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The Paul Saltzman Fonds spans his whole career, with many records from his most notable work. His time with the Beatles in 1968 is well represented. Multiple transparencies, artist proofs, and exhibition prints are present, including those selected by the Liverpool Airport for their art installation. There are also photos Saltzman took on his return trip to India in 2004 in preparation of his book.

There are multiple video Masters for the Danger Bay series, including Spanish, French, and Czech language masters.
A vast array of production elements are present ( ¼” audio reels, audiocassettes, Betacam SP, Digital Betacam, D2 cassettes, ¾” cassettes, VHS, HDCAM, DVDs, CDs, 16mm release prints, 16mm workprints, 16mm internegative, 16mm interpositive, 16mm optical soundtrack, 16mm magnetic soundtrack, 35mm release prints), and include productions Danger Bay, Wings, and Cold L-Z Pow. Multiple hard drives hold electronic files from Aides, Prom Night, and Last White Night.

Photographic and graphic records represent the productions Spread Your Wings, Danger Bay, and My Secret Identity. Some of these photographs are cast/crew photos, framed animation cells, and framed magazine covers.

Many of Saltzman’s awards are included in the Fonds. There are 100 framed certificate awards, 5 statuettes, 1 Emmy award for My Secret Identity, 3 medals, 9 medals in custom boxes and 2 medals encased in acrylic.

Travel album and scrapbook, created by Kathleen Gray (U.C. 1921) documenting the 1925 Undergraduate Tour of Great Britain and France with the Overseas Education League. The album contains photographs, postcards, ephemera and memorabilia. It is also annotated with diary type entries which are interspersed throughout with drawings by Kathleen Gray illustrating the adventures of her and her cohort of friends who took the trip together.

This series contains slides, photographs, videocassettes, and various digital storage media with contents related to Blissymbolics, BCI, and Bliss users, classrooms and students.

Series consists of promotional materials created for Opera Division productions to promote performances, including programs, posters, and brochures, as well as photographs from Opera Division performances, and newspaper clippings of reviews and press releases.

Subseries consists of photographs and contact sheets of most major Opera School productions between 1946 and 1995; headshots of performers and administrators (Kathryn Knapp, John Beckwith, Ettore Mazzoleni, Tyrsa Gawrachynsky, Jacqui Lynn Fidlar, Tania Perrish, Eve-Rachel McLeod); and photographs from various Opera School events.

Subseries includes photographs from the following productions:

• Opera excerpts (December 1946)
• The Bartered Bride by Bedřich Smetana (April 1947)
• Orfeo and Eurydice by Christoph Willibald Gluck (February 1948)
• Rosalinda by Johann Strauss (May 1948)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (December 1948)
• Gianni Schicci by Giacomo Puccini (March 1949)
• La Bohème by Giacomo Puccini (May 1949)
• Hansel and Gretel by Engelbert Humperdinck (November 1950)
• Rigoletto by Giuseppe Verdi (February 1950)
• Opera School film by the National Film Board (1951)
• The Old Maid and the Thief by Gian Carlo Menotti (April 1952)
• Madame Butterfly by Giacomo Puccini (February 1953)
• Cosi fan tutte by Wolfgang Amadeus Mozart (February 1953)
• Angelique by Jacques Ibert (1953)
• The Telephone by Gian Carlo Menotti (April 1955)
• Amelia Goes to the Ball by Gian Carlo Menotti (April 1959)
• Die Kluge by Carl Orff (April 1961)
• Maria Egiziaca by Ottorino Respighi (April 1961)
• A Dinner Engagement by Lennox Berkeley (April 1962)
• Cosi fan tutte by Wolfgang Amadeus Mozart (1963)
• Amahl and the Night Visitors by Gian Carlo Menotti (December 1964)
• Albert Herring by Benjamin Britten (March 1964) [opening of MacMillan Theatre]
• The Secret Marriage by Domenico Cimarosa (February 1965)
• Deirdre by Healey Willan (April 1965)
• The Love for Three Oranges by Sergei Prokofiev (December 1965)
• L'Oca del Cairo by Wolfgang Amadeus Mozart (January 1966)
• Die Kluge by Carl Orff (February 1966)
• The Portuguese Inn by Luigi Cherubini and The Wandering Scholar by Gustav Holst (March 1966)
• Deirdre by Healey Willan (September 1966)
• Hansel and Gretel by Engelbert Humperdinck (December 1966)
• The Impressario by Wolfgang Amadeus Mozart and Le Portrait de Manon by Jules Massenet (January 1967)
• The Rape of Lucretia by Benjamin Britten (February 1967)
• Dialogues des Carmelites by Francis Poulenc (April 1967)
• Oedipus Rex by Igor Stravinsky (November 1967)
• Le Portrait de Manon by Jules Massenet and There and Back by Paul Hindemith (December 1967)
• The Magic Flute by Wolfgang Amadeus Mozart (December 1967)
• The Unwilling Physician by Salvatore Allegra and Il Combattimento di Tancredi by Claudio Monteverdi (January 1968)
• Pelléas et Mélisande by Claude Debussy (March 1968)
• The Turk in Italy by Gioachino Rossini (November 1968)
• Amahl and the Night Visitors by Gian Carlo Menotti (December 1968)
• Hamlet by Humphrey Searle (February 1969)
• Ariadne on Naxos by Richard Strauss (March 1969)
• "A School for Opera" by Wolfgang Amadeus Mozart, Gioachino Rossini, Giuseppe Verdi, and GIacomo Puccini (March 1970)
• Iphigenie en Tauride by Christoph Willibald Gluck (November 1970)
• The Little Sweep by Benjamin Britten (December 1970)
• "The Magic of Opera" by Carl Maria von Weber, Giuseppe Verdi, and Jacques Offenbach (March 1971)
• The Rake's Progress by Igor Stravinsky (December 1971)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1972)
• Falstaff by Giuseppe Verdi (January 1973)
• L'Ormindo by Francesco Cavalli (April 1973)
• The Prisoner's Play by John Rea (May 1973)
• Don Giovanni by Wolfgang Amadeus Mozart (January 1974)
• Dido and Aeneas by Henry Purcell and Gianni Schicci by Giacomo Puccini (April 1974)
• The Elixir of Love by Gaetano Donizetti (January 1975)
• Cosi fan tutte by Wolfgang Amadeus Mozart (April 1975)
• The Crucible by Robert Ward (January-February 1976)
• The Mines of Sulphur by Richard Rodney Bennett (April 1976)
• The Four Ruffians by Ermanno Wolf-Ferrari (January 1977)
• Katya Kabanova by Leoš Janáček (March 1977)
• Albert Herring by Benjamin Britten (December 1977)
• Orpheus in the Underworld by Jacques Offenbach (December 1977)
• Don Giovanni by Ralph Vaughan Williams (March 1978)
• Rape of Lucretia by Benjamin Britten (November 1978)
• Orpheus in the Underworld by Jacques Offenbach (March 1979)
• L'Enfant Prodigue by Claude Debussy and Gianni Schicci by Giacomo Puccini (November 1979)
• Dialogues of the Carmelites by Francis Poulenc (March 1980)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (November 1980)
• Patience by Arthur Sullivan (March 1981)
• La Perichole by Jacques Offenbach (November 1981)
• Amelia Goes to the Ball by Gian Carlo Menotti and Riders to the Sea by Ralph Vaughan Williams (March 1982)
• Don Giovanni by Wolfgang Amadeus Mozart (November 1982)
• Dido and Aeneas by Henry Purcell and L'Heure Espagnole by Maurice Ravel (March 1983)
• Riders to the Sea by Ralph Vaughan Williams (March 1983)
• Opera excerpts (1983)
• Maria Egiziaca by Ottorino Respighi and Prima Donna by Arthur Benjamin (November-December 1983)
• Sir John in Love by Ralph Vaughan Williams (March 1984)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1985)
• Mamelles de Tiresias by Francis Poulenc (March 1986)
• The Goose of Cairo by Wolfgang Amadeus Mozart (March 1987)
• Angelique by Jacques Ibert (March 1987)
• Riders to the Sea by Ralph Vaughan Williams (March 1988)
• The Marriage Contract by Gioachino Rossini (March 1988)
• La Caterina by Joseph Haydn (March 1989)
• Patience by Arthur Sullivan (March 1990)
• "French Trilogy": L'Enfant Prodigue by Claude Debussy, Le portrait de Manon by Jules Massenet, and M. Choufleuri by Jacques Offenbach (February 1991)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1992)
• Dido and Aeneas by Henry Purcell (March 1993)
• Gianni Schicci by Giacomo Puccini (March 1993)
• The Goose of Cairo by Wolfgang Amadeus Mozart and The Breasts of Tiresias by Francis Poulenc (March 1994)
• Iolanthe by Arthur Sullivan (March 1995).

Subseries consists of various posters from productions by the University of Toronto Opera Division.

Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.

Contains printed material related to the National Association of Japanese Canadians (NAJC) task force of First Nations Canadians, including meeting announcements and agendas; a small amount of material related to the Earth Spirit Festival held in Toronto in 1991; plus related correspondence. Also includes biographical and genealogical booklets on the Kabayama family, with photographs.

This fonds contains comprehensive documentation on all aspects of Richard Lee’s work as a well-known anthropologist. Correspondence, found within Series 1 but also throughout the fonds, is multifaceted and includes both incoming and outgoing letters with colleagues, students, university administrators and publishers. His teaching lectures and numerous papers, talks and drafts of publications represent a full body of work that synthesis his research from his early work with the the Ju/'hoansi-!Kung San of Botswana and Namibia to his evolving interest in indigenous human rights and the impact of Aids/HIV in southern Africa. This fonds is rich in original research including original collated data, field notebooks, grants requests and general notes. Much of this is supplemented with photographs and sound recordings related to his research and publications. Finally, files relating to professional meetings and groups document the overall field of anthropology, Lee’s role within it and the changing nature of the discipline and the role of anthropologists in society.

B2007-0018 and B2012-0012 contain several hundred photographs and negatives taken by Lee and document his research on the !Kung San. They include portraits of individuals, images of village life, hunting, ceremonies, rituals etc.. There are also slides taken during field trips to Botswana, Kenya, South Africa, Rhodesia and several others African countries . There are also slides of an early field trip to a native reserve at Heron Bay in 1960 on the North shore of Lake Superior. Finally, there is one file of images taken at the New Native Resistance symposium in Toronto in 1972.

In B2019-0017 contains mainly photographs used in several of his books as well as portraits, informal shots of Lee with colleagues, teaching and at conferences.

This series contains research records such as field notes, data sets, notes and drafts of the beginnings of papers, correspondence and planning documents relating to research activities.

B2007-0018 contains the most extensive set of field notebooks. Acquired in this accession were the copies for his two earliest field excursions among the !Kung San in 1963-64 and again in 1967-69. An original set of the 1963-64 set as well as his 1973 field trip notebooks were acquired as part of B2019-0017 donation, with the odd one missing from the series. For a complete list see Appendix 2. B2007-0018 also included original collected data on height and weight of the !Kung San. This originates in both hand written spread sheets and in collated computer data printouts for the years 1967-1971. Finally there is a vocabulary card list, and one box of files with transcripts of interviews with Lee, newspaper clippings

B2012-0012 acquisition provided additional notebooks, primary field research, data, and supplementary research to his initial and later research fields.

B2019-0017 contained some of the original field notebooks as described above and in appendix 2. This accession also contains Lee’s extensive research organized into the book chapters for The !Kung San (1979). These files are followed by later research in the 1980s and 1990s relating to his areas of expertise on the indigenous peoples of Namibia and Botswana. There are also extensive files documenting his shifting interest in medical anthropology and the social cultural aspects of HIV/Aids in southern Africa Research files document his leadership and active involvement in the Fogerty / University of Namibia program.

Fonds consists of the records of Larry Davies, the Director of the External Relations and Development Department, primarily outgoing correspondence as well as records documenting the relationship between the Department, alumni, and alumni groups such as the Alumni of Victoria College (AVC) and the Emmanuel College Alumni/ae Association. Records also document fundraising and development activities as well as the planning and hosting of events such as reunions and milestone celebrations.

Fonds contains lists of Permanent Class Executives of Victoria College, guest book and transcripts of addresses given at the Memorial Service held for Victoria University President A.B.B. Moore, promotional material, questionnaires, notes, lists, correspondence, research material, reports, financial records, annual reports, and photographs.

The fonds is made up of seven series: Series 1: Special Events and Celebrations; Series 2: Campaigns and Fundraising; Series 3: Records of the Director; Series 4: Records related to Victoria College Alumni; Series 5: Publications and Newsletters; Series 6: Records related to Emmanuel College Alumni; and Series 7: Photographs.

Fonds consists of six accessions of records documenting the life of Martin L. Friedland, as a student, professor of law and administrator at the University of Toronto; as an expert on legal matters and a contributor to the formation of public policy at the provincial and federal levels; and as an author of several books and numerous articles, in particular the researching and writing of his book University of Toronto: A History (University of Toronto Press, 2002 & 2013).

See accession-level descriptions for further details.

This series consists of files documenting Professor Friedland’s personal and family activities. It begins with a number of files documenting Friedland’s activities as a student and professor of law at the University of Toronto, his post-retirement professional and other activities. There follow files relating to members of his family, arranged by name, which focus broadly on family affairs and more specifically on personal lives, including professional and social activities, achievements, births, weddings and deaths. These are followed by other files containing correspondence sent home from England, Europe and Israel, and relating to the Friedland residences on Hillsdale Avenue and Belsize Drive.

The files contain correspondence, certificates, curriculum vitae, greeting cards, honours, notes, notices, legal documents such as passports and wills, medical reports, programmes, postcards, photographs, and press clippings (including obituaries).

Scope and Content: Series 1 – 5
Series 1: “People” Clippings Files
Series 2: AGE Series III
Series 3: Film Company Catalogues
Series 4: Dorothy and Oscar Burritt Award
Series 5: Toronto Film Society Administration

Series 1: People
The first series contains press clippings from various publications of various actors, reviews, and critics of the films—numerous articles on the Directors, musicians, producers, and writers. Press clippings are organized alphabetically by last name, from Joe Abeywicrema to Valerio Zurlini.

Series 2: AGE Series III
The A-G-E Film Society of Toronto was created in 1955 until 1962 for the purpose of “providing those who lived through the cinema’s formative years with the opportunity to relive the past, and to give the new generation of film enthusiasts a chance to see what had been accomplished in motion pictures before their interest in films began.” Within the second series, the AGE collection includes the application for membership in the AGE. It contains the AGE 2nd to AGE 6th Season programmes letter from the AGE Film Society of Toronto to various partners and film organizations. The series also includes several newspaper clippings on the AGE Society.

Series 3: Film Company Catalogues
The third series contains the documents and items from various film production companies whose titles are included in the TFS collection. Production company catalogues collected are from Canadian and international film companies. Companies included in the series are A World of Entertainment, Universal/16, Pan Canadian Film Distributors Inc, Cinematheque Ontario, Paramount, Universal Pictures and more. Many catalogues also come from the TFS Summer series and other film events hosted by TFS.

Series 4: Dorothy and Oscar Burritt Award
The Fourth series contains the textual files and objects on the Dorothy and Oscar Burritt Award. The award was named in honour of Dorothy and Oscar Burritt, who left Vancouver from the Vancouver branch of the Canadian film Society to aid in the creation of the TFS. The Burritt’s contribution to the film society movement was recognized by a special Canadian Film Award in 1963, just a few months before Dorothy’s death. The Toronto Film Society established the Dorothy Burritt Memorial Award (later renamed for Dorothy and Oscar Burritt Memorial Award), an annual cash grant to support projects that contribute “to greater understanding and enjoyment of the film as an art”. The collection includes correspondences from various film societies, such as the Vancouver branch and other film production companies. It also contains reports, Memorial Award packages, press clippings, marketing on advertising the various TFS events, and correspondence to the Burritt Memorial Award Committee.

Series 5: Toronto Film Society Administration
The Fifth series contains the documentation on the administration side of the TFS. Many of the TFS's administration documents include meeting minutes from their AGM (Annual General Meeting) and TFS Board Meeting Minutes. Such meetings include the general and board meeting minutes, documents that pertain to the international film festival and many other festivals, TFS committee report, and correspondences. The series also contains the administration for their awards, such as the Dorothy and Oscar Burritt Memorial Award and film acquisitions. TFS administration documents include their members' information, votes and questionnaires for their members. It also consists of the Eastman House, financial reports, and statements on the TFS events, such as the summer and seasons series. Lastly, include film acquisition documents of various films.

The Robert Sandler Fonds is separated under series based on the production of various TV series and movies.

Series 1: Northrop Frye Lectures (Frye) Collection
As noted, as the ‘Fyre Collection’ by Sandler in his writings. The collection includes Professor Northrop Frye’s writings and Sandler’s own lectures note from his time as student under Professor Northrop Frye in English literature. The textual in series contains lecture notes on Shakespeare, a collection of William Shakespeare’s various plays. Which was the winner of the Governor General’s Award for Non-Fiction. The series contains Sandler’s audiotape collection of Professor Frye’s undergraduate classes Introduction to Shakespeare for two plus years. Frye’s lectures were transcribed, and Professor Northrop Frye’s edited them into a book, which Sandler sold to publisher Fitzhenry & Whiteside. The documents and audiotapes lead to the publishing of Northrop Frye on Shakespeare: Edited by Robert Sandler won Professor Northrop Frye his only Governor General’s Award for Non-Fiction.

Sandler worked on multiple projects with Professor Northrop Frye, such as the Bible and Literature and Story of Us. Professor Northrop Frye and Sandler had a good student and teacher relationship, to the point that Professor Northrop Frye wrote a letter of recommendation for Sandler’s CBC application. Sandler was able to work with Professor Northrop Frye when Sandler worked with the University of Toronto’s Media Centre to record the professor’s lectures. Formats within the series includes video and audio copies of the original 25-hour long lectures, used in Bible and Literature, Sandler’s notes to edit the hour-long lectures into 30 ½ hour programs, notes for the 30 roundtable discussions, promotional material are Sandler’s contribution to initiating the Frye project.

Series 2: Fraggle Rock
The second series holds mostly screenplays and script for the children’s program Fraggle Rock. Fraggle Rock is the first series HBO commissioned and created by Jim Henson and his team. It was nominated and won various awards. Sandler was a writer brought on in Season 2 and wrote six episodes and one of his shows was nominated for an International Emmy. Documents included in the series includes episode script proposals, correspondence with Jim Henson and other producers, cast and crew. Also includes the first, second, and third readthrough drafts, written by Robert Sandler and other writers on the show such as Jerry Juhl, Laura Philips, David Young, bq Nichol and Jocelyn Stevenson. The series also includes photographs of cast and crew members on the production set of Fraggle Rock; Fraggle Rock Christmas CDs and an award with a piece of Fraggle Rock presented to Sandler for his years of achievement on the show. Lastly are the lawsuit documents involving the series’ writers not being proper financially compensated.

Series 3: Eric’s World
The third series contains the documents and items from the children’s sitcom series that aired from 1991-1996. The show was a 30-minute program broadcasted on TVO, Knowledge Network, SCN, Access and Family Channel. Sandler was hired to create a children’s series featuring Eric Nagler as a children’s performer and his manager, CJ, a puppet manipulated by John Pattison. Robert Sandler and Allen Booth were the co-creator, co-creative producers, Writer, and co-story editors of the series. They also had various writers also contribute to the series as well.

Documents include both the failed and successful documents to pilot the series, drafts, script notes and final drafts of my 30 plus scripts, the remaining scripts from five seasons, writer’s guides, organization papers. Digital and DVD copies.

Series 4: Traders - Street Legal
The fourth series contains the textual files and video from the Canadian prime-time drama set in a Toronto investment firm. The show is about the professional and private lives of a group of young, aggressive attorneys in partnership together in Toronto. The series was broadcasted on Global TV from 1987-1994. Robert Sandler and Allen Booth are the Co-Story Editors, Episode Co-writers. The documents contained in the series are various drafts of scripts such as the first and second draft written by Robert Sandler, production script, outline of scripts, contract between CBC and Robert Sandler; and correspondences from various production and broadcasting companies like CBC.

Series 5: Exhibit A: Secrets of Forensic Science
The Fifth series contains the documentation and episodes of the award-winning and nominated TV Series that pioneered the true crime genre. This series features interesting crimes stories where forensic science played critical role in solving. This program re-enacts cases in which forensic scientists have used their expertise to find and examine evidence that would have previously been undetectable. 30 minutes TV docudrama series, where Sandler was the Creative Producer, Co-Creator, and Episode Writer. The files included in the series, contains the scripts that Sandler wrote and co-wrote in the first season and important episodes in later seasons. It also includes drafts of the script as well as a VHS and digital copies of the show, plus PR material, documents that pertain to the production of the series, screenplays, court orders, and transcripts of interviews from various scientists, police investigators and comments on the case.

Series 6: 72 Hour - True Crime
The Sixth series contains the textual files and videos a half- hour true TV crime docudrama follow up that focused on the investigators. The series ran three seasons, 45 episodes which Sandler had a hand in writing many of the episodes. The series contains the pitch documents, scripts written by Sandler, scripts he was credited, and script notes on the other 43 episodes, and rewritten scripts. Documents also include production photographs, research documents, crew resume, press clippings, tape interviews and notes.

Series 7: Extreme Clergy
The Seventh series are from the ½ hour TV documentary series where Sandler was the creator, writer, and an episode co-writer. The TV series documented the story of one or a team of clergy in social hot spots around the world. Some people in religious orders were surfing the waves, fighting in warzones, artic, and more amazing places outside a place of worship. The collection documents from Sandler includes the pitch documents for the TV series, drafts of the scripts Sandler wrote or co-wrote, DVDs of various steps in the edit, DVDs of the final episode and various tapes and digital copies of the episodes.

Series 8: EXC Finance
The Eight series in the Sandler collection, include the financial documents for various productions. Textual materials obtained from various production companies such as Two Sands Productions and Creative Anarchy. Also includes the applications and forms to fund various film projects; such as the Canadian Television Fund Agreement, Ontario Declaration of Residency/Consent Form 2008, letter from the Canadian Chamber of Commerce and Canadian Heritage letter. Financial papers included in the collection contains various bank statements, audits, notices from banks, authorization form, Tax documents; T2 Corporation Income Tax Return form, claim forms and Invoices.

Series 9: Sex and Religion
The Ninth series in the collection are documents based on the TV documentary series Sex & Religion. Robert Sandler was the co-creator, and episode writer. A documentary series that travels the world looking for the line between sex and sin. Robert Sandler noted that, “in conjunction with Riddle Films, I was wholly responsible for 5 of the 13 episodes about how major religions viewed various aspects of sex.” Textual documents in this series includes Sandler’s involvement in the writing of the scripts and includes DVDs and edits of these episodes.

Series 10: Real Voodoo
The Tenth series in the collection formats features textual, data, video, and photographs. Short tv-movie that includes financial records of various forms from the Canadian Revenue Agency, notice of (RE)Assessment and form of Claiming a Canadian Film or Video Production Tax Credit. Correspondences, proposals, and draft of scripts.

Series 11: My Pet’s Gone Viral (MPGV)
The Eleventh series in the collection features textual, data, video, and photographs of production. Holds eight episodes ½ hour documentary series starring the cats and dogs in YouTube pet videos that went viral. In the collection include script drafts and final scripts written by Sandler. In the collection also include the DVDs of the final episodes. Financial documents include cost report spreadsheet from various budget, MPGV Banking Summary Notes (2014), breakdown of Canadian costs, and eSubmission Summary. Correspondence to and from Animal Planet on distribution and production of the series.

Series 12: Brebeuf and the Huron Carol
The Twelve series in the collection of the A 1-hour TV musical biography, produced by Creative Anarchy and CBC Radio Canada. The TV special was written by Robert Sandler on the dramatization on the life of Father Brebeuf and his time among the Wendat (Hurons) and his The Huron Carole, the first Christmas Carole in the New World. In this series the various versions of the script and drafts are written by Sandler with his corrections. It also includes research notes and articles on Brebeuf. Video copies are in VHS and digital formats of the show, which also includes photos from the filming, flyer, and episodes.

Series 13: Assholes *A Documentary
The Thirteenth series is about novels by Aaron James turn TV documentary. The TV adaptation was written by Robert Sandler and John Walker with the broadcasting channels NFB and CBC Documentary Channel. It is a feature length documentary based on the New York Times’ best seller of the same name. The TV documentary is inspired by the NYT bestselling book, this lively philosophical investigation into the rise of asshole behaviour across the world asks: What does it mean to be an asshole, and more importantly, how do we stop their proliferation. The show has been nominated for a Writer’s Award and a Gemini Award.

With in the collection includes the research journals/notes, drafts and final editions of the script, invoices, email correspondence between Sandler and his co-writer/director John Walker. Majority of the formats in the collection are data floppy disk drives.

Series 14: Make Me Read
The Fourteenth series short internet films, co-written by Robert Sandler and long-time partner Allen Booth. Make Me Read is a series of YouTube videos with young comedians interviewing popular Canadian authors. However, there are no videos of the short films within the collection, instead the collection holds an array of drafts and final editions of the YouTube videos. The series also includes the novels of the Canadian authors that Sandler interviewed. Most of the authors were a part of the Toronto festival ‘The Word on the Street Festival’.

Series 15: Music
The Fifteenth series contains the audio recordings of various artists that Sandler either produced or had some influence in. Textual documentation contains contracts and agreements for BMI Canada - the Music Scene and SOCAN, song lyrics and correspondences between Sandler and artists. Audio holds recordings from vinyl records and audio reels – such as the album for the movie Foxy Lady and the album for Tony Kosinec.

Series 16: Miscellaneous Produced
The Sixteenth series holds various files of various smaller rolls in TV series throughout his carrier. They include drafts of scripts, proposals, resumes, correspondence between networks, writers' contracts, and miscellaneous documents. TV series included in the series are Under the Umbrella Tree, The Biggest Little Ticket, Sesame Street, Dudley the Dragon, and more. Most of the textual documents are transcripts, various versions (drafts) of script & screenplays, correspondences, and financial files. Within the collection also include his personal academic essays from his time in University of Toronto. Most of the produced series and files are labeled as such in the notes.

The fonds consists of 6 series sorted by production companies and subject.
Series 1: NHK, Nippon Hōsō Kyōkai
Tsuji Communications became the distributor/agent for NHK programs from Japan. The first series includes four popular TV series in Japan. The first includes the popular Japanese show Kōhaku Uta Gassen, translated to the Japanese Red and White Show. It is an annual New Year’s Eve television special produced by Japanese public broadcaster NHK. The show is broadcast live simultaneously on television and radio by the NHK network and TCI productions. The Japanese Red and White show part of the series features master tapes with edited and satellite versions, from 1976 to 2000. Also included are the promos, clips, and episodes from Toronto Kohaku. The second Oshin is a popular series in Japan, episodes 1-271, in English subtitles and cue sheets to explain the episode’s content. The third is Japan Video Topics, short 15 minutes episodes on different topics in Japan. Lastly is the NHK Weekly News and various news clips aired on the NHK network.
Series 2: Tsuji Communications (TCI)
Susan and Roy Tsuji created the TCI Communication company, sometimes labelled as Tsuji Productions in 1980. Their popular Television series Hello Japan was a half-hour weekly program produced and hosted by Susan Tsuji. The episodes and clips spread from 1977 to 2000, including the short program Hello Toronto. It consisted of interviews, musical performances, and on-location shoots of community and public events (1984-2004). The Tsuji’s captured and recorded the visits of visiting dignitaries (such as the Prince and Princess of Japan). They capture interactions the Japanese Canadian community with federal and provincial politicians, conferences pertaining to the National Association of Japanese Canadians (NAJC), Japanese Canadian Cultural Centre (JCCC), and the Redress Campaign and more. As the Tsuji Family was very well connected in their community, they could attract all the important guests to speak on all the topics of importance to the community.
Series 3: Tsuji Family
This series consists primarily of personal videos, documents and objects that once belonged to Susan and Roy Tsuji. The Tsuji’s main objective was to promote Japanese culture to Japanese Canadians, not only in media but to support local schools for children to learn the language and culture of Japan. The textual documents include the materials and textbooks used by the Language International (LI) schools. These textual documents include the international students’ textbooks, schedules, and journals, which students had to keep studying the Japanese language.
Series 4: National Association of Japanese Canadians (NAJC)
The collection also features video recordings and textual documentation of the Redress Campaign and the 10th Anniversary of the Redress. The NAJC negotiated the historic Redress Settlement on behalf of all Japanese Canadians who suffered injustices and acts of discrimination during World War II. Led by the NAJC, the movement sought to hold the Government of Canada accountable for the severe human rights violations suffered by the community between 1941 and 1949. Many Japanese Canadians were interned and deported, while others were sent to the sugar beet farms of Alberta and Manitoba. The property of Japanese Canadians was seized by the Government and sold without their consent. Prime Minister Brian Mulroney and NAJC President Art Miki ended a successful campaign that led to the historic signing of the Redress agreement on September 22, 1988. The Tsuji family interviewed and captured key events and spokespersons from the NAJC for the Redress journey across Canada to Ottawa. Most notable interviews were held for Roger Obata, Joy Kogawa and Art Miki, the president of the NAJC.
The fonds includes footage of the march and progress to Ottawa, city hall, and the Redress rally to celebrate their victory. Interviews of Bob Ito, Roger Obata, various Prime Ministers, and supporters of the Redress campaign are also included in the fond. Footage of the Redress campaign spreads from 1983 to 1997. The last sub-series is the 10th Anniversary Banquet and Gala of the Redress, the gala was to thank the leaders of the NAJC, such as the tribute to Roger Obata.
Series 5: Television Commercials
The Tsuji family also obtained a vast collection of 30 seconds and 60 seconds commercials aired during their programs. Many created by Japanese companies such as the Japan Airline, Sanyo, Mita; and western commercials.
Series 6: Miscellaneous
The final series of the collections are the Miscellaneous. Overall, this collection is a balanced combination of entertainment, drama, local affairs, and international programming of interest to the Japanese Canadian community from the 1980s to 2001.
Please note that this fonds contains confidential information in relation to organizers names, and contact information. This fonds contains primarily textual documents to the Redress campaign, and the media format includes tapes such as Umatic, BetacamSP, and VHS. Also included is Roy’s vinyl collection, Hi8 cassettes, floppy disks, and photographs with colour prints of the singers from the Red and White show.

The records in this fonds include Steiner’s photography, from her student work, to her documentation of the Toronto music scene and music portraits, to her exhibition work. Also included is a selection of published work and commercial photographs. The collection also includes Steiner’s Super 8mm films and recordings of live musical performances, as well as Steiner’s narrative and documentary films. The fonds consists of five series, based on the creator’s major artistic and creative activities, and are arranged in rough chronological order. The series are as follows:

1. Series One: Narrative and Documentary Films
2. Series Two: Super 8mm and Performance
3. Series Three: Works in Audio
4. Series Four: Photography
5. Series Five: Creative Writing
   The first series, Narrative and Documentary Films, is divided into four subseries. The first, Subseries One: Film elements and masters includes the masters and audio/visual elements of Steiner’s narrative and documentary films shot on 16mm and video up to “Borderland Memories.” The second, Subseries Two: Film Research, consists of a series of research interviews shot on video for a project entitled “Dreams of Solidarity.” The third sub-series, Subseries Three: Film Promotion, Exhibition, includes textual and graphic records related to the production and promotion of Steiner’s narrative and documentary films. The final subseries, Subseries Four: Film Stills Photography and Promotional Shots, includes prints and negatives of film stills and promotional shots of Steiner’s narrative film projects “Places to Stay” and “Felicity’s View.”
   The second series, Super 8mm and Performance, is divided into two subseries. The first, Subseries One: Films and Soundtracks includes Steiner’s finished Super 8 films, as well as recordings of her live musical accompaniments to these films on cassette and in some cases, compact disc. The series also includes VHS and Betacam SP copies of Steiner’s final Super 8 film “Who is #1?”. The second, Subseries Two: Outtakes and Works in Progress, consists of outtakes and miscellaneous Super 8 film reels.
   The third series, Works in Audio, is divided into two subseries. The first, Subseries One: Music Recordings and Performances consists of audio and video recordings of Steiner’s original music, solo and in collaboration with other artists. Included in this series is a recording of Steiner playing with her band The Elementals, and several recordings of Steiner’s cover of Johnny Cash’s “I Walk the Line.” It also features recordings of Steiner’s collaborations with Chip Yarwood, Malcolm Lewis, and Colin Offord. Finally, it includes both audio and video recordings of Steiner’s work with The Band That Dare Not Speak Its Name. The second subseries, Subseries Two: Radio Interviews includes recordings of Steiner being interviewed and playing music at various Canadian radio stations.
   Series Four, Photography, is divided into seven subseries. The first, Subseries One: Portraits, Fashion, Landscapes consists of prints, contact sheets, and negatives of Steiner’s portrait photography work from the 1970s to the 2000s. Portrait subjects include Toronto musicians, artists, filmmakers, writers and poets – many of them friends and contemporaries of Steiner. This series also features Steiner’s photos and portraits of musical artists Patti Smith, Debbie Harry, Lydia Lunch, Rough Trade, Bryan Adams, and author Margaret Laurence. There is also a small collection of fashion photography, as well as two large format landscape photos. Subseries Two: Photo Exhibitions, features negatives and proofs of work featured in exhibition, as well as large format exhibition prints. Subseries Three: Travel Photos (for Exhibitions) consists of negatives and prints of travel photography. Subseries Four: Projects and New Works consists of negatives and a videotape related to a photography project entitled “Episodes in Dreamtime,” as well as one roll of test negatives shot in 2021. Subseries Five: Photography Publications consists of a publication entitled “Great Lakes Logia,” for which Steiner contributed photographs. Subseries Six: Various Events and Arts Documentation consists of various photographs and negatives documenting Steiner’s various artistic endeavours over the years, including live performances, music, openings of gallery shows, directing, and teaching. The final subseries, Subseries Seven: Commercial/Published Work includes newspaper and magazine clippings of Steiner’s published photography, as well as posters, album covers, promotional cards, and postcards, for which Steiner was the photographer.
   The final series, Series Five: Creative Writing, consists of a zine called “Gathering Blossoms Under Fire,” for which Steiner contributed an essay.
   This fonds includes textual and audio-visual material relating to the following film productions:
   • Places to Stay
   • Roses are Blue
   • Felicity’s View
   • Northland: Long Journey
   • Conversations on the Lake
   • Borderland Memories
   This fonds includes audio-visual material relating to the following film productions:
   • You Always Think About Things Like That
   • Post-Industrial
   • These Experiments
   • Dreams of Solidarity
   • Fake Milk Commercial (Super 8mm short)
   • White Flag (Super 8mm short)
   • Dance Party (Super 8mm short)
   • Examination Aboard a UFO (Super 8mm short)
   • Eclipse (Super 8mm short)
   • Happy Holidays (Super 8mm short)
   • Northern Journeys (Super 8mm short)
   • Chronicle (Super 8mm short)
   • Symphonic References (Super 8mm short)
   • Episodes (Super 8mm short)
   • Who is #1 (Super 8mm short)
   This fonds includes photographic material relating to the following exhibitions and photo series:
   • Painted Photographs
   • Mostly Rock & Roll
   • Urban Underground
   • Residual Landscapes
   • Recent Work
   • Earth and Bone
   • Day + Night
   • New Work
   • US Shrines
   • Great Lakes
   • Northland
   • The Artifice of Nature (sometimes titled The Nature of Artifice)
   • Condo Boom!
   • Views From Home: Facing North
   • Landscape as Power
   • The Poetry of Chance
   • Abject Transformations

This accrual consists of four series, based on a listing provided by the creator. The series are as follows:

1. Animation Books and Periodicals
2. Animation Memorabilia
3. Animation Cels and Drawings
4. Animation Storyboards and Designs
   The first series, Animation Books and Periodicals, consists of the Coxes’ personal collection of books and magazines about the art of animation. This series also contains books and graphic novels based on Nelvana animated television programs - in particular, “Rock and Rule,” the “Franklin” series, and “Inspector Gadget.”
   The second series, Animation Memorabilia, consists of memorabilia collected by the Coxes related to animation, including commemorative programs and publications, brochures, a tote bag, “Babar” merchandise, an animation kit, original animation drawings from “The Pink Panther,” and several hand-cut, 3-D cartoon caricatures. This series also includes film reels and a DVD featuring some of Dave Coxes’ earliest animation work, from his time as a student at Sheridan College to animation shorts for “Sesame Street.”
   The third series, Animation Cels and Drawings, consists of original production animation cels and original production drawings from several Nelvana series and programs worked on by the Coxes, including “Cosmic Christmas,” “Intergalactic Thanksgiving,” “My Pet Monster,” “Ewoks,” “Rupert,” “Beetlejuice,” “Rome-0 and Julie-8,” “The Pink Panther,” and “Strawberry Shortcake.” This series also includes an animation cel from an animated Christmas card by Dave and Dale Cox.
   The fourth series, Animation Storyboards and Designs, consists of original storyboards and character designs created by Dave Cox, as well as copies of storyboards. Highlights include storyboards for “The New Quiz Kids,” for VideoArt Productions, as well as storyboards for several animated commercial and public service announcements. Finally, the series also includes storyboards, story ideas, and concept sketches for animated shorts and series by Dave Cox.

This accrual contains a large selection of animation cels, toys and memorabilia relating to the cartoons the pair worked on, and conference programs they attended. As the two were also collectors of animation, it is somewhat unclear which cels were drawn by Dale or Dave, and which were purchased later on. There are notes and tips on animation, created by Dave when he worked at Nelvana, and are very detailed in describing the animation methods they used, and how to best reuse cels in future scenes. The production best represented in this accrual is the pair’s 1982 animated Christmas Card, which includes animation sketches, flip books, timing notes, and correspondence regarding the reception of the cartoon, and contracts to air the short on television. Another well represented program is Inspector Gadget, as there are notes from Dave’s time in Japan working on the program, and lots of memorabilia. There are also many cels and animation drawings from the program Ewoks.
Dates: [1966]-2018
Arrangement:
Series have been arranged to reflect the different stages in Dale and Dave Cox’s lives. Larger series with clear division of work have been further divided into sub-series.
Series 1: Independent and Early Work (1968-2015)
The first series represent the work Dale and Dave did while at Sheridan and content they created for personal use and enjoyment. Freelance work or material that was not clearly tied to another series has also been placed here.
Series 2: VideoArt Productions (1972-2018)
The second series contains programs that were created by VideoArt Productions. As the company was young and small when Dave began there, it can be assumed he worked on all the material included in this series. This was the first animation company Dave worked for, and thus the work included is all from the early stages in his career.
Series 3: Nelvana (1978-2017)
The third series has been further arranged into subseries due to the large amount of material relating to it. Nelvana is a Canadian animation studio that both Dave and Dale worked for, and have played a large part in growing their careers. Nelvana has animated many popular and award winning programs, many of which are represented in this accrual. Due to the volume of material, and the breadth of programs, the series is divided into sub-series, organized by program, the advertisement branch of Nelvana, Spotted Bear, and company files. Much of the ephemera is within this series, as are the animation cels. Production notes are also included in some subseries. Not all of the material included in this series was directly worked on by the Coxs, but may have been acquired later for their personal collection.
Series 4: Animation Magazines and Conference Material (1975-2004)
The fourth series contains more secondary material. The pair attended many international as well Canadian professional animation conferences. Often their attendance was not only for yearly professional learning, but they had also been recognized for their contribution to the art and were being awarded in some manner. Because many of the shorts they worked on were the reasons they attended, those conference material that feature these programs, Christmas Card for example, have been organized into another series. Instead, this series “Animation Magazines and Conference Material” contains conference programs and magazines that do not feature either Dave or Dale. This series is quite useful in capturing how the animation industry both in Canada and abroad has changed, as the program books and magazines were meant for professionals in the field and cover a large breadth of time.
Series 5: Collectables and Other Material Related to Animation ([1966]-2004)
The last series contains material that are clearly items Dave and Dale collected over the years that relate to animation. This includes educational VHS tapes that cover the history of animation across the world, cels from programs that are outside of the scope of any of the other series listed, and other general animation memorabilia.

This fonds consists of 15 series, divided by the company’s functional activities, by format, and where possible, alphabetically by title, based in part on Cinemavault’s original organization records. The series are as follows:

1. Distribution - AV Deliverables
2. Distribution Master Tape Library
3. Distribution – Trailers, Logos, EPKs and Shorts
4. Distribution – Commercial DVDs and VHS
5. Distribution – Deliverable Documents
6. Distribution – Business and Legal Affairs Files
7. Distribution – Theatrical Releases
8. Distribution – Films Festivals and Markets
9. Press and Publicity Materials
10. Promotional Materials
11. Key Art & Stills
12. Educational and Industrial Films
13. Reference Material
14. Office Files and Data Backups
15. Nick Stiliadis’ Personal Films
    The first series, Distribution – AV Deliverables represents the audio-visual elements of Cinemavault’s distribution catalog, and includes audio-visual elements received from producers and filmmakers for distribution purposes, as well as materials from the SC Entertainment back catalog. These materials include camera originals, raw footage, raw audio, final audio mixes, and release prints. These materials were received on a wide variety of formats, but 16mm and 35mm moving image and magnetic audio film predominate.
    The second series, Distribution – Master Tape Library represents Cinemavault’s library of distribution titles mastered to video tape. Some tapes are labeled with an identifier originated by the creator, which has been indicated in the description. There are a wide variety of tape formats within this series, with Digital Betacam predominating.
    The third series, Distribution – Trailers, Logos, EPKs and Shorts includes audio-visual elements received from producers and filmmakers for distribution purposes, including film trailers, company logos on film and video, electronic press kits, and promotional film shorts. Most of this material is on video cassette.
    The fourth series, Distribution – Commercial DVDs and VHS includes commercial copies of Cinemavault’s library of distribution titles on DVD and VHS. This series includes North American English and French versions, as well as international and foreign language versions of Cinemavault titles.
    The fifth series, Distribution – Deliverable Documents includes records received from producers and filmmakers for distribution purposes. It also includes production files related to the SC Entertainment back catalog. Textual materials predominate in this series, which includes distribution deal memos and contracts, chain of title documents, copyright and clearance documents, copies of crew agreements and other film production-related documents, music licenses, MPAA film rating certificates, Errors and Omissions insurance certificates, lab access letters, head and tail credits and credit obligations statements, billing blocks, and scripts. There are also some press and publicity-related items in this series, including promotional one-sheets, production stills, and slide kits.
    Please note that this series contains personally identifying information found in crew deal memos, including crew names, addresses, birth dates, telephone numbers, social security and social insurance numbers, therefore, due to privacy concerns, those records are restricted.
    The sixth series, Distribution – Business and Legal Affairs Files includes business and legal affairs records related to the international distribution of Cinemavault’s catalog of titles. These include lists of sales territories by individual international distributor, distribution and assignment agreements, distribution deal memos, sales reports, development agreements, various other contracts, and correspondence.
    The seventh series, Distribution – Theatrical Releases includes records related to the Canadian theatrical releases of a limited number of Cinemvault titles. This includes film distribution agreements, box office and sales reports, publicity and marketing materials and strategies, and distribution licenses.
    The eighth series, Distribution – Films Festivals and Markets consists of records related to attending and taking part in film festivals and international sales markets. This series includes festival programs, catalogues and guidebooks, as well as general textual records related to film festivals such as entry forms, screening invite lists, press clippings, and correspondence.
    The ninth series, Press and Publicity Materials includes general files pertaining to press and publicity efforts undertaken at festivals and international sales markets, as well as press kits for individual titles within Cinemavault’s distribution catalog. Materials in this series include press clippings, film reviews, film synopses, cast and crew bios, production stills, promotional postcards and flyers, as well as key art for each title. There is also a small number of video recordings of televised publicity efforts pertaining to a few SC Entertainment titles.
    The tenth series, Promotional Materials consists of promotional posters, carboard standees, flyers, promotional one-sheets, and postcards related to Cinemavault’s distribution catalog titles. There are also a small number of product reels and promos on DVD.
    The eleventh series, Key Art & Stills consists of a library of key promotional artwork and stills related to Cinemavault’s catalog of distribution titles. This includes key art samples and proofs, sample printouts of key art originally contained in reference binders, promotional art and stills received on data disc, and sample VHS and DVD artwork.
    The twelfth series, Educational and Industrial Films represents early titles written and produced by Nicholas Stiliadis and SC Entertainment. These films were not made for theatrical release and instead were aimed at the educational market. They center on themes of health, wellness, self-esteem, and skill-building. This series consists of the films themselves, as well as some marketing materials related to the films such as posters, sell-sheets, and activity workbooks.
    The thirteenth series, Reference Material consists of various film and television industry reference guides and catalogues, as well as various trade publications. It also consists of web clippings from the Internet Movie Database, pertaining to various Cinemavault titles.
    The fourteenth series, Office Files and Data Backups consists of various Cinemavault staff member computer and email account backups, as well as office database backups on data disc.
    The fifteenth series, Nick Stiliadis’ Personal Films consists of various audio-visual material belonging to CEO Nicholas Stiliadis, including some commercial work, as well as student films from his time at Toronto Metropolitan University (formerly Ryerson).
    This fonds includes textual and audio-visual material relating to the following film productions:
    • 16 to Life
    • 1-900
    • 2 By 4
    • 2001: A Space Travesty
    • 24 Hour Woman, The
    • 30 Days (aka Cross the Line aka Full Court Press)
    • 4 Jacks (aka Four Jacks)
    • A Beautiful Secret
    • A Fool and His Money
    • A Previous Engagement
    • A Tale of a Naughty Girl
    • A Touch of Spice
    • Adrenaline Drive
    • Afrika Unite (aka Africa Unite)
    • Aging of North America, The
    • Alarm
    • Alzheimer Case, The
    • And She Was
    • Another Day in Paradise
    • Apart
    • Art Killer (aka Still Life, aka A.K.)
    • Artefacts
    • At the End of the Day (aka War Games)
    • Atanarjuat (aka Atanarjuat: The Fast Runner)
    • Bad Money
    • Ballad of Sexual Dependency (aka Sexual Dependency aka Dependica Sexual)
    • Ballad of the Nightingale
    • Barber, The
    • Beyond Retirement
    • Big Slice, The
    • Blackout, The
    • Blind Date (original)
    • Blind Date (remake)
    • Blood Relations
    • Blue Blood
    • Boca
    • Brand New World
    • Breakout
    • Bumblebee Flies Anyway, The (aka The Bumblebee Flies Away)
    • Canvas
    • Capital Punishment
    • Career Planning
    • Caribe
    • Carolina
    • Central Park Story (aka Harlem Aria)
    • Channel 1 (aka True Rights)
    • Chatham (aka Golden Boys)
    • Cherish
    • Cinderella (aka Cinderella 3D)
    • Circle, The
    • City of the Dead
    • Clandestine Marriage
    • Clash
    • Cognac (aka Secret Ingredient)
    • Collector, The
    • Comfortably Numb
    • Coney Island Baby
    • Confessions of a Superhero
    • Copper Mountain
    • Cornered
    • Crazy Horse (aka Friends, Lovers & Lunatics aka Fous a Lier)
    • Crime Guys (aka Shark Skin 6)
    • Crooked Lines
    • Crop, The
    • Crossing (aka Dress to Kill)
    • Dangerous People (aka Les Dangereux)
    • Dark Blood
    • Dark Descent
    • Dark Rising 2
    • Dark Warrior
    • Dead Meat
    • Dead Stop
    • Deadly Attraction
    • Deadly Engagement
    • Deception
    • Delivery
    • Depraved, The
    • Diamond Cut Diamond
    • Dinosaur Hunter, The
    • Disturbed, The
    • Dixie Lanes (aka Relative Secrets aka La Guerre en Famille)
    • Dominic's Castle
    • Donkey
    • Dope
    • Dragon Fighter
    • Duska
    • Dust
    • Edelweiss Pirates (aka Eidelweiss Piraten)
    • Employee Fitness: Fact or Fantasy
    • Equinox
    • Erik (aka One Man Out)
    • Eve
    • Exit 67 (aka Sortie 67, aka Gangsterland)
    • Expecting Mercy
    • Exposure
    • Extreme Days
    • Family Flaw
    • Fat Head
    • Fight Night (aka Rigged)
    • Finding Lenny (aka Les Deux Sont Tombes Sur le Foot)
    • Firecracker
    • First Saturday in May, The
    • Follow Me Outside
    • For the Bible Tells Me So
    • Foreign Bodies
    • Framed
    • Frogs for Snakes
    • From Within
    • Galaxies are Colliding (aka Galaxies, aka Planet of Love)
    • Gangster Exchange
    • Gas Hole
    • Getting to Know You
    • Girl in 3D
    • Gladiator 2000
    • Gladiator Cop (aka The Swordsman II)
    • Global Heresy (aka Rock My World)
    • Going Back
    • Gold Medal Years, The
    • Gospel of John
    • Graveyard Shift
    • Gruesome (aka Savage)
    • One Day Remains
    • Hammer, The
    • Harrison Montgomery
    • Health Fitness Professionals, The (aka Health Fitness Pro)
    • Heart Disease
    • Heist, The
    • Hell Cab (aka Hellcab)
    • Hidden, The
    • Hide & Seek
    • High Adventure
    • Hochelaga
    • Hockey Mom
    • Home
    • Hope & A Little Sugar
    • Hotshot (aka Coup de Verité)
    • How Streetproof Are You? (aka Street Proofing)
    • How the Garcia Girls Spent Their Summer
    • I Woke Up Early the Day I Died
    • I.O.U.S.A
    • Ignition
    • Incredible Mrs. Ritchie, The
    • Innocence
    • Inside (aka Histoire de Pen)
    • Interceptor Force
    • Interview (remake)
    • Into the Fire (aka The Legend of Wolf Lodge)
    • Julie Johnson
    • Kevin of the North (aka Chilly Dogs)
    • Kids World
    • Kill Me Tomorrow
    • Kinta
    • Komodo
    • LA Run
    • Lady of the Lake
    • Last Lovecraft, The
    • Last Night at Eddie's
    • Last Rites
    • Late Last Night
    • Lawman (aka The Mountie)
    • Leaving Barstow
    • Legionnaire
    • Level, The
    • Lifestyle Workout
    • Like Water
    • Limit, The (aka Gone Dark)
    • Listening, The
    • Loins of Punjab
    • Loons, The
    • Lost Lake
    • Lost Things
    • Love & Savagery
    • Love Thy Neighbor
    • Love.com
    • Lovely, Still
    • Low Down, The
    • Luck of the Draw
    • Lymelife
    • Made in Jamaica
    • Making It Young (aka Makin' It Young)
    • Making of Films, The
    • Mallory Effect, The
    • Marcus
    • Mario's Wedding (aka The Undertaker's Wedding)
    • Meet the Deedles
    • Merchant(s) of War
    • Midnight Clear
    • Mile Zero
    • Mirage Man (aka Mirageman)
    • Murder One
    • Murder Set Pieces
    • Must Love Death
    • My Dog Tulip
    • Newsmakers (aka News Makers)
    • No One Can Hear You
    • Nothing Man, The
    • Offscreen (aka Off Screen)
    • Office Party (aka Hostile Takeover)
    • Once in the Life
    • Orient Express (aka Death, Deceit & Destiny on the Orient Express)
    • Outcast, The
    • Outsourced
    • Paris
    • Parsley Days
    • Paul Shore is Dead
    • Payback
    • Perfect Happiness
    • Perfect Lover (aka The Woman Every Man Wants)
    • Picking Up the Pieces
    • Pink Chiquitas, The
    • Plan Bart
    • Plato's Breaking Point
    • Poker Run
    • Primal Instinct
    • Productivity and Performance by Alex K.
    • Psycho Beach Party
    • Puck Hogs, The
    • Puffy Chair, The
    • Pump Up the Volume
    • Quantum Hoops
    • Queen's Messenger, The
    • Reason for Living
    • Red Blooded American Girl (aka Red Blooded)
    • Red Blooded American Girl 2 (aka Red Blooded II)
    • Red Hot
    • Return to Hansala
    • Reykjavik Whale Watching Massacre, The
    • Ringmaster
    • Ripper (aka Ripper, Letter from Hell, aka Letter from Hell)
    • Road Rage
    • Rockaway
    • Savage Messiah
    • Savage Tales (of Summervale)
    • Scar (aka Scar 3D)
    • Sea Wolf
    • Search for Intimacy, The
    • Seven of Daran, The
    • Sex, Dogz & Rock N Roll
    • Sexiest Animal, The
    • Shattered
    • She Who Must Be Obeyed (aka She)
    • Shergar
    • Side by Side
    • Silence of Fear, The
    • Silent Partner, The
    • Silver Man
    • Silver Wolf
    • Sister Blue
    • Slow Burn
    • So Goes the Nation
    • South Beach Dreams
    • Spinning Into Butter
    • Spirit Trap
    • State of Emergency
    • Steal a Pencil For Me
    • Stepping Razor - Red X (aka Stepping Razor)
    • Stoneraft, The
    • Stranded
    • Strange Culture
    • Strangeland (aka Dee Snider's Strangeland)
    • Survivors of the Titanic
    • Susan's Plan
    • Suspect
    • Tale of the Dog
    • Teknolust
    • Terror Island
    • Terror Lodge (aka Tryst)
    • That's Entertainment
    • The Body Ages, The
    • Thirsting, The
    • Thirteenth Sign, The
    • This Filthy World
    • Thou Gilds't the Even
    • Threads
    • Three
    • Ticking Man, The
    • To Kill a Killer
    • Tom White
    • Touch and Go
    • Trail of Passion
    • Travelling Trio, The
    • Twilight Time
    • Under the Influence
    • Understanding Adolescence
    • Used Parts (aka Partes Usadas)
    • Vita Cane (aka Johnny Nitrate)
    • Vivid (aka Luscious: The Art of Eroticism)
    • Wannabes, The
    • Water Under the Bridge
    • Wellness in the Workplace
    • West of Here
    • When Brendan Met Trudy
    • When Harry Tries to Marry
    • Where God Left His Shoes
    • White Heat (aka Blow Torch)
    • Willful
    • Wind Man
    • You Can Count on Me
    • Youth Stress
    • Zemanovaload
    • Zombie King
    This fonds includes textual material relating to the following film productions:
    • 3D Chef
    • A Taxing Woman
    • Ballistic
    • Blind Justice
    • Blood Rising
    • Bloodlust
    • Brasserie Romantek
    • Capture
    • Chained Vengeance
    • Citizen Marc
    • Corner Shop
    • Corridor, The
    • Crash Fans
    • Cries of Innocence
    • Crypt
    • Dakota
    • Dark
    • Dark Secrets
    • Dark Side
    • Dark Waters
    • Daybreak
    • Dead End
    • Dead on the Beach
    • Deep Core 2000
    • Dirty Minds
    • Distanz
    • Flying High
    • Forbidden Rage
    • Freak City
    • Freeway
    • Friends & Lovers
    • Geld
    • Girl Camp
    • Heartland
    • Illtown
    • In Search of Alexander
    • In the Flesh
    • Killer
    • Killing Moon
    • Interview (original)
    • Last Call
    • Layin' Low
    • Legionnaire 2
    • Lockout
    • Lost Lullaby
    • Lost Valley, The
    • Meffi
    • Minus Man, The
    • Moment, The
    • Movie Entertainment
    • My Brother the Pig
    • Niagara, Niagara
    • Once in a Lifetime
    • One
    • One Day Removals
    • Peaches
    • Pythons 2
    • Recreator
    • Red Robin
    • Rub & Tug
    • Sentenced to Death
    • She Likes Me
    • She's My Baby
    • Sinners Need Company
    • Skills Like This
    • Spreading Ground, The
    • Strange Creature
    • Sumuru
    • Suriyothai
    • Sweet Angel Mine
    • Tangerines
    • Te Amo Ana Elisa (aka I Love You Ana Elisa)
    • Tears at Dawn
    • The Colour of the Chameleon
    • Truck
    • Vir (aka Whirlpool)
    • Water Damage
    • When
    • Who Do You Love
    • Wicked Minds
    • XL
    • Young Alexander
    This fonds includes audio-visual material relating to the following film productions:
    • 3 Ninjas et L'invention du Siecle
    • 48 Weeks Later
    • A Time for Drunken Horses
    • Always, But Not Forever
    • Antibody
    • As It Is In Heaven
    • At Sundance
    • Baby Blue
    • Baby Fever
    • Banged Up
    • Barenaked in America
    • Best Friends Forever
    • Blue Hour, The
    • Body & Earth
    • Bollywood Idol
    • Boy Ages, The
    • Braineater
    • Brave Adventures of a Little Shoemaker, The
    • Can She Bake a Cherry Pie
    • Candy Rush
    • Car Hole
    • Charley
    • Christmas Evil
    • Coach Lenny
    • Colpo Grasse
    • Cool
    • Crazy World
    • Croupier
    • Dark Rising
    • Day I Became a Woman, The
    • Daylight
    • Dead
    • Dead Leaves
    • Dead Time
    • Deep Cove
    • Deep Force
    • déjà vu
    • De Pijnbank
    • Drunks
    • Edge of Darkness
    • een dagje narr Let Stand
    • End of an Empire: Making of Red Hot
    • Epoch Evolution
    • Escape Under Pressure
    • Eureka
    • Extraordinary Egg, The (aka Eggs Please)
    • Eye of Silence, The
    • Family Man
    • Fighting Tiger
    • Fin de Siecle
    • Fitness Formula
    • Four Dragons
    • Fraternity, The
    • Free Tibet
    • Furida Omicida
    • G2 (aka G-2, aka G2: Time Warrior aka Time Warrior)
    • Garmento
    • Genius: Life of a Drug Dealer
    • Get Going
    • Good Rockin' Tonight
    • Guard Dog
    • Hit and Run
    • Hot Blooded
    • How to Make a Stone Raft
    • Human Resources
    • Hypersonic
    • I Went Down
    • If I Didn't Care
    • Interceptor
    • Interceptor Force 2 (aka Alpha Force)
    • Judy Berlin
    • Landspeed
    • Last Lullaby, The
    • Last Resort
    • Last Summer in the Hamptons
    • Lilith
    • Loos
    • Lost Voyage
    • Love
    • Loving Jezebel
    • Luger
    • Mad Cows and Zombies
    • Making of the Circle
    • Many Secrets of the Universe
    • Maximum Velocity
    • Memory of a Killer
    • Middle of Nowhere
    • Music For Film
    • New Alcatraz
    • New Interceptor Force
    • New Joy of Sex
    • Non-Stop
    • Orphans
    • Patriot, The
    • Pig
    • Python
    • Raindrops
    • Ranch Trap
    • Rapid Exchange
    • Rough Shot
    • Run for Your Life
    • Salvage
    • Saves
    • Season's Beatings!
    • Shark Hunter
    • Skills Training
    • Someone to Love
    • Somewhere Tonight
    • South Paw
    • Stress Management
    • Such a Long Journey
    • Sure Hand of God
    • Survival of the Fittest
    • Survival Island
    • Swordsman, The
    • Tevgnaar Oegstgeest
    • Titanic Town
    • Too Much Sleep
    • Treasure Island
    • Trucker
    • Under Heavy Fire
    • Vals Licht
    • What I Like About You
    • Why We Love
    • Woundings
    • Yesterday

The Cylla von Tiedemann Fonds is separated under series based on her works with various institutions:
Series 1 – 14
Series 1: Press Media Material
Series 2: National Ballet commissions
Series 3: Stratford Commissions
Series 4: Tale of a Mask
Series 5: India; 1998-2000
Series 6: Cambodia Margie Gillis
Series 7: Dance Company
Series 8: Rhombus Media
Series 9: Tarragon Theatre
Series 10: Toronto Dance Theatre
Series 11: Personal Earlier Negatives
Series 12: National Ballet Yearbook
Series 13: Early Photography

Series 1: Press Materials

The first series contains the collection of press materials that Von Tiedemann accumulated throughout her career, that her work was featured in. Her works have been featured in magazines such as the National Ballet of Canada magazines seasons and in programs and pamphlets (in English and French) such as the Ballet of British Columbia, Stratford Festivals, Danse-Cité and Les Grands Ballets Canadiens. The Press Materials also includes her very own exhibition cards and invites. Lastly are the press clippings from Globe and Mail, and other newspaper publications.

Series 2: National Ballet commissions

Cylla von Tiedemann had many partnerships and collaborations with the Canada’s National Ballet, and this series features much of her work. The National Ballet of Canada was founded in 1951 with the goal of presenting the best of classical and contemporary ballet. Today the company is among the world’s finest, and Von Tiedemann has been involved in many of the earlier production photography portraits and stills. Within the collections contains commissions labeled and separated by job titles or Von Tiedemann’s original category labels. Various National Ballet negatives taken by Von Tiedemann includes productions from Married Widow, Les Sulphides-the four temperaments-elite synocopatrows, Arabian Nights, and Nutcracker. The series contains mostly negatives and black and white contact sheets of dancer performances and portraits. The second series is separated into three subseries from National Ballet commission and the second is the National Ballet Portraits (1990-1995), and lastly is the National Ballet Yearbook (1992-1995) various negatives of dancers performing on stage and some portraits of dancers.

Series 3: Stratford Commissions

Cylla von Tiedemann is renown for her performance photography, and she has done much at the Stratford Festival. In brief, the Stratford festival began when the railway industry pulled out of Stratford in the early 1950s, and journalist Tom Patterson had an idea for breathing new life into his native city’s economy: a festival of Shakespearean theatre. They did not have a venue, only a tent. From there it grew and is now the company has many venues and has a state-of-the-art technical systems and equipment, the theatre is a space in which the Festival and artists from across Canada can imagine and create. Within the collection the jobs are separated by titles and Von Tiedemann’s original category labels. Similar to the National Ballet series, most of the works are negatives with black and white contact sheet and prints. Plays and performances includes Equus the setup photos, Oedipis rex, and Filumere-on the run negatives, Richard III, Death of a Salesman, Romeo & Juliet, and more. There are also negatives from special events that includes a visit from the Queen. Cylla von Tidemann’s work has been used on Stratford’s website and in their seasonal programs.

Series 4: Tale of a Mask

In this series, it contains the screenplays and drafts of Terry Watada’s work. The titled play is on fiction retelling of immigration and crimes in Canada, focusing on a first-generation Japanese immigration family. Terry Watada is a Toronto writer with many productions and publications to his credit. His publications include Light at a Window (manga, HpF Press and the Greater Toronto National Association of Japanese Canadians 2015), and other works in poetry. Just like the focus of Tale of a Mask, his works primarily focuses on the Japanese Canadian history and their experience in Canada.

Series 5: India

This series features Von Tiedemann’s personal and work-related work on her trip in India. Also included in the series is the Peter Chan’s visit to India and Indonesia, and mostly slides of Lata Pada, founder, and artistic director of Sampradaya Dance Creations.

Series 6: Cambodia Margie Gillis

Includes mainly DVD-R data disks and videos of MiniDVD. The collection shows various clips and cuts from her travels and work in Cambodia, Norway, St John, and Vancouver. People included in the tapes are Margie Gillis, Martha, Holly Hocks, and Peter Chin. Lastly, it includes settings in Martha’s Vineyard and Cloud Piece and Wood dance Margie Robin in Wasser.

Series 7: Dance Company

The series includes commissions and works from various dance companies in Canada. Companies and works includes Denise Fujiwara’s Fujiwara Dance Inventions. Fujiawa is one of the founders of T.I.D.E. (Toronto Independent Dance Enterprise) and negatives of her dances are in this series. In 1991 she formed her own company, Fujiwara Dance Inventions, to house the development of her solo projects. The next company is Claude Moore. Claude’s Moonhorse Dance Company was founded in 1996 which specifically celebrates the work of senior dance artists, continues to develop meaningful relationships and programming that serve to connect senior dance artists and the public. This series includes her work in Children’s Dance and Subway-shot, portraits, mode test and wedding shots.
The third is the Canadian Stage company, founded by Dora Mavor Moore in 1938 first called the Village Players. Today Canadian Stage is one of Canada’s leading contemporary performing arts organizations. In the collection Von Tiedemann photograph their production on Midsummer nights dream, Les Belles Soeurs, and the Beauty Queen of Leename.
Lastly, are the job-related photography shots for Canadian Broadcast Corporation also known as the CBC. Production shots from the House of Martin Guerre, Hard Hearts, and dancers Jan Oddie and Maggie Gill.

Series 8: Rhombus Media

Rhombus Media is a Toronto-based production company and has produced a number of theatrical feature films, TV drama, documentaries and performing arts programmes the over the past 44 years. The collection includes works that Cylla von Tidemann took under Rhombus Media. Most of the formats are negatives of Sheena MacDonald Portrait, director shot, and headshots of Barbara Sweet.

Series 9: Tarragon Theatre

The ninth series is based on Cylla’s work with the Tarragon Theatre. The Tarragon Theatre is one of Canada’s main centers for contemporary playwriting in the country. The theatre was founded by Bill and Jane Glassco in 1970. The series contains mostly negatives and prints of various performers. Including production shots of King Fisher Days headshots, and Little Mercy’s fist murder. This also includes various headshots, and an email correspondence from Kirk Thomson to von Tiedemann on the prints.

Series 10: Toronto Dance Theatre

The Tenth series includes the negatives and prints of various dancers from the Toronto Dance Theatre. The Toronto Dance Theatre was founded in 1968 by dancer and choreographers Peter Randazzo, Patricia Beatty, and David Earle. The company quickly became popular with their charismatic dancers and a repertoire of original work created in collaboration with Canadian composers and designers. The series also contains work from NY Times and from Christopher House.

Series 11: Personal Earlier Negatives

The eleventh series contains the personal and earlier works of Von Tiedemann. Most of the formats in the collections are negatives and a few black and white prints of various dancers, actors and landscapes from her work and personal travels. People in these sections includes Yseult & Robert, Nicholas & Graeme, Graham McKelvie, Maxine Heppner, Margie Gillis, Marie Josée Chartier, and Eryn Trudell. As noted in the finding aid, many of the performers in the series shows nudity. Travels includes Indonesia, Italy, South France, and Vancouver. Production companies also included in the series are Mirvish Production, ARMS, Deaf Planet show, Destination foundation, and Nightwood Theatre.

Series 12: Early Photography
This series spans the years of the late 1980s to early 1990s. It contains the early photography of Von Tiedemann, which includes dancers, performers, personal peers, and trips. Mainly includes works on portraits and photo shots for Danny Grossman. Danny Grossman is a Canadian dancer, choreographer, and activist. His performance in the series are Devine Air, Age of Darkness, Memento Mori, Ces Plaisirs and more. He created the Danny Grossman Dance Company which produced his political dances James Harcourt, San Miguel de Alleude, Roshar-show, David Arthur, and others.

Series 13: Miscellaneous

The Miscellaneous section includes a variety of CDs that contain her collection of digital files. The disks contains the digital version of her photographs, which includes her commissions for dancers and performers. They also contain the commissions from Koresh Dance Company, Dance Boom festival, and Dance Advance; productions such as Touching Wild Horses, Child star, and the Producers.

The T.F. McIlwraith fonds consists of records documenting McIlwraith’s training and career as an anthropologist as well as his roles as an administrator and professor at the University of Toronto. Covering three separate accessions, material primarily includes professional records related to his research, teaching, and publishing activity. Fonds includes significant coverage is of McIlwraith’s writing, both published and unpublished. Series 17 (The Bella Coola Indians) focuses on his research with the Nuxalk Nation for the book The Bella Coola Indians. Extensive correspondence, subject files, maps and photographs are included within the fonds and partially consist of material collected and/ or sent to McIlwraith in connection with his research.

Also includes a typescript of Prof. McIlwraith's book "The Bella Coola Indians" (Toronto: University of Toronto Press, 1948) including field notes, vocabulary card, photographs and copper plates of illustrations related to his research about the Nuxalk Peoples of Bella Coola, British Columbia.

Contains series: Photographs; posters; documents

The documents include photographs documenting the primary activities of the Ukrainian People’s Home, particularly its choir and executive. The posters promoted the various concerts and theatrical performances organized by the community. The miscellaneous documents relate to the Home and to the Prosvita (Enlightenment) and Ridna Shkola societies in Lviv, Ukraine.

Photographs relating to Ukrainians in Ontario, Canada, primarily in St. Catherines.

This sub-series contains slides depicting Blissymbol instructional materials, BCI history, and student and teacher photographs.

File contains mounted photographs of students using Bliss materials and one photo of Charles Bliss.

File contains photographs of symbol classes.

File contains photographs of visit to Home of the Merciful Saviour for Crippled Children, including photos of students and classroom.

File contains slides of BCI teachers, teaching materials, and students.

File contains slides of Bliss boards and of students using Bliss boards.

File contains slides of Blissymbolics and BCI publication cover photographs.

File contains photograph of Charles K. Bliss.

File contains photographs of Shirley McNaughton and colleagues.

File contains composite shot of a workshop.

File contains slides of BCI student photographs.

File contains slides of BCI teacher photographs.

File contains slides of Blissymbolics technology and equipment, with some slides picturing students using the materials.

File contains slides of Blissymbolics grammar rules and teaching strategies.

File contains slides of BCI history, including documents, dates, buildings, events, and visits by Charles Bliss.

File contains slides of Blissymbolic training and grammar materials.

File contains slides of Blissymbol vocabulary, symbol use strategies, and miscellaneous BCI photographs.

File contains slides of students, staff, volunteers, Charles Bliss, classrooms, communication tools, symbol displays, and symbol books.

This sub-series contains photographs of Bliss students and staff, Charles Bliss, and various classrooms and workshops.

File contains slides for sections G, K-P, and unknown sections of the teaching presentation "Say It With Symbols".

File contains slides depicting children and teachers in the classroom, often working with Blissymbols.