Identity area
Reference code
Title
Date(s)
- 1979-2004 (Creation)
Level of description
Fonds
Extent and medium
36 m of textual records
10,301 photographs
44 contact sheets
41 contact sheets : colour ; 8 x 10
3 contact sheets : b&w ; 8 x 10
444 prints
214 prints : colour
230 prints : b&w
6,936 slides
6929 transparencies : colour ; 35mm
7 transparencies : b&w ; 35mm
770 negatives : colour
18 negatives : b&w
3 optical discs : photographic ; CDROM, contains 1752 colour images ; 337 b&w images
7 graphic materials
· 7 posters
1006 audio recordings
35 open reels : audio ; 2 in. 24 track tape (35 hr.)
23 audio cassettes (26 hr.)
488 audio cassettes ; DAT (492 hr., 31 min.)
390 audio cassettes : DA88 (831 hr., 18 min.)
67 optical discs : audio ; CD (37 hr.)
3 Zip Discs
10,228 video recordings
· 194 ¾ in. tapes (137 hr., 56 min.)
· 437 ½ in. Digital Betacam cassettes (336 hr., 38 min.)
· 8,098 ½ in. Betacam SP (4529 hr., 33 min.)
· 22 DVC Pro cassettes (22 hr.)
· 3 CDROMs (23 hr., 30 min.)
· 135 DV Cam (93 hr.)
· 1 DVD
· 168 Hi8 cassettes (204 hr., 20 min.)
· 303 MiniDV cassettes (296 hr., 8 min.)
· 866 VHS cassettes (682 hr., 52 min.)
· 1 Zip Disc
1, 114 cinefilms
· 1,114 reels 16mm negative (852,060 ft)
254 electronic materials
· 136 3.5 floppy discs (bearing textual records)
· 111 CDROMS (bearing textual records)
· 7 Zip Discs (bearing textual records)
1 plaque
Context area
Name of creator
Administrative history
Born to Hungarian Holocaust survivors in 1949, Laszlo Barna arrived in Montreal shortly after the Soviet Union’s Red Army suppressed the 1956 Hungarian democratic revolt. He attended McGill University in the late 1960s and, after a brief period as an academic, he became an independent filmmaker. In the late 1970s, he moved with his partner (Laura Alper) and their daughter to Toronto, where they established BarnaAlper Productions.
Initially, the company produced industrial films (primarily for unions, including the Canadian Auto Workers). Later, they produced small documentaries at the National Film Board, but their big break came in 1989 when CBC introduced the all-news channel Newsworld. Barna pitched a weekly current affairs, called Workweek, which became their first broadcast series. Over the next decade, BarnaAlper continued to produce factual series (including Frontiers of Construction, one of the first shows commissioned by Discovery Canada, and Turning Points of History, one of the first programs commissioned by History Television in 1997). Through this period, Alper began to take a less active role in the day-to-day affairs of the company, and she now serves as a consultant. In 1996, BarnaAlper entered the field of dramatic programming with the story of Teamster leader Diana Kilmury. The movie-of-the-week met with critical success in Canada and the United States, and the company began developing a slate of new dramatic projects. In 2008, BarnaAlper was acquired by Entertainment One (E1).
The company has won numerous awards, among them Geminis for Best Dramatic Series, Best Documentary Series, Best Sports Program or Series, Best Science, Technology, Nature and Environment Documentary Program, and Best History Documentary Program. They have also been recognized at prestigious TV festivals in the United States, including the Columbus International Film and Video Festival, Double Take, and the Chicago International TV Festival.
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
This fonds consists of two series: ‘Textual’ and ‘AudioVisual’.
The first series, ‘Textual’, is divided into 27 subseries, each pertaining to a specific production or project.
Each of these subseries is further subdivided into 8 subsubseries: ‘Development’, ‘Production’, ‘Photography’, ‘PostProduction’,
‘Distribution’,‘Marketing’, ‘Business Affairs’, ‘Press and Publicity’.
The second series, ‘AudioVisual’, is also subdivided by production.
These are in turn divided into 3 subsubseries: Cinefilm (consisting of 16mm colour negative), Video Recordings (consisting of ¾ in. cassettes, Digital Betacam cassettes, BetacamSP cassettes, DVC Pro cassettes, DVCam cassettes, PAL cassettes, VHS cassettes, Hi8 cassettes, DVDs, Mini DV cassettes, CDROMs and a Zip Disc), and Audio Recordings (consisting of multitrack magnetic reels, ¼ in. magnetic reels, digital cassettes, DA88 cassettes, CDs, and Zip Discs.)
This fonds includes graphic and textual material relating to a number of productions,
including:
The Negotiator (Television, 1994)
Life and Times (Television, 1996)
The Tenure of Dr. Fabrikant (Television, 1996)
The Conjuror (Television, 1997)
Diana Kilmury: Teamster (Television, 1997)
Turning Points of History (Television, 1997)
Gambling: A Risky Business (Television, 1997)
Workweek: In Pursuit of Tomorrow (Television, 1997)
At the End of the Day: The Sue Rodriguez Story (Television, 1998)
Da Vinci’s Inquest (Television, 1998)
The Body: Inside Stories (Television, 1998)
Hard Time: The David Milgaard Story (Television, 1999)
Frontiers of Construction (Television, 1999)
The Sexual Century (Television, 1999)
Scorn (Television, 2000)
Blue Murder (Television, 2000)
Offspring (Television, 2000)
Betrayed (Television, 2001)
Human Wildlife (Television, 2002)
Unholy Water (Television, 2002)
Choice: The Henry Morgentaler Story (Television, 2003)
Ten Days in March (Television, 2003)
Open Hearts: The Cradle Will Fall (Television, 2003)
Show Me Yours (Television, 2004)
Whiskey Echo (Television, 2005)
This fonds includes audiovisual material relating to a number of productions, including:
The Negotiator (Television, 1994)
Life and Times (Television, 1996)
The Tenure of Dr. Fabrikant (Television, 1996)
The Conjuror (Television, 1997)
Diana Kilmury: Teamster (Television, 1997)
Turning Points of History (Television, 1997)
Gambling: A Risky Business (Television, 1997)
Workweek: In Pursuit of Tomorrow (Television, 1997)
At the End of the Day: The Sue Rodriguez Story (Television, 1998)
Da Vinci’s Inquest (Television, 1998)
The Body: Inside Stories (Television, 1998)
Hard Time: The David Milgaard Story (Television, 1999)
Frontiers of Construction (Television, 1999)
The Sexual Century (Television, 1999)
Scorn (Television, 2000)
Blue Murder (Television, 2000)
Offspring (Television, 2000)
Betrayed (Television, 2001)
Human Wildlife (Television, 2002)
Unholy Water (Television, 2002)
Choice: The Henry Morgentaler Story (Television, 2003)
Ten Days in March (Television, 2003)
Open Hearts: The Cradle Will Fall (Television, 2003)
Show Me Yours (Television, 2004)
Whiskey Echo (Television, 2005)
Appraisal, destruction and scheduling
Accruals
No further accruals expected.
System of arrangement
Conditions of access and use area
Conditions governing access
Preservation concerns may limit access, consult archivist.
Conditions governing reproduction
Media Commons does not own copyright of collection materials. Consult rights holder for reproduction(s).
Language of material
- English
Script of material
Language and script notes
Physical characteristics and technical requirements
Finding aids
Contact archivist for further finding aid information.
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Dates of creation revision deletion
Created on Mar. 18, 2015
Language(s)
- English