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Archival description
University of Toronto Music Library
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Études : performances and analyses

File contains analytical notes, programs, and correspondence, including letters from Paul Grant (VNMS), Stephen Savage, Bruce Mather, Norma Beecroft, and Gail Dixon.

[family passions]

File includes printed and manuscript parts and scores for the music for Family Passions. Titles include Love Theme by Doug Riley; Opening Theme; Closing Theme by Doug Riley.

[Untitled]

File contains sketches and draft scores, and a PrimePhonetic Musicαβ for 1 to 7 octaves.

[Untitled : score]

File contains a score with each page divided into quadrants (for cards?) and labelled A1, A2, A3, A4; B1, B2, B3, B4; C1, C2, C3, C4; D1, D2, D3, D4.

[Private recording] : piano

File contains a sound disc, copied in 2003 from a 78 rpm disc. The recording includes: Sonata, K. 380 (L.23), E major by Domenico Scarlatti (2:17); Première valse oubliée by Franz Liszt (2:18); and, Quejas ó la Maja y el Ruiseñor : Goyescas, no. 4 by Enrique Granados (4:10).

[Notebook]

File consists of a handwritten notebook with questions, journal references, and interview notes; most page headings are names of persons, institutions and cities (e.g. Willan, Chalmers, Toronto Conservatory of Music, Hollywood).

[Good rockin']

File includes manuscript lead sheets and printed lyrics. Titles include The Great Unknown; Mistress Propmaker; Smelly Jacket Music; Will You Still Be Magic; Static Cling; Where All The Socks Go; Beach Blanket Boogie; Afraid To Jump In; Blind Sun; Your Eyes are Loved By The Seas by JD Ibay; Nobody Needs You by JD Ibay; Always A Need-Elvis by JD Ibay; Always a Need For Believing (Zerena Version) by JD Ibay; Also includes Good Rockin' Character and Voices list; script with lyrics and music notes written by JD Ibay; and correspondence To Doug Riley From J.D. Ibay (april 23 2007).

[Don't explain/womanizer]-David Clayton Thomas

File includes manuscript and photocopied lead sheets, parts, and scores. Titles include Don't Explain; Womanizer. Original folder suggests that material was part of a collaboration with David Clayton Thomas.

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