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Christine Brown fonds

  • CA OTTCA F2040
  • Fonds
  • 1996-1997

The fonds contains materials relating to Christine Brown's anthropology paper "Identifying Processes of Social Change at St. Hilda's College." This includes audio tapes of interviews with students and alumni of St. Hilda's College, material on access restrictions to these interviews, written submissions, and the paper itself.

Brown, Christine

Divinity 150 Project fonds

  • CA OTTCA F2143
  • Fonds
  • 1928-1993

Fonds consists of the administrative records and research papers of The Divinity 150 Project. It includes organizational documents, research notes and materials, surveys completed by divinity students, oral history recordings, copies of the database on floppy disks, and drafts of a planned book.

Divinity 150 Project

Meredith Hill fonds

  • CA OTTCA F2305
  • Fonds
  • 1983-1993

Fonds consists of research files created and used by Meredith Hill while executing her part of the 'Divinity 150' project at Trinity College. This project was begun in 1987 to study the Anglican clergy, in particular their training at the Cobourg Theological Institute and its successor, the Faculty of Divinity at Trinity College. Her research focused on the women who studied Divinity at Trinity College from 1915 to 1987. Fonds contains research obtained from records in the Trinity College Archives, and from surveys answered by former students. The fonds also contains a paper and course materials by Alison Kemper, a published paper by Meredith Hill as well as her presentation to the Divinity 150 Colloquium.

Hill, Meredith J.

Stephen J. Reynolds fonds

  • CA OTTCA F2273
  • Fonds
  • 1969-2010

The fonds consists of records kept by Stephen Reynolds during the course of his adult life. These include correspondence with family, friends, and colleagues that illuminate his personal life, his Christian faith, and his various pastoral and intellectual pursuits. Carbon copies of many outgoing letters were created and kept. Reynolds kept an intermittent diary through the time period represented here. These were sometimes typed, and often handwritten in small notebooks. He apparently removed pages from these notebooks and inserted them in files with correspondence and other material from the same time period.

Other records include academic papers, research material, sermons, prayers, drafts of manuscripts, course materials, and some official documents such as academic transcripts.

Contains series:

  1. Undergraduate education and MDiv degree
  2. Ministry
  3. Anglican Church of Canada
  4. For All the Saints
  5. ThD Degree
  6. Teaching
  7. Correspondence

Reynolds, Stephen James

Willard Oxtoby fonds

  • CA OTTCA F2087
  • Fonds
  • [188-] - 2003

Fonds contains correspondence, journals, magazines, and newsletters used for re-search; drafts and manuscripts of articles and books by Willard Oxtoby, Julia Ching, and others. Fonds also includes conference materials such as schedules, planning docu-ments, and submitted essays. Published materials including pamphlets, serials and in-formation booklets, most relating to the Middle East, are included. Files include news-paper clippings; course syllabi and lectures notes for courses taught by Oxtoby; as well as personal keepsakes, photographs and cassette tapes.

Willard G. Oxtoby

Keith MacMillan Fonds

  • CA OTTCA F2346
  • Fonds
  • 1947-2004

Fonds consists mainly of records related to the production of the musical comedy/operetta Saints Alive! (1949) for which Ronald Bryden (later a theatre critic and academic) wrote the libretto and Keith MacMillan wrote the music during their time at Trinity College. Included are copies of the script, libretto, and score; MacMillan’s scrapbook about the show, with his annotations on the script; lists of cast members; programs and reviews. As well, there is a script and parts of the handwritten music manuscript for another collaboration by MacMillan and Bryden: the one-act musical comedy What – No Crumpets! (1947). The fonds includes other creative writing by MacMillan from his Trinity days.

Keith MacMillan