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Canadian Broadcasting Corporation dance band collection

  • OTUFM 68
  • Collection
  • 1833-1980, predominantly 1926-1951

Collection consists of dance band arrangements of popular songs amassed by the Canadian Broadcasting Corporation. The arrangements are predominantly foxtrots, but other dance forms are also represented: beguine, bolero, bossa nova, calypso, cha cha, gavotte, guaguancó, guajira, guaracha, habanera, jig, jump dance, mambo, march, mazurka, one-step, paso doble, polka, rumba, samba, serenade, son, swing, tango, two-step, waltz, and more.

The majority of arrangements are American imprints, but the collection also includes publications from Europe, Mexico, Cuba, and Canada. Many items also include a copy of the sheet music for voice and piano, and some also include manuscript parts, created or copied by Louis Waizman, who worked as a staff arranger from 1933 to 1951 for the Canadian Radio Broadcasting Commission (CRBC, renamed CBC in 1936).

Canadian Broadcasting Corporation.

Herman Geiger-Torel collection

  • OTUFM 05
  • Collection
  • 1934-1976

Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.

Geiger-Torel, Herman

Phil Nimmons fonds

  • OTUFM 30
  • Fonds
  • 1940-1997

Fonds consists primarily of manuscript scores and parts for music written, arranged, and orchestrated by Phil Nimmons. Materials also include annotated scripts for incidental music that Nimmons wrote for various Canadian Broadcasting Corporation (CBC) radio and television productions. Fonds includes scores and parts for two ensembles that Nimmons led, Nimmons 'N' Nine, and its expanded version Nimmons 'N' Nine Plus Six, as well as various other ensembles.

Nimmons, Phil

Opera Exchange fonds

  • OTUFM 86
  • Fonds
  • 2001-2015, 2001-2009 predominant

Fonds consists of programs, speaking notes, correspondence, and newspaper clippings relating the Opera Exchange, an initiative co-organized by University of Toronto professors Caryl Clark and Linda Hutcheon, in conjunction with the Munk Centre for International studies (2001-2002) and the Canadian Opera Company (COC) (2003-2015).

The Opera Exchange held three symposia per year, with the aim to create a collaborative environment where students, faculty, and members of the public could discuss opera from various perspectives and disciplines, including musicology, literature, drama, history, political science, and gender studies. The program was initially named "The Humanities Initiative" and early symposia focused on works performed by the University of Toronto Opera School, Opera Atelier, and the COC.

Symposia:

  • 2002 Humanities Initiative symposia (Munk Centre for International Studies, University of Toronto)
    • Transformations of Salome (January 19, 2002)
    • Iron Road: intersecting dreams and dialogues (March 1, 2002)
    • The many faces of Boris Godunov (April 6, 2002) [in collaboration with the Centre for Russian and East European studies)
  • 2002-2003 Humanities Initiative symposia (Munk Centre for International Studies, University of Toronto)
    • Oedipus Rex: plagues and politics (October 5, 2002)
    • Apprenticing with a sorceress: Handel's Alcina (November 15, 2002)
    • Taptoo! (March 8, 2003)
  • 2003-2004 Opera Exchange symposia (Munk Centre for International Studies, University of Toronto
    • Peter Grimes: the loner vs. the town (October 4, 2003)
    • Falstaff: the maestro takes on the bard (January 31, 2004)
    • Die Walküre: why Wagner? (April 17, 2004)
  • 2004-2005 Opera Exchange symposia (Bader Theatre, Victoria University)
    • The Handmaid's tale: no balm in this Gilead (October 2, 2004)
    • Siegfried: the forging of a hero (January 29, 2005)
    • Tancredi: Sicilians, Saracens, singers (April 2, 2005) [in conjunction with an American Musicological Society chapter meeting at the University of Toronto]
  • 2005-2006 Opera Exchange symposia (Faculty of Music and Bader Theatre)
    • Rodelinda and Carmen: girls night out! (October 22, 2005 at Walter Hall)
    • Götterdämmerung: return of the ring (February 4, 2006 at Bader Theatre)
    • Wozzeck : opera for a modern age (April 1, 2006 at Bader Theatre)
  • 2006 Opera Exchange symposia on Wagner's Ring Cycle (Bader Theatre, Victoria University)
    • Cycle I: putting the ring on stage (September 16, 2006)
    • Cycle II: putting the ring in context (September 13, 2006)
    • Cycle III: putting the ring on record (September 30, 2006 at Hilton Hotel)
  • 2007-2008 Opera Exchange symposia (Bader Theatre, Victoria University)
    • Who (what) is the real Don Carlos? on Verdi's Don Carlos (October 27, 2007)
    • To be or not to be: from the house of the (living dead) on Janacek's From the House of the Dead (February 9, 2008)
    • Letting down your hair with Pelléas and Mélisande (May 20, 2008)
  • 2008-2009 Telling Stories through Opera, The Opera Exchange, three symposia in conjunction with the Jackman Humanities Institute
    • Monster opera: Prokofiev's War and Peace (October 18, 2008)
    • Love and liberation: Beethoven's Fidelio (January 31, 2009)
    • "Antique fables and fairy toys": Britten's A Midsummer Night's Dream (May 9, 2009)
  • 2009-2010 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Stravinsky/Lepage: a magical meeting of minds (October 17, 2009)
    • Shakespeare's Othello and Verdi's Otello: staging jealousy (February 6, 2010)
    • Staging Der fliegende Holländer for our times? (May 1, 2010)
  • 2010-2011 "Voice and Spectacle," The Opera Exchange, three symposia presented by the Jackman Humanities Institute, Faculty of Music, and the Canadian Opera Company
    • Death in Venice gets a new life in Toronto (October 16, 2010)
    • Nixon in China: giving voice to our own history (February 13, 2011)
    • Ariadne auf Naxos from A-Z (May 14, 2011)
  • 2011-2012 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • A Greek family reunion: Gluck's Iphegenie en Tauride (October 1, 2011)
    • Long distant loving: Saariaho's L'amour loin/Love from afar (February 4, 2012)
    • Wilde time: Zemlinsky's A Florentine tragedy (April 22, 2012)
  • 2012-2013 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Let's lighten up! : operetta in context, on Johann Strauss' Die Fledermaus (October 13, 2012)
    • Wagner and adaptation: transformations and excess, on Richard Wagner's Tristan und Isolde (January 31-Febrary 2, 2013)
    • Singing from the scaffold, on Francis Poulenc's Dialogues of the Carmelites (May 11, 2013
  • 2014 Opera Exchange symposium (Munk School of Global Affairs)
    • Coming home: Handel's Hercules (April 4, 2014)
  • 2014-2015 Opera Exchange symposia (Faculty of Music, University of Toronto)
    • Staging operatic comedy: Verdi's Falstaff in context (September 27, 2014)
    • Directors take the stage: debating Regietheater (January 17, 2015).

Clark, Caryl Leslie

Toronto Wagner Society fonds

  • OTUFM 77
  • Fonds
  • 1975-2020

Fonds consists of newsletters and ephemera produced by the Toronto Wagner Society.

Toronto Wagner Society

Ates Tanin collection

  • OTUFM 76
  • Collection
  • 1996-2002

Collection consists of incoming and outgoing correspondence with Dr. Ates Tanin about recordings of pianists Sviatoslav Richter (1915-1997) and Emil Gilels (1916-1985). Tanin was a collector of piano recordings, with a focus on Richter and Gilels, and maintained a website discography of all known recordings of Richter, "Recorded Richter." Tanin also collaborated with Doremi (Willowdale, Ontario) to commercially release several recordings of Richter's live performances.

Collection includes incoming and outgoing correspondence with John Berrie and Falk Schwartz, administrators of the Friends of Sviatoslav Richter, and Dejan Sinadinovic, a member of the Friends of Sviatoslav Richter.

Tanin, Ates

Eugene Kash fonds

  • OTUFM 61
  • Fonds
  • 1920-1997

Fonds consists of programs from his performances, a letter confirming his appointment to the Royal Conservatory of Music (RCM) in Toronto, a newspaper clipping, and his annotated copy of the Canadian Music Centre sheet music for Six Miniatures after Hokusai for violin and piano by Elliot Weisgarber (1972). The fonds also includes two catalogues for his personal music library: one current to 1976, and another current to 1997.

Kash, Eugene

Carl Morey fonds

  • OTUFM 52
  • Fonds
  • 1897-2015

Collection predominantly consists of programs that Carl Morey collected from attending performances and for research purposes. Some programs include program notes written by Morey (e.g., Canadian Opera Company programs, among others), ticket stubs, newspaper clippings of reviews of the performances, and/or autographs from the performers.

Morey, Carl

Music Library collection of faculty events

  • OTUFM 51
  • Collection
  • 1946-present, 1965-present predominant

Collection consists of recordings and programs of performances by by faculty members, students, student ensembles, and guest artists, at one of the Faculty of Music theatres (Walter Hall and MacMillan Theatre), and at other University venues.

University of Toronto. Faculty of Music

Fisher flute collection

  • OTUFM 46
  • Collection
  • [ca. 1760 - ca. 1905]

Collection consists of late-eighteenth, nineteenth, and early-twentieth century flutes, predominantly made by various builders and companies in London, England, as well as two from Paris, one from France, and one from Bayreuth, Germany. The collection covers the mechanization and modernization of the flute, including the addition of holes and keys, and the move from wood to metal for the body of the flute.

Fisher, Sidney T.

Doug Riley fonds

  • OTUFM 40
  • Fonds
  • 1966-2007

Fonds consists of records created, accumulated, and used by Doug Riley between the years 1966-2007. The majority of the records in this fonds is sheet music resulting from collaborations with other musicians, arrangements by Doug Riley, or original compositions. Although the fonds consists largely of jazz music, there is a wide variety of genres including classical music represented. Audio recordings could prove useful in the understanding of Doug Riley's performances or musical techniques.

Throughout his career Doug Riley collaborated in a variety of projects including composing music for theatre, television, awards shows, and social events. The fonds includes evidence of these projects including scripts, itineraries, storyboards, etc.

Also included in the fonds is correspondence between Doug Riley and other prominent figures in the music industry. Many set lists included in the fonds could provide insights into the performances of Doug Riley.

Riley, Doug

Conservatory Chamber Music Club fonds

  • OTUFM 29
  • Fonds
  • 1937-1941

Fonds consists of material relating to the meetings of Conservatory Chamber Music Club. Includes one minute book 1937-1941, including descriptions of programs and list of members.

Conservatory Chamber Music Club

Elyakim (Peter) Taussig fonds

  • OTUFM 13
  • Fonds
  • 1944-1993

Fonds includes audio tapes, video art works, correspondence, compositions and arrangements, scrapbooks, and term papers for Taussig's graduate courses.

Taussig, Elyakim

Kathleen Irwin fonds

  • OTUFM 24
  • Fonds
  • [1930-1939]

Fonds consists of publicity materials for the piano duo of Kathleen Irwin and Winifred Mazzoleni and manuscript scores for voice and piano by Kathleen Irwin.

Irwin, Kathleen

Gallery 345 fonds

  • OTUFM 67
  • Fonds
  • 2005-2019, predominant 2008-2019

Fonds consists of recordings of performances and related ephemera, including programs and posters, from events at Gallery 345 in Toronto, from its opening in 2005 to its closure in 2019.

Epstein, Edward

Emmy Heim fonds

  • OTUFM 58
  • Fonds
  • 1912-1956

Fonds consists of Emmy Heim's lecture notes for the Toronto Conservatory of Music (TCM) and Royal Conservatory of Music in Toronto (RCMT), correspondence, programs, posters, and a photograph. Fonds also includes manuscripts of songs written for, or copied by, Emmy Heim.

Heim, Emmy

Gary Williamson fonds

  • OTUFM 80
  • Fonds
  • 1976-2016

Fonds consists of manuscript lead sheets, parts, and scores created and used by Gary Williamson. It consists of original compositions by Williamson and his arrangements of jazz standards. Most of the arrangements are not dated.

Williamson, Gary

Esprit Orchestra fonds

  • OTUFM 53
  • Fonds
  • 1983-2021

Fonds consists of the administrative records of Esprit Orchestra, from its foundation in 1983 as Esprit Contemporain, to 2021.

Records include meeting minutes and correspondence from the board of directors and associated committees; financial records, including budgets, year-end financial statements, and reports to granting agencies; performance records, including planning files from subscription and non-subscription concerts, national and international tours, and composer commissions; materials relating to the orchestra's education and outreach activities; promotional materials, including posters, photographs, programs, and reviews; records relating to recording projects, including CDs, music for films, and radio broadcasts; awards received by the orchestra and its musical director Alex Pauk; and correspondence with musicians, composers, and other associations.

Esprit Orchestra

John Beckwith fonds

  • OTUFM 10
  • Fonds
  • 1936-2019

Fonds consists of records created by John Beckwith during his career, predominantly relating to his compositions. Materials include sketches, drafts, final copies, texts, performance records, and related correspondence for most of his works, as well as programs, press notices, and recordings of performances.

Other materials include records relating to his activities as a radio commentator and script writer for the Canadian Broadcasting Corporation (CBC); music educator at the University of Toronto; writer of numerous lectures, articles, and books; and music critic for the Toronto Star.

Beckwith, John

Derek Holman fonds

  • OTUFM 49
  • Fonds
  • 1933-2016

Fonds consists of the compositions, recordings, and papers of Derek Holman, a former professor at the Faculty of Music, University of Toronto. The fonds contains manuscript scores and parts by Derek Holman, including original compositions, arrangements and realizations, juvenilia, and sketch materials; audio and video recordings of Holman’s compositions and performances; papers and photographs from Holman’s work with various choirs and churches (including at the University of London, University of Toronto, University of Trinity College, Bishop-Strachan, Royal School of Church Music, St. Simon’s, Concord Singers, Croydon Bach Society, Grace Church-on-the-Hill, and the Canadian Children’s Opera Company); and, Holman’s personal papers, including awards, certificates, degrees, and notebooks.

Holman, Derek

Vic Centro fonds

  • OTUFM 85
  • Fonds
  • 1957-2004

Fonds consists of arrangements by Vic Centro, and related ephemera, including photographs, correspondence, publicity materials, and recordings. Much of the material relates to Centro's time performing and recording in Toronto with Phil Nimmons and CBC radio.

Centro, Vic

Edith McConica fonds

  • OTUFM 72
  • Fonds
  • 1896-1930

Fonds consists of sheet music used by Edith McConica when she accompanied silent films in Luseland, Saskatchewan in the 1920s, as well as some pedagogical sheet music used when she was learning piano from Leora Kridler (Mrs. Milton Herrold) in her home town of Findlay, Ohio, and teaching her children piano in Luseland.

McConica, Edith

Frank Harmantas collection

  • OTUFM 79
  • Collection
  • 1980-1984

Collection consists of unpublished and manuscript scores and parts of arrangements and transcriptions by Frank Harmantas, created for the University of Toronto Trombone Choir. Collection also includes two manuscript arrangements by a student member of the trombone choir, John Wilson.

Harmantas, Frank

Ontario Music Teachers' Association collection

  • OTUFM 82
  • Collection
  • 1936-1944

Collection consists of records from early conventions of the Ontario Music Teachers' Association (OMTA), primarily from the first convention, held at the Royal York Hotel in Toronto (October 6-8, 1936). Papers include programs (1936-1944); correspondence; meeting minutes; lists of registrants; scripts for speeches, including an address by Sir Ernest MacMillan at the first convention; drafts of the OMTA constitution; and proceedings (1936, 1937).

Ontario Registered Music Teachers' Association

Music Pedagogy collection

  • OTUFM 56
  • Collection
  • 1906 - 2010

Collection consists of volumes of music instructional material, predominantly for piano instruction. The collection includes some ear training, theory, and sight reading material as well. Items published in Canada and internationally are included.

University of Toronto Music Library

Roy Lamont Smith collection

  • OTUFM 45
  • Collection
  • 1899-1946

Collection consists of a handwritten book of lyrics for songs written by the American composer Roy Lamont Smith, and a collection of his published and unpublished (manuscript) sheet music.

Smith, Roy Lamont

Arthur Hartmann fonds

  • OTUFM 21
  • Fonds
  • 1924-1937

Fonds consists of a photograph and correspondence.

Hartmann, Arthur

John Francis Johnstone collection

  • OTUFM 44
  • Collection
  • [ca. 1875] - 2013

Collection consists of reference materials relating to John Francis Johnstone's compositions for voice and piano, his family, and the performance of his songs after his death.

Johnstone, John Francis

Lee Bartel's musical stamp collection

  • OTUFM 42
  • Collection
  • 1927-1985

Collection consists of 27 pages of stamps featuring composers, musicians, musical instruments, scenes from operas and ballets, folk dances, theatres, opera houses, and music conservatories and academies. Each page of stamps was arranged by Lee Bartel.

Bartel, Lee

J. Churchill Arlidge fonds

  • OTUFM 34
  • Fonds
  • 1853-1913, 1997-2008

Fonds contains writings, family letters, photographs, photocopies of biographical documents, collected by Bob Arlidge, and manuscripts of Arlidge's original compositions, arrangements, and transcriptions of performed pieces.

Arlidge, Joseph Churchill

Toronto Clef Club fonds

  • OTUFM 28
  • Fonds
  • 1898-1916

Fonds includes a Minute book 1898-1916, with programs pasted in; 1906 revised Constitution; correspondence to and from members, 1913-1916; undated list of members.

Toronto Clef Club

Speranza Musical Club fonds

  • OTUFM 26
  • Fonds
  • 1906-1948

Fonds includes minute/program books (1906-1912, 1912-1922, 1922-1936, 1936-1946); cash books (1914-1928,1928-1948); file including texts of skits with parody songs, printed constitutions (1916/1917 and 1920), and typescript history of 1899-1962.

Speranza Musical Club

Vida Coatsworth fonds

  • OTUFM 23
  • Fonds
  • 1888-1964, predominant 1920-1924

Fonds consists of a collection of signed portraits, mainly dated 1920-1924: Eva Clare, Herbert A. Fricker, Ernest Hutcheson, Isidor Philipp, Augustus S. Vogt, Paul Wells, Ernest F. White.

Coatsworth, Vida

Olive Scholey fonds

  • OTUFM 22
  • Fonds
  • 1905-1911

Fonds consists of a scrapbook with programs and press notices of Olive Scholey's performances as a contralto, at the Toronto College of Music, and in other venues in Southern Ontario.

Scholey, Olive

University of Toronto Opera Division fonds

  • OTUFM 84
  • Fonds
  • 1945-2022

Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.

University of Toronto. Opera Division

Andrew MacMillan collection

  • OTUFM 50
  • Collection
  • ca. 1930-1967

Collection consists of fifteen opera scores from the library of Andrew MacMillan, with stage directions for the Canadian Opera Company and other productions.

MacMillan, Andrew

New Music Concerts fonds

  • OTUFM 19
  • Fonds
  • 1971-2020

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

New Music Concerts

Udo Kasemets fonds

  • OTUFM 11
  • Fonds
  • 1947-2011

Fonds consists of sketches, drafts, and texts for Udo Kasemets’s compositions, including scores prior to 1960 that use conventional media, and those after 1960, which consists of multi-purpose scores, combination scores, and theatre pieces. The fonds also contains programs and press notices for performances by Udo Kasemets and of his works; correspondence with many American avant-garde musicians; and Kasemets’s projects and notes from his time teaching at the Ontario College of Art.

Kasemets, Udo

Faculty of Music collection

  • OTUFM 04
  • Collection
  • 1927-2024

Collection consists of promotional materials created and collected by the Faculty of Music, including newsletters, photographs, student publications, and other reference materials that reflect the activities of the faculty, staff, and students.

University of Toronto. Faculty of Music

Claude Kenneson fonds

  • OTUFM 33
  • Fonds
  • 1965-2006

Fonds includes computer-generated scores and parts for his original works, as well as his many arrangements for violoncello ensembles of works by other composers, written 1965-2006. Many of the arrangements were done for The Yale Cellos; Aldo Parisot and The Yale Cellos; Shauna Rolston; The Banff Violas; Lee Armstrong and the Birmingham Cello Group. Many contain program notes.

Kenneson, Claude

Robert G. Manson fonds

  • OTUFM 83
  • Fonds
  • 1929-1950

Fonds consists of autograph manuscript scores and parts for compositions and arrangements for orchestra, string orchestra, string quartet, and woodwind quintet by Robert G. Manson.

Manson, Robert Graham

John Adaskin Project collection

  • OTUFM 81
  • Collection
  • 1961-2011

Collection consists of records of the activities of the John Adaskin Project, formerly the Graded Educational Music Plan, started by John Adaskin in 1961 at the Canadian Music Centre. Records include notes and drafts of articles, lectures, presentations, and workshops on the project; records and correspondence relating to commissions by the project; correspondence with contributors and educators; guidelines for submissions; lists of publications; and records from the first three symposiums and seminars hosted by the project (1963, 1965, and 1967).

John Adaskin Project

Jacques Israelievitch collection

  • OTUFM 66
  • Collection
  • 1881-2015

Collection consists of predominantly violin parts with Jacques Israelievitch's bowings, fingerings, and other annotations; correspondence with composers; various programs from his performances ; and select reviews and newspaper clippings.

Jacques Israelievitch

Theodore Thomas collection

  • OTUFM 09
  • Collection
  • [ca. 1970-1991]

Collection contains correspondence, copies of sources, notes, illustrations, photographs, microfilms, and other working papers for Ezra Schabas's book Theodore Thomas : America's conductor and builder of orchestras, 1835-1905 (University of Indiana Press, 1989). The collection also contains articles and lecture notes for presentations written by Schabas about Thomas.

Schabas, Ezra

Boyd Neel fonds

  • OTUFM 27
  • Fonds
  • 1932-1982

Fonds includes catalogues of the libraries of Boyd Neel's orchestras, and catalogues of his personal scores and recordings collections. Fonds also includes recordings of performances conducted by Boyd Neel, and a photograph of Neel conducting one of his orchestras.

Neel, Boyd

University of Toronto Electronic Music Studio tape collection

  • OTUFM 54
  • Collection
  • 1949-1988, predominant 1959-1979

Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer, and accompanying reports and manuals used in the studio.

University of Toronto. Electronic Music Studio

University of Toronto Music Library collection

  • OTUFM 20
  • Collection
  • 1941-1990

Collection consists of correspondence between the Music Library and various individuals, including students, staff, faculty, librarians, and other researchers; photographs of the library space and collections; materials pertaining to special projects at the library; and memorabilia collected over the years.

University of Toronto Music Library

Harry and Ida Culley fonds

  • OTUFM 69
  • Fonds
  • 1891-1983, 2021-2022

Fonds consists of records pertaining to the two-piano, four-hands duo of Harry and Ida "Claudette" Culley, the "The Black and White Spotters". Records include annotated sheet music and manuscript parts copied by Harry Culley for performance; newspaper articles and press releases; posters; programs; photographs; and correspondence.

Culley, Henry Francis

Lisa Martinelli collection

  • OTUFM 75
  • Collection
  • [2000-2009]

Collection consists of manuscript copies of vocal jazz ensemble arrangements, transcribed and copied by Lisa Martinelli while she was the director of the Vocal Jazz Ensemble at the University of Toronto Faculty of Music. Collection includes manuscript vocal scores and parts for accompanying rhythm section.

Martinelli, Lisa

Trudy Desmond collection

  • OTUFM 74
  • Collection
  • [ca. 1970-1998]

Collection of jazz standards and show tunes arranged by or performed by Trudy Desmond. The majority of arrangements are for voice and rhythm (piano, guitar, bass, and/or drums). Some arrangements also include trumpet, trombone, saxophone, vibraphone, or string quartet. Collection includes manuscript parts and copies of parts annotated by the performers. Most charts do not indicate the arranger, performer, composer, lyricist, or date of arrangement.

Desmond, Trudy

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