Print preview Close

Showing 250 results

Archival description
Only top-level descriptions
Print preview View:

2 results with digital objects Show results with digital objects

Samuel Hollander fonds

  • UTA 1386
  • Fonds
  • 1954-2022

These accessions of personal records provide a fairly complete representation of Samuel Hollander’s professional life as an academic. The accessions cover his entire career from his student days at the London School of Economics to his retirement from the University of Toronto in 1998 and his appointment at Ben-Gurion University in Beer-Sheva, Israel in 2000. Correspondence, found in the various series gives a rich commentary on his professional endeavours and gives a good overview of the debates surrounding Hollander’s work. Lecture notes and taped lectures document how his ideas were taught in the classroom and his Ph.D. files found in Series 5 show his dedication to the teaching and mentor roles for which he is so highly regarded.

Hollander, Samuel

Victoria Women's Association fonds

  • CA ON00357 2095
  • Fonds
  • 1898-2022

Fonds consists of records related to the Victoria Women’s Association from 1898 to 2002, including their time as the Barbara Heck Memorial Association, and the Victoria Women’s Residence and Educational Association. Materials include meeting minutes, constitutions, records on the history and recognition of the association, administrative reports, correspondence, financial records, information relating to members and donors, event records, photographs, an audio cassette, and ephemera.

Victoria Women's Association

Pete White Fonds

  • 2017.020
  • Fonds
  • 1888 - 2022

This fonds has been arranged into five series based on the creator’s order. These series are as follows:
Series One: Songwriting
Series Two: Screenwriting
Series Three: Digital Print Writing
Series Four: Writers Guild of Canada
Series Five: Kaslo/Kootenays and Mining
Series One: Songwriting includes records pertaining to White’s songwriting career with Paul Hann. This series has been arranged into subseries as follows:
Subseries One: Commercial Releases includes Paul Hann’s commercial albums and singles, with songs written by White. Records in this series include 12 in. vinyl LPs for “A Fine White Thread,” “Another Tumbleweed,” “Paul Hann,” “High Test” and “Hometown Hero.” It also includes 8-track cassettes of “A Fine White Thread,” “Another Tumbleweed,” and “Paul Hann.” This subseries also features commercially released compilation albums featuring Paull Hann, including “In the Dawning: A Story of Canada” on 12 in. vinyl as well as compact disc. It also includes “The ACME Sausage Company,” a compilation of CKUA radio featuring a performance by Paul Hann. Finally, this subseries includes the limited release compact disc “Acrid Smoke and Amber Drink: The Lost Songs of Pete White and Paul Hann 1968-1978.”
Subseries Two: Original Recordings and Digital Transfers includes various recordings made by White and Hann on ¼ in. audio tape as well as 2 in. audio tape. This includes registration demos for BMI, outtakes, unreleased singles, interim mixes, and master recordings of songs and albums. This also includes recordings made by Paul Hann and the band Canadian Club for CKUA radio. Finally, this subseries includes digital transfers of audio tapes to compact disc.
Subseries Three: Film and Television Soundtracks
This subseries includes recordings made by White and Hann for film and television soundtracks on ¼ in. audio tape. This includes compositions for “The Parent Puzzle,” “Faces of Yesterday: History of Schooling in Alberta”, “Prairie Years,” and “Come Alive.”
Subseries Four: Songs Lists, Lyrics, Chronologies includes records related to White’s songwriting and publishing career with Paul Hann. Records in this subseries include songs lists and publisher share information, music and lyrics, contracts, and correspondence.
Subseries Five: Business Affairs includes records related to the business and management side of White’s work with Paul Hann. Included in this subseries are correspondence, performance contracts, mechanical license agreements, songwriting and publishing agreements, recording contracts, original music service agreements and composers’ agreements, song registration forms, and royalties statements.
Subseries Six: Promo Materials and Photos includes records related to the promotional aspects of White’s work with Paul Hann. Included in this subseries are press kits, aggregated reviews, and promotional photographs.
Subseries Seven: Clippings and Ephemera includes newspaper and magazine clippings related to White and Hann’s music career, as well as festival and performance programmes. This subseries also includes copies of the book “The Game of Our Lives” by Peter Gzowski, which includes the lyrics to White and Hann’s song “Hometown Hero” in its preface.
Series Two: Screenwriting includes records related to White’s screenwriting career, and it has been arranged into the following subseries based on a career chronology provided by the creator:
Subseries One: One-Off Short Films includes records related to short films written by White. Records in this subseries include screenplays, shooting scripts, and script outlines. Works represented in this subseries include: “Starting Over,” “The Treasure,” “Generations”, “The Ballet Class,” “Snowbirds,” “Years of Sorrow, Years of Shame,” and “Scarlet Heritage.”
Subseries Two: Television Series includes records related to television shows written by White. Records in this subseries include screenplays, shooting scripts, treatments, outlines and premises, episode screeners and dubs, correspondence, press clippings, show prep memos, cast lists, shooting schedules, day out of days schedules, beat sheets, and notes. Works represented in this subseries include: “The Parent Puzzle,” “Stony Plain,” “The Beachcombers,” “Danger Bay,” “The Campbells,” “Bordertown,” “Airwolf II,” “Family Pictures,” “War of the Worlds,” “Jericho 911,” “Northwood” and “Da Vinci’s Inquest.”
Subseries Three: Television Movies includes records related to television movies written by White. Records in this subseries include correspondence, treatments, outlines, screenplays, shooting scripts, production stills, promotional one-sheets, crew lists, call sheets, press clippings, preliminary VHS screeners, a production cap and crew t-shirt, as well as research interviews on audio tape. Works represented in this subseries include: “Striker’s Mountain,” “The Legend of Ruby Silver,” and “Peacekeepers.”
Subseries Four: Screenplays includes records related to screenplays written by White. Records in this subseries include screenplays, one-sheets, film proposals, and research materials. Works represented in this series include: “Four by Four,” “Slug Addiction: A Rock & Roll Fairy Tale”, “Nighthawk Crossing” (also known as “Crossing the Line”), “Scarlet Ladies,” “Mungo” and ‘Love and Genius.”
Subseries Five: Mini-Series includes records related to mini-series written by White. Records in this subseries include screenplays, development and series outlines, correspondence, notes, outlines, beat sheets, writer’s agreement and transfer of rights agreement, and research reports. Works represented in this subseries include: “The Temptations of Big Bear,” “Mountain Men,” “The Columbia Dams,” “Midnight Son,” “Thompson & Tyrell” and “The On-to-Ottawa Trek.”
Subseries Six: Movie Treatments includes records related to movie treatments written by White. Records in this series include treatments, synopses, and outlines. Works in this subseries include: “Bernie & The Guy,” “Craig’s Man,” “Lawrence After Arabia,” and “The Flying Bandit.”
Subseries Seven: Pitches includes records related to various pitches written by White. Records in this series include one-sheet pitches, story pitches, synopses, outlines, notes and research materials. Works in this series include, but are not limited to “Headless Valley,” “The Cheaters,” “Fall of a Prince,” and “Detachment.”
Subseries Eight: Screenwriting Projects Research Materials consists of records related to research done by White, predominantly pertaining to a potential series entitled “The Denisons of Canada.” Records in this subseries include grant applications, correspondence, a television series treatment, and a project description. It also includes a substantial amount of research materials, including books, book and journal excerpts, copies of historical records including maps, photographs, correspondence and diaries, archival finding aids, genealogical records, and bibliographies. Also included in this subseries are research files for a potential new instalment of “Peacekeepers,” set in Cyprus, in 1974, as well as research for a project entitled “Graveyard of the Pacific.”
Subseries Nine: Awards consists of awards and nominations received by White over the course of his screenwriting career. Included in this series are Gemini nomination certificates for “Striker’s Mountain,” “The Legend of the Ruby Silver,” and “Peacekeepers.” It also includes awards statuettes from the Writer’s Guild of Canada Top Ten Awards, for “Ruby Silver” and “Peacekeepers.”
Subseries Ten: Miscellaneous Files includes records labeled as miscellaneous by the creator, as well as records not easily ascribed to a particular title or production. Records in this series include correspondence, WGC project registrations for various titles, matted postcards, research clippings, a brochure for White’s production company (Kicking Horse Productions), writer’s contracts and purchase agreements, and a disc containing professional photographs of White.
Subseries Eleven: Books and Reference Materials consists of books related to White’s screenwriting career. Works in this series include “Telling It: Writing for Canadian Film and Television,” (which includes a chapter by White), and “Big Screen Country: Making Movies in Alberta.” It also includes two screenplays not written by White, a book about the Avro Arrow, and an Orenda Engines branded lighter.
Series Three: Digital Print Writing includes records related to White’s digital print writing work (including novels, novelizations, and memoirs). Included in this series is a copy of White’s novel, Crimea Sabre, as well as printing order details pertaining to this book. Also included in this series are research clippings pertaining to “Crimea Sabre.” This series also includes an essay by White about the founding of the Council of Canadians. This series also includes personal short stories, genealogical research records (including family trees, correspondence, copies of military service records, and scans of family photos), and a small amount of White’s personal materials (high school report cards, membership cards, track and field ribbons).
Series Four: Writer’s Guild of Canada includes records related to White’s work with the ACTRA Writer’s Guild as well as the Writer’s Guild of Canada, and the arrangement is largely based on the creator’s original order. Records in this series include correspondence, clippings, policy and discussion papers, policy proposals, lists of guild personnel and portfolios, meeting minutes and agendas, reports, forum and working group agendas, priorities and action items lists, speeches, and notes. It also includes a full run of “The WGC News” newsletter, as well as a run of “Canadian Screenwriter” magazines from White’s time as Guild president. Finally, this subseries includes a USB key of digital files relating to White’s time as WGC president.
Series Five: Kaslo/Kootenays and Mining includes records related to White’s time as a miner, resident of Kaslo, British Columbia, and work with the Kootenay Lake Historical Society. Records in this series include newspaper and magazine clippings and brochures pertaining to home design and home building. It also includes research and copies of archival materials pertaining to the history of mining in British Columbia. It also includes historical publications by the Geological Survey of Canada, and books pertaining to the Kootenays, including a first edition of the 1888 travelogue “A Ramble In British Columbia.”

Pete White

Edie Steiner Fonds

  • CA ON00349 2022.018
  • Fonds
  • 1973 - 2021

The records in this fonds include Steiner’s photography, from her student work, to her documentation of the Toronto music scene and music portraits, to her exhibition work. Also included is a selection of published work and commercial photographs. The collection also includes Steiner’s Super 8mm films and recordings of live musical performances, as well as Steiner’s narrative and documentary films. The fonds consists of five series, based on the creator’s major artistic and creative activities, and are arranged in rough chronological order. The series are as follows:

  1. Series One: Narrative and Documentary Films
  2. Series Two: Super 8mm and Performance
  3. Series Three: Works in Audio
  4. Series Four: Photography
  5. Series Five: Creative Writing
    The first series, Narrative and Documentary Films, is divided into four subseries. The first, Subseries One: Film elements and masters includes the masters and audio/visual elements of Steiner’s narrative and documentary films shot on 16mm and video up to “Borderland Memories.” The second, Subseries Two: Film Research, consists of a series of research interviews shot on video for a project entitled “Dreams of Solidarity.” The third sub-series, Subseries Three: Film Promotion, Exhibition, includes textual and graphic records related to the production and promotion of Steiner’s narrative and documentary films. The final subseries, Subseries Four: Film Stills Photography and Promotional Shots, includes prints and negatives of film stills and promotional shots of Steiner’s narrative film projects “Places to Stay” and “Felicity’s View.”
    The second series, Super 8mm and Performance, is divided into two subseries. The first, Subseries One: Films and Soundtracks includes Steiner’s finished Super 8 films, as well as recordings of her live musical accompaniments to these films on cassette and in some cases, compact disc. The series also includes VHS and Betacam SP copies of Steiner’s final Super 8 film “Who is #1?”. The second, Subseries Two: Outtakes and Works in Progress, consists of outtakes and miscellaneous Super 8 film reels.
    The third series, Works in Audio, is divided into two subseries. The first, Subseries One: Music Recordings and Performances consists of audio and video recordings of Steiner’s original music, solo and in collaboration with other artists. Included in this series is a recording of Steiner playing with her band The Elementals, and several recordings of Steiner’s cover of Johnny Cash’s “I Walk the Line.” It also features recordings of Steiner’s collaborations with Chip Yarwood, Malcolm Lewis, and Colin Offord. Finally, it includes both audio and video recordings of Steiner’s work with The Band That Dare Not Speak Its Name. The second subseries, Subseries Two: Radio Interviews includes recordings of Steiner being interviewed and playing music at various Canadian radio stations.
    Series Four, Photography, is divided into seven subseries. The first, Subseries One: Portraits, Fashion, Landscapes consists of prints, contact sheets, and negatives of Steiner’s portrait photography work from the 1970s to the 2000s. Portrait subjects include Toronto musicians, artists, filmmakers, writers and poets – many of them friends and contemporaries of Steiner. This series also features Steiner’s photos and portraits of musical artists Patti Smith, Debbie Harry, Lydia Lunch, Rough Trade, Bryan Adams, and author Margaret Laurence. There is also a small collection of fashion photography, as well as two large format landscape photos. Subseries Two: Photo Exhibitions, features negatives and proofs of work featured in exhibition, as well as large format exhibition prints. Subseries Three: Travel Photos (for Exhibitions) consists of negatives and prints of travel photography. Subseries Four: Projects and New Works consists of negatives and a videotape related to a photography project entitled “Episodes in Dreamtime,” as well as one roll of test negatives shot in 2021. Subseries Five: Photography Publications consists of a publication entitled “Great Lakes Logia,” for which Steiner contributed photographs. Subseries Six: Various Events and Arts Documentation consists of various photographs and negatives documenting Steiner’s various artistic endeavours over the years, including live performances, music, openings of gallery shows, directing, and teaching. The final subseries, Subseries Seven: Commercial/Published Work includes newspaper and magazine clippings of Steiner’s published photography, as well as posters, album covers, promotional cards, and postcards, for which Steiner was the photographer.
    The final series, Series Five: Creative Writing, consists of a zine called “Gathering Blossoms Under Fire,” for which Steiner contributed an essay.
    This fonds includes textual and audio-visual material relating to the following film productions:
    • Places to Stay
    • Roses are Blue
    • Felicity’s View
    • Northland: Long Journey
    • Conversations on the Lake
    • Borderland Memories
    This fonds includes audio-visual material relating to the following film productions:
    • You Always Think About Things Like That
    • Post-Industrial
    • These Experiments
    • Dreams of Solidarity
    • Fake Milk Commercial (Super 8mm short)
    • White Flag (Super 8mm short)
    • Dance Party (Super 8mm short)
    • Examination Aboard a UFO (Super 8mm short)
    • Eclipse (Super 8mm short)
    • Happy Holidays (Super 8mm short)
    • Northern Journeys (Super 8mm short)
    • Chronicle (Super 8mm short)
    • Symphonic References (Super 8mm short)
    • Episodes (Super 8mm short)
    • Who is #1 (Super 8mm short)
    This fonds includes photographic material relating to the following exhibitions and photo series:
    • Painted Photographs
    • Mostly Rock & Roll
    • Urban Underground
    • Residual Landscapes
    • Recent Work
    • Earth and Bone
    • Day + Night
    • New Work
    • US Shrines
    • Great Lakes
    • Northland
    • The Artifice of Nature (sometimes titled The Nature of Artifice)
    • Condo Boom!
    • Views From Home: Facing North
    • Landscape as Power
    • The Poetry of Chance
    • Abject Transformations

Edie Steiner

New Music Concerts fonds

  • OTUFM 19
  • Fonds
  • 1971-2020

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

New Music Concerts

Queer Peel Oral History Project collection

  • CA UTM C002
  • Collection
  • 2020

Collection consists of seven oral history interviews of LGBTQ2+ activists, UTM students and alumni, and residents of the Peel Region (Mississauga and Brampton) in Ontario, Canada. Interviews were conducted by students enrolled in the undergraduate course HIS395S LGBTQ2+ Oral History: Queer Peel offered at the University of Toronto Mississauga in the 2020 winter term.

Queer Peel Oral History Project

Martin Lawrence Friedland fonds

  • UTA 1294
  • Fonds
  • 1868-2020

Fonds consists of six accessions of records documenting the life of Martin L. Friedland, as a student, professor of law and administrator at the University of Toronto; as an expert on legal matters and a contributor to the formation of public policy at the provincial and federal levels; and as an author of several books and numerous articles, in particular the researching and writing of his book University of Toronto: A History (University of Toronto Press, 2002 & 2013).

See accession-level descriptions for further details.

Friedland, Martin Lawrence

UTARMS' Oral History Collection on Student Activism

  • UTA 0302
  • Collection
  • 1972-2020

Collection includes seventeen oral history interviews focused on illuminating the impact of student action and initiatives across UofT’s three campuses. Themes within the interviews cover a broad range of topics including community building and mentorship, institutional response, and the deep personal and educational value drawn from commitments to systemic change.

University of Toronto Archives and Records Management Services

Robert Allan Spencer fonds

  • UTA 1797
  • Fonds
  • 1919-2020

This fonds documents the administrative and teaching duties of Robert Spencer, as a Professor Emeritus of History and a specialist in European history, especially German history in the 19th and 20th centuries. They also document his education and his participation in World War II; his extensive international research, publications and speaking engagements; as well as his involvement with professional associations and organizations such as the University of Toronto Contingent, Canadian Officers Training Corps (COTC), the International Studies Programme and the Graduate Centre for International Studies, Altantik-Brücke, and the Conference on Security and Co-operation in Europe (CSCE). Included is personal correspondence, correspondence with international organizations, government departments, embassies and consulates; lecture notes; manuscripts and addresses.

Also present are two sous-fonds. The first is the personal papers of his wife, Ruth Margaret Church Spencer, who served with the Women’s Royal Canadian Naval Service (WRENS) during World War II as a base librarian and afterwards as the first professional librarian at Canada House in London. The second consists of files compiled by Ralph Flenley, a specialist in German history and sometime chair of the Department of History: examination questions, student mark books, and drafts of an unpublished manuscript on Anglo-German relations.

This fonds consists of five accessions, described below:

B1972-0020

Correspondence, minutes, memoranda, notes, reports, and press clippings documenting the activities of the Faculty of Arts and Science Constituency of the President's Council of the University of Toronto, as assembled by Professor Robert Spencer while a member of the Council. In addition to Council minutes and related material, there are files on several presidential advisory committees, the Advisory Planning Committee of the Board of Govemors, the University's Master Plan, the School of Hygiene, tenure (Haist Committee), and the Council's Sub-committee on Resource Planning. Included is material documenting the participation of professors C. B. Macpherson and J. B. Conacher.

B1977-0010

Correspondence, memoranda, briefs, minutes, posters, architectural plans, maps, and press clippings documenting Spencer's role in various University administrative bodies including: the Board of Governors Property Committee, 1969 – 1972; the Program Committee of the Commission on University Government, 1969 – 1970; the President's Council, 1969 – 1970; the Committee on Accommodations and Facilities, 1969 – 1972; the Capital Planning Committee, 1971; the Sigmund Samuel Renovation Committee, 1972; Faculty of Arts and Science Library Committee 1967 – 1969; and the Library Council Executive Committee 1965 – 1969. Also includes records of committees relating to stack access issue to the new Robarts Library (the Heyworth Committee), 1971 – 1972, and to the use of the Sigmund Samuel Library 1970 – 1972.

B2010-0024

Personal records of Robert Spencer, Professor Emeritus of History and a specialist in European history (19th and 20th centuries) that document his administrative and teaching duties at the University of Toronto, his research, writings and editing, and addresses, and his involvement with professional associations and organizations such as the COTC (University of Toronto), and the U of T International Studies Programmes, Atlantik-Bruecke, the Conference on Security and Co-operation in Europe (CSCE), the federal government, and German diplomatic bodies and institutions.

B2013-0005

Further personal records of Robert Spencer, Professor Emeritus of History, documenting his education, his military service during World War II; his post-war studies at Trinity College and the University of Oxford; his administrative duties at the University of Toronto, his editorial work, his extensive travels as a researcher and speaker, and his writings, including the history of U of T Contingent, Canadian Officers’ Training Corps (COTC) project.

Also present are two sous-fonds. The first is the personal papers of his wife, Ruth Margaret Church Spencer who served with the Women’s Royal Canadian Naval Service (WRENS) during World War II as a base librarian and afterwards as the first professional librarian at Canada House in London. Includes correspondence, certificates, addresses, diaries, photographs, reports, maps, interviews, and memorabilia. The second consists of files compiled by Ralph Flenley, Professor Emeritus of History: examination questions, student mark books, and drafts of an unpublished manuscript on Anglo-German relations.

The arrangement of this accession closely follows the file listing provided by Professor Spencer, with some rearrangement and addition of information, as deemed necessary.

B2022-0014

This accession includes a Challenge Coin created for Robert Spencer’s 100th birthday and a note that describes its iconography.

Spencer, Robert Allan

Stratton-Clarke collection

  • OTUFM 57
  • Collection
  • 1899-2020

Collection consists of approximately 6,500 78 rpm records, and the personal papers of one of its collectors, John Stratton. Stratton's personal papers provide contextual information about one of the collectors of the "Stratton-Clarke Collection," and primary source material relating to his research of historical vocal recordings and recording practices.

The 78 rpm record collection spans nearly the entire history of 78 rpm record production, from acoustic recordings to early electronic recordings and beyond, covering the first half of the twentieth century. The recordings are primarily pressed on shellac discs, ranging from 7 to 14 inches on diameter, and capture performances of approximately 1,000 vocalists, performing the works of more than 900 different composers on at least 100 different labels. The collection was loosely built on four of Stratton's main interests regarding historical vocal recordings: the "Golden age of singing" (pre World War One); the Mapleson recordings (live Metropolitan Opera performances captured on wax cylinders by Lionel Mapleson between 1900 and 1904); Canadian performers; and pre-revolutionary Russian recordings (pre-1917). The collection includes unpublished and test pressings, as well as published materials.

Stratton, John

Vivian M. Rakoff fonds

  • UTA 1682
  • Fonds
  • [194-]-2020

Fonds consists of records documenting the professional, personal and creative life of Dr. Vivian Rakoff, psychiatrist, administrator and professor. Records include correspondence, certificates, articles, research and background material, creative writing, sketches, and records relating to Dr. Rakoff’s many appearances on CBC programs, including tapes of the shows.

See series descriptions for more information.

Rakoff, Vivian M.

Roman Bittman and Marilyn Belec Bittman fonds

  • CA ON00349 2021.013
  • Fonds
  • 1941 - 2020

The Roman Bittman and Marily Belec Bittman Fonds is separated based on Roman and Marilyn’s projects and business under these series:
Series 1 – 11
Series 1: Program environment
Series 2: Anglosea Guides
Series 3: NAAF Business – National Aboriginal Achievement foundation
Series 4: Man Alive
Series 5: Agenda and Journals
Series 6: Awards
Series 7: Roman Files
Series 8: Family History
Series 9: NSFDC – Nova Scotia Film Development Corporation
Series 10: APTN – National Indigenous Television Network
Series 11: Mobius Productions

Series 1: Program environment
The first Roman Bittman and Marilyn Belec Bittman collection series is from the National Film Board (NFB) Program Environmental—a research film funded in 1974. The series consists of research notes, conceptual analysis, and the proposed working plan for other films to be produced by the National Film Board.
Series 2: Anglosea Guides
The second series consists of documents used in research and support of the documentary Anglosea. The files include research notes and other supporting documents. Records include the Anglosea Scheduling for Scriptwriting overseas (with additional written information), correspondences, schedule of visits on board Baltic and Oresund Ferries, and schedule of the Programme of Mr. Roman Bittman’s visit to the Arab Maritime Transport Academy. It also includes various business cards from the Ministry of Canada, transportation companies from Canada and international business cards (mainly Arab countries). The documents also contain guidebooks of the area and a navigation booklet for the teachers and students for the St. Lawrence seaway. The International Maritime Lecturers Association approved both manuals.
Series 3: NAAF Business – National Aboriginal Achievement Foundation
The National Aboriginal Achievement Foundation (NAAF) is a charitable organization dedicated to raising funds to deliver programs that provide the tools necessary for Aboriginal peoples, especially youth, to achieve their potential. The Foundation has awarded more than $37 million in scholarships and bursaries to more than 9,800 First Nations, Inuit, and Métis students nationwide. Roman Bittman produced the National Aboriginal Achievement Foundation Awards show, and he also served as the organization’s interim CEO.
The series contains business cards of various government offices and businesses involved in supporting the NAAF. It includes the NAAF Five-year plan 2006-2010 as Roman Bittman’s acting CEO; it also consists of the verbatim of what he said and has comments to his plan. The series contains the planning and description of the National Aboriginal Achievement Awards. Business records includes the schedules for the Ottawa Meetings of the National Aboriginal Achievement Foundation with John Watson, Mark Wilgen, Dahlia Stein, Jascha Jabes, Rick Hansen, and Pat Martin MP. Email correspondence on various business proposals and Roman Bittman assuming acting CEO duties. Lastly, the series also consists of financial documents for the NAAF.
Series 4: Man Alive
The fourth series focuses on the writings of Thomas Merton. Merton was an influential American Catholic author of the twentieth century. His autobiography, The Seven Storey Mountain, has sold over one million copies, and he wrote over sixty other books and hundreds of poems and articles on topics ranging from spirituality to civil rights, and the nuclear arms race. The collection contains audio tapes of the interview and writings of Thomas Merton for Roman Bittman’s production, Man Alive. The tapes are titled Letter of Bernaro to Robert – Peter the Venerable letter of Defense; Race situations – St Basil Ascetical Discourse; Abelard and his Lark of Spiritual Insight; Silence and Makins signs; Poetry and Song; Chinese thought; and other tapes based on Thomas Merton travels.
Series 5: Agenda and Journals
The fifth series contains the agendas and journals that once belonged to Roman Bittman. His journals write of his personal life, but mostly his work, such as his research on Thomas Merton, his trip to Norway, sea battles in WWII and NATO. The agendas consist of meeting schedules, films he worked on, the contact information of his colleagues, and his travel and shooting schedules of various locations, such as his trip to Prince Edward Island, Miami, and Washington, DC. It also includes the agenda that belonged to Marilyn Belec, with her daily schedule and contact list of her colleagues.
Series 6: Awards
The sixth series consists of awards that Roman Bittman won during his extensive career and honoured after his death. Awards for his short films, early films and documentaries include the Screen awards, CFTA film awards, Family Life Film award, Banff International, American Film Festival and many more national and international Film Festival awards. It also includes the National Aboriginal Achievement Awards, which he attended and wrote a message in the award booklet. After his death, many people in the entertainment and the Indigenous community came together to celebrate, honour, and recognize Roman Bittman’s life works. Many include speeches on his achievements, tribute letters, and people sending in letters to various awards nominating him after his death.
Series 7: Roman Files
The seventh series consists of Roman Bittman’s files for researching various films, company correspondences, and corporate financial papers. Documents consist of research and proposals for the potential work of the Pilgrimage sent by Roman Bittman when he was a part of Marilyn Belec Bittman’s company, Mobius Media Corporation. Furthermore, he spent his time at CBC News before becoming a producer of the documentary series The Nature of Things. The seventh series also includes his travel documents and souvenirs. His academic and personal documents include his personal poem and writings; his Ryerson University (now called Toronto Metropolitan University) letters and photos of Ryerson class reunion, touring Ryerson’s new Rogers Communications Centre with his old classmates.
Series 8: Family History
The eighth series focuses on the research done on Roman Bittman’s family history and lineage. Documents include Roman Bittman’s Genealogy Chart. Roman Bittman’s aunt, Sarah Norjard, researched papers he collected in 1992. Research notes contain photography of Sarah and Roman with family, articles from the Record-Gazette and his Métis card. It also includes his family connections towards the Bourassa and St. Germain families, two notable family members in their province’s history.
Series 9: NSFDC – Nova Scotia Film Development Corporation
The ninth series contains his development in the Nova Scotia Film Development Corporation (NSFDC). Documents include press releases from the NSFDC from the board of directors’ appointments and letters from various media companies such as Screen Star group and Mobius media production—project letters for the plans to build and operate the province’s first full sound stage. It also includes a discussion on Roman Bittman’s contract as he served as President of the Nova Scotia Film Development Corporation but was later dismissed in 1996 after the NSFDC board rejected his financing plans for the sound stage.
Series 10: APTN – Aboriginal Peoples Television Network
The tenth series of the fonds contains documents of Roman Bittman’s involvement in the Aboriginal Peoples Television Network (APTN). Bittman was an early advisor to the Aboriginal Peoples Television Network which was launched in 1999 as the first national Indigenous broadcaster in the world. Since then, the network has become a global leader in programming that celebrates the rich diversity of Indigenous Peoples across Turtle Island and beyond. The documents include the Aboriginal Broadcast Talent Directory book from the Centre for Aboriginal Media (CAM), press clippings on Roman Bittman establishing the National Aboriginal Television Network and business cards from various production companies, government cards, finance, and Hotel cards. Lastly, it includes the APTN Board of Directors/AGM Meeting and conference binder that provided investors and producers information on the APTN mission and the agenda for the APRN Teleconference meeting.
Series 11: Mobius Productions
The last series within the fonds is Roman and Marilyn Belec Bittman’s career and work in Mobius Media Productions. Marilyn Belec Bittman was president of the independent production firm, Mobius Productions, and Roman was a partner. Documents entail their correspondences on their various films and productions—government letters from the Ministry of Skills Development, Labour Canada, and other partners. Lastly, it includes corporation magazines and financial works such as Mobius Productions guide to film titles and price lists.

Bittman, Roman and Belec Bittman, Marilyn

J.K. Chambers fonds

  • UTA 1139
  • Fonds
  • 1957-2019

The fonds is arranged and described in ten series documenting Jack Chambers’ 50 year career as professor of linguistics, primarily at the University of Toronto, and his external activities as a forensic linguist, consultant and his passion for jazz. Series 1 contains personal records relating to his appointment, salary, and annual activity reports as a member of the faculty of the University of Toronto’s Centre (and later Department) of Linguistic Studies and also includes some personal correspondence. Series 2 relates to his administrative activities in the Department and the University. Correspondence is included in Series 3 and 4. Series 3 contains letters of reference and evaluation for students and colleagues. Series 4 contains more general correspondence with colleagues within and outside the University in the field of linguistics, with some correspondence predating his arrival at the University of Toronto. Series 5, Jazz, contains files of correspondence, manuscripts, research, reviews, evaluations and other records documenting his special interest in this subject. Series 6 documents his teaching activities and contains course files, examination questions and tests as well as student evaluations for some of the courses he has taught and correspondence with former students. Series 7, Consulting, contains files relating to his activities as a forensic linguistic and consultant in criminal and civil court cases, as well as written testimony for Trademark cases. Records relating to his publication activities will be found in Series 8 and 9. The majority of the files of articles (published and unpublished) relate to academic writings in the field of linguistics. Series 9, Books, contain manuscripts and correspondence documenting his books on two jazz musicians (Miles Davis and Richard Twardzik), and one unpublished novel. There are no manuscripts for his books written or co-written on the field of linguistics. The final series, Series 10, documents a 10 year research project on Dialect Topography on various Canadian regions.

Chambers, John Kenneth (Jack)

Elise Levine Papers

  • CA OTUTF MS COLL 00352A
  • Manuscript Collection
  • 1955-2019

Collection documents Levine’s writing process for several publications, poems, and short stories. This includes drafts, edited manuscripts, and handwritten notes. Collection also contains personal and professional correspondence, educational records, documents from promotional events, familial records, and teaching materials. Additionally, the collection contains publications of Levine’s work.

Levine, Elise

Howard Engel Papers

  • CA OTUTF MS COLL 00779 (Downsview Offsite)
  • Manuscript Collection
  • 1945-2019

Collection contains personal and professional papers relating to Howard Engel. These papers contain extensive material on the novels,
books, screenplays, playscripts and radio episodes of Engel. This notably includes drafts for all fourteen novels in the Benny Cooperman series, many including prolific drafts with holograph and editorial revisions. Also included in the collection are extensive drafts for Engel’s final Cooperman novel, Over the River, which was slated to be published in both 2016 and 2018 but was eventually cancelled by the publisher, along with the complete drafts for two unpublished Benny Cooperman novels, and partial drafts and outlines for three additional novels. In addition to his fictional writing, the archives include poetry, articles, reviews, and drafts and proofs for his works of non-fiction. In particular, there are extensive drafts for the memoir of his 2001 stroke, The Man Who Forgot How to Read, the book was originally intended as an autobiography and several earlier drafts exist which detail Engel’s childhood, adolescence and adulthood. During the process of recovering from his stroke, Engel became acquainted with Oliver Sacks, who would later pen an article on Engel in The New Yorker and would go-on to write the afterword of Engel’s memoir. Their extensive correspondence, along with several drafts of Sacks is also present. In addition to material related to Engel’s professional career as a writer, including photographs and press clippings, as well as speeches given over the course of several decades. Engel’s career as a journalist, writer and producer at the CBC is well-documented through scripts and research written or produced by Engel, which is further augmented by audio tapes and reels. The personal life of Engel is well-documented through a nearly complete set of diaries dating between 1991 and 2019, with additional diaries dating from the 1940s, 1950s, 1960s and 1980s, as well as photographs, mementos and through correspondence of a personal and professional nature. The collection contains manuscripts written by other writers, often sent to Engel for feedback or as gifts, this includes drafts or proofs from Kildare Dobbs, Mavis Gallant, Eric Wright and Jack Batten.

Engel, Howard

Gallery 345 fonds

  • OTUFM 67
  • Fonds
  • 2005-2019, predominant 2008-2019

Fonds consists of recordings of performances and related ephemera, including programs and posters, from events at Gallery 345 in Toronto, from its opening in 2005 to its closure in 2019.

Epstein, Edward

Michael Colgrass fonds

  • OTUFM 64
  • Fonds
  • 1949-2019

Fonds consists of the professional and personal records of composer Michael Colgrass. The collection includes manuscripts of his compositions; administrative and financial documents relating to commissions with orchestras, performers, and publishers; and materials generated from the performance of these compositions (including recordings, programs, reviews, and program notes). Other records relate to workshops that Colgrass led, particularly his Neuro Linguistic Programming (NLP) workshops and Colgrass' writings, including poetry, articles, manuscripts and notes for his books, and correspondence with friends and colleagues.

Colgrass, Michael

Guido Pugliese fonds

  • CA UTM F003
  • Fonds
  • 1969-2019

Fonds consists of material documenting the career of Prof. Guido Pugliese as Associate Professor in the Department of Language Studies at the University of Toronto Mississauga (UTM), and to a limited extent, his involvement in the local Italian Canadian community. Records include textual records such as CVs, correspondence, course material, play scripts and programs, as well as photographs and video recordings mostly related to Italian plays at UTM.

Pugliese, Guido

Peter Feniak Fonds

  • CA ON00349 2019.013
  • Fonds
  • 1964 – 2019

This fonds consists of 11 series, divided by subject matter, production and format, and reflecting Feniaks’s own division and naming of his files. The series are: “Introduction and Overview”, “Early Days Media, Promo Folders, B&W Photographs”, “90 Minutes Live with Peter Gzowski / Canada After Dark", “That's Life Global TV”, “Lifetime CTV”, “Freelance Writer / Broadcaster work”, “Feature Articles”, “Good Times features on celebrated Canadians”, “Books autographed by interview subjects”, “Videotapes from Freelance Work” and “Clippings and Periodicals”.

The first series, “Introduction and Overview”, includes resumes, headshot photographs, correspondence, notes, video cassettes and audio cassettes relating to Feniak’s early work. This series also contains a first edition print of the John Lennon book, A Spaniard in the Works, as well an audio cassette recording of an interview with Ray Manzarek of The Doors recorded in 1996.

The second series, “Early Days Media, Promo Folders, B&W Photographs”, includes notes, press clippings, promotional photographs and publicity materials relating to Feniak’s work for Winnipeg Folk Festival, CBC Winnipeg, and Winnipeg Free Press.

The third series, "90 Minutes Live with Peter Gzowski / Canada After Dark", includes production notes, guest listings, research, and CBC memos relating to the production of 90 Minutes Live with Peter Gzowski and Canada After Dark on CBC. Some items containing personal information may be restricted.

The fourth series, “That's Life Global TV”, includes press kits, promotional photographs, interview notes, and story notes relating to Feniak’s work as a host for That’s Life on Global TV.

The fifth series, "Lifetime CTV", includes video cassettes, DVD-Rs, promotional photographs, tour itineraries, production notes, interview notes, correspondence, continuity prints, and press clippings for Lifetime seasons 1 through 4 on CTV.

The sixth series, “Freelance Writer / Broadcaster work”, includes production notes, story pitches, video cassette demo reels and article press clippings for Feniak’s work as a freelance writer and television host.

The seventh series, “Feature Articles”, includes audio cassettes, video cassettes and newspaper clippings of Feniak’s interviews and features on notable figures in the world of entertainment.

The eighth series, “Good Times features on celebrated Canadians “, includes audio cassettes, mp3 audio, typed articles and Good Times magazine clippings of Feniak’s interviews and features on notable Canadians, such as Leslie Nielsen, Gordon Lightfoot, William Shatner, Jim Cuddy, Stompin’ Tom Connors, Margot Kidder, Silken Laumann, Arlene Dickinson, Colin Mochrie, Rick Mercer, and Dr. David Sazuki.

The ninth series, “Books autographed by interview subjects”, includes hard cover and soft cover books by authors such as Irving Layton, Dr. David Sazuki and Joan Collins. This series also contains a sketchbook by Friz Freleng, with 6 original pen drawings of Looney Toons characters, signed by the artist.

The tenth series, “Videotapes from Freelance Work”, includes video cassettes of Feniak’s work on television programs such as Today’s Parent, Lifetime, and That’s Life, as well as consumer recordings of other television events such as Live Aid and the Juno Awards 1998.

The eleventh series, “Clippings and Periodicals”, includes newspaper clippings, festival programs, and press credentials for Feniak’s freelance journalist and reporting work. This series also contains some promotional buttons and a medal.

This fonds includes textual and audio-visual material relating to the following television productions:
• 90 Minutes Live with Peter Gzowski
• Canada After Dark
• Lifetime
• Live it Up
• That’s Life
• Today’s Parent

This fonds includes textual material relating to articles in the following publications:
• Frank (periodical)
• Globe and Mail (newspaper)
• Good Times (magazine)
• Saturday Night (magazine)
• The City (Toronto Star magazine)
• Toronto (magazine)
• Toronto Star (newspaper)

Feniak, Peter

Cylla von Tiedemann Fonds

  • Accession
  • 1981-2009, 2019

The Cylla von Tiedemann Fonds is separated under series based on her works with various institutions:
Series 1 – 14
Series 1: Press Media Material
Series 2: National Ballet commissions
Series 3: Stratford Commissions
Series 4: Tale of a Mask
Series 5: India; 1998-2000
Series 6: Cambodia Margie Gillis
Series 7: Dance Company
Series 8: Rhombus Media
Series 9: Tarragon Theatre
Series 10: Toronto Dance Theatre
Series 11: Personal Earlier Negatives
Series 12: National Ballet Yearbook
Series 13: Early Photography

Series 1: Press Materials

The first series contains the collection of press materials that Von Tiedemann accumulated throughout her career, that her work was featured in. Her works have been featured in magazines such as the National Ballet of Canada magazines seasons and in programs and pamphlets (in English and French) such as the Ballet of British Columbia, Stratford Festivals, Danse-Cité and Les Grands Ballets Canadiens. The Press Materials also includes her very own exhibition cards and invites. Lastly are the press clippings from Globe and Mail, and other newspaper publications.

Series 2: National Ballet commissions

Cylla von Tiedemann had many partnerships and collaborations with the Canada’s National Ballet, and this series features much of her work. The National Ballet of Canada was founded in 1951 with the goal of presenting the best of classical and contemporary ballet. Today the company is among the world’s finest, and Von Tiedemann has been involved in many of the earlier production photography portraits and stills. Within the collections contains commissions labeled and separated by job titles or Von Tiedemann’s original category labels. Various National Ballet negatives taken by Von Tiedemann includes productions from Married Widow, Les Sulphides-the four temperaments-elite synocopatrows, Arabian Nights, and Nutcracker. The series contains mostly negatives and black and white contact sheets of dancer performances and portraits. The second series is separated into three subseries from National Ballet commission and the second is the National Ballet Portraits (1990-1995), and lastly is the National Ballet Yearbook (1992-1995) various negatives of dancers performing on stage and some portraits of dancers.

Series 3: Stratford Commissions

Cylla von Tiedemann is renown for her performance photography, and she has done much at the Stratford Festival. In brief, the Stratford festival began when the railway industry pulled out of Stratford in the early 1950s, and journalist Tom Patterson had an idea for breathing new life into his native city’s economy: a festival of Shakespearean theatre. They did not have a venue, only a tent. From there it grew and is now the company has many venues and has a state-of-the-art technical systems and equipment, the theatre is a space in which the Festival and artists from across Canada can imagine and create. Within the collection the jobs are separated by titles and Von Tiedemann’s original category labels. Similar to the National Ballet series, most of the works are negatives with black and white contact sheet and prints. Plays and performances includes Equus the setup photos, Oedipis rex, and Filumere-on the run negatives, Richard III, Death of a Salesman, Romeo & Juliet, and more. There are also negatives from special events that includes a visit from the Queen. Cylla von Tidemann’s work has been used on Stratford’s website and in their seasonal programs.

Series 4: Tale of a Mask

In this series, it contains the screenplays and drafts of Terry Watada’s work. The titled play is on fiction retelling of immigration and crimes in Canada, focusing on a first-generation Japanese immigration family. Terry Watada is a Toronto writer with many productions and publications to his credit. His publications include Light at a Window (manga, HpF Press and the Greater Toronto National Association of Japanese Canadians 2015), and other works in poetry. Just like the focus of Tale of a Mask, his works primarily focuses on the Japanese Canadian history and their experience in Canada.

Series 5: India

This series features Von Tiedemann’s personal and work-related work on her trip in India. Also included in the series is the Peter Chan’s visit to India and Indonesia, and mostly slides of Lata Pada, founder, and artistic director of Sampradaya Dance Creations.

Series 6: Cambodia Margie Gillis

Includes mainly DVD-R data disks and videos of MiniDVD. The collection shows various clips and cuts from her travels and work in Cambodia, Norway, St John, and Vancouver. People included in the tapes are Margie Gillis, Martha, Holly Hocks, and Peter Chin. Lastly, it includes settings in Martha’s Vineyard and Cloud Piece and Wood dance Margie Robin in Wasser.

Series 7: Dance Company

The series includes commissions and works from various dance companies in Canada. Companies and works includes Denise Fujiwara’s Fujiwara Dance Inventions. Fujiawa is one of the founders of T.I.D.E. (Toronto Independent Dance Enterprise) and negatives of her dances are in this series. In 1991 she formed her own company, Fujiwara Dance Inventions, to house the development of her solo projects. The next company is Claude Moore. Claude’s Moonhorse Dance Company was founded in 1996 which specifically celebrates the work of senior dance artists, continues to develop meaningful relationships and programming that serve to connect senior dance artists and the public. This series includes her work in Children’s Dance and Subway-shot, portraits, mode test and wedding shots.
The third is the Canadian Stage company, founded by Dora Mavor Moore in 1938 first called the Village Players. Today Canadian Stage is one of Canada’s leading contemporary performing arts organizations. In the collection Von Tiedemann photograph their production on Midsummer nights dream, Les Belles Soeurs, and the Beauty Queen of Leename.
Lastly, are the job-related photography shots for Canadian Broadcast Corporation also known as the CBC. Production shots from the House of Martin Guerre, Hard Hearts, and dancers Jan Oddie and Maggie Gill.

Series 8: Rhombus Media

Rhombus Media is a Toronto-based production company and has produced a number of theatrical feature films, TV drama, documentaries and performing arts programmes the over the past 44 years. The collection includes works that Cylla von Tidemann took under Rhombus Media. Most of the formats are negatives of Sheena MacDonald Portrait, director shot, and headshots of Barbara Sweet.

Series 9: Tarragon Theatre

The ninth series is based on Cylla’s work with the Tarragon Theatre. The Tarragon Theatre is one of Canada’s main centers for contemporary playwriting in the country. The theatre was founded by Bill and Jane Glassco in 1970. The series contains mostly negatives and prints of various performers. Including production shots of King Fisher Days headshots, and Little Mercy’s fist murder. This also includes various headshots, and an email correspondence from Kirk Thomson to von Tiedemann on the prints.

Series 10: Toronto Dance Theatre

The Tenth series includes the negatives and prints of various dancers from the Toronto Dance Theatre. The Toronto Dance Theatre was founded in 1968 by dancer and choreographers Peter Randazzo, Patricia Beatty, and David Earle. The company quickly became popular with their charismatic dancers and a repertoire of original work created in collaboration with Canadian composers and designers. The series also contains work from NY Times and from Christopher House.

Series 11: Personal Earlier Negatives

The eleventh series contains the personal and earlier works of Von Tiedemann. Most of the formats in the collections are negatives and a few black and white prints of various dancers, actors and landscapes from her work and personal travels. People in these sections includes Yseult & Robert, Nicholas & Graeme, Graham McKelvie, Maxine Heppner, Margie Gillis, Marie Josée Chartier, and Eryn Trudell. As noted in the finding aid, many of the performers in the series shows nudity. Travels includes Indonesia, Italy, South France, and Vancouver. Production companies also included in the series are Mirvish Production, ARMS, Deaf Planet show, Destination foundation, and Nightwood Theatre.

Series 12: Early Photography
This series spans the years of the late 1980s to early 1990s. It contains the early photography of Von Tiedemann, which includes dancers, performers, personal peers, and trips. Mainly includes works on portraits and photo shots for Danny Grossman. Danny Grossman is a Canadian dancer, choreographer, and activist. His performance in the series are Devine Air, Age of Darkness, Memento Mori, Ces Plaisirs and more. He created the Danny Grossman Dance Company which produced his political dances James Harcourt, San Miguel de Alleude, Roshar-show, David Arthur, and others.

Series 13: Miscellaneous

The Miscellaneous section includes a variety of CDs that contain her collection of digital files. The disks contains the digital version of her photographs, which includes her commissions for dancers and performers. They also contain the commissions from Koresh Dance Company, Dance Boom festival, and Dance Advance; productions such as Touching Wild Horses, Child star, and the Producers.

Cylla von Tiedemann

Victor Feldbrill fonds

  • OTUFM 63
  • Fonds
  • 1941-2018

Fonds consists of records that pertain to the career of Canadian conductor Victor Feldbrill, including his conductor's scores for Canadian compositions (many of which he premiered), including his annotations and corrections, and composers' autographs. Fonds also includes audio recordings of performances that Feldbrill conducted, including many premiere performances of Canadian compositions, spanning Feldbrill's entire career conducting various orchestras in Canada and abroad.

Feldbrill, Victor

Peter H. Russell fonds

  • UTA 1736
  • Fonds
  • 1955-2018

The Peter H. Russell fonds is comprised of three accessions: B2005-0001, B2017-0006, and B2019-0008. The records span over 60 years and document Prof. Russell’s academic career primarily with the Department of Political Science at the University of Toronto and as a recognized expert in the field of judicial, constitutional, and Indigenous politics.

Arranged in fourteen series, the records consist of correspondence, both personal and professional, manuscripts of published and unpublished works, addresses, talks and reviews, teaching and research materials. In particular, these records document the development of his expertise through the preparation of manuscripts, research, teaching and communication with colleagues at universities in Canada and internationally. Material also reflects Prof. Russell’s advocacy and active engagement in a number of national issues.

Correspondents in accession B2005-0001 include members of the Canadian judiciary such as Justices D. C. McDonald, Bora Laskin, Bertha Wilson, and Alan Linden, and politicians such as Bob Rae, Ian Scott, Ed Broadbent and Stephane Dion.

Both Series 6 (Professional activities and addresses) and Series 11 (Articles, reviews, published addresses and referee comments), contains samples of talks and addresses delivered to prominent bodies such as the Toronto Club, the Canadian Club (Toronto and Winnipeg), to university audiences and local community groups such as Learning Unlimited.

His public service activities with Indigenous groups, such as the Dene Nation, and with related governmental bodies, such as the Royal Commission on Aboriginal Peoples and the Ipperwash Inquiry, are documented in Series 5 (Consultation and public service). In addition to his academic activities, material from accession B2005-0001 in this series includes records relating to his community involvement with the Wychwood Rate Payer’s Association, the Bathurst-St. Clair Task Force, Legal Aid Committee, Ontario Liberal Association and University Settlement, among others.

Finally, material in this fonds provides significant coverage of Prof. Russell’s participation in associations and organizations such as the Churchill Society for the Advancement of Parliamentary Democracy (Series 7) University of Toronto Faculty Association (Series 8), the College and Retiree Association of Canada (Sub-series 10.1) and the Retired Academics and Librarians of the University of Toronto (Sub-series 10.2).

Russell, Peter H.

Stephen Clarkson fonds

  • UTA 1148
  • Fonds
  • 1937-2018, predominant 1959-2015

Personal records of Professor Stephen Clarkson, documenting his career as a political scientist, writer, teacher, and his early political career in municipal politics and with the Liberal Party of Canada and Ontario. Records in this fonds document the entirety of Clarkson's life and career. Records include biographical information (CV's, activity reports, honours), personal and professional correspondence, and files related to his early education and the writing of his Ph.D. thesis.

Series 3 to 13 consist of records documenting Clarkson's several books and his extensive research and writings over the course of his career. Joint projects and research with Christina McCall including original records by her can be found in some these series as well, specifically the research and writing of Trudeau and Our Times (Series 2) and research on Canadian Federal politics (Series 13).

Series 14 to 18, document Clarkson's teaching activities and his career within the University of Toronto's Department of Political Science.

Series 19 to 22 document his political roles within the Liberal party, his run for Toronto Mayor in 1969 and as well as his social activism.

This fonds also includes Liberal Party of Canada policy documents (1966-1976) belonging to Allen Linden that were given to Clarkson either because he took over as chair of the policy committee or collected as a primary resource for his research on the Liberal Party.

Accession B2019-0003 was an accrual acquired from his spouse Nora Clarkson following his death, and consists of files from his home office and laptop computer.

Accession B2023-0008 (1 box, 1975-2000) is an accrual of further personal records consisting of his journal and notes about his marriage to Christina McCall.

Clarkson, Stephen

Alison Prentice fonds

  • UTA 1674
  • Fonds
  • 1951-2018

This fonds consists of 3 accessions which together give a fairly complete documentation of Prof. Prentice’s career as a scholar, mentor and teacher. Extensive correspondence, memos, e-mails, research notes and manuscripts found in various series document her scholarly contributions. Correspondence with students, letters of recommendation and her leadership on associations and projects document her wide influence among historians. Since she was a pioneer in the teaching of women’s history, her teaching files found in Series 9 are important resources in studying women’s history as an emerging discipline in higher education.

Perhaps most importantly however, this fonds documents the network of Canadian academics, most of which were women, in the area of women’s history, the history of education and women’s studies in general. Many of Prof. Prentice projects and publications were collaborative and therefore the fonds documents her relationship with this network of women historians. It is also evident that through these collaborations, Prof. Prentice was not only at the centre of women’s studies within her own generation but also influenced the next generation of scholars who have gone on to make their own contributions in history departments and women’s studies programs throughout Canadian universities.

Prof Prentice is a pioneer in both teaching and researching women’s history. As a result, these records will be of interest to anyone researching the evolution of women’s history as a discipline, the teaching of the history of education and women’s history as well the role of women in higher education.

Prentice, Alison

Hart House fonds

  • UTA 0120
  • Fonds
  • 1870s - 2018

This fonds contains 73 accessions of records. See accession-level descriptions for more details.

University of Toronto. Hart House

Aldeburgh Connection fonds

  • OTUFM 43
  • Fonds
  • 1979-2018

Fonds consists of the administrative, financial, and performance records of the Aldeburgh Connection. Most of the fonds consists of materials created for, and as a result of, each concert produced by the Aldeburgh Connection, including promotional materials, scripts, annotated scores, correspondence, research notes, and reviews. The fonds also contains textual materials from the production of the Aldeburgh Connection’s recording projects, promotional events, board minutes, complete financial records, and correspondence regarding their fundraising efforts.

Aldeburgh Connection

UTSC Archives Legacy collection

  • UTSC 002
  • Collection
  • 1949, 1956-2018

The archives contain a range of documentation relating to the foundation, history, and activities of the University of Toronto Scarborough. The materials have been arranged largely by originating department or by medium in the case of publications, photographs, clippings, architectural plans, and artifacts. There are ten series, several of which have subseries:

A. UNIVERSITY OF TORONTO GOVERNING COUNCIL

B. EXECUTIVE AND ADMINISTRATIVE BODIES
B.1. Principal
B.2. Vice-Principal, Research
B.3. Dean and Vice-Principal, Academic
B.4. Assistant/Associate Dean
B.5. Registrar
B.6. Superintendent
B.7. Director of Physical Education
B.8. Director of Educational Communication Systems
B.9. Scarborough College Council
B.10. Office of Advancement / Development Office
B.11. Office of Admissions and Student Recruitment
B.12. Communications & Public Affairs
B.13. Committees with Unknown Office of Origin

C. ACADEMIC DEPARTMENTS AND PROGRAMS
C.1. General Programs in Arts and Science
C.2. Extension Program
C.3. Department of Anthropology
C.4. Department of Arts, Culture & Media
C.5. Department of Biological Sciences
C.6. Department of Computer & Mathematical Sciences

C.7. Department of Critical Development Studies
C.8. Department of English
C.9. Department of French and Linguistics
C.10. Department of Historical and Cultural Studies
C.11. Department of Human Geography
C.12. Department of Management
C.13. Department of Philosophy
C.14. Department of Physical and Environmental Science
C.15. Department of Political Science
C.16. Department of Psychology
C.17. Department of Sociology
C.18. Department of Physical Education

D. SERVICES
D.1. Library
D.2. Scarborough-Erindale Technical Service
D.3. Gallery
D.4. Athletics and Recreation Services
D.5. Physical Plant Services
D.6. Student Services
D.7. Student Organizations
D.8. Alumni Services
D.9. Alumni Organizations
D.10. Faculty and Staff Services
D.11. Faculty and Staff Organizations

E. EXTERNAL SOURCES OF INFORMATION
E.1. History of Scarborough College (various sources)
E.2. University of Toronto – St George and Mississauga campuses
E.3. Centennial College
E.4. Durham College
E.5. Scarborough Regional School of Nursing
E.6. University of the West Indies
E.7. Trent University
E.8. City of Scarborough
E.9. Clippings and Scrapbooks

F. PHOTOGRAPHS AND MICROFILM
F.1. Photographs
F.2. Microforms

University of Toronto. Scarborough Campus.

Terry Watada Papers

  • CA OTUTF MS Coll. 00036
  • Manuscript Collection
  • 1996 - 2018

Terry Watada’s second accession primarily contains material relating to his publications, most notably drafts and proofs for two novels: Kuroshio: The Blood of Foxes and The Three Pleasures. The papers also include drafts and correspondence pertaining to individual

poetry submissions as well as his published work: Ten Thousand Views of Rain, Obon: The Festival of the Dead and The Game of 100 Ghosts. The collection includes correspondence, drafts and promotional material for Watada’s contribution to anthologies, as well as his involvement in cultural and academic conferences and events.

Watada, Terry

The Toronto Film Society

  • CA ON00349 2017.009
  • Fonds
  • 1938 - 2018

Scope and Content: Series 1 – 5
Series 1: “People” Clippings Files
Series 2: AGE Series III
Series 3: Film Company Catalogues
Series 4: Dorothy and Oscar Burritt Award
Series 5: Toronto Film Society Administration

Series 1: People
The first series contains press clippings from various publications of various actors, reviews, and critics of the films—numerous articles on the Directors, musicians, producers, and writers. Press clippings are organized alphabetically by last name, from Joe Abeywicrema to Valerio Zurlini.

Series 2: AGE Series III
The A-G-E Film Society of Toronto was created in 1955 until 1962 for the purpose of “providing those who lived through the cinema’s formative years with the opportunity to relive the past, and to give the new generation of film enthusiasts a chance to see what had been accomplished in motion pictures before their interest in films began.” Within the second series, the AGE collection includes the application for membership in the AGE. It contains the AGE 2nd to AGE 6th Season programmes letter from the AGE Film Society of Toronto to various partners and film organizations. The series also includes several newspaper clippings on the AGE Society.

Series 3: Film Company Catalogues
The third series contains the documents and items from various film production companies whose titles are included in the TFS collection. Production company catalogues collected are from Canadian and international film companies. Companies included in the series are A World of Entertainment, Universal/16, Pan Canadian Film Distributors Inc, Cinematheque Ontario, Paramount, Universal Pictures and more. Many catalogues also come from the TFS Summer series and other film events hosted by TFS.

Series 4: Dorothy and Oscar Burritt Award
The Fourth series contains the textual files and objects on the Dorothy and Oscar Burritt Award. The award was named in honour of Dorothy and Oscar Burritt, who left Vancouver from the Vancouver branch of the Canadian film Society to aid in the creation of the TFS. The Burritt’s contribution to the film society movement was recognized by a special Canadian Film Award in 1963, just a few months before Dorothy’s death. The Toronto Film Society established the Dorothy Burritt Memorial Award (later renamed for Dorothy and Oscar Burritt Memorial Award), an annual cash grant to support projects that contribute “to greater understanding and enjoyment of the film as an art”. The collection includes correspondences from various film societies, such as the Vancouver branch and other film production companies. It also contains reports, Memorial Award packages, press clippings, marketing on advertising the various TFS events, and correspondence to the Burritt Memorial Award Committee.

Series 5: Toronto Film Society Administration
The Fifth series contains the documentation on the administration side of the TFS. Many of the TFS's administration documents include meeting minutes from their AGM (Annual General Meeting) and TFS Board Meeting Minutes. Such meetings include the general and board meeting minutes, documents that pertain to the international film festival and many other festivals, TFS committee report, and correspondences. The series also contains the administration for their awards, such as the Dorothy and Oscar Burritt Memorial Award and film acquisitions. TFS administration documents include their members' information, votes and questionnaires for their members. It also consists of the Eastman House, financial reports, and statements on the TFS events, such as the summer and seasons series. Lastly, include film acquisition documents of various films.

The Toronto Film Society

University of Toronto. New College fonds

  • UTA 0264
  • Fonds
  • 1962-2017

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

University of Toronto. New College

Judith Skelton Grant fonds

  • UTA 1302
  • Fonds
  • [197-]-2017

Fonds consists of research compiled by Grant for her book, A Meeting of Minds: The Massey College Story (Toronto: University of Toronto Press, 2015), documenting the history of Massey College from its inception in 1962-63 through to 2013. Includes interview recordings, interview transcripts, extensive research files (chronologically, 1959-2017; and by subject), correspondence, publishing files, and manuscript drafts. Interviewees include many prominent members of the University of Toronto and Massey College community including Robertson Davies, Claude Bissell, John Evans, John Fraser, Ann Saddlemyer, (J.N.) Patterson Hume, Vincent Tovell, Geoffrey Massey, and Ed Safarian, amongst others.

Grant, Judith Skelton

David Rayside fonds

  • UTA 1688
  • Fonds
  • 1967-2017

Records in this fonds document most aspects of Prof. Rayside’s career as an administrator, activist and academic. Series 1 (Biographical) and 2 (Correspondence) give a good overview of his career and the professional correspondence in Series 2 relate to or complete most other series in the fonds. Correspondence can also be found in all other series.

His role as an adept administrator is documented not only in Series 3 (University of Toronto Administration) but also in the records found in Series 4 (Advocacy) and Series 5 (Professional Associations) where his leadership and involvement on committees is evident. Prof. Rayside’s academic interests coincided with his political activism and this is well documented in Series 4 (Advocacy) seen in reference to records in Series 7 (Books) and Series 8 (Articles, Papers and Talks) that extensively document his research and writing. Finally his roles as a teacher and mentor are well documented in Series 6 (Letters of Recommendations and Evaluations) and in Series 9 (Teaching).

Rayside, David

Hershell Ezrin fonds

  • UTA 1232
  • Fonds
  • 1947- 2017

Fonds consists of material related to the professional life of Hershell Ezrin, in particular his career in provincial and federal government. Records document his transition between roles as Canadian Consul, Executive Director of the Canadian Unity Information Office, and later, Principal Secretary to Ontario Premier, David Peterson. Extensive correspondence and press clippings reflect professional moves as well as the large network of individuals surrounding Ezrin in his positions in both the public and corporate sectors. The fonds also consists of addresses given by Ezrin following his time at Queen’s Park, personal and family correspondence and photographs, as well as images and publicity material related to the negotiations and patriation of the Constitution Act. Additionally, the fonds consists of Mr. Ezrin’s collection of editorial cartoons and bibliographic material. See series descriptions for additional details.

Ezrin, Hershell

Amir Hassanpour fonds

  • UTA 1372
  • Fonds
  • 1920 - 2017

Fonds consists of records documenting the professional and personal life of Prof. Hassanpour, Kurdish-Iranian Marxist scholar and Professor at UofT’s Department of Near and Middle Eastern Civilizations. Material reflects key areas of Prof. Hassanpour’s research, most significantly Kurdish history and culture; the history of political movements, grassroots organization, and class struggle in Iran, Iraq and Turkey; and communication theory and sociolinguistics. Material includes correspondence with colleagues and scholars internationally, documentation of research with particular focus on Prof. Hassanpour’s dissertation and his Peasant Movement Project, records relating to conference presentations, interviews, and teaching, as well as his publishing activity.

Prof. Hassanpour was deeply invested in the preservation of Kurdish oral, visual, and textual documentary heritage as a response to the historical state suppression of cultural-political struggle of Kurdish people. Reflected in records throughout the fonds is Prof. Hassanpour’s work in pursuing the establishment of Kurdish Studies as a discipline, his work editing journals related to Kurdistan, and his effort in exposing and circulating books on Kurdish Studies to libraries and research institutions internationally. Prof. Hassanpour also actively collected and preserved Kurdish texts, dailies, and visual materials. This material is included in Series 9 (Reference material) and through bibliographic and audio material held in other repositories at the University of Toronto Libraries (please see the related material note below).

Hassanpour, Amir

Jo Beverley Papers

  • Manuscript Collection
  • 1970-2017

The collection consists of manuscript drafts and proofs of her novels and novellas, as well manuscripts of unpublished work and some non-fiction. It also includes correspondence (editorial as well as fan mail), and marketing and publicity material.

Beverley, Jo

University of Toronto Communications fonds

  • UTA 0040
  • Fonds
  • 1895-2005

This fonds contains 52 accessions of records. See accession-level descriptions for more details.

University of Toronto. Strategic Communications and Marketing

Emmanuel College (Toronto, Ont.). Continuing Education fonds

  • CA ON00357 2144
  • Fonds
  • 2003-2016

Fonds consists primarily of records related to the continuing education programming offered by Emmanuel College. Included are workshop and course descriptions, calendars and agreements as well as program evaluations and planning documents. Fonds also includes the records of the Emmanuel College Continuing Education Committee which is responsible for the overall planning of the programming offered. Fonds contains the minutes of the meetings and reports from the Continuing Education Coordinator. The fonds contains three series.

Emmanuel College (Toronto, Ont.). Continuing Education

Derek Holman fonds

  • OTUFM 49
  • Fonds
  • 1933-2016

Fonds consists of the compositions, recordings, and papers of Derek Holman, a former professor at the Faculty of Music, University of Toronto. The fonds contains manuscript scores and parts by Derek Holman, including original compositions, arrangements and realizations, juvenilia, and sketch materials; audio and video recordings of Holman’s compositions and performances; papers and photographs from Holman’s work with various choirs and churches (including at the University of London, University of Toronto, University of Trinity College, Bishop-Strachan, Royal School of Church Music, St. Simon’s, Concord Singers, Croydon Bach Society, Grace Church-on-the-Hill, and the Canadian Children’s Opera Company); and, Holman’s personal papers, including awards, certificates, degrees, and notebooks.

Holman, Derek

Harvey Moldofsky fonds

  • UTA 1588
  • Fonds
  • 1952-2016

Personal records of Harvey Moldofsky, Professor Emeritus, Department of Psychiatry, former Director of the Centre for Sleep and Chronobiology at Toronto Western Hospital, and a world renowned specialist in sleep disorders. The records consist of correspondence, notes, raw data, addresses, publications, photographs, slides, posters, floppy disks, CDs, videos and artifacts documenting his research and other activities. Most of the files relate to his research work on sleep problems over many years, in particular those associated with the astronauts and cosmonauts on the NASA shuttle/Mir space station in the 1990’s, as part of the Microgravity, Sleep and Immune Functions in Humans (SWIF) project. Also included is the first working model of a sleep apnea machine (ca. 1983).

Moldofsky, Harvey

University of Toronto Scarborough fonds

  • UTA 0186
  • Fonds
  • 1962-2015

This fonds contains 6 accessions of records. See accession-level descriptions for more details.

University of Toronto. Scarborough Campus.

University of Toronto Libraries fonds

  • UTA 1894
  • Fonds
  • 1835-2015

This fonds contains 69 accessions of records. See accession-level descriptions for more details.

University of Toronto Libraries

Jacques Israelievitch collection

  • OTUFM 66
  • Collection
  • 1881-2015

Collection consists of predominantly violin parts with Jacques Israelievitch's bowings, fingerings, and other annotations; correspondence with composers; various programs from his performances ; and select reviews and newspaper clippings.

Jacques Israelievitch

Lorraine Segato Fonds

  • CA ON00349 2023.024
  • Fonds
  • 1974 - 2015

This fonds has been arranged in two different ways. The first is an arrangement scheme based on the creator’s order by box number. The second arrangement divides the fonds into a series of functional classifications based on the creator’s career and work. Those series, and subseries are as follows:
Series One: Early Recording Career
This series includes audio recordings made by Segato in 1977 while she was attending Sheridan College. It also includes two recordings by the No Frills Band (which included members of Segato’s first band, Mama Quilla II).

Series Two: Mama Quilla II
This series includes records related to Segato’s first band, Mama Quilla II. It has been arranged into subseries as follows:
Subseries One: Press Clippings
This subseries includes press materials pertaining to Mama Quilla II, including press kits, newspaper and magazine clippings, and a softcover book featuring Mama Quilla II.
Subseries Two: Photos and Posters
This subseries includes posters for various Mama Quilla II gigs, as well as photographs of the band.
Subseries Three: Recordings
This subseries includes a commercial 12” record released by Mama Quilla II, as well as outtakes and songs on ¼ in. audio tape.
Series Three: V
This series includes records related to Segato’s band with Mojah, Jeffrey Holdip, Terry Wilkins and Billy Bryans. This series includes posters for various V gigs.
Series Four: Parachute Club
This series includes records related to The Parachute Club. It has been arranged into subseries as follows:
Subseries One: Business and Legal Files
This subseries includes records related to the business and legal affairs of The Parachute Club. This includes correspondence, various contracts, music licensing and sync agreements, royalty statements, budgets, financial details and expense reports, tour riders, tour itineraries, management company proposals and strategies, and merchandising reports. This subseries also contains records related to a lawsuit launched by members of The Parachute Club against EMI for use of the song “Rise Up” in advertising.
Subseries Two: Press Clippings
This subseries includes various newspaper and magazine clippings pertaining to The Parachute Club.
Subseries Three: Ephemera
This subseries includes ephemeral materials related to The Parachute Club, including invitations, flyers, guests lists and other planning documents related to their self-titled album release party at the Bamboo Club. It includes various programmes, flyers, photographs, and backstage passes relating to Parachute Club gigs. It also includes notebooks belonging to Segato, containing song lyrics and journal entries. Finally, this subseries includes promotional items such as a branded folder for “At the Feet of the Moon” as well as a Parachute Club t-shirt.

Subseries Four: Awards and Honours
This subseries includes records related to awards and honours received by The Parachute Club. This includes Juno nomination certificates, a Northern Lights for Africa Society certificate and correspondence from various dignitaries. It also includes a Juno Award for Best Video, “Love is Fire,” a CASBY Award for Album of the Year, “Small Victories”, and two CFNY U-Know Awards, 1983 Most Promising Female, Lorraine Segato and 1984 Female Vocal of the Year, Lorraine Segato. This subseries also includes the Juno Awards Official 1984 Program, the year The Parachute Club won the Juno for Single of the Year, “Rise Up.”
Subseries Five: Music Videos
This subseries includes records related to the making of The Parachute Club’s music videos. This includes rushes and raw footage on video as well as film. It includes rough cuts and offlines of various videos on video, as well as some finished, final music videos on VHS. This subseries also includes music video budgets, treatments, proposals, crew lists, shoot schedules, and set designs (particularly for the U.S. version of “Rise Up”).
Subseries Six: Performances & Appearances
This subseries includes records related to The Parachute Club’s performances and appearances. It includes set lists from various shows, videos of live performances, as well as videos of interviews and appearances on television.
Subseries Seven: Photos
This subseries includes photographs, negatives, transparencies, and contact sheets related to The Parachute Club. This includes candid snapshots of tours, performances, events, and studio recording sessions, as well as promotional and press photographs.
Subseries Eight: Posters
This subseries includes posters and flyers for various Parachute Club gigs.
Subseries Nine: Recordings
This subseries includes records related to recordings by The Parachute Club. This includes original recordings on ¼” audio tape, as well as commercial LPs, 45s and cassettes of The Parachute Club’s singles and albums. This subseries also includes liner notes and sample album artwork for a demo recording.
Subseries Ten: Billy Bryans’ Materials
This subseries includes records created by and related to Billy Bryans of The Parachute Club and Mama Quilla II. This includes press clippings, flyers, posters, photos, and ephemera related to his time in Mama Quilla II and The Parachute Club. This subseries also includes photographs and press kit materials related to his first band, MG & The Escorts. Finally, this subseries includes records related to Billy Bryans’ music promotion and DJ-ing work, post-Parachute Club – which consists of photographs, flyers, press clippings, album charts, and ephemera.

Series Five: Solo Career
This series includes records related to Lorraine Segato’s solo music career. It has been arranged into subseries as follows:
Subseries One: Business and Legal Files
This subseries includes records related to the business and legal affairs of Lorraine Segato’s solo music career. This includes correspondence, various contracts and agreements, album budgets, loan applications and loan agreements, album investor reports, royalties and publishing statements, press releases, performance agreements and gig riders.
Subseries Two: Press Clippings
This subseries includes various newspaper and magazine clippings pertaining to Lorraine Segato’s solo music career.
Subseries Three: Ephemera
This subseries includes ephemeral materials related to Segato’s solo music career, and consists of festival, concert, and theatre performance programmes and 1 t-shirt.
Subseries Four: Music Videos
This subseries includes records related to the making of Lorraine Segato’s music videos. This includes rushes and raw footage on video tape as well as film. It includes rough cuts and offlines of various videos on video tape, as well as some finished, final music videos on video tape. This subseries also includes music video scripts, treatments, director notes, storyboards, budgets, crew lists, call sheets, and location scouting photographs.
Subseries Five: Performances and Appearances
This subseries includes records related to Lorraine Segato’s solo performances and appearances. It includes performance agreements, guest lists, ticket stubs, and set lists. It also includes photographs of performances, as well as video tapes of performances and interviews.
Subseries Seven: Posters
This series includes posters and flyers related to various Lorraine Segato solo performances.
Subseries Eight: Recordings
This subseries includes records related to solo recordings by Lorraine Segato. Included in this are original recordings on 2” audio tape, as well as track sheets and cue lists, and commercial 45s, cassette and compact discs of Segato’s singles and albums. This series also includes reference tapes and demo tapes on cassette.
Series Six: Filmmaking
This series includes records related to Lorraine Segato’s filmmaking work. It is arranged in the following subseries:
Subseries One: Early Work
This subseries consists of records related to Segato’s early filmmaking work, particularly work done at Sheridan College. This includes original negatives, prints of rushes and films, and magnetic audio. It also includes a small amount of correspondence, a film festival participation certificate and programme, and a broadcast acceptance sheet pertaining to Segato’s short film “Larking.”
Subseries Two: “Good Medicine”
This subseries consists of records related to Lorraine Segato’s directorial work on “Good Medicine,” a music video for the single of the same name and campaign video for CAW, produced with Barna-Alper productions. This includes work tapes and rushes on video cassette. It also includes auditions on video cassette. This series also includes finished copies of the campaign video on VHS and Betacam. Note that other materials pertaining to “Good Medicine” can also be found in Series Five, Subseries Four: Music Videos. For other records pertaining to the CAW campaign, see also Series Twelve: Issues & Activism.
Subseries Three: Queen Street West: The Rebel Zone
This subseries consists of records related to Lorraine Segato’s research, producing, and directorial work on the documentary film “Queen Street West: The Rebel Zone” as well as the film’s soundtrack. This includes an extensive number of research documents pertaining to the Toronto film music and art scene in the 1970s and 1980s. It also includes correspondence, press clippings, documentary treatments and outlines, budgets, funding applications, shot lists, scripts, lists of interview subjects, credits, and supers lists. This subseries also includes raw interview footage, work tapes, archival and research footage, and final copies of the completed production on video cassette. Finally, this subseries includes records related to the film’s soundtrack, including license agreements, soundtrack production budgets, liner notes, and album artwork proofs.
Subseries Four: Poetry Film
This subseries includes a video tape labeled “Poetry Film,” directed by Lorraine Segato.
Subseries Five: Worth Every Minute
This subseries includes a copy of the final mix version of “Worth Every Minute,” a film co-directed by Lorraine Segato, on video cassette. This subseries also includes a Mayworks Film Festival, at which this film was shown.
Subseries Six: Keep the Tribe Alive
This subseries consists of records related to a series of PSAs directed by Lorraine Segato. Included in this subseries are work tapes and dubs of these PSAs on video cassette.
Subseries Seven: Proposals
This subseries includes a music video proposal and budget for a Lillian Allen music video, to be directed by Lorraine Segato. It also includes a proposal for a television series created by Lorraine Segato and Rita Davies, as well as related correspondence.
Subseries Eight: Miscellaneous
This subseries includes film and video records that could not be ascribed to a particular production. It includes several reels of Super 8 film, as well as VHS tapes.
Series Seven: Acting
This series includes records related to Lorraine Segato’s acting career. This includes a copy of the film “Heart Songs” on Betacam and VHS, as well as press clippings and a flyer related to that film. It also includes a copy of the film “The pINCO Triangle”, as well as a flyer for that film.
Series Eight: Composing
This series includes related to Lorraine Segato’s composing work and original scores for film and television productions. Included are records related to “Apples and Oranges”, a film by Lynne Fernie with original music by Lorraine Segato. These consist of music cue sheets and lists, correspondence, invoices, music commission contracts, song lyrics, storyboards, work tapes, rough cuts, and finished versions of the production. It also includes records related “The National Drug Test”, a documentary with original music by Segato. These consist of documentary scripts, treatments, proposals, and a finished copy of the production on VHS. Finally, this series contains records related to documentary film “Status Quo: The Unfinished Business of Feminism in Canada,” with music by Lorraine Segato. These include correspondence, various contracts and agreements, correspondence and notes.
Series Nine: Event Management and Coordination
This series includes records related to Lorraine Segato’s event management and coordination work. It is arranged into subseries as follows:
Subseries One: The Canadian Aboriginal Music Awards
This subseries includes records to Segato’s event production work on the Canadian Aboriginal Music Awards in 2003 and 2004. Records included in this series include correspondence, event schedules and show running orders, invoices and estimates, show budgets, award nomination forms, lists of nominees and winners, seating charts, performer bios and releases, photographs of nominees and winners, performer itinerary and travel details, stage plots and technical requirements, scripts, speeches, media and press reports, show programmes, and backstage passes. This subseries also includes a substantial number of audio recordings on compact disc, submitted by potential nominees and performers for evaluation by the Awards. It also includes some video elements from the 2003 awards show, including nominee packs and a sponsor reel on Betacam SP cassettes.
Subseries Two: Peter Gzowski Event
This subseries includes records related to Segato’s event production work on “An Evening With Peter's Friends: A Celebration in Support of Peter Gzowski College", at Trent University. This includes the show script and programme, as well as the event schedule, correspondence, theatre rental contract, insurance documents, venue technical specifications and requirements, and performer technical riders. It also includes a compact disc of songs played at the event.

Subseries Three: House Party
This subseries includes records related to Segato’s event production work on “House Party”, a benefit concert for the Toronto Disaster Relief Committee. These records consist of correspondence, event project management reports, budgets, receipts and invoices, press releases, press clippings and media relations summaries, venue rental information, poster and art proofs, and photographs from the event. It also includes audio recordings by artists participating in the concert, as well as recordings of the concert on VHS.
Subseries Four: Jack it Up
This subseries includes records related to Segato’s event production work on “Jack it Up”, a fundraiser for Jack Layton. These records include and event proposal and budgets, a production meeting agenda, press releases, press clippings, media sign-in sheets, ticket stubs, riders, performance contracts, stage plots, as well as an all-access pass to the event.
Subseries Five: Hope Rising
This subseries includes records related to Segato’s event production work on “Hope Rising”, a benefit concert for the Stephen Lewis Foundation. Records in this subseries include correspondence, event schedules, show running orders, budgets, tech requirements, performer itineraries, and stage plots. It also includes original drawings of stage show artwork.
Subseries Six: Events – General
This subseries consists of records related to Segato’s event production company “It’s a Wrap,” including a promotional mailer and art proofs for company logos.
Series Ten: Public Speaking
This series consists of an audio tape of Lorraine Segato and others speaking at the 71st Annual Couchiching Conference: Urban Diversity and Cultural Expression.”
Series Eleven: Writing
This series consists of records related to Lorraine Segato’s writing work. This includes a speech written for the 2004 Junos. It also includes an author’s agreement for a chapter in the anthology book “Shakin’ All Over,” as well as drafts of said chapter and a copy of the book. It also includes articles for various publications, including Xtra and NOW, written by Segato. Finally, this series includes a folder of general correspondence.
Series Twelve: Issues & Activism
This series consists of records related to various issues and causes supported by Segato. This includes records related to Segato’s involvement with efforts to prevent clear cutting in the Stein Valley in British Columbia, including correspondence, press clippings, petitions, proposals, reports, and a thank you card from Chief Leonard Andrew, and Chief Ruby Dunstan. This series also includes a video tape of a performance by Lorraine Segato and others to benefit the Stein Valley conservation effort.

This series also includes records related to Segato’s involvement with the Kumbaya Festival, to benefit charities doing work around HIV and AIDS. This includes two Kumbaya Festival calendars.
This series also includes records related to the CAW “Good Medicine Substance Abuse Campaign”, consisting of correspondence, program brochures, a press kit and press clippings.
This series also includes the music and lyrics for a song written by Lorraine Segato and Lynne Fernie for Jack Layton’s 2003 federal NDP leadership campaign.
This series also includes records related to Segato’s research into women in music, for a Status of Women Report.
Finally this series includes two books about people experiencing homelessness in Toronto.
Series Thirteen: General Career
This series includes records related to Segato’s career in general, not easily ascribed to particular musical groups or events. It is arranged into the following subseries:
Subseries One: Press Clippings
This subseries consists of press clippings pertaining to Segato’s career in general, as well as flyers and photographs.
Subseries Two: Ephemera and Miscellaneous
This subseries consists of ephemera and other miscellaneous materials related to Segato’s career. Included in this series are an event pass, Segato’s bio and resume, and a Juno Awards Tenth Anniversary Special Issue book. There are also four video cassettes of various programs.
Subseries Three: Posters
This subseries includes posters with artwork by Barbara Klunder.
Series Fourteen: Box Inventory Lists
This series consists of original box inventory lists.

Lorraine Segato

Results 1 to 50 of 250