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Menus

The series comprises menus from around the world featuring a variety of cuisines including Afghan, American Argentinian, Armenian, Asian, Bangladeshi, Brazilian, Burmese, Cambodian, Caribbean, Chinese (Peking, Szechuan, Shanghai, Yunnan, Mandarin, Cantonese, Hunan and Jiangnan), Colombian, Cuban, Dutch, Ecuadorian, Egyptian, European, Filipino, Finnish, French, Hong Kong style, Indian, Indochinese, Indonesian, Islamic, Israeli, Italian, Jamaican, Japanese, Korean, Laotian, Latin American, Lebanese, Malaysian, Mediterranean, Mexican, Middle Eastern, Mongolian, Moroccan, Mughlai, Nepalese, Pakistani, Pan-Asian, Peruvian, Russian, Scandinavian, Singaporean, Southwestern, Spanish, Taiwanese, Thai, Tibetan, Turkish, Venezuelan, Vietnamese, seafood and vegetarian.

Menus are from restaurants located in Kenya, Morocco, South Africa, China (Beijing, Hangzhou and Shanghai), Egypt, Guam, Hong Kong, India, Indonesia, Israel, Japan, Malaysia, the Philippines, Singapore, South Korea, Taiwan, Thailand, Tibet, Turkey, Vietnam, Austria, Belgium, the Czech Republic, Denmark, England, Finland, France, Germany, Iceland, Ireland, Italy, Malta, the Netherlands, Norway, Poland, Portugal, Russia, Scotland, Slovenia, Spain, Sweden, Switzerland, Wales, Antigua and Barbuda, the Bahamas, Bermuda, Canada (British Columbia, Manitoba, Newfoundland and Labrador, Northwest Territories, Nova Scotia, Ontario, Quebec, Saskatchewan and Yukon Territory), Costa Rica, Cuba, Curaçao, El Salvador, Greenland, Guatemala, Mexico, Panama, the United States (Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin and Wyoming), Australia, New Caledonia (France) New Zealand, Argentina, Bolivia, Chile, Peru and Venezuela.

Menus types included placemat menus, single sheet menus, trifold and four fold, five fold and seven fold menus and menus in booklet style. Some menus are laminated while others are in vinyl enclosures. Menus range from take away and delivery to eat in and include wine lists as well.

Menus from hotels, cruises and airlines are also included in this series.

The series is divided into 6 subseries: Africa, Asia, Europe, North America, Oceania and South America. The division is based on the 7-continent model, substituting Australia as a continent and replacing it with Oceania for greater geographical coverage.

Translation and research

Series consists of material related to the research and textual studies of Prof. Venkatacharya, including its funding. Material includes notes and annotated texts, translations and transliterations, as well as corrections. Texts appear to be in Sanskrit with Telugu and Devanagari characters, though may also include other alphabets. Also included within the series is material related to the funding for research and publishing projects.

Correspondence

Series consists of personal and professional correspondence. Material includes communication with specific individuals, including Giuseppe Tucci, in addition to departmental communications and letters to publishers. Subject matter represented includes family matters and updates, supervisory responsibilities to students in both Canada and abroad, and reviews of publishing activity.

Chronological files (correspondence)

Series consists of material organized in chronological files, primarily comprised of incoming and outgoing correspondence. Material documents both the personal and professional life of Prof. Venkatacharya. A substantial portion of the material relates to Venkatacharya’s publishing activity as well as the transfer of texts for his research from various publishers, distributors, and libraries in India, particularly The Adyar Library and Research Centre. Additionally, documentation of his academic activity is covered through correspondence with colleagues.
Material also includes received correspondence from family members overseas and provides documentation of Venkatacharya’s various positions in India, Italy, and at the University of Toronto. Series also includes some coverage of his participation with various Toronto South Asian community groups, such as the Hindu Institute of Learning.

Filmmaking

This series contains the original film elements for several films made by Kay Armatage.
There are also files documenting this facet of her career including correspondence, film proposals, research notes, clippings, grant applications, budget reports, shot lists and scripts. Several files document her films Striptease, Storytelling and Artist on Fire, as well as Prof. Armatage’s attempt at writing and directing a film about Nell Shipman which did not go beyond development.

Photographs in this series include shots taken during the production of several of her films. There is one file documenting the filming of Storytelling which includes shots of Northrop Frye in New York City. There are also three contact sheets by Babette Mangolte taken during the making of Artist on Fire, with views of Joyce Weiland’s Toronto studio and home. The series also contains one file of printing plates used in the creation of publicity material for Prof. Armatage’s early film Jill Johnson, October 1975.

Professional activities

This series documents various professional activities and research including participation in conferences, film festivals and screenings, and particularly Prof. Armatage’s work within the Major Collaborative Research Initiatives Program. The series includes her correspondence with a small number of notable women filmmakers, including Dorothy Arzner and Tracey Moffatt, as well as posters, programs, and pamphlets on women and cinema collected over the course of her professional career. There is also one file relating to her time teaching in Japan in 2002.

Publishing and talks

This series documents a small selection of academic papers and talks published or given by Prof. Armatage throughout her career. Files can contain edited typescripts, correspondence, e-mail and readers’ reports. There are two files of her published reviews and a file with copies of some of her magazine contributions. Additionally, there are records relating to her book The Girl From God’s Country: Nell Shipman and the Silent Cinema (University of Toronto Press, 2003). These include research notes, correspondence and a copy of the manuscript.

Notebooks

Notebooks contain mainly analysis of films reviewed by Prof. Armatage in her capacity as a programmer and curator of the Toronto International Film Festival. There are also some notes relating to meetings and appointments. The notebook in B2012-0002 is largely related to her administrative activities at Innis College between 2010 and 2011.

Assessments and letters of recommendation

These files contain comments by Prof. Armatage on students’ essays and assignments. These are fairly extensive and document her approach to teaching her subject matter. Files are arranged by course number. Also included are three files of letters of recommendation for students and colleagues filed chronologically.

Teaching

This series consists of course files that can contain lectures, course outlines, assignments, and reading lists. It documents Prof. Armatage’s approach to the teaching of both Women’s Studies and Cinema Studies in the early years as they were emerging into disciplines of study and research.

Files in B2005-0020 focus on teaching in the 1970s. For these early courses, except for INI 112Y Introduction to Cinema Studies and NEW 260Y Introduction to Women’s Studies, all courses were developed and taught solely by Prof. Armatage.

Files in B2009-0020 relate exclusively to courses she taught in Cinema Studies from 1990-2007. This accession also contains subject files used for course lectures, covering various topics in film studies. These files contain lecture notes and outlines to lectures and are arranged alphabetically by topic.

Files in B2012-0002 focus on two courses she taught in Cinema Studies from 2006-2010, INI 323 Feminist Approaches to Cinema and INI 484 International Film Festivals. This accession also contains several subject files used for course lectures, covering various topics in film studies. These files contain lecture notes as well as teaching resources published by the British Film Institute, and are arranged alphabetically by topic.

Courses in Cinema Studies at Innis College:

B2005-0012/001 (08)-(17) /002 (01)-(22)

  • INI 112 Introduction to Film Studies
  • INI 212/NEW 212 Introduction to Cinema Studies
  • INI 225 Documentary Film
  • INI 280 and 281 Women’s Cinema
  • INI 321 Film Study
  • INI 322 Experimental and Avant-Garde Film
  • INI 323 Women and Representation
  • INI 325 Dream, History and Narrative in the Cinema
  • INI 327 Race and Representation
  • INI 428 Dream, History and Narrative in the Cinema
  • INI 429 Post Colonial Film and Third Cinema

B2009-0020/002 (01)-(13)

  • INI 214 Film Theory
  • INI 323 Women and Representation
  • INI 325 Documentary Film
  • INI 327 Race and Representation
  • INI 330 Contemporary Film Theory
  • INI 385 Canadian Film
  • INI 423 Melodrama
  • INI 424 Current issues in Film Theory
  • INI 425 Apparatus and After: Film Theory since 1970
  • INI 429 Dream, History and Narrative in the Cinema
  • INI 481 Advanced Studies in Cinema

B2012-0002/001 (03)-(05)

  • INI 323 Feminist Approaches to Cinema
  • INI 484 International Film Festivals

Courses in Women Studies at New College

B2005-0012/002 (23)-(30)

  • NEW 220 Women Writers
  • NEW 260 Introduction to Women’s Studies
  • NEW 360 Introduction to Women’s Literature
  • NEW 363 Selected Topics in Feminist Theory

Subject Files – Cinema Studies
B2009-0020/002 (15)-(24) and /003
B2012-0002/001 (06)-(16)

See also electronic files:
B2012-0002/Disks 001, 003, 006, 010 – 011, 017, 019 – 020

Academic activity files

This series contains documents pulled together by Prof. Armatage for her tenure review as well as for subsequent yearly reviews. Files contain mainly professional correspondence, descriptive reports on research and teaching activities, yearly activity reports and clippings about her work. There is information on promotions, awards, research leaves and grants. Clippings in this series also give evidence to Prof. Armatage’s work outside mainstream academia including her role as a documentary filmmaker and curator for the Toronto International Film Festival.

Photographic Prints

Series C: Photographic Prints contains all of photograph prints that were housed in paper folders and filing cabinets in the office of Ken Jones. The folders were arranged by subject. For the most part, folders are labelled by subject but the folders and some photographs were out of order when the records were transferred to UTSC Library. In some cases, folders contain photos that do not reflect the subject of the original folder label.

General files

Series consists of more than 16 000 letters received by Henri Nouwen between 1964 and 1997. Some files include photographs and other printed material sent to Nouwen as enclosures. In some instances, a copy of Nouwen's typed letter of reply is also included in the file.

Programs

Series consists of miscellaneous programs, predominantly for concerts that took place in Toronto.

Travel files

Series consists of records relating to Dr. Mustard’s attendance and participation in various events across the world, including meetings, conferences, visits with community groups, presentations, convocations, and other special events. Files consist of correspondence, itineraries, meeting notes, reports, brochures, proceedings, lists of attendees, and news coverage of the event. In some cases, a copy of the presentation is also included.

In cases where files document Dr. Mustard’s visits to small communities and early childhood development organizations, files also contain information on the host group and region, including brochures, information packages and news clippings relating to issues in that particular community (such as health, poverty, and child care).

Series also consists of electronic files, containing PowerPoint presentations for particular talks and speeches, 2003-2005.

Slides

Series consists of paper copies of slides used by Dr. Mustard in his various presentations. These printouts were kept in binders, organized by year, with each slide assigned a particular number. These binders were presumably used as a reference for assembling a slide show for various presentations. For the years 1996-1999, the slides are digital files only.

Series also consists of electronic versions (PowerPoint) of these files, 1989-2005.

Family records and correspondence

Series consists of copies of photographs and documents pertaining to Johnstone's family. Documents include correspondence between Mary F. Williamson and Helmut Kallmann of the National Library of Canada; a copy of the petition for divorce filed by Catherine (McGregor) Johnstone against her husband John Francis Johnstone, which was later withdrawn (January 8, 1979); a copy of an article in the Toronto Star (November 26, 1927) regarding Amelia Hart and her seven husbands (Johnstone was the fourth); a copy of a letter from Mary F. Williamson to Professor Carl Morey at the Faculty of Music, University of Toronto regarding Johnstone and performances of his songs; a copy of Johnstone's obituary (February 25, 1913); and a copy of scanned portraits of Johnstone. The series also consists of electronic records, including scanned images from the Johnstone family photo album (ca. 1900).

Programs and magazine articles

Series consists of programs for performances of compositions by Gena Branscombe, magazine articles on her, and copies of her membership cards to various music and non-music associations. The series also includes a program and poster for a 100th anniversary concert at The James Room, Barnard Hal, Barnard College, Manhattan (November 15, 1981).

Correspondence

Series contains letters, cards, and correspondence, including letters from George Crumb; John Leberg; Witold Lutoslawski; R. Murray Schafer; Pierre Trudeau (2). Cards: Vera [Frenkel]; Michael [Snow] (2); Veronica Tennant; Grant [?]; and, David [?] (2). Series also contains autographed photographs from Elly Ameling and Philippe Entremont, and a photograph of Taussig with Natalia Granados (Barcelona, 1980).

Wardens' gatherings and meeting minutes

The individual files of Series 3 include correspondence, memoranda and various addenda in addition to the typed minutes of both Corporate and Camp Wardens. The series also contains files regarding a meeting in 1930 of the Wardens with Kipling and special “Gatherings” of the Camp Wardens in the 1940s and 1950s. Accession B1982-0023 records in this series cover the period between 1923 and 1960, with particular depth of coverage in the 1940s and 1950s. The series includes two photographs of Camp Wardens from a Gathering in April 1946.

While B1995-0040 also includes several files of reports on meetings of special subcommittees, such as the Ad Hoc Committee on the Wording of the Ritual and the Admissions Committee, other meeting minutes will be found in the general correspondence files of Series 5. The records from B1995-0040/001 in this series range between 1960 and 1994, with significant gaps in the late 1960s and early 1990s. Accession B2009-0029 contains nearly complete Camp One meeting minutes from 1950-2008. Files in this series have been arranged in chronological order.

Publications

This series includes copies of “The Iron Ring”, a private publication for the Camp Wardens, printed as a kind of historical primer and general information circular. There is also a clipping file of publicity concerning the Ritual, correspondence regarding the various publications, and a printed musical score for a composition by Alice Roger Collins, to the text of the poem “The Sons of Martha” by Rudyard Kipling, dedicated to the “engineering profession”.
Accession B1995-0040 includes additional publicity clippings, more recent editions of “The Iron Ring”, a Manual of Camp Procedures and mark ups for a collection of Kipling poems. Accession B2009-0029 includes a copy of the reprinted Twenty Poems by Rudyard Kipling, issue no.8 of “The Iron Ring”, The Manual of Camp Procedure (1988), various articles and publicity concerning the Canadian postage stamp honouring the 75th anniversary of the creation of the Ritual, issued in April 2000.

Theoretical and critical writings

Series consists of materials created for Klein's teaching at the University of Toronto, and interview with Witold Lutoslawski, and various composition studiesand exercises.

Compositions : scores, parts, and sketches

Series consists of manuscript scores and parts, and sketches, for Lothar Klein's instrumental, vocal, choral, chamber, and orchestral works. File also contains film and incidental music written by Klein.

Ontario College of Art projects

Series consists of Udo Kasemets's notebooks, posters, and plans for projects at the Ontario College of Art (OCA). Series also contains Kasemets's OCA teaching materials and notes.

Biographical

Series includes awards and honours, radio transcripts, portraits, journal articles, and other bibliographic documents.

Other correspondence

Series consists of personal and professional correspondence, including letters from and to many Canadian musicians and composers.

Other activities

Series consists of administrative writings, correspondence, reviews, radio programs, and other documents relating to John Beckwith’s work at the Canadian Broadcasting Corporation, the University of Toronto, and various other appearances at conferences, symposiums, and universities. Series also includes writings related to his publications.

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