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Description archivistique
Kathleen Parlow fonds
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Kathleen Parlow fonds

  • OTUFM 02
  • collection
  • 1878-1967, 2016, predominant 1908-1950

Fonds consists of material relating to Kathleen Parlow's personal life and her musical career, including photographs, correspondence, daybooks, sheet music, concert programs, press, and personal material.

Parlow, Kathleen

Photographs

Series contains photographs collected, maintained, and/or accumulated by Kathleen Parlow. Photographs depict Kathleen Parlow's life, musical career (including photographs of the Parlow String Quartet), and travels to various places including Hawaii and Asia. Also includes photographs of various individuals including but not limited to: Kathleen Parlow; Minnie Parlow; Leopold Auer; Thomas Edison; Arthur Hinton; Harold Bauer; Samuel Gilbert Colt; Willen Willeke; Johan Halvorsen; Henry Scheadieck; Erich Wolff; Ernesto Consolo; Wanda De Stein; Mischa Elman; Marie Hall; and, Jascha Heifetz.

Individual photographs

  • OTUFM 02-1-1
  • Sous-série organique
  • 1878-1963, predominant 1900-1960
  • Fait partie de Kathleen Parlow fonds

Subseries consists of individual photographs from 1900-1960. Photographs depict Kathleen Parlow's life, musical career (including photographs of the Parlow Strong Quartet), and travels to various places including Hawaii and Asia. Also includes photographs of various individuals including but not limited to: Kathleen Parlow; Minnie Parlow; Leopold Auer; Thomas Edison; Arthur Hinton; Harold Bauer; Samuel Gilbert Colt; Willen Willeke; Johan Halvorsen; Henry Scheadieck; Erich Wolff; Ernesto Consolo; Wanda De Stein; Mischa Elman; Marie Hall; Jascha Heifetz.

Family records

Subseries consists of records relating to Kathleen Parlow's family, including her mother, Minnie Parlow.

Professional and promotional material

Subseries consists of drafts of articles by Kathleen Parlow, including: "Art and Music," published in the Royal Conservatory of Music of Toronto Monthly Bulletin (April 1953); and "Student days in Russia," published in the Canadian Music Journal (Fall 1961).

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