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The collection consists of correspondence from Charles L. Dodgson, photographs (including an 1865 photograph taken by Carroll), memorabilia, and Brabant's notes and correspondence about the collection.

Collection of holograph and typescript drafts and clippings for her columns, "Paper Clips" in Quill & Quire, and "Book World" in The Toronto Sunday Star, The Montreal Gazette, and other newspapers; her signed and unsigned articles in Time, Publishers' Weekly, Reader's Magazine and other magazines, 1972-1986. Files for correspondence, and notes on authors whom she represented as literary agent are in the collection.

*RESTRICTED. Read only with written permission from Beverley Slopen.

The collection consists of seven diaries detailing the life John George Mudge. When the diaries open, Mudge is living in Ireland where he owns a creamery at Ballygrenane, near Listowell. By 1904, he has moved to Devon and by 1906 he is working at Oxford House in East London. In the summer of 1907, he journeys to Canada, visiting Montreal, Ottawa, Winnipeg and Vancouver. The latter years of the diaries are illustrated with numerous photographs, postcards and ephemera.

The collection consists of anatomical drawings by Ross. The majority of the drawings represent a complete dissection of the human neck and torso, including all major organs. Their value lies in their artistic merit, and in the unique record they provide of the teaching methods of Max Brodel, one of the pioneers of medical illustration.

Papers consist of “birthday books”- albums created by Anna Pachner Klement for her grandson, Tomaš (Tomi), beginning at age two, when he was diagnosed with Sydenham’s chorea. Albums depict stories of a young boy and his adoring grandmother and the life of one Jewish family during the 1930’s. Two years after Tomi’s birth, Adolf Hitler came to power, and the albums begin to record the changing attitude towards Jews in Czechoslovakia. The last album was written in 1940 and in it Mrs. Klement describes how they are forbidden to go to the theatre or the movies. Also included in the family papers are photo albums, photographs, Anna Klement’s diaries, poems by Anna Klement, family papers including obituaries, marriage certificates, etc., and Olga Klement’s diaries as well as her art work, autobiography, correspondence, notebooks and betacam tapes.

This collection of papers from the famed Toronto bookseller includes administrative records from his shop Village Books, including invoices, correspondence, book lists, as well as individual files related to the running of the store and the publishing arm of Village Books. It also contains material related to Ahvenus’ work as an appraiser, correspondence with various Canadian authors, a travel diary from 1993-94, and books, many of them signed and inscribed by the authors.

The papers contain his diaries with field notes, scrapbooks, photographs, correspondence, drafts of articles, notes, minutes of meetings for organizations of which he was an officer, and printed materials including newspaper clippings of columns written by other naturalists but collected by Allin. Included in the correspondence are letters from J. L. Baillie whose papers are also in the Thomas Fisher Rare Book Library.

Nature notes on the Toronto area; Franklin Camp, Ont.; Victoria, B.C.; Flamingo Isle and Trinidad, B.W.I.; Florida; Texas etc. With many fine photos, drawings and plant specimens.

The collection includes typescript drafts of Halliday's columns on birds and nature for The Toronto Star Weekly and other publications; alphabetical subject files; reader correspondence and correspondence with naturalists, birders, publishers, editors and friends (including extensive correspondence with Al Oeming, founder and director of the Alberta Game Farm, and one letter from John Diefenbaker); photographs of mushrooms, insects, animals and birds by Halliday; notes and sketches; print and ephemera.

This collection of Harvey family papers includes: correspondence to Arthur Harvey about his writings and other interests, to Jane Grist Harvey, his wife; photographs from the studios of Notman, Notman & Fraser, Simpson Bros., Stanton, Eldridge Stanton, Archambault & McCorkingdale, and Livernois; printed appearances and clippings.

A collection of fifty-one watercolours and drawings of Canadian scenes by Sir Edmund Walker Head and Lady Head. They were made when Sir Edmund was Lieutenant-Governor of New Brunswick (1848-1854) and Governor-General of Canada (1854-1861). A fragment in Lady Head's hand from the cover of the portfolio in which many of the sketches were kept is also included.

A small collection of letters, photos, commonplace books and memorabilia. The material chiefly relates to the Hughes family of St. Thomas, Ont.

The collection consists of research materials for Schneid's unpublished book on 20th century Jewish artists in Europe, manuscripts for his published and unpublished works, and galleys for his published writings. The research materials include correspondence with more than 120 Jewish artists, copies of their exhibition catalogues, and other published works, and photographs of their art. Most of these artists perished during the Second World War.

The collection consists of photos, manuscript notes and ephemera relating to Gilbert and Sullivan, and especially to the D'Oyley Carte Company across Canada in 1927. There is also some biographical material relating to J.A. McNeil.

Plays in manuscript and typescript, articles, clippings, reviews and photographs pertaining to theatre in the French language.

Drafts of writings about Korea and translations of Korean texts; commonplace books, diaries, correspondence, family papers, photographs, his collection of manuscripts, photographs, printed appearances.

Collection of six drawings in pencil, signed, by Goodall that were commissioned by the Illustrated London News for its series on famous Canadian universities and schools, including the University of Toronto. His drawings appeared in the May 6, 1961 issue.

The collection consists of originals and copies of correspondence, proposals for productions, investors' agreements, contracts between the producers and the theatres as well as between the producers and actors; scripts, financial statements (including expenses, revenues, pre-production and production budgets, balance sheets); investors' kits, publicity, production and casting notes, programmes, flyers, newspaper and magazine reviews, resumes and photographs of actors, directors, choreographers and technical crews; videocassettes of some of the productions and a few properties.
The collection also contains the papers (contracts, proposals, financial statements, correspondence, notes, scripts, reviews of past productions, publicity and productions notes) of unrealized project possibilities.

Personal and literary correspondence; notebooks with drafts of poems, unpublished and untitled novel. 1896-1946.

The collection consists of a bound typescript of Shulman's The Pfeffenhauser Clock, and a copy of Julia Jarvis' In Good Faith, with some of the graphic materials that she assembled in preparing it. Most of the material relates to Jarvis' parents, Arthur and Frances Annie Julia Roe.

The collection consists largely of papers concerned with industrial engineering, including the description and 103 photos of the building of the Leaside Bridge in Toronto. It also contains Snaith's personal accounts and diaries covering the years 1914-60.

The Halyna Stadnyk Papers focuses on the activities of several members of the United Hetman Organization [Soiauz hetmantasiv derzahavnykiv]. Halyna Stadnyk is the main recipient of the letters in this collection. Her principal correspondents are Natalia Doroshenko and IaElysaveta Skoropads?ka-Kuzahim. Nataliaa Doroshenko (1888-1970) was a stage actress and a prominent figure in the theater world. She was the wife of renowned Ukrainian historian Dmytro Doroshenko. She lived in Canada from 1947 and in Munich from the 1950s. IaElysaveta Skoropads?ka-Kuzahim (1899-1976) was a civic leader and sculptor. Her father, Pavlo Skoropadsky-, served as hetman of the Ukrainian State in 1918. Forced to abdicate in November, the Skoropadsky- family fled to Berlin. There she helped with her father's political activities, while also resuming her study of sculpture. She was also actively engaged in organizing humanitarian assistance to Ukrainians in need following the 1932-1933 famine and during the Second World War. After the death of her father in 1945 and upon the death her sister in 1959, she assumed the leadership of the hetmanite movement. The collection also includes photographs of Danylo Skoropadskyi and other members of the hetmanite movement. There are a number of photographs of the Lypynsky- East European Research Institute in Philadelphia, as well as photographs of some of its members.

The collection consists of correspondence between Sytnyk and his mother in Ukraine, whom he found in the last years of his life; other relatives in Ukraine; and his wife Hanna Cherin. The letters from Volodymyr Vynnychenko, a writer and political leader, forms the large part of the correspondence. The collection also includes some of Sytnyk's personal documents. The collection also contains many photographs of Sytnyk. They were taken when he was living in Lviv, Kyiv, Germany, and the United States. He was photographed with famous Ukrainian literary figures, such as, for example, IaUri- Kosach and IaUri- Klen (pseud. of Oswald Burghardt). The collection also contains Sytnyk's publications. These include two of his manuscripts, and a number of clippings of his poetry published in different periodicals. The collection also includes many articles about Sytnyk. In addition, the collection consists of material collected by John Luczkiw for a collection of Sytnyks poetry entitled TaSvit paporoti (Flower of the Fern). Luczkiw compiled the bibliography of Sytnyks works that was incorporated into the publication. The collection is organized into six series: biographical records, correspondence, publications, photographs, bibliographical materials, and miscellaneous.

The collection consists of notes and typescripts for Tyrrell's industrial engineering works and for his books on bridge design. It also includes family correspondence, personal diaries, scrapbooks and some family photographs. Papers of Tyrrell's youngest son, William Tyrrell, are also included.

The collection consists of glass slides used by Emily Warren to illustrate her lectures in the 1920's and 1930's, as well as some lecture notes and other writings by Warren. It also contains a few items relating to John Ruskin, including five pieces of manuscript, a typescript of Constance McRae's book on Emily Warren, The Light must be Perfect (1981), and some of her research material. There are also two large volumes of coloured slides of Emily Warren's paintings.

The collection consists of 43 architectural drawings, blueprints and related materials by Willmot, and include those for four major houses and two commercial buildings in Los Angeles. It also includes two blueprints by his father, Mancel Willmot.

The collection is comprised of material related to Clarke's scholarly studies and life work in wildlife conservation and management. It includes: correspondence; drafts of published and unpublished reports and conferences; articles; reprints; diaries; negatives and photographs. His unpublished drafts also include such subjects as doxology, literature, and reflections on man's relationship with nature.

Collection contains personal and professional papers pertaining to Robertson Davies. This includes material relating to Davies’ early life, including writing and acting as a student at Upper Canada College (1929-1932), his studies at Baillol College at Oxford (1935-1938), and participation in theatrical performances in Kingston, Oxford, the Old Vic Theatre, Peterborough and the Stratford Festival (1934-1960). The papers contain a small amount of material related to Davies’ career as a journalist at Saturday Night magazine and the Peterborough Examiner. These papers contain extensive material on the novels, books and writing of Davies. This includes drafts, proofs, correspondence, reviews, clippings and any stage adaptations of his novels from The Salterton Trilogy (Tempest-Tost, Leaven of Malice and A Mixture of Frailties), The Deptford Trilogy (Fifth Business, The Manticore and World of Wonders), The Cornish Trilogy (The Rebel Angels, What’s Bred in the Bone and The Lyre of Orpheus) and the incomplete Toronto Trilogy (Murther and Walking Spirits and The Cunning Man). Also included are a complete set of original drafts and woodcuts for the Penguin edition covers of Davies’ novels, which were designed by the American printmaker Bascove. Limited material related to his essays, short stories and non-fiction publications, notably including Shakespeare’s Boy Actors, A Voice from the Attic, High Spirits and his books of fictional essays by Samuel Marchbanks are a part of the papers. Additionally, the collection includes considerable records relating to Davies’ contributions to anthologies as well as professional writing in academic journals, newspapers and magazines. These papers encompass Davies’ career as a playwright, including material related to twenty-two original works including drafts, scripts, photographs, posters, playbills and clippings, as well as the complete papers relating to the production of The Golden Ass which was staged after Davies’ death. The collection contains a large sampling of correspondence of both a professional and personal nature spanning from 1934 to his death in 1995. Also included in the collection is material related to the professional career of Davies’ as a well-known Canadian writer, this includes photographs and press clippings as well as speeches and commentaries made by Davies and his awards. Records also pertain to academic and trade writing on Davies and his work, most notably a complete set of interviews conducted with family, friends, colleagues and acquaintances by Val Ross during the course of her writing Robertson Davies: A Portrait in Mosaic (2009). Papers also relate to the eighteen years Davies spent as the Master of Massey College beginning in 1963. Including articles on the founding of Massey College, the death of Vincent Massey, newsletters, teaching material and invitations and programmes for the annual Christmas Gaudy, printed on the Massey College Press. Also included is a small amount of personal records including travel records, calendars, real estate and list of personal effects. Finally, the collection contains a series dedicated to the collecting practices of Dr. Rick Davis, who collected and assembled these papers. This includes Davis’ invoices and notes for his Davies material, as well as correspondence including exchanges with Robertson Davies, Moira Whalon, Brenda Davies and Jennifer Surridge.

Contains drafts, manuscripts, correspondence and other material pertaining to the life, education, poetry and published work of Jay MillAr (1971-). The collection also includes his involvement and interaction with the Toronto experimental poetry community and other poets and writers, notably Brian T. Francis, John Barlow, Rob Ruzic and Rob McLennan. In addition, the collection also includes publications, correspondence and manuscript material from the two literary presses – Boondoggle Books (1992-1997) and BookThug (1997-) – that he founded and operates.

The gift includes personal documents, photographs, a few DP camp periodicals, scripts for plays, and poems.

Contains series:
1) Documents and publications
2) Photographs

Contains 13 photographs, of various Ukrainian-Canadian groups, events, and organizations from Ontario and Quebec.

Photographs relating to Ukrainians in Ontario, Canada, primarily in St. Catherines.

Collection of materials related to the life and work of Argentinian designer and illustrator Víctor Viano. Includes books, book covers, pre-print paste-ups and negatives, logos, drawings, paintings, posters, cards, brochures, cards, catalogues, and some additional ephemera including a photograph, a newspaper clipping, posters for exhibitions, a pamphlet featuring his work, and a mounted printing plate with one of his designs. The collection documents Viano’s design process from an initial drawing for a book cover or a logo to the finished product and his artistic production and work in commercial and editorial design in Argentina, Venezuela, and Spain between 1958 and 1988.