and Back*.

File consists of sketches and the score with performance instructions and photocopies of astronomical illustrations (Messier clusters), for a piece in two parts to be played as part of *Timetrip to Big Bang and Back*.

File consists of performance instructions, scores, and charts.

File consists of texts, sketches, and drafts of scores for two pieces, both dedicated to Paul Dutton:1. Songs of singularity : derived from translations of words used by Zuni, Pima, Gallinomero, Maidu and Hopi tribes and the Taoist sage Chuang Tzu to describe their concepts of the conditions prior to the birth of the universe2. Canticles of chaos and cosmos : adapted from translations of statements by Chuang Tzu, Chou Tun-Yi, Huai-Nan Tzu, Ovid, the Phoenicians, the Maori, the Zuni and the Hopi.

File consists of sketches and the manuscript score, including a discarded portion "modules for selected woods and skins."

File consists of sketches and the manuscript score.

File consists of sketches and the manuscript score, including discarded material.

File consists of sketches and the manuscript score.

File consists of sketches and the manuscript score.

File consists sketches and the autograph score and a copy of the score, dedicated to David Jaeger.

File consists of a copy of the score, dedicated to James Tenney "to celebrate his first 50 years"

File consists of a copy of the score, dedicated to David Mott. File includes a program from the premiere performance by David Mott as part of the concert "Saxophonic" on May 3, 1986 at the Music Gallery, Toronto.

File consists of sketches and the autograph score for a piece dedicated to James Tenney.

File consists of the autograph score and a copy, dedicated to John Cage.

File consists of the autograph score, sketches, and copies. This piece is dedicated to Avrom Isaacs.

File includes a program from a "Tribute to Lauren Pratt and James Tenney and Retrospective Concert of Music by James Tenney" at the Music Gallery, Toronto, which included a performance of this piece by Stephen Clarke, Udo Kasemets, Henry Kucharzyk, and Linda C. Smith.

File contains charts and sketches as well as Chamber Players of Toronto commission correspondence, and a photocopy of "Chapter II. Strings" from an unidentified textbook on notation.

File consists of the manuscript score, sketches, and a draft for a speech.

File consists of the manuscript score and sketches. For Susan [Layard].

File consists of the manuscript score and performance instructions.

File consists of the manuscript score, for Stephen Clarke; a copy of the recording by Clarke; and materials relating to the premiere performance by Clarke at The Ford Centre for the Performing Arts on April 13, 1996.

File consists of the manuscript score for Shannon Peet and Todd Duckworth. The text is from *MOLLOY* by Samuel Beckett.

File consists of the manuscript score and parts, as well as performance instructions and program and reviews for a performance by Arraymusic on September 25, 1994.

File contains the manuscript score, sketches, and performance materials, including parts in computer printouts with corrections. The piece, also titled "z - z² + c (Mandelbrot music)" was written for:* New Music Concerts sextet* Arraymusic octet* Fifth Species quintet* Accordes quartet* Susan Layard solo voice.

File consists of two manuscript scores.

File consists of sketches and graphs.

File consists of charts, graphs, and scores.

File consists of charts, graphs, and scores.

File consists of sketches, the manuscript score, and performance materials. File includes a program from a performance on June 4, 1995, and various complete and realized Julia sets (Folder 4).

File consists of a notebook with notes for various Mandelbrot compositions, as well as charts, graphs, calculations, realizations, scores, and performance instructions.Movements are: * Julia convergences* Negative negative primes (incomplete)* Positive positive Fibonacci* Negative positive Fibonacci* Pythagoras tree* +/+ primes and -/+ primes* Positive positive harmonics* Negative positive harmonics.

File consists of sketches, scores, and related materials for two pieces relating to sunflower growth and the Fibonacci sequence: (1) SoUNdFLOWER quintet : for five harps and/or marimbas and/or keyboards; and (2) Canonic soundflower : for three pianos.

File consists of a typescript of performance instructions.

File consists of the manuscript score.

File consists of the manuscript score and sketches.

File consists of the autograph text-based score.

File consists of sketches, performance instructions, and envelopes of used and unused card strips for a piece for a 2 track record/ re-record voices of writers reading and speaking, using chance operations to determine writers selections, time, aplitude, and modulations or manipulations.

File consists of a notebook with sketches for "Fractals Chaos, etc."

File consists of sketches for a piece with text by Gertrude Stein.

File consists of a text-based score.

File consists of charts, playing cards, and sketches for an untitled piece.

File consists of manuscript charts for an unidentified piece.

File consists of the manuscript graphic score [by or for?] P. Barker, B. Burnett, R. Johnson, H. Klunder, R. Roy, P. Templeman, and L. Wagman.

File consists of the manuscript text-based score.

File consists of the manuscript score for a piece involving a deck of playing cards.

File consists of a "table of consonantal sounds used in the English language word beginnings, to facilitate rhymemaking for RHYMEREADING (by Udo Kasemets).

File consists of posters and a world map used for "a series of experimental musical(s) events exploring the perceptual possibilities of real time processes. This can mean just about anything…" The events took place in Toronto at A Space, Toronto Free Theatre, and Toronto Dance Theatre Studio 2.

File consists of sketches, charts, and slips of paper with names of colours and instruments.

File consists of the manuscript text-based score for a piece based on the repetition of Eric Satie's "Vexations". Also titled "Vexa(ssocia)tion."

File consists of the text-based score for "a researching/reading/listening/recording/re-recording/mixing/replaying process relating to the lunar calendar and the I Ching. In the title, the names of the moon and year of the performance time are to be filled in." For example, "Texts of the current moon of the year of the iron clock."

File contains two autographed notebooks and the text-based score for "Eight Haikostics," written as "a thank-you-note to the participants in the performance of Zodiacanons on the 14th of November, 1980 in Vancouver, B.C." File also contains a text-based scored for "Hexagrammatic haikostics : to complement the Taoist timebook."

File consists of a copy of the score with performance instructions for a piece "to be performed as an independent piece or in conjunction with *Celestial Timescapes* and/or *Terrestial Texts* and/or other appropriate materials. The piece is dedicated to Don Druick.

File consists of two scores written for Henry Mutsaers, retiring librarian at the Canadian Music Centre, and for the 25th anniversary celebrations at the opening of CMC's new building Maison Chalmers House. Both pieces were written at the request of John A. Miller, executive director of CMC. File includes the memo outlining the events and requests.

File consists of sketches, texts, and performance materials for a piece written by Udo Kasemets and performed by Kasemets and his class from the Ontario College of Art.

File consists of a copy of the score, written at the request of Yvar Mikhashoff.

File includes original typescript of performance instructions and copies of the score, which uses texts derived from Morton Feldman's essay "Vertical thoughts" (New York : Kulchur Press, 1963).

File consists of the 1995 revised manuscript score for "Vertical poem" and an annotated copy of the score, dedicated to Morton Feldman.

File contains a photocopy of a manuscript version, and a photocopy of a typescript version, of a piece for Morton Feldman

File consists of a copy of the CMC score, dedicated to John Kamevaar and Thomas Handy.

File contains two scores, sketches, and a program from the premiere performance at McGill University on April 24, 1990 by Meg Sheppard (voice) and Alcides Lanza (piano). Dedicated to Meg Sheppard and Alcides Lanza.

File consists of the autograph score and a copy of the CMC score, dedicated to Malcom Goldstein.

File includes autographed charts for the second moon and the ninth moon. Dedicated to Chris Devonshire.

File consists of a copy of the CMC score.

File consists of a copy of the CMC score and parts, dedicated to the Tallinn Quartet.

File consists of the autograph performance instructions, sketches, and a copy of the CMC score. Dedicated to Paavo Järvi.

File consists of the texts, charts, and manuscript score for a piece for solo piano, created from "thirty-two-syllable interpretations of I Ching images of the thirty-two hexagrams of the four female houses."

File contains the manuscript score, a bound CMC copy and research notes. Dedicated "to my son Uku Kasemets and my friends James Tenney, Lauren Pratt, and Susan Layard." Commissioned by the Chamber Players of Toronto with assistance from the Canada Council.

File consists of the autograph master score and sketches. The piece was written for 5th Species, a wind quintet (alto flute, oboe or English horn, clarinet in B-flat or E-flat or bass clarinet in B-flat, horn in F, and bassoon).

File contains sketches.

File consists of sketches and scores for the 1993 and 1997 (electro-acoustic) versions of this composition. The file includes an annotated Canadian Music Centre (CMC) score, published in 1997. The piece is dedicated to "Justin" and is written for two voices, three violins, and three celli.

File consists of sketches and a copy of the Canadian Music Centre (CMC) score, written for Tiina Kiik.

File contains the score, handwritten basic modules, printouts of snowflakes, and a program from its performance on May 15, 1994 by Udo Kasemets and friends at the Glenn Gould Studio, Toronto. The performance was a tribute to Michael Snow by Udo Kasemets and friends (Andrew Burashko, Stephen Clarke, Leslie Dala, Henry Kucharzyk, piano ; Richard Sacks, marimba, speaker ; Susan Layard, vocalist, speaker ; Udo Kasemets, conductor, speaker ; Sandor Ajzenstat, technical coordinator ; Peter Kovalik, computer graphics ; Shannon Peet, producer).

File consists of the autograph score, performance instructions, and sketches. The piece is based on fifteen fifteen-word pronouncements on peace by Black Elk, Lao-Tzu, Mahatma Gandhi, Albert Einstein, and Martin Luther King. It is dedicated to Andrus and Eero Voitk.

File consists of a copy of the score, dedicated to Susan [Layard]. Text by Octavio Paz and Eliot Weinberger.

File includes the autograph score, sketches, and related correspondence and research. Text from a poem by Daniel Hartford (Bosnia, 1994). Piece written at the request of Andrus Voitk.

File contains the autograph score and performance instructions

File consists of scores for SoUNdFLOWER SONG for vocal solo with two-track stereophonic playback (1995), and a second version: SoUNdFLOWER TRIPLET for solo voice and piano, two hands (1998). Dedicated to Susan Layard.

File consists of two autographs scores, performance instructions, and sketches. Dedicated to Andrew Timar.

File consists of the autograph score, a copy of the score, sketches, performance notes, and a program from the performance of this piece at Willow Place Auditorium on February 17, 2005 by the Orchestra of the S.E.M. Ensemble, conducted by Petr Kotik, with Stephen Clarke (piano). Dedicated to Stephen Clarke.

File consists of the manuscript scores and performance instructions for the 1996 version, the revised 2000 version, and a "discarded" earlier version. Texts by bp Nichol.

File contains scores for: Space TiMemoryEchoes (4'33" Prime Time Fractals) for any instrument or voice to be performed as a solo or part of an ensemble; 'vocabulary' for one specific realization of 4'33" Prime Time Fractals (PTF); Space TiMemoryEchoes: 4'33" Fractals; Space TiMemoryEchoes: 4'33"2 for instrumental or vocal quartet; programs for performance of the work; Future is past is now for four or more musicians; and sketches for 4'33" Fractals. Texts by James Joyce.

File contains the score and performance instructions for a piece for Barbara Pritchard.

File consists of the score and performance instructions. Text from the *Collected Poems of Octavio Paz 1957-1987*, edited and translated by Eliot Weinberger. The piece is for a female singer and speaker ; a male singer and speaker ; two pianists at two pianos ; one percussionists playing marimba, vibraphone, and 5 hand-drums ; and (optionally) a female dancer, a male dancer, and a dancer of either gender.

File consists of sketches, score (typeset, with annotations), and performance instructions for a piece dedicated to The Burdocks.

File consists of a copy of the score, for Stan Brakhage, based on mesostics derived from the prime-numbered segments of the text "Stars are Beautiful" by Stan Brakhage.

File contains sketches and a copy of the score for percussion (crotales, glockenspiel, celeste, xylophone, vibraphone, marimba, harp); woodwinds (piccolo, flue, 2 oboes, 2 clarinets, bassoon); brass (2 trumpets, 2 horns, 2 trombones, tuba); and, strings (4x7 violins, 7 violas, 7 celli, 7 basses). Dedicated to Päävo Jarvi.

File consists of sketches and manuscript scores (pencil, typeset) for a series of pieces titled *AnarchArt QuantuMandala*:a. QM 4x7 +7x4 : for cello solo (1998) (for Margaret Gay)b. QM 7x4x7 : for viola solo (1998)c. QM 4x7x4 : for violin solo (1998) (for Marc Sabat and Malcolm Goldstein)d. QM 8x11+11x8 : for piano solo (1998) (or Stephen Clarke) [includes program]e. QM 4x9=6x6 : for B-flat clarinet(s) solo (1999)f. QM 4x9=6x6 : for flute(s) solo (1999)g. QM 4x9=6x6 : for vibraphone solo (1999) (for Richard Sacks)h. QM 4x13x4 : for marimba solo (1999) (for Richard Sacks)i. QM 2x13x2 : anarch really does have a future : for speaksinger solo (2000) (for Paul Dutton) [includes program]j. QM 2x13+13x2 : for accordion solo (2000) (for Tiina Kiik).

File consists of texts by Charles Olson, Gertrude Stein, Bruce Elder, Ezra Pound, and Stan Brakhage, and "AQM 'Timeruler'".

File consists of the manuscript score and sketches for a set of duologues "to be performed independently or in conjunction with the *Chronologues: Echoes of a Life*. The two airs and five mirrors are musical illuminations of the poet's [Robert Creeley's] texts, with all musical materials derived from the alphabetic contents of the words":* Airs: The Love of a woman ; Cat bird singing* Mirrors : Oh love ; Wind Lifts ; Elements ; Oh ; Song.

File consists of sketches and a copy of the manuscript score, dedicated to Susan [Layard]. It uses texts from *The House of Asterion* by Jorge Louis Borges and fragments of *Metamorphoses* by Ovid. Includes music from *The House of Daedalus* by Udo Kasemets and *Lamento d'Ariana* by Claudio Monteverdi.

File consists of the score and a photocopy of the pertinent parts of Robert Creeley's autobiography. The work for solo piano is "a celebration of the life and poetry of Robert Creeley. Chronologue is a solo for piano derived from select words in Autobiography containing the letters of the writer's name in their given order; it may be performed in its entirety (One), as a solo (preferably preceded by the reading of the complete original text), or combined with the performance of (One and one, two) Solilogue: readings of a selection of poems from the total oeuvre of the poet, or combined with the performances of both, (One and one, two, three) Solilogue and Duologue: spoken/sung/played musics illuminating select texts."

File consists of the score and sketches for a piece dedicated to Robert Creeley. The score provides "a musical illumination of the ten digits underlying the poem "Numbers for Robert Indiana" by Robert Creeley."

File consists of the score and sketches for "a celebration of the life and art of Merce Cunningham in the year of his eightiest[sic] birthday. Quantumatrix is a solo for a reader or a solo for a pianist, to be performed either singly, or simultaneously, but save for a jointly established timeframe, entirely independent of each other. (Any number of readers and/or pianists may participate.)"

File contains the sketches, related correspondence, and the manuscript scores for a set of pieces using texts by Gertrude Stein:* Music of the first hundred natural numbers: for piano solo (dedicated to Ulla E. Dydo)* Business in Baltimore: for narrator and pianist sketches.

File consists of a the score, written for "a celebration of the 100th anniversary of the birth of the composer/writer/diarist." The piece uses texts by Ruth Crawford Seeger in three continuous sections: 1. Prologue: Diary entry from August 26, 19272. Diaries and letters: New York jottings from 1930, letter to Edgard Varese, May 22, 19483. Eclogue: "WHY DON'T THEY EAT CAKE?," 1938.

File includes performance instructions, sketches, and draft scores. The piece was "a musical celebration of the 90th anniversary of the birth of John Cage, derived from the text of *Diary: How to Improve the World (you will only make matters worse)*, and from the scores of: 4'33"; Amores; Cheap Imitation; Chorales; Dream; Experiences No. 2; Songbooks #35; Songbooks #45; Songbooks #47; and, The Wonderful Widow of Eighteen Springs. 90+ may be performed by any number of musicians using any instruments (if possible including strings and/or winds capable of producing microtonal intervals), and/or ay number of speakers/vocalists, and (optionally) an operator of a compact disc playback system. 90+ may be performed in its entirety or in fragmentary segments of durations."

File consists of a copy of the score, dedicated to Linda Catlin Smith. Texts derived from the following texts in the collection *Writings/ Schriften of Agnes Martin*: "Advice to young artists," "The still and silent in art," "Notes," "Response to art," and "Short essays."

File consists of the text-based score for percussion solo.

File consists of sketches, performance instructions, and the manuscript score for "a musical/statistical count of the alphabet letters of the ten hundredletter thunderwords in James Joyce's *Finnegans Wake*. Each thunderword music appears in two forms: first, a musical/statistical count of the alphabet letters of the word; second, a canonic reading of the letters in the order of their appearance in the given word. Each of the ten thunderwords is scored in its own range, different from the other nine. Thunders V and VI are played simultaneously."

File consists of the performance instructions, sketches, and draft scores for music derived from the ten hundredletter words representing ten thunderclaps in James Joyce's *Finnegan's Wake*.

File consists of the score for "30 minutes of Nobbynotes (excerpts of Norman O. Brown's 1974 Wesleyan lecture) for speaker and singer, superimposed on 30 minutes of Musi(sti)cs (derived from John Cage's Cheap Imitation (derived from Erik Satie's Socrates) for a pianist, to be performed in simultaneity."

File consists of the score and sketches for a work "derived from the 'Conversation on the nature of reality' held in the afternoon of July 14, 1930 between AlbertEinstein and Rabindranath Tagore at Einstein's home in Kaputh, Germany (a short distance from Berlin."

File consists of sketches for a piece derived from Robert Creeley's poem "Help!"

File consists of the score with text by Susan Howe.

File contains the score and sketches for a piece that uses I Ching hexagrams to determine the order of events. Materials selected from:* 10 Thunderclaps with readings of McLuhan's vocabulary and thunderclap excerpts from *Finnegans Wake** 80 Flowers mesostics : read and played* OPazERA excerpts* UNILOOP* The Big bang of the human universe* Thoghtsthoughts* Time of music of time* Mandelbrot Fibonacci : solo piano* Music of the first eleven primes : solo piano* etc.

File consists of the manuscript score For piano and narrator/ actor.

File consists of the manuscript score.

File consists of sketches.

File consists of the manuscript score and sketches.

File contains sketches and multiple versions of this piece, the first three of which were abandoned. Written "in remembrance of the life and art of Sol Legit."

File consists of sketches and the manuscript score.

File contains the score and sketches. This realization for a reader/pianist and a singer/reader of Creeley's "Reflections on Whitman in Age" aims to transfer the essay from the printed page to space and time, speech and song. The music for this realization was completed on the 82nd anniversary of Robert Creeley's birth, May 21, 2008.

File contains the score and sketches.

File consists of the manuscript score, dedicated to Susan [Layard] for a set of three songs:1. The Descent2. A Unison 3. Song.

File contains sketches for CAGEchoes and a table of "Zodiacalendar timings : for ptII."

File contains the manuscript score, sketches, and a draft program from Making Music Time (or, making mLuiIsNiEc TIME) at Ryerson University with Udo Kasemets, Richard Sacks, Susan Layard, Linda Catlin Smith, Mani Mazinani, and Pierre Tremblay. The piece is dedicated to Susan [Layard].

File contains rough sketches pertaining to a piece connected with St. Clement's School.

File contains the score and sketches.

File consists of the manuscript score with performance instructions.

File includes sketches and the manuscript score for singer/ speaker/ guitarist, speaker/ pianist, and projectionist.

File consists of the manuscript score, dedicated to Susan [Layard].

File consists of sketches and correspondence with Alex Pauk, music director of Esprit Orchestra.

File consists of the text, as translated by Paul G. Zolbrod and elaborated by Udo Kasemets.

File consists of the text-based score.

File consists of sketches.

File consists of sketches.

File consists of sketches.

File consists of sketches and an outline of the project, using the text "If not, Winter" by Anne Carson. For three female soloists (singer/speaker, harpist, and baroque flautist) separate in space, each equipped with an individual microphone. Microphones feed into a computer-programmed sound-processing system, which feeds into 9 loudspeakers, placed in three interconnected spaces, adjacent to the performance/ recording space.

File consists of sketches using the 64 I Ching hexagrams.

File consists of sketches.

File consists of sketches.

File contains sketches, marked "discard!" on the front page by Udo Kasemets.

File contains the score sketches.

File contains sketches and draft scores.

File consists of the manuscript score.

File consists of the following autographed scores for voice and piano, with texts by Louis Zukofsky, melodies by Celia Zukofsky, and piano accompaniments by Udo Kasemets: In that this is happening; Crickets' thickets; So that even a lover; Ah, Spring; and, To my washstand.

File contains sketches and draft scores, and a PrimePhonetic Musicaß for 1 to 7 octaves.

File contains a score with each page divided into quadrants (for cards?) and labelled A1, A2, A3, A4; B1, B2, B3, B4; C1, C2, C3, C4; D1, D2, D3, D4.

File consists of untitled scores and sketches, including a piece created using a dingbat font.

File contains budget notes, publicity releases, programs, and newspaper reviews. "Men, minds and music" as a series of programs featuring contemporary composers, coordinated and commentated by Udo Kasemets at the Brodie School of Music and Modern Dance. The fourth program (on April 21, 1963) featured three compositions by Kasemets: * Canciones : for voice, flute, and guitar* Squares : piano duet* Haiku : for voice, flute, cello, and piano.

File contains a draft of the program for five lecture-recitals by Udo Kasemets at Mills Library, McMaster University, Hamilton, Ontario. The lecture-recitals included performances of the following pieces by Kasemets:* Trigon : realization for solo piano* Trigon : realization for solo voice with words from the "Triv and Quand" chapter of James Joyce's *Finnegans Wake** Squares : for piano four hands* Communications : a non-composition for singer(s), speaker(s) and instrumentalist(s) to poems by e.e. cummings* Trigon : realization for voice, piano and small percussion with words from Samuel Beckett's *Waiting for Godot*.

File contains correspondence, programs, newspaper and magazine reviews, and articles regarding performances at the Isaacs Gallery in Toronto. Correspondents include the following composers and performers: Norman Friedman, Max Neuhaus, Marian Cummings, Canada Council officials, Judith Dunne (ONCE), Jill Johnston, Bertram Turetzky, John Cage, Gordon Mumma, Michael Snow, E.A. Wilkinson (Hart House), Aurelio de la Vega, Alvin Lucier, Dick [Higgins], Postcard signed by Gordon Mumma, David Behrman, Mary Lucier, Alvin Lucier, Robert Ashley, Lee Hepner (Hamilton PO), and David Jones.

File contains correspondence with performers and administrators, including: Carl Morey, Stuart Dempster, Greg Curnoe, Canada Council offici, Grant Sampson, Cornelius Cardew, Graham Nesbitt, Terry Riley, Alvin Lucier, Rachelle Mingail, Brian Mitchell, autograph material, Lowell Cross. File also contains the budget for first concert, programs, publicity material, and newspaper reviews from Toronto, Kingston, and Montreal.

File contains correspondence with performers and other organizers of the Ryerson Univesity event: 2 telegrams, Billy Kluver; 4 postcards, Gordon Mumma; letter, John Giorno; telegram, Victor Schonfield; letter, Dave Platnick; letter, Lowell Cross; 4 letters, Don Gillies; letter, Av Isaacs; letter, Ron Napier; letter, Les Levine; and, letter, Harold Aiken. File also contains newspaper articles and reviews.

File contains 64 Provocations for John Cage, a CBC radio program, and correspondence with John Cage. File also contains tape loop charts in coloured ink; paste-up of script; Music of today, CBC radio series; drafts of scripts for programs on Cage; 65th birthday "Celebration week"; concert programs; typescript invitation for "Messagemix"; draft of radio script; and, mixing chart.

File contains posters for Music Gallery event and a typescript of the description. File also contains: Udo's memorybank: "index of inputs," including sketches, and photocopy with playing-card pagination; Sixty cycles, including program, a copy of typed letter inviting contributions, and sketches for tape work in ink; Nonologue, including a copy of typed invitation letter, album of responses with address labels and stamps, and correspondence from Dick Higgins, Mary Ashley, Don Druick, Pauline Oliveros, Jackson Mac Low, John Beckwith, Robert Ashley, Graham Coughtry, and Nobuo Kubota; Tokens of thanks, including a draft and a copy of typescript. File also contains 4 albums of small black and white photos, mostly self-portraits, often double-exposed, and "36 questions with 36 responses" (typescript).

File includes drafts and a poster for presentation at Simon Fraser University on February 7, 1968. The lecture is based on Kasemets's Octode, and Octagonal Ode.

File contains drafts and sketches,

File contains draft of texts, sketches of illustrations, and performance instruction charts.

File contains sketches and scripts for a lecture-essay in three parts: 1. Prologue to an interlogue and an epilogue2. Interlogue between a prologue and an epilogue3. Epilogue to a prologue and an interlogue.

File contains Udo Kasemets' sketches, realizations of charts, "working charts of [tape] loops for lecturessay 1970," script, and other notes for a lecture-essay in three parts: 1. WWWW : a workable world without war2. DDD : the deadly deafening decibels3. WWWW : a world without war and want.

File contains charts for a "Lecturessay on John Change, without saying anthing about John Cage that hasn't been said by John Cage himself. (A 60-minute celebration of sounds, silence and synergy marking the sixtieth birthday of John Cage." Charts titled "Bookmusic : code or reading John Cage's diaries."

File includes a poster and program of the event at Dalhousie University on February 7, 1977, and correspondence with Dave Godfrey (Press Porcepic).

File includes a notebook with sketches, photocopies of typescript with annotations, and annotated photocopies of printed text "In gratitude" by Yoko Ono.

File consists of a text-based score for Pauline Oliveros.

File contains performance instructions.

File contains program drafts, board of directors' documents, finances, participant documents, and newsletters of similar organizations.

File includes correspondence with Ralph Abraham, José Argüelles, Michael Ben-Eli, Arthur Boutilier, John Cage, Austin Clarkson, H. S. M. Coxeter, Andrew Culver, David Dunn, Amy Edmondson, Allegra Fuller Snyder, Juan Gever, Ben Johnston, Kenneth King, Alcides Lanza, Lucy Lippard, Arthur L. Loeb, Alvin Lucier, Jackson Mac Low, Neil McNeil, Gary Murphy, New Music Concerts, Pauline Oliveros, David Suzuki, James Tenney, Hildegard Westerkamp & Norman Ruebsaat, Windstar Foundation, and Gayle Young. File also includes biographical information.

File includes programs, posters, and newspaper reviews.

File includes programs, posters, and newspaper reviews.

File contains form letters and programs from this concert producing organization.

File consists of sketches, scores, and programs.

File includes research materials, correspondence, music manuscripts and typescript drafts, a project book (75 pages), and a program of 1996 and 1997 performances.

File contains programs, posters, and newspaper reviews.

File contains programs, posters, and newspaper reviews.

File consists of the following notebooks:* News of the moon of the black cherries in my sixtieth year (1979)* News of the moon of the scarlet plums in my sixtieth year (1979)* Texts of the moon of the falling leaves in my sixtieth year (1979)* Texts of the moon of the popping trees in my sixty-first year (1979)* Texts of the moon of the frost in the teepee in my sixty-first year (1979-1980)* Texts of the moon of the dark red calves in my sixty-first year (1980)* Texts of the moon of the snowblind in my sixty-first year (1980)* Texts of the moon of the grass appearing in my sixty-first year (1980)* Texts of the moon of the shedding ponies in my sixty-first year (1980)* Texts of the moon of making fat in my sixty-first year (1980)* Texts of the moon when the cherries ripen in my sixty-first year (1980)* Terrestial texts (1980-1981) [6 notebooks].

File also includes a typeset score for Voicemusic for John Cage (1972). "A global radiotelephonic soundevent on the sixty-fifth birthday of John Cage, conceived and co-ordinated by Udo Kasemets, in collaboration with David Jaeger and the Canadian Broadcasting Corporation and Peter Anson and the Music Gallery."

File consists of a text-based score for "Mesostics derived by Udo Kasemets and original John Cage meostics from texts in:* A Year from Monday (Wesleyan University Press, 1967)* M (Wesleyan University Press, 1973)* John Cage on Marcel Duchamp (an interview with Moira Roth and William Roth)* Marcel Duchamp in Perspective (Prentice Hall, 1975)* For the Birds (in conversation with Daniel Charles, Marion Boyars, 1981)* Diary: How to Improve the World (you will only make matters worse)* 1965-1982 (Wesleyan University Press)* Themes and Variations (Station Hill Press, 1982)* X (Wesleyan University Press, 1983)."

File contains materials relating to Udo Kasemets's composition for the project "…morceaux en forme de poire," organized in connection with the International Festival Evenings of New Music 1995.

File contains Udo Kasmemets's proposal for a CD project to mark the 85th birthday of the Nobel laureate, Mexican poet, and cultural essayist Octavio Paz.

File consists of sketches, scores, and charts.

File contains materials relating to Udo Kasemets's "Symphosium," performed by Array Music, which included: Calendaround: Rixax (for solo percussion with optional video); Tetraktys of Thunders I (for solo double bass with optional video); Einstein and Tagore seeking Truth and Beauty (double/sextuple mesostics for two voices and music in four parts); Tetraktys of Thunders II and III (for clarinet and trumpet with optional video); Tetraktys of Thunders IV, V, and VI (for violin, double bass, and clarinet with optional video); (4x4)'33" Sirens (for ensemble of readers and instrumentalists); and, Tetraktys of Thunders VII, VIII, IX, and X (for trumpet, clarinet, violin, and double bass with optional video).

File contains materials relating to a concert with music by John Cage and Udo Kasemets.

File consists of notes from an Ontario College of Art class.

File contains posters and programs for annual Soundevents .

File consists of charts, cards, and performance instructions for poetional pieces for an Ontario College of Art class.

File contains: Mikemusics 1977; Mikemusic I 1973-1975; Mikemusic II, III, IV 1975-1976; Sh! : Mikemusic IV; Mikesong I 1975; and, Eighty-eight keys : Mikesong II 1975-1976.

File consists of an Ontario College of Art program outline for 1975-1976.

File contains instructions and charts, and a program for an event at the Ontario College of Art (December 2, 1976).

File contains notebooks for the following years: 1977?, 1980, 1981, 1982-1983, 1983-1984, 1984-1985, 1986, and 1986-1987. File includes charts and instructions for mixed media pieces.

File contains the Ontario College of Art 1977 version, the Music Gallery February 1980 version, and 27.5 : Minutemusics '83.

File contains correspondence from colleagues and a typescript realization from an Ontario College of Art event.

File contains daily acrostics on I Ching and other readings.

File contains a program, charts, Now is…, Dogday soundpoem, and Terrestrial texts of the year of the dog, from an Ontario College of Art event (March 19, 1982). File includes an autograph score for CCCC: Comprehensive Crosscultural Calendar to coordinate the Timescapes; a program from a performance of Earthspin: A Timescape by Gordon Monahan (solo piano) and Chris Devonshire (tape and equalizer) in Hamilton on March 2, 1985; Kasemets's draft description of Timescapes; and, manuscript scores and charts for Celestial Timescapes (Stellar Sequence, Solar Cycles) and Planetary Patternings.

File contains a program and performance materials for an Ontario College of Art event (November 17, 1983).

File consists of a notebook for a piece about Autumn Equinox, "an invitation to the population of Toronto to tune in and listen to the sounds."

File contains 3 notebooks, performance instructions and charts, poster, and program for an event at the Ontario College of Art event (April 26-29 1984).

File contains maps and performance instructions for an Ontario College of Art event.

File contains charts and a poster for an Ontario College of Art event (January 30-31, 1985).

File contains: Tuning to tuning, Thoreaupera, Timescapes : countdown to the third millenium, Stellar constellations, and Catalogue of zodiac constellations : Zodiacoustics.

File contains a notebook, poster, copies of 2 letters to John Cage, letters from John Cage, and a review by Yves Troendle for an Ontario College of Art event (March 28-29, 1987).

File consists of Ontario College of Art teaching materials.

File consists of a series of notebooks with sketches, ideas, and instructions for various projects with concrete and acrostic poetry from Kasemets' Ontario College of Art teaching years. Notebooks include:* Thundermix, or tH(e)UND(e)RED Lettered Word* Music of the [blank] moon of the year of the [blank]* Ideas (1977-1978)* Music of the tenth moon of the year of the dragon* Minutemusics* Music of the first moon of the year of the serpent* Contemplations re. the origins of language after reading VICO (Summer 1977)* Seven (week day hour minute second) celebrations of change* LXIV (1978-1979)* Chan(t)son(g)* Whole earth music (realization 1979)* Anthology of people participation, time/space percept/concept pieces* EOEMOMD : version for York University New Music co-operative (1975)* In support of Justice Thomas Berger (rites of rights no. 2) (1976-1977)* Elizabethan songs, lute songs, madrigals, and rounds* Mikesong ; Mikemusic II* Samuel Beckett mini-festival in anticipation of his 70th birthday in 1976 (OCA East)* Whole earth music (1972)* Variations on the note on the middle line : for piano and SSSS* Percept / concept (September 13, 1978)* Projects (1979).

File contains multiple versions of this participation piece, originally titled Time/place interface, and alternatively subtitled Winterwalk, and In search of oneness. Dedicated to Roy Ascott.

File contains correspondence with: Istvan Anhalt, George Caccioppo, Barney Childs, Lowell Cross, Serge Garant, Hugh Hartwell, Syd Hodkinson, Peter Huse, Otto Joachim, Lynn Lonidier, Alvin Lucier, John Mills-Cockell, Gordon Mumma, Pauline Oliveros, John Rea, Murray Schafer, and Gilles Tremblay.

File contains drafts of editorial writings, and an offprint from The journal of typographical research.

File consists of a draft and typescript.

File consists of a draft.

File contains a copy of typescript proposal for a periodical publication; mockup of issue with title page, contents and outline; photographs and typescript information on contributors; lists of addresses; and draft of editorial writings.

File consists of a draft.

File consists of drafts and charts.

File includes correspondence from Michel Sanouillet, editor of Cahiers Dada-Surréalisme.

File contains a photocopy of the proposal; TV script, with charts; and, the manuscript chart score.

File contains mini-midi-maxi-mix charts; songbirdsong tape charts; 1 + 1; musicgames; and, sound studies.

File contains typescript of Draft II, including 2 versions of conclusion: 113 1; Photocopies of music examples: 20 + 2 + 18 1; and, correspondence with Ron Schoeffel, John Beckwith, Garant, and Keith MacMillan.

File contains a mockup of proposed publication; table of contents; and, correspondence from Mike.

File consists of instructions and charts.

File contains letters, postcards, biographical material, and a program of performance of Kasemets' "Zodiacanons and celestial timescapes" at Western Front Lodge, Vancouver (November 14, 1980).

File consists of three volumes and drafts.

File includes drafts and camera-ready copy for this private publication.

File includes a list of works.

File includes a concise summary of I Ching systems; I Ching music: John Cage and I Ching; I Ching and I; I Ching and synergetics; and, Alphabetic oracle.

File includes correspondence from Murray Adaskin, Andra Akers, Roy Ascott (OCA), Dennis Burton, Carl Dahlhaus (form letter), Frank Denyer (Mouth of Hermes), Marvin Duchow, Pat and Cliff Elliott, Malcolm Goldstein, Susan Hicks (CMC), Elaine Keillor, Allan Mattes (Music Gallery); Marshal McLuhan, Georgi L. M. Nachoff, Geoffrey Payzant, Raga-Mala, Victor Schonfield (AMM group), Sylvia Smith, Michael Snow and Joyce Wieland, and Walter ? (Burlington ON).

File contains biographical data; list of compositions and performances to 1967; chronology of avant-garde activities; classified index of compositions; printed BMI catalogue page with additions; notes for the catalogue about works to be issued; 1 score sampler; printed flyer with; personal photographs; and, an index of columns in the Toronto Star, 1959-1963, prepared by Jeremy Strachan.

File contains: Utter chaos by Dennis Burton; Cassiopeia by George Caccioppo, realized by Kasemets; Octet '61 by Cornelius Cardew, realized by Kasemets, 1972; Marcel Duchamp celebration by Jean Dubé; Vexations by Erik Satie (use in Son of Vexations by Kasemets, 1971); and, Sports et Divertissements by Erik Satie.

File contains correspondence with: Frances (James) Adaskin, Murray Adaskin, Bill Aide, Anne Aitchison, Istvan Anhalt, Robert and Mary Ashley, Stanley Lunetta, Larry Austin (Source magazine), John Beckwith, Michael van Biel, George Caccioppo, Barney Childs, Oliver Daniel, Marvin Duchow, Judith Dunn, Morton Feldman, Dick Higgins, Harold Henderson, Otto Joachim, Burton Kaplan, Karl Kohn, Ernst Krenek, Brian Longworth (student composer at McGill), Alvin Lucier, William Maraldo, Edward Miller, John Mills-Cockell, Gordon Mumma, Roger Reynolds, Gardner Read, Raymond Rendall, George Rochberg, Donald Scavarda, Murray Schafer, Harry Somers, Bertram Turetzky, Aurelio de la Vega, Raymond Wilding-White, Eugene Wilson, and Klaus van Wrochem.

File contains: Introduction, Fibonacci Rabbits, Phyllotaxis, SoUNDFLOWER spirals, I Ching harmonics, SoUNdFLOWER QUINTET, and CANONIC SoUNdFLOWER.

File contains an invitation to an exhibit presented by Hamilton Artists Inc., which featured Walter Hickling, Sarah Link, and Sandor Ajzenstat. The invitation includes a handwritten note from Sandor Ajzenstat to Udo Kasemets.

File contains Udo Kasemets' review of the book "Reginald Godden plays : the musical adventures of a Canadian pianist" by Reginald Godden and Austin Clarkson, foreward by Harry Somers (Etobicoke, Ont.: Soundway Press, 1990).

File contains the NOW (Life and Entertainment) section of the newspaper The Spectator from Hamilton, Ontario, which contains an article on Udo Kasemets entitled "Music on the edge of the world." The article is about his multi-media show, Geo(sono)scope : an acoustic atlas of the global village, which was presented at the Hamilton Artists' Inc. studio. The article includes a photograph of Udo Kasemets holding a map of the world, folded as an icosahedron (polyhedron with 20 faces made out of triangles).

Item is a reel-to-reel tape from Pat Elliott, recorded at three schools of art in Toronto.

Item is a reel-to-reel tape, which was recorded at the Electronic Music Studio (EMS) at McGill University by Alcides Lanza, Ted Dawson, Margaret Henry, Michel Longtin, and Bill Miller with a Scully and two Ampex tape machines.

Item is a reel-to-reel tape, which was recorded at York University by Christopher Crawford on a 2-channel Scully and ARP 2500. The tape used *A Chinese-English Glossary of the Mathematical Sciences* as its dictionary or lexicon.

Item is a reel-to-reel tape, which was made by Dick Higgins and Michael Cooper. According to the description on the box, it was "recorded on round hook rug in library of Dick Higgins's house on Cisco Road in Barton, Vermont from 9:15 pm on. Read by Dick Higgins and Michael Cooper, recorded on Sony E.S.P. auto reverse machine at 19 cm, 8-track (mostly blank) stereo. Was supposed to include version by Clive Robertson which failed to arrive in time - proceeded without." The dictionaries used include *Svensk-Engelsk ordbok* (Stockholm: Läromedelsförlaget, Språkförlaget, 1970); David Kin, ed., *Dictionary of American Proverbs* (New York: Philosophical Library, 1955); Pierre Artigue, ed., *Qui sont les leaders congolais?* (Brussels: Editions Europe-Afrique, 1961); Heinz Küpper, ed., *Wörterbuch der Deutschen Umgangsprache*, Band I (Hamburg: Claassen Verlag, 1963); J.E. Mansion, ed., *Mansion's Shorter French and English Dictionary* (Boston: D.C. Heath and Co., 1940); Richard Burn, *A New Law Dictionary* (Dublin: Brett Smith, 1792); Bruce Rodgers, ed., *The Queen's Vernacular, a Gay Lexicon* (San Francisco: Straight Arrow Books, 1972); Hans Sperber and Travis Trittschuh, eds., *Dictionary of American Political Terms* (New York: McGraw Hill Book Company, 1962); Hyman E. Goldin, ed., *A Treasury of Jewish Holidays* (New York: Twayne Publishers, 1952); Marjorie Tallman, *Dictionary of American Folklore* (New York: Philosophical Library, 1959); Hyman E. Goldin, Frank O'Leary, and Morris Lipsius, *Dictionary of American Underworld Lingo* (New York: Twayne Publishers, Inc., 1950); and, Gustav Davidson, *A Dictionary of angels including Fallen angels* (New York: Free Press, 1957).

Item is a reel-to-reel tape, recorded on the left channel only.

Item is a reel-to-reel tape, which was recorded at Ontario College of Art (OCA) East.

Item was recorded at Ontario College of Art (OCA).

Item was recorded at Ontario College of Art (OCA).

Item is a reel-to-reel tape, which was recorded at Ontario College of Art (OCA) East.

Item is a reel-to-reel tape, which was recorded at Ontario College of Art (OCA) East.

Item is a reel-to-reel tape. The label is signed by Udo Kasemets.

Item is a reel-to-reel tape with two readings, one recorded in either direction. The box is signed by Udo Kasemets.

Item is a reel-to-reel tape with two readings, one recorded in either direction. The box is signed by Udo Kasemets.

Item is the master reel-to-reel tape, which includes two versions each of "Mashed potatoes" and "Instant Tea."

Item is a reel-to-reel tape, which includes Spitzer, Mills & Bates Limited; Sani-Flush "Hospital Clean"; and, 30-sec. French TV, according to its label.

Item is the master reel-to-reel tape, which includes All Clear "Du Barry"; 1-20 sec.; and, Beep on No. 3 dead sync, according to its label.

Item is a reel-to-reel tape with a label that reads "Thunder recorded at 15."

Item is a reel-to-reel tape with a label that reads "Thunder recorded at 7 1/2."

Item is a reel-to-reel tape with a label addressed to Udo Kasemets from the (Electronic Music Studio (EMS) at McGill University. The mixing was completed by Ted Dawson and Margaret Henry.