This accession for Margaret Atwood’s papers contains publishers’ correspondence; media; promotional materials; materials related to theatre and film including adaptations of her work and librettos she has written; professional correspondence; personal correspondence; awards and honorary degrees; fan mail; press clippings; and other material related to her life and work.
This Margaret Atwood accession complements and builds on the existing Atwood collections held at the Fisher Library. It includes manuscript drafts – both holograph and word processed – of Atwood’s 2006 short story collection Moral Disorder, as well manuscripts and related material for various projects, including short articles, lectures and speeches. There is also a large collection of material dealing with various causes (cultural and environmental, as well as her work with PEN Canada), and administrative material dealing with the founding of the Griffin Award for Poetry
The latest accession of Margaret Atwood’s papers complements and builds on the Atwood Papers held at the Fisher Library. It consists of a large collection of juvenilia, both her’s and her brother’s, as well as letters written by Atwood to her parents over a 40- year period. The papers also include manuscripts, including the holograph drafts of individual poems, from Atwood’s collection of poems, The Door (published in 2007), as well as manuscripts and editorial material for Moral Disorder and the stage version of The Penelopiad.
This latest accession of the Margaret Atwood Papers complements and builds on the Atwood collections held at the Fisher Library. It consists of draft manuscripts for the 2008 Massey Lectures delivered by Atwood, collected and published as Payback: Debt and the Shadow Side of Wealth (House of Anansi Press, 2008), as well as research material for the lectures. There is also an extensive collection of media clippings, including reviews, for the Atwood books Moral Disorder, The Tent, Up in the Tree and The Penelopiad (book and stage production), as well as correspondence, largely editorial (including marketing and book tour information) on those books. The papers also include correspondence from various friends and colleagues of Atwood, including June Callwood, Dorothy Livesay, John Newlove, James Reaney, Jane Rule and Carol Shields.
This accession contains notes, drafts, editorial correspondence (with Ellen Seligman and others) and research for Hag-Seed: The Tempest Retold; the Rolex Mentor and Protégé Arts Initiative in which Margaret Atwood mentored writer Naomi Alderman; appearances; short pieces; essays; interviews; media for various projects including her graphic novel with Johnnie Christmas, Angel Catbird; a draft of Dark Backward, early title of Hag-Seed; material related to the upcoming Netflix mini-series Alias Grace directed by Sarah Polley; fan mail; editorial and other correspondence; the City Opera Vancouver production of Pauline; and other material
The collection consists of drafts and final typescripts of literary works, original art work, correspondence, juvenilia, printed appearances, printed material, critical and audio-visual material, and works about Atwood.
Collection of manuscripts, correspondence mainly with her agents and publishers, promotional materials and reviews relating to: Good Bones (1992), The Robber Bride (1993), Morning in the Burned House (1995), Strange Things (1995), and Alias Grace (1996); critical and biographical essays.
Includes drafts, proofs, editorial correspondence and other material related to MaddAddam; The Year of the Flood [early title ‘God’s Garden’]; promotional material, publisher’s correspondence, website, early preliminary material; the ‘Trace’ play; film scripts and correspondence for Grace Marks/Alias Grace, Life Before Man, The Robber Bride, Lady Oracle, Cat’s Eye, The Edible Woman, ‘Score: a hockey musical’ [MA singing cameo]; print and personal appearances, activism and other activities; short pieces, essays, speeches; Nashville Public Television interview, and research files for The Year of the Flood, Oryx and Craik, MaddAddam
Includes drafts, notes, proofs for Stone Mattress: Nine Tales; The Handmaid’s Tale ballet by the Royal Winnipeg Ballet; “I’m Starved For You” short story (part of The Heart Goes Last) published digitally only with Byliner/Positron, online publisher; drafts, notes and other material related to Margaret Atwood’s new novel The Heart Goes Last, including extensive editorial notes and comments by Ellen Seligman; ‘Cause Files’; letters of recommendation by Margaret Atwood; appearances; In Other Worlds foul matter; MaddAddam media; general media; fan mail 2013-2014; various small projects; general media; general fan mail; ‘fantastic fan mail’; Future Library press archive
Includes extensive family and personal correspondence, 1940s to the present; The Handmaid’s Tale TV series media; Alias Grace TV series media; The Heart Goes Last dead matter; appearances; print; juvenilia including papier mache puppets made in high school; Maternal Aunt Joyce Barkhouse (author of Pit Pony and Anna’s Pet), fan mail; professional correspondence and other material.
This year’s accession of Margaret Atwood Papers complements and builds on the Atwood papers held at the Fisher Library. It includes the manuscript drafts of The Year of the Flood (published 2009), along with editorial material (manuscripts, galleys, correspondence) for other Atwood books and projects including Rude Ramsey and the Roaring Radishes, Payback, the stage version of The Penelopiad, The Blind Assassin, The Handmaid’s Tale, among other titles, and also includes various speeches, book reviews and other writing work.
Includes drafts, correspondence and other material for In Other Worlds: Science Fiction and the Human Imagination; essays, short pieces, speeches, activism, charitable pursuits, publishing and personal correspondence, books in translation and various editions, DVDs and CDs of appearances, posters, flyers, and other material related to the life and work of Margaret Atwood.