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Item is an annotated copy of the piano-vocal score for the English version of the opera by William Grist and Percy Pinkerton. The score is autographed by Andrew MacMillan and annotated for a performance by Jean Patterson, Mary Hayes, Glen Burns, Selma Bial, Jean Brown, Annabel Lister, and others. Item includes a list of props and curtain calls.

File contains Ron Collier's copy of Delamont's book.

Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.

File consists of an annotated score, which includes additional typescript dialogue for a production by the Canadian Opera Company (COC). Carlos Alexander directed the first production of Beethoven's Fidelio in Toronto in 1970 with conductor Heinrich Bender. The production featured Anja Silja, soprano as Leonore and Glade Peterson, tenor as Florestan. Herman Geiger-Torel was general director of the COC at the time.

File consists of an annotated score from a production with the Vancouver Opera Association (VOA) in October 1963 with [Joan] Sutherland, Marilyn Horne, John Alexander, Richard Cross, Karl Norman, and Betty Phillips, according to the inscription on the title page.

File consists of an annotated score for an unspecified production.

File consists of an annotated score for a 1956 production in at the Stratford Festival with Jon Vickers, Jennie Tourel, Jan Rubes, Bernard Turgeon, Harry Mossfield, Regina Resnik, Patricia Rideout, and Adelaide Bishop. The production was conducted by Thomas Mayer with Herman Geiger-Torel, stage director.

File consists of an annotated score for a production directed by Herman Geiger-Torel at Teatro Colón in 1934 with Giacomo Vaghi, bass as Rudolfo; Carlos Tagliabue, baritone as Hermann; Claudio Muzio as Loreley; Sara Menkes as Anna di Rehberg; and Pedro Mirassou as Walter.

File consists of an annotated score with Herman Geiger-Torel's notes from a production by the Canadian Opera Company in Portland, Oregon.

File consists of an annotated score for an unspecified production.

File consists of an annotated score, likely for a production that Herman Geiger-Torel directed in Germany.

File consists of an annotated score for an unspecified production.

File consists of an annotated score with Herman Geiger-Torel's notes for a production by the Royal Conservatory of Music Opera School in April 1955, directed by Herman Geiger-Torel with Nicholas Goldschmidt, musical director and Mario Bernardi and Paul McIntyre, piano.

Cast: Patricia Rideout, Claudette LeBlanc, Joey Harris, Joan Augus, Marguerite Desjardins, James Whicher, Seweryn Weingort, Andrée Thériault, Suzette Nadon.

File consists of an annotated score from a production directed by Herman Geiger-Torel with Isabel Marengo, Alessio De Paolis, Victor Bacciato, and others. Last names of performers are handwritten on the title page.

File consists of an annotated score from a producted directed by Herman Geiger-Torel in Troppau, Czechoslovakia in 1935.

File consists of an annotated score from a 1934 production (as handwritten on the title page) with Lily Pons, Alvarez, Valazza, Vernazza, and others.

File consists of an annotated score from a production by the Royal Conservatory of Music Opera School in April 1957, directed by Herman Geiger-Torel with Nicholas Goldschmidt, conductor and Mario Bernardi and Paul Timan, pianos.

Performers: Bernard Turgeon, Anne Stephenson, Teresa Stratas, Kathryn Buchanan, Margaret Briggs, Donald Bartle, Brian Beaton, Sheila Piercey, Lucie Dombrowski, James St. Lawrence, Ted Moskal, Victor Braun, Kenneth Brown, Lillian Bozinoff, Carolyn Leonard, Alan Crofoot, William Bourns, Glyndon Bowie, and Ossyp Hoshulak.

File consists of an annotated score from a 1929 production, as dated on the title page. Performers are handwritten inside the front cover.

File consists of an annotated score with Herman Geiger-Torel's notes from a 1965 performance and three photographs of the set and one of the opera singers. Annotations include a handwritten cast list from another, likely earlier, performance. The 1965 production for the Canadian Opera Company (COC) was directed by Herman Geiger-Torel with Wolfgang Martin, conductor; Brian Jackson, set designer; and Suzanne Mess, costume designer.

Performers (1965): Garnet Brooks, Darlene Hirst, Donald Young, Maurice Brown, David Geary, Margaret Tynes, Roxolana Roslak, Joanna Myhal, Royce Reaves, Phil Stark, Arlene Meadows, Thomas Park, Danny Tait, Ian Garratt, Wallace Williamson, Tito Dean, Oskar Raulfs, Ermanno Mauro, Abbot Anderson.

File consists of an annotated score with notes on musical examples for an unspecified performance.

File consists of an annotated score with props notes from D.C. Holder and other notes by Herman Geiger-Torel for an unspecified production. Handwritten date of 1954 on title page.

File consists of an annotated score for an unspecified production directed by Herman Geiger-Torel.

File consists of an annotated score with Herman Geiger-Torel's notes from three productions: in Rio de Janiero, in Habana, and an unspecified location.

File consists of an annotated score from an unspecified performance, with the stamped date 1929 on the title page.

File consists of an annotated score from a [1958?] Toronto production, directed by Herman Geiger-Torel.

File consists of an annotated score for a performance in Teatro Colón in Buenos Aires in 1938 and Montevideo, Uruguay in 1944.

File consists of an annotated score and annotated stage plans for a Canadian Opera Company (COC) production. Herman Geiger-Torel directed a COC production of Götterdämmerung in September 1973 with Heinrich Bender, conductor; Murray Laufer, set designer; and Marie Day, costume designer.

Performers: Jean Cox, Ingrid Bjoner, William Wildermann, Lili Chookasian, Janos Tessenyi, Barbara Collier, Eleanor James, Barbara Collier, Jeannette Zarou, Roxolana Roslak, Severin Weingort.

File consists of an annotated score for an unspecified performance.

File consists of an annotated copy of the manuscript score. Herman Geiger-Torel directed the Canadian Opera Company (COC) production in September-October 1966 and a production by the Royal Conservatory of Music Opera School in April 1965. Both productions were conducted by Ettore Mazzoleni with Lawrence Schäfer, set designer (for COC), set and costume designer (for Opera School); and William Lord, costume designer (for COC).

Opera School performers (1965): Oskar Raulfs, Donald Young, David Geary, Genevieve Perreault, Jeannette Zarou, Lilian Sukis, Ermanno Mauro, Paul Brown, Thomas Park, Ian Garratt, Herman Rombouts, Lloyd Dean, Maida Rogerson, Nancy Greenwood, Asdghig Shakarian, Marcelle Zonta.

COC performers (1966): Howell Glynne, Bernard Turgeon, Oskar Raulfs, Patricia Rideout, Jeannette Zarou, Gianni Savelli, Richard Braun, Thomas Park, Howard Mawson, Maurice Brown, Nancy Greenwood, Nancy Gottschalk, Maida Rogerson.

Item is an annotated copy of the piano-vocal score for the English version of the opera. The score is autographed by Andrew MacMillan.

Item is an annotated copy of the piano-vocal score for the English version of the opera, translated and adapted by Henry Hersee and Waldo Lyman, arranged for voice and piano by Michele Saladino. The score is autographed by Andrew MacMillan and excerpts are annotated for a performance.

Item is an annotated copy of the piano-vocal score for the English version of the opera, translated and adapted by W. Beatty-Kingston and arranged for voice and pianoforte by Carlo Carignani. The score is autographed by Andrew MacMillan and annotated for a performance with Connie as Floria Tosca, Clarke Alkins as Mario Cavaradossi, Ross as Cesare Angelotti, [Russell] Braun as A Sacristan, Robb as Spoletta, Boon as Sciarrone, Calandrillo as A Gaoler, and Blahewan as A Shepherd-Boy.

Item is an annotated copy of the piano-vocal score for the English version of the opera, translated by Rosa Newmarch. The score is autographed by Andrew MacMillan and annotated for a performance. The score includes sketches of set designs on the flyleaves.

File consists of a partial collection of orchestra compositions arranged for piano with solo and obligato violin and organ parts ad lib.

Subseries consists of annotated piano and organ pedagogy volumes previously owned and used by Harry Culley.

Subseries consists of parts from dance band orchestrations used by Harry Culley during his time as conductor of the Royal York Orchestra (1929-1930) and as Music Director at the Royal Alexandra Theatre (1948-1955). Many of the parts are annotated for performance, and some files include manuscript parts copied by Harry Culley.

File consists of piano part, with text.

File consists of the 1st alto saxophone in E-Flat part.

File consists of two different piano parts for the same song, both with text, one arranged by Frank Skinner and the other by Jimmy Mundy.

File consists of piano part.

File consists of the piano part with text and first violin with text.

File consists of the piano-conductor part.

File consists of piano part. On reverse, piano part for "Who's sorry now?" by Ted Snyder, words by Bert Kalmar and Harry Ruby.

File consists of complete set of parts for orchestra.

File consists of 1st violin and piano parts

File consists of piano-conductor part.

File consists of piano and violin parts.

File consists of orchestral parts and a manuscript part for cello.

File consists of violin part.

File consists of piano part and manuscript parts for violin, cello, and bass.