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University of Toronto Electronic Music Studio tape collection
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University of Toronto Electronic Music Studio tape collection

  • CA OTUFM 54
  • Collection
  • 1949-1988, predominant 1959-1979

Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer, and accompanying reports and manuals used in the studio.

University of Toronto. Electronic Music Studio

Accompanying research materials and manuals

Series consists of select manuals and electronic music studio reports from the University of Toronto Electronic Music Studio (UTEMS). Reports and manuals were collected from various other studios around the world.

  1. Music IV programmer’s manual / M.V. Mathews, Joan E. Miller (Bell Telephone Laboratories, Incorporated, [1965])
  2. Panot : libellus proprius / George J. Skapski (California State University, 1975)
  3. Microphones and their general applications in broadcasting (Canadian Broadcasting Corporation, February 1961)
  4. The CMU MIDI toolkit : “Charles Ives” edition / Roger B. Dannenberg (Carnegie Mellon University, August 13, 1986)
  5. Status of the Case Studio for Experimental Music / R. Wilding-White, W. Hemsath (Case Studio for Experimental Music, December 1965)
  6. Colgate University computer music system (1975)
  7. Studi musicali DCMP : versione per il sistema 360/67 / P. Grossi, G. Sommi (Consiglio Nazionale delle Richerche, 1974)
  8. Musical studies : summary of activities from 1969-1975 / G. Baruzzi, P. Grossi, M. Milani (Italian National Research Council = Consiglio Nazionale delle Richerche, November 1975)
  9. Studi musicali modalità operative del TAUMUS, software di gestione del terminale audio TAU2 / Pietro Grossi (Consiglio Nazionale delle Richerche, 1976)
  10. Algorithmic music language : an interface guide form AML-1.0 (Electronic Arts Research, 1981)
  11. Algorithmic music language : an introduction and user’s guide to AML-1.0 (Electronic Arts Research, 1981)
  12. MIDI live : programmer’s manual, version 1.0 / Bruce Pennycook, Basil Hilborn, Ichiro Fujinaga ([McGill University Electronic Music Studio], November 1990)
  13. Music-11 tutorial / [Barry Vercoe?] [Experimental Music Studio, Massachussetts Institute for Technology]
  14. MUSICOMP, an experimental computer aid for the composition and production of music / P.P. Tanner (National Research Council of Canada, August 1972)
  15. An electronic studio manual : for use with R.A. Moog’s voltage controlled, modular sythesizing equipment / Ronald Pellegrino (Ohio State University College of the Arts, 1969)
  16. Electronic music : a handbook of synthesis and control (ORCUS Operational Research Company, 1971)
  17. Beginner’s manual of Music 4B / Gerald Warfield [Princeton University, 1967]
  18. The reference manual of Music 4B / Godfrey Winham [Princeton University, n.d.]
  19. DARMS : a reference manual / Raymond Erickson ([Queens College of the City of New York], June 1976)
  20. MASC : meta-language for adaptive synthesis : FORTH 79/83 standard listings (Electro-Acoustic Studio, Music Department, San Jose State University, 1987)
  21. Computer simulation of music instrument tones in reverberant environments / John M. Chowning, John M. Grey, Loren Rush, James A. Moorer (Center for Computer Research in Music and Acoustics, Department of Music, Stanford University, June 1974)
  22. Report on contemporary experimental music / L.A. Hiller, Jr. [University of Illinois, Experimental Music Studio, 1961]
  23. A report on the Magnavox sponsored research investigation : The development of new electronic systems for generating musical sound (University of Illinois, Experimental Music Studio, August 1964)
  24. Electronic music : resources for performance groups and general music classes / Fred Willman (University of Missouri-St. Louis, September 1979)
  25. Macro Music I : user’s guide and language reference manual / Lawrence Sasaki (University of Toronto Department of Electrical Engineering, 1976)
  26. Music software user’s manual / William Buxton (Computer Systems Research Group, University of Toronto, June 24, 1981)
  27. Electronic music manual / Peter J. Clements (University of Western Ontario Faculty of Music, Electronic Studio, 1973)
  28. Studio manual / Jaap Vink, Bill Buxton (Utrecht State University Institute of Sonology, 1974)
  29. Project 1 : extended and modified version (PR1XM) : [program listing] / Gottried Michael Koenig ([Institute of Sonology, Utrecht University], October 1978)
  30. [Project 1] : PR1XM : manual / Gottfried Michael Koenig (Institute for Sonology, University of Utrecht, 1979-1980)
  31. Project 1 : extended and modified version (PR1XM) : [program listing] / G.M. Koenig ([Institute of Sonology, Utrecht University], August 1985)
  32. Project 2/82 : a program for musical composition : manual / G.M. Koenig (Institute of Sonology, Utrecht University, 1984)
  33. Project 2 : Fortran listing / [Gottried Michael Koenig] [Institute of Sonology, Utrecht University, n.d.]

Tape collection

Series consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The series includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer.

Among the tapes that originated at UTEMS are compositions by faculty and students from the Faculty of Music, independent composers who were granted access to the studio, and compositions created by visiting artists, scholars, and composers. Composers at UTEMS included Robert Aitken, John Beckwith, Brian Cherney, Gustav Ciamaga, Richard Henninger, David Jaeger, Larry Lake, John Mills-Cockell, James Montgomery, Harvey Olnick, Dennis Patrick, Myron Schaeffer, David Williams, and many others. Composers from other studios include Milton Babbitt, Henk Badings, Luciano Berio, Hugh Le Caine, Douglas Lilburn, Pierre Schaeffer, Karlheinz Stockhausen, and Vladimir Ussachevsky.

In addition to tapes created at UTEMS, the collections includes compositions created at the following studios, listed alphabetically:

ROM concert

File contains the following works: Echos II / Tomasz Sikorski; Two Etudes / Lowell Cross; Two Inventions / Gustav Ciamaga; Visions / Makoto Shinohara; Vocalism A.I. / Toru Takemitsu; Eclipse / Pril Smiley; Prelude XI (rubber band) / Ilhan Mimaroglu; Song of the second moon / Kid Baltan and Dick Raaijmakers; and, Katimavik / Otto Joachim.

Eonta

Performers : Yuji Takahashi, piano ; P. Thibaut, L. Longo, trumpets ; J. Toulon, G. Moisan, M. Chappellier, trombones ; Ensemble Instrumental de Musique Contemporaine de Paris, Konstantin Simonovic, conductor

Xenakis, Iannis

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