<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "http://lcweb2.loc.gov/xmlcommon/dtds/ead2002/ead.dtd">
<ead>
  <eadheader langencoding="iso639-2b" countryencoding="iso3166-1" dateencoding="iso8601" repositoryencoding="iso15511" scriptencoding="iso15924" relatedencoding="DC">
    <eadid identifier="fritz-spiess-fonds" countrycode="CA" mainagencycode="ON00349" url="https://discoverarchives.library.utoronto.ca/index.php/fritz-spiess-fonds" encodinganalog="identifier"/>
    <filedesc>
      <titlestmt>
        <titleproper encodinganalog="title">Fritz Spiess fonds</titleproper>
      </titlestmt>
      <publicationstmt>
        <publisher encodinganalog="publisher">University of Toronto Media Commons Archives</publisher>
        <address>
          <addressline>130 St. George Street</addressline>
          <addressline>Toronto</addressline>
          <addressline>Ontario</addressline>
          <addressline>Canada</addressline>
          <addressline>M5S 1A5</addressline>
          <addressline>Telephone: (416) 978-6520</addressline>
          <addressline>Email: archives.mediacommons@utoronto.ca</addressline>
          <addressline>https://media-archives.library.utoronto.ca/</addressline>
        </address>
        <date normal="2015-04-13" encodinganalog="date">2015-04-13</date>
      </publicationstmt>
    </filedesc>
    <profiledesc>
      <creation>
      Generated by Access to Memory (AtoM) 2.6.4      <date normal="2023-09-11">2023-09-11 17:08 UTC</date>
    </creation>
      <langusage>
        <language langcode="eng">English</language>
      </langusage>
    </profiledesc>
  </eadheader>
  <archdesc level="fonds" relatedencoding="ISAD(G)v2">
    <did>
      <unittitle encodinganalog="3.1.2">Fritz Spiess fonds</unittitle>
      <unitdate normal="1930/2013" encodinganalog="3.1.3">1930 - 2013</unitdate>
      <repository>
        <corpname>University of Toronto Media Commons Archives</corpname>
        <address>
          <addressline>130 St. George Street</addressline>
          <addressline>Toronto</addressline>
          <addressline>Ontario</addressline>
          <addressline>Canada</addressline>
          <addressline>M5S 1A5</addressline>
          <addressline>Telephone: (416) 978-6520</addressline>
          <addressline>Email: archives.mediacommons@utoronto.ca</addressline>
          <addressline>https://media-archives.library.utoronto.ca/</addressline>
        </address>
      </repository>
      <langmaterial encodinganalog="3.4.3">
        <language langcode="eng">English</language>
      </langmaterial>
      <origination encodinganalog="3.2.1">
        <persname id="atom_7552_actor">Spiess, Fritz</persname>
      </origination>
    </did>
    <bioghist id="md5-05a212b1b9e41e412104e06470f0905b" encodinganalog="3.2.2">
      <note>
        <p>Fritz Spiess is best known for his work as a cinematographer and television commercial director. Born into a family of photographers in Germany in 1925, Spiess received his own box camera at the age of 6. He apprenticed for his father, Karl, prior to WWII and later studied with renowned photographer Tita Binz in Heidelberg. After earning a Master’s in Photography from the Munich Photo School in 1949, Spiess ran his own studio specializing in portrait and industrial photography. He and his wife, Gunild, emigrated to Canada in 1951, and went on to have two daughters and one son.<lb/><lb/>The family settled in Toronto, and Spiess began working for Panda Photography. His photos appeared in such major publications as Life and Mayfair, but in 1956 he was given an opportunity to shoot a film about children with cerebral palsy; his work garnered positive attention, and he was offered a job as a cameraman. During his long career, Spiess worked with five production companies: S.W. Caldwell Ltd. (1954 – 1958); Robert Lawrence Productions Ltd. (1958 – 1967); TDF Film Productions Ltd. (1967 – 1976), Schulz Productions (1976 to 1987) and Rawi-Sherman Films Inc. (1987 – 1991).<lb/><lb/>Spiess recognized the need for an organization to promote and foster Canadian cinematographers and their craft, and he became a charter member and early President of the Canadian Society of Cinematographers (CSC), providing its membership with technical information and professional expertise. Over his career, Spiess was instrumental in assisting younger people in the business through his affiliations with the CSC, International Alliance of Theatrical Stage Employees (IATSE) Local 644, and the Society of Motion Picture and Television Engineers (SMPTE). Spiess also taught courses and gave lectures at Ryerson Polytechnic University and Sheridan College.<lb/><lb/>Spiess shot over 3,000 commercials for more than 300 advertisers, and he earned a number of national and international awards. The Canadian commercial film industry recognized his achievements with the Fritz Spiess Award in 1979, and Spiess was the only cinematographer to receive all three of the CSC’s non-competitive awards (the Fuji award, the Kodak New Century award, and the Bill Hilson award). He also won international awards at Cannes and Venice. Spiess’ artistry and generosity earned him the nickname “the dean of Canadian cinematography”.<lb/><lb/>Fritz Spiess died in Toronto in 1998.</p>
      </note>
    </bioghist>
    <odd type="publicationStatus">
      <p>Published</p>
    </odd>
    <odd type="institutionIdentifier">
      <p>University of Toronto Media Commons</p>
    </odd>
    <accruals encodinganalog="3.3.3">
      <p>Two accruals</p>
    </accruals>
    <processinfo>
      <p>
        <date>Created on April 13, 2015</date>
      </p>
    </processinfo>
    <accessrestrict encodinganalog="3.4.1">
      <p>Preservation concerns may limit access, consult archivist.</p>
    </accessrestrict>
    <userestrict encodinganalog="3.4.2">
      <p>Media Commons does not own copyright of collection materials. Consult rights holder for reproduction(s).</p>
    </userestrict>
    <otherfindaid encodinganalog="3.4.5">
      <p>Contact archivist for further finding aid information.</p>
    </otherfindaid>
    <dsc type="combined">
      <c otherlevel="accession" level="otherlevel">
        <did>
          <unittitle encodinganalog="3.1.2">2006.011 accrual</unittitle>
          <unitid encodinganalog="3.1.1" countrycode="CA" repositorycode="ON00349">2006.011</unitid>
          <unitdate normal="1941/1987" encodinganalog="3.1.3">1941 - 1987</unitdate>
          <physdesc encodinganalog="3.1.5">
        12.5 m of textual records<lb/><lb/>7,835 photographs<lb/>· 3,288 prints<lb/>· 500 composite/retouched packages<lb/>· 2,889 (2,795 acetate/polyester negatives, 94 glass negatives)<lb/>· 1,158 slides/transparencies<lb/><lb/>64 audio recordings<lb/>49 open reels : ¼ in. ; video<lb/>15 audio cassettes<lb/><lb/>337 video recordings<lb/>12 open reels : 1 in.  ; video  (ca. 33 min.)<lb/>217 video cassette :  ¾ in. U-Matic  (ca. 44.8 hrs.)<lb/>74 video cassettes : VHS   (ca. 42.8 hrs.)<lb/>6 video cassettes :  BetacamSP   (ca. 2.3 hrs.)<lb/>26 video cassettes  : Digital Betacam   (ca. 26.5 hrs.)<lb/>2 video cassettes :  CVC   (ca. 20 min.)<lb/><lb/>153 cinefilms<lb/>10 reels :  production elements , colour ; 8mm  (ca. 5 min.)<lb/>9 reels : release print , b&amp;w ;  16mm   (ca. 79 min.)<lb/>1 reel : duplicate negative , b&amp;w ; 16mm   (ca. 30 min.)<lb/>2 reels  :  negative ,  colour ; 16mm   (ca. 27 min.)<lb/>1 reel  : duplicate negative , colour ; 16mm   (ca. 27 min.)<lb/>3 reels : interpositive , colour ;  16mm  (ca. 75 min.)<lb/>1 reel : workprint , colour ; 16mm   (ca. 22 min.)<lb/>84 reels : release print , colour ; 16mm   (ca. 32.73 hrs.)<lb/>3 reels  :  full coat magnetic soundtrack ; 16mm   (ca. 100 min.)<lb/>1 reel :  interpositive , colour ;  35mm   (ca. 11 min.)<lb/>38 reel : release print , colour ; 35mm  (ca. 44 min.)<lb/><lb/>1,945 sets of cinex strips<lb/>· 865 sets of 35mm b&amp;w Cinex strips<lb/>· 400 sets of 35mm col. Cinex strips<lb/>· 680 strips 16mm Cinex (col., b&amp;w)<lb/><lb/>115 graphic materials<lb/>· 102 unframed items<lb/>· 13 framed items<lb/><lb/>artifacts<lb/>books (266 titles)<lb/>periodicals (38 titles)    </physdesc>
          <langmaterial encodinganalog="3.4.3">
            <language langcode="eng">English</language>
          </langmaterial>
        </did>
        <odd type="publicationStatus">
          <p>Published</p>
        </odd>
        <scopecontent encodinganalog="3.3.1">
          <p>This fonds includes six series, divided by format. These are: Textual Material, Photographic Material, Audio Material, Video Material, Cinefilm/Cinex, and Artifacts.<lb/><lb/>The first series, Textual Material, is chiefly made up of scripts, storyboards, production files, research files, correspondence, meeting notes, equipment files, technical drawings, bylaws, cast/crew lists, contracts and proposals.<lb/><lb/>The second series, Photographic Material, represents all periods of Spiess’ career, from his early portraiture and fine art images to his industrial/commercial work to production stills documenting his cinematographic work. This series is divided into two subseries: PH.1239 &amp; PH.610977 and PH.240609.<lb/><lb/>The third series, Audio Material, includes soundtrack production elements and music.<lb/><lb/>The fourth series, Video Material, includes high quality dubs of the various versions of the finished commercial productions, as well as production elements for those commercials shot on video.<lb/><lb/>The fifth series, Cinefilms/Cinex, includes finished release prints of the various commercials as well as a number of short films by Spiess.<lb/><lb/>The sixth series, Artifacts, consists of examples of the tools that Spiess used to teach his students, as well as mementos of his involvement with the CSC.<lb/><lb/>This fonds includes 1,635 examples of Spiess’ commercials with most of the major local<lb/>and national clients represented. Clients/Products advertised include:<lb/><lb/>7Up<lb/>AT&amp;T<lb/>Avon<lb/>Bank of Montreal<lb/>The Bay<lb/>Black Magic Chocolates<lb/>Black and Decker Tools<lb/>Buick<lb/>Canada Post<lb/>Canada Savings Bonds<lb/>Canadian Tire<lb/>Carling Brewery<lb/>Coca-Cola<lb/>Continental Bank<lb/>Dairy Queen<lb/>Dial Soap<lb/>Canada Homes<lb/>Chrysler<lb/>CIBC<lb/>CNCP<lb/>Dare Cookies<lb/>Eastern Sound<lb/>Eaton Centre<lb/>Ford Motor Co.<lb/>General Motors Canada/GMC<lb/>Great West Life<lb/>Gulf Oil<lb/>GWG Jeans<lb/>Hitachi<lb/>HIV/AIDS prevention PSA<lb/>Imperial Oil/Esso<lb/>International Nickel<lb/>Jello<lb/>Kelloggs<lb/>Kotex<lb/>Lipton Teas<lb/>Maclean’s<lb/>Mattel Toys<lb/>McDonalds Restaurants<lb/>Micron Skates<lb/>Miracle Food Mart<lb/>Molson Breweries<lb/>Monarch Cakes<lb/>Oldsmobile<lb/>Ontario Hydro<lb/>Ontario Lottery<lb/>Ontario Ministry of Natural Resources<lb/>Oscar Myer Wieners<lb/>Panasonic<lb/>Pontiac<lb/>Rustoleum<lb/>Sears<lb/>Sherwin Williams paint<lb/>Timex<lb/>Uniroyal<lb/>Xerox<lb/>As well there are AV materials relating to his full length film<lb/><lb/>Die Thomaner (1941)<lb/>Don’t Hurry Past: Cerebral Palsy</p>
        </scopecontent>
        <controlaccess>
          <genreform>Audio</genreform>
          <genreform>Textual records</genreform>
          <genreform>Photographs and art</genreform>
          <genreform>Film and video</genreform>
          <genreform>Objects</genreform>
          <genreform>Publications</genreform>
        </controlaccess>
        <processinfo>
          <p>
            <date>Created on April 27, 2015</date>
          </p>
        </processinfo>
        <accessrestrict encodinganalog="3.4.1">
          <p>Preservation concerns may limit access, consult archivist.</p>
        </accessrestrict>
        <userestrict encodinganalog="3.4.2">
          <p>Media Commons does not own copyright of collection materials. Consult rights holder for reproduction(s).</p>
        </userestrict>
        <otherfindaid encodinganalog="3.4.5">
          <p>Contact archivist for further finding aid information.</p>
        </otherfindaid>
      </c>
      <c otherlevel="accession" level="otherlevel">
        <did>
          <unittitle encodinganalog="3.1.2">2014.003 accrual</unittitle>
          <unitid encodinganalog="3.1.1" countrycode="CA" repositorycode="ON00349">2014.003</unitid>
          <unitdate normal="1930/2013" encodinganalog="3.1.3">1930 - 2013</unitdate>
          <physdesc encodinganalog="3.1.5">
        7 lin. cm textual records<lb/><lb/>13 cinefilms<lb/>4 reels : original print , b&amp;w ; 16mm   (1277 ft.)<lb/>1 reel : print outtakes , b&amp;w ; 16mm   (427 ft.)<lb/>1 reel  : reversal film , b&amp;w ; 16mm  (115 ft.)<lb/>2 reel : film compilation, b&amp;w ; 16mm (1451 f t.)<lb/>4 reels :  reversal film, colour  ; 16mm (1731 ft.)<lb/><lb/>4 video recordings<lb/>4 video cassettes :  Digital Betacam   (123 mins.)<lb/><lb/>5 audio recordings<lb/>2 optical discs :  DVD ; audio<lb/>3 reels :  ¼ in.  ; audio   (ca. 30 mins.)<lb/><lb/>164 photographs<lb/>48 glass negatives (b&amp;w)<lb/>67 35 mm negatives (60 colour, 7 b&amp;w negatives)<lb/>6 35 mm panoramic negatives<lb/>16 polaroids<lb/>25 prints (22 colour, 3 b&amp;w)<lb/>2 contact sheets (colour)<lb/><lb/>Books (3 titles)    </physdesc>
          <langmaterial encodinganalog="3.4.3">
            <language langcode="eng">English</language>
          </langmaterial>
        </did>
        <odd type="publicationStatus">
          <p>Published</p>
        </odd>
        <scopecontent encodinganalog="3.3.1">
          <p>This fonds is divided into 5 series, divided by format. These are: Cinefilm, Video Materials, Audio Materials, Photographic Materials, Textual Records.<lb/><lb/>The first series, Cinefilm, contains original prints in both b&amp;w and colour. It includes home movies, newsreels, as well as Spiess’s debut film Die Thomaner.<lb/><lb/>The second series, Video Materials, contains Digital Betacam cassettes. These include transfers of commercials, home movies, and Die Thomaner.<lb/><lb/>The third series, Audio Materials, includes soundtrack elements and radio commercials.<lb/><lb/>The fourth series, Photographic Materials includes behind the scenes photos of commercial shoots, family portraits, and glass negatives by Spiess’s father, Karl.<lb/><lb/>The fifth series, Textual Materials, includes papers relating to the formation of the first accrual of the Fritz Spiess archive. It also includes several periodicals that featured work by Spiess and technical literature about technologies of the day.<lb/><lb/>This fonds includes textual, photographic, graphic material relating to a number of productions/entities/products, including:<lb/><lb/>•	The Canadian Society of Cinemathographers 1957- 2007 (2007)<lb/>•	Upside Down: Les Artiques (2008)<lb/>•	Upside Down: Les Artiques (2011)<lb/>•	Eskimo Art Film<lb/>•	Fritz Spiess fonds<lb/>•	“Jamaican Pumpkin”<lb/>•	Karl Spiess<lb/>•	Pledge<lb/><lb/>This fonds includes audio-visual material relating to a number of productions/entities/commercial products, including:<lb/><lb/>•	Spiess Family German home movies (1930 – 1941)<lb/>•	Die Thomaner (1941)<lb/>•	Spiess Family Canadian home movies (1950s)<lb/>•	Canada 100 Centennial Film<lb/>•	Carling Black Label<lb/>•	Eskimo Art Film<lb/>•	Gulf<lb/>•	Inco<lb/>•	Playboy</p>
        </scopecontent>
        <controlaccess>
          <genreform>Textual records</genreform>
          <genreform>Film and video</genreform>
          <genreform>Audio</genreform>
          <genreform>Photographs and art</genreform>
          <genreform>Publications</genreform>
        </controlaccess>
        <processinfo>
          <p>
            <date>Created on April 27, 2015</date>
          </p>
        </processinfo>
        <accessrestrict encodinganalog="3.4.1">
          <p>Preservation concerns may limit access, consult archivist.</p>
        </accessrestrict>
        <userestrict encodinganalog="3.4.2">
          <p>Media Commons does not own copyright of collection materials. Consult rights holder for reproduction(s).</p>
        </userestrict>
        <otherfindaid encodinganalog="3.4.5">
          <p>Contact archivist for further finding aid information.</p>
        </otherfindaid>
      </c>
    </dsc>
  </archdesc>
</ead>
