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Canada. Canadian Army. Canadian Officers Training Corps. University of Toronto Contingent fonds

  • UTA 1106
  • collection
  • 1901-1965

Fonds consists of 4 accessions:

A1968-0003: Service records and lists (1914-1950); financial records (1915-1965); histories and reports (1914-1964); war diaries (1939-1945); minutes of committees and officers' meetings (1921-1957); order books and manuals (1915- 1948); publications (1901-1937); photographs and one painting. (16 boxes, 1901-1965)

A1998-0005: Group photograph of the C.O.T.C. (1 photograph, ca. 1914-1917)

B1981-0044: Bronze lapel pin inscribed "University of Toronto Canada Overseas Training Company" and " COTC". Pin is shaped like maple leaf. (1 item, 1914-1918)

B2004-0005: Military portrait ot the University of Toronto Contingent, Reinforcement Draft, 1st Tank Battalion taken October 19 1918.

Canada. Canadian Army. Canadian Officers Training Corps. University of Toronto Contingent

Irvine Israel Glass fonds

  • UTA 1313
  • collection
  • 1938-1994

Fonds consists of records documenting the career of Irvine Glass as a specialist in shock waves, a professor and administrator at the Institute for Aerospace Studies and his personal interest in the Jewish peoples through his involvement, in particular, with Canadian Professors for Peace in the Middle East, the Committee of Concerned Scientists, and the Sino-Judaic Institute.

See accession-level descriptions and finding aids for further details.

Glass, Irvine Israel

Kay Armatage fonds

  • UTA 1016
  • collection
  • 1937-2011

This fonds documents various facets of Prof. Armatage’s career as a filmmaker, senior programmer for the Toronto International Film Festival, and a professor of Cinema Studies and Women’s Studies at the University of Toronto. The academic activity files in Series 1 give an overview of the breadth of her interests, achievements and promotions. Lecture notes and other course materials in Series 2, along with comments on student works found in Series 3, document her teaching role. These will be especially useful to researchers interested in understanding the early beginnings of both women studies and cinema studies and how these developing academic disciplines were being taught to students. Prof. Armatage’s role as a programmer for the Toronto International Film Festival is documented in her extensive notes found in notebooks where she recorded critiques of films she was screening. These are found in Series 4. The extent of her filmmaking is documented in Series 7 and contains preserved original film elements to several of Prof. Armatage’s films, along with a limited amount of related documentation on the making of these films. Unfortunately, this fonds does not contain release prints for these titles.

This fonds has only a small amount of records relating to her published academic works as well as files relating to conferences she organized and associations in which she was active. These can be found in Series 5 and Series 6.

Armatage, Kay

Speak Body, Bed and Sofa, Life on This Planet, Storytelling

Speak Body (1979)
-16 mm A&B rolls, colour negatives – 2 rolls

  • 16 mm Optical Track and 1 cassette tape – 1 roll
  • 16 mm Inter-negative Track 4 rolls

Bed and Sofa (1979)

  • 16 mm A&B Negative – 2 rolls
  • 16 mm Optical Track & Magnetic Track – 2 rolls

Life on This Planet (1982)
-16 mm colour negatives – 3 rolls

Storytelling (1983)
-16 mm Optical Track part 1 & 2 – 2 rolls

  • 16 mm A&B rolls, colour negatives Pt. 1 & 2 – 4 rolls

Artist on Fire

16mm film, original elements – 5 rolls
¼” sound reels – original recordings – 11 reels

Other activities

The records in this series underscore the impact of an upbringing where the tenets of Christianity, public service, and duty were emphasized. They begin with thirty years (1937-1969) of files on Camp Kagawong, a privately owned boy’s camp on Balsam Lake, where Dr. Hastings spent his summers as a young boy enjoying the outdoors. The leadership qualities he displayed led to his becoming a camp counsellor (1944-1945) and, from 1946-1950, director of the Bantam Section and instructor in nature, first aid, swimming and games. During those years he dramatized three folk tales for presentation. At the weekly chapel services, he often delivered homilies or ‘sermonettes’, a practice he continued throughout his association with the camp that closed in 1975. Dr. Hastings’ activities at Camp Kagawong are well documented through notes, certificates, correspondence (much of which is in Series 3) scripts for theatrical presentations, chapel service programs and sermonettes, and some of the annual camp catalogues, photographs and artifacts. The arrangement of the files is largely chronological.

The material on Camp Kagawong is followed by files on Canadian Council of Churches and its Vellore/Ludhiana Committee, of which Dr. Hastings was a member from 1962-1975 and to which he was an advisor from 1975 to 1981. These are followed by files on the Christian Medical College in Vellore, India, including extensive ones documenting the work of the international review team that visited Vellore in 1979 and produced a report on its findings in 1980.

Next are files on the coronation of Queen Elizabeth in 1953; the Developing Countries Farm Radio Network, of which Dr. Hastings was a member of the board; Emmanuel College, where he was a University representative on its council and a member of its curriculum committee; the King’s College Fund which in 1985 organized a Canadian study tour of health services in Britain; and on Pickering College in Newmarket, Ontario. A member of the Progressive Conservative Party of Canada, Dr. Hastings was active in its youth clubs in the 1940s. He attended the 1948 convention at which George Drew was selected leader and took part in the federal election the following year.

Dr. Hastings’ place of worship for many years was St. Andrew’s United Church at 117 Bloor Street East in Toronto. He played a very active role in its affairs, serving on its board, many of its committees, was a member of its Men’s Club and, on occasion, delivered the sermon of the week. The files cover the years from 1952 to 1973, when St. Andrew’s and the Yonge Street United Church amalgamated and include correspondence, notices of services, minutes of meetings, reports, and drafts of three sermons.

This series ends with a number of files on Dr. Hastings’ involvement in several activities of the United Church of Canada, centring around his being a member of its task force on health services (1985-1987) and its Division of Mission in Canada’s health task group (1991-1994). Included are correspondence, minutes, memoranda, notes, drafts of reports, and a video, “Taking the pulse of Canadian health care” that grew out of the work of the health task group.

Addresses and interviews

Dr. Hastings was much in demand as a public speaker throughout his career. In the early 1960s, for example, he often gave more than one a week and by the late 1990s he himself estimated that he had given well over 1,000 addresses. While the majority were delivered at academic and professional gatherings, he also made time to speak at community events, including graduation exercises.

This series contains lists of addresses, correspondence, notes, drafts of addresses, and, often, press coverage. The arrangement is chronological, with correspondence for which accompanying addresses have not survived being arranged in separate files. There is a substantial file of this type for 1963. Interviews are filed at the end of the addresses.

The earliest extant address is his first professional foray on the international scene, at the American Public Health Association conference in October 1954. The theme was administrative practice in relation to the quality of medical care provided under the Ontario Workmen’s Compensation Board. This address and subsequent ones follow the major themes laid out in the earlier series, especially Series 7. Those that were published are filed, for the most part, in Series 7. Some of the addresses are indicated in Appendix 2, which includes entries up to 1994.

After his retirement, Dr. Hastings’ addresses continued to focus primarily on public and community health issues. One, in 1994, was given on the occasion of the tenth anniversary of the Charles Hastings Co-operative, named after his great-uncle, Toronto’s innovative and pioneering medical officer of health. On another occasion, he spoke about the future of community health centres to the International Conference on Community Health Centres in Montreal (December 1995).

While President of the Canadian Public Health Association in 1996-1997, he travelled widely and was much in demand as a speaker. Four venues included a reception in his honour in Winnipeg, the second National Conference on Communicable Disease Control in Toronto, the World Health Organization’s Intersectional Action for Health conference in Halifax, and the annual general meeting of the Northwest Territories branch of the CPHA in Yellowknife. In 1999, after many years of long distance communication, he flew to Manitoba to address the Hamiota District Health Centre Foundation, and in November was a keynote speaker at the 50th annual conference of the Ontario Public Health Association.

In June 2000, at the annual meeting of the Association of Ontario Health Centres, Dr. Hastings reflected on a turning point in his career in his address, “The Hastings Report – then and now”. This is followed by an address delivered at the opening in October 2001 of the Institute of Population and Health, one of four Toronto-based Institutes of Health Research.

The series concludes with three interviews, one on CBC’s radio and television “Citizen’s Forum” in 1960, a ‘telepole’ on CFTO TV in 1962, and an interview with Jan Brown in February 1997.

Film

Over several decades, Clara Benson took numerous rolls of 16 mm film documenting her family, her trips, as well as life in Toronto especially during World War II, the University of Toronto and various events. Her collection includes some unique footage of women’s sports at the University of Toronto, convocation ceremonies in the 1940s, and skating shows, one of which identified Barbara Ann Scott. From her trips, there is interesting footage of Egypt and Greece in the late 1920s, the New York World Fair and South America in 1939 as well as Atlantic City in the late 1940s. There are several small rolls of film documenting military parades on the streets of Toronto as well as the Royal Visit of 1939 and 1959.

William Edward Gallie fonds

  • UTA 1307
  • collection
  • [189-?] - 1963

The William Edward Gallie fonds consists of 6 series based largely on his work as a surgeon at the Hospital for Sick Children and the Toronto General Hospital, as well as his role at the University of Toronto as Dean and Professor at the Faculty of Medicine. The majority of the records relate to Gallie’s publications, lectures, public addresses, and research. The fonds also includes a small amount of personal ephemera such as event invitations and newspaper clippings. The W. E. Gallie fonds consists of the following series: 1) Writings & Publication Drafts, 2) Lectures and Public Addresses, 3) Research, 4) Correspondence, 5) Personal Ephemera, and 6) Photographs & Graphic Materials.

Gallie, William Edward

University of Toronto. Caput fonds

  • UTA 0008
  • collection
  • 1907-1978

This fonds contains 3 accessions of records from Caput. See accession-level description for details.

University of Toronto. Caput

University of Toronto. Department of Athletics and Recreation

Two videos documenting the success of the Varsity Blues Football team in winning the Vanier Cup. The first is a taped broadcast of the entire game (Nov. 20, 1993). The second, put together by Friends of the Varsity Blues Football, depicts the trials and triumphs of this championship year. It is entitled "From the Cut to the Cup" (11 min.). (VHS)

University of Toronto. Engineering Alumni Association

This accession contains one small copy print of the Engineering Society Executive from 1898-99; video tape recordings of the Engineering Alumni and Awards Ceremonies for the years 1989, 1993, 1995-1997; one tape of engineering student production, Skule Nite, for the year 1996. There is also 1 film clip (34 secs) promoting the Engineering Open House, dated in the late 1970s.

Henri Nouwen fonds

  • CA ON00389 F4
  • collection
  • 1910 - 1997, 1964 - 1996 predominant

Fonds consists of 15 series:

  1. Manuscripts
  2. General files
  3. Calendar files
  4. Personal records
  5. Publisher files
  6. Financial files
  7. Teaching materials
  8. Nouwen’s education records and study notes
  9. Published works
  10. Video recordings of Nouwen
  11. Sound recordings
  12. Collected materials
  13. L'Arche Daybreak administrative files
  14. Ephemera and artifacts
  15. Photographs

Nouwen, Henri J.M.

Judith F. Friedland fonds

  • UTA 1295
  • collection
  • 1918-2016

Fonds consists of material documenting the professional life and work of Prof. Judith Friedland. Records focus on her education and career within academia, in particular as a professor, and former Chair of the Department of Occupational Therapy. Material also covers some aspects of Prof. Friedland’s career working as an occupational therapist. Records include typescripts and presentation notes, administrative records from the Department of Occupational Therapy, teaching and course material, clinical notes, correspondence, awards, and biographical material.

The history of occupational therapy in Canada has significant coverage through records related to the research and publication of Prof. Friedland’s book, Restoring the Spirit, as well as through the collected records of Helene Primrose LeVesconte, Thelma Cardwell, and Isobel Robinson. Represented in Series 8 to 10, these three individuals each served as former heads of the UofT’s Department of Occupational Therapy, in addition to teaching and practicing occupational therapy. The collected historical material includes minutes, typescripts, correspondence, artifacts and teaching material.

Friedland, Judith F.

Wilderness Research Foundation

During the late 1980s the future of the Quetico-Superior Wilderness Research Center at Mukluk Bay, Minnesota was very much in question. The Wilderness Research Foundation, which sponsored it, was assessing its future at a time when its founder was withdrawing from active participation prior to his death in December, 1988. Dr. Solandt was initially a member of the Advisory Committee to the Board of the Foundation and later a member of the Board. He pressed for the continuation of wilderness research at Mukluk Bay and left the Board in 1991 only when he felt that this would be achieved.

The correspondence, minutes, memoranda and reports written by Dr. Solandt and others, along with articles and institutional reports, clearly document the relationship between the Foundation and the Center, the work done by the latter, the problems it faced, and the policies that were developed in an attempt to save it.

Robertson Davies Papers

  • CA OTUTF MS Coll. 00050
  • Manuscript Collection
  • 1929 - 2008

Collection contains personal and professional papers pertaining to Robertson Davies. This includes material relating to Davies’ early life, including writing and acting as a student at Upper Canada College (1929-1932), his studies at Baillol College at Oxford (1935-1938), and participation in theatrical performances in Kingston, Oxford, the Old Vic Theatre, Peterborough and the Stratford Festival (1934-1960). The papers contain a small amount of material related to Davies’ career as a journalist at Saturday Night magazine and the Peterborough Examiner. These papers contain extensive material on the novels, books and writing of Davies. This includes drafts, proofs, correspondence, reviews, clippings and any stage adaptations of his novels from The Salterton Trilogy (Tempest-Tost, Leaven of Malice and A Mixture of Frailties), The Deptford Trilogy (Fifth Business, The Manticore and World of Wonders), The Cornish Trilogy (The Rebel Angels, What’s Bred in the Bone and The Lyre of Orpheus) and the incomplete Toronto Trilogy (Murther and Walking Spirits and The Cunning Man). Also included are a complete set of original drafts and woodcuts for the Penguin edition covers of Davies’ novels, which were designed by the American printmaker Bascove. Limited material related to his essays, short stories and non-fiction publications, notably including Shakespeare’s Boy Actors, A Voice from the Attic, High Spirits and his books of fictional essays by Samuel Marchbanks are a part of the papers. Additionally, the collection includes considerable records relating to Davies’ contributions to anthologies as well as professional writing in academic journals, newspapers and magazines. These papers encompass Davies’ career as a playwright, including material related to twenty-two original works including drafts, scripts, photographs, posters, playbills and clippings, as well as the complete papers relating to the production of The Golden Ass which was staged after Davies’ death. The collection contains a large sampling of correspondence of both a professional and personal nature spanning from 1934 to his death in 1995. Also included in the collection is material related to the professional career of Davies’ as a well-known Canadian writer, this includes photographs and press clippings as well as speeches and commentaries made by Davies and his awards. Records also pertain to academic and trade writing on Davies and his work, most notably a complete set of interviews conducted with family, friends, colleagues and acquaintances by Val Ross during the course of her writing Robertson Davies: A Portrait in Mosaic (2009). Papers also relate to the eighteen years Davies spent as the Master of Massey College beginning in 1963. Including articles on the founding of Massey College, the death of Vincent Massey, newsletters, teaching material and invitations and programmes for the annual Christmas Gaudy, printed on the Massey College Press. Also included is a small amount of personal records including travel records, calendars, real estate and list of personal effects. Finally, the collection contains a series dedicated to the collecting practices of Dr. Rick Davis, who collected and assembled these papers. This includes Davis’ invoices and notes for his Davies material, as well as correspondence including exchanges with Robertson Davies, Moira Whalon, Brenda Davies and Jennifer Surridge.

Davies, Robertson

Biographical and personal

This series contains passports, daily agendas (58 volumes) and an address book, as well as files relating to the Banff School of Fine Arts, Professor Peers’ academic life, awards that he received and books that he wrote. Also included are a class photograph of the East Coulee School where Peers taught and was principal from 1939-1942, personal correspondence, photographs of Peers with friends, travel documents and records relating to his 90th birthday and the memorial service held upon his death. The series concludes with a file of records relating to David Rayside, a U of T professor and close friend of Peers.

The “biographical information” file [/003(04)] contains, amongst many other items, several pieces that Professor Peers himself penned between 1980 and 2002 about his family and background and his years as a high school teacher. Included with this is a CD from one of his nieces, Bev Swanton, titled “Acadia Valley Homecoming 2012”, that celebrates the hamlet, the surrounding farms (including that of the Peers family) and includes the centennial parade.

Antanas Sileika Papers

This first donation for Antanas Sileika and includes published (including Woman in Bronze,
Underground, and Dinner at the End of the World); unpublished manuscript materials; juvenilia;
correspondence; CBC Radio comedy sketch scripts; various publications he has worked on or
contributed to; and materials from the Humber School for Writers including correspondence and
transcriptions of author talks for a series called The Writing Life.

Sileika, Antanas

Sharon Abron Drache Papers

  • CA OTUTF MS COLL 00684 (2B annex)
  • Manuscript Collection
  • 1974-2013

Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache.

Drache, Sharon Abron

Michael Redhill Papers

Includes drafts, proofs, correspondence and other material related to Lake Nora Arms, Impromptu, What We Dreamt the Sky Was, Be Frank, Punishment, Consolation, ’A Kept Woman’, ‘Sugar Cloud’or ‘Mason of Tunica’; Martin Sloane; numerous early works and early drafts of later works; juvenilia, including animation cells for short films, ‘Atomic Man’ and others; artwork; schoolwork; audio-visual material; writing as Inger Ash Wolfe, drafts and proofs of The Calling; The Taken; A Door in the River; Ontario Film Development Corporation material; acting and directing material; personal correspondence, 1970s and 1980s; editorial correspondence: Coach House Press, Anansi Press, 1990s; and other material related to the life and work of Michael Redhill

Redhill, Michael

Music Library Collection of Faculty Events

  • CA OTUFM 51
  • Collection
  • 1964-present

Collection consists of concerts by faculty members, students, student ensembles, and guest artists, at one of the Faculty of Music theatres (Walter Hall and McMillan Theatre), and at other University venues.

University of Toronto. Faculty of Music

Audio and video recordings

Series consists of audio and video recordings of performances by Ron Collier and of compositions and arrangements by Collier. The series includes audio cassettes from the Duke Ellington Society that were issued to its members; audio recordings of Collier's lectures on Ellington at Humber College (1980s); performances by the Ron Collier Quintet and the Ron Collier Tentet; and records from the Canadian Broadcasting Corporation (CBC) radio transcription service of performances by Collier, his groups, and his compositions and arrangements.

Noranda mines : Olympic series

File is a video recording, transferred from 16 mm film, of 17 commercials that were written for the olympics but ever used.

The Canadian all star jazz show

File is a video recording of the first Canadian All Star Jazz Show, presented by Timex, with host Fred Davis, and featuring Oscar Peterson, Anne Marie Moss, Georgie Auld, Trump Davidson, Bert Niosi, Phil Nimmons, Pat Riccio, Mike White, Jack Kane, Peter Appleyard, Ron Collier, Phyllis Marshall, Jimmy Coxson, Jerry Toth, Roy Smith, and Ed Karam.

Jazz

Subseries consists of recordings of concerts by the Faculty of Music's jazz ensembles.

2006.007 accrual

This accession is divided into 5 series according to format. These are: ‘Graphic Materials’ ‘Audio Recordings’, ‘Video Recordings’, ‘Cinefilms’ and ‘Artifacts’.

The first series, ‘Graphic Materials, includes posters from such productions as The Wave, The Goods, and Ready or Not.

The second series, ‘Audio Recordings’, includes elements in several formats (including ½ in. tape, ¼ in. tape, 2 in. tape, 8mm tape, digital audio cassettes, D2 cassettes, DAT cassettes and CDs) pertaining to productions such as Canadian Idol, The Truth About Alex, Country Gold, A David Foster Christmas Card, Scott Hamilton’s Upside Down, Fellini and Me, Great Moments in Canadian Sports, and Heart of Gold.

The third series, ‘Cinefilm’, consists of 16mm film from Heart of Gold, Great Moments in Canadian Sport, Ready or Not, Country Gold and Tucker and the Horse Thief. Also included is 35mm film from The Truth About Alex and Heart of Gold.

The fourth series, ‘Artifacts’, includes awards and framed pictures pertaining to Heart of Gold, Fellini and Me, Full Circle, Kurt Browning: You Must Remember This, Open Mike with Mike Bullard, Ready or Not, Tara Lipinsky: From This Moment, The Truth About Alex, Toller Cranston: A Tribute.

This fonds includes graphic and textual material relating to a number of productions,
including:

The Truth About Alex (Television, 1986)
Test Pattern (Television, 1989 – 1991)
Fellini and Me (Television, 1990)
Country Gold (Television, 1992)
1993 Juno Awards (Television, 1993)
Ready or Not (Television, 1993)
Kurt Browning: You Must Remember This (Television, 1994)
Open Mike with Mike Bullard (Television, 1997 – 2003)
Full Circle: The Untold Story of the Dionne Quintuplets (Television, 1998)
Joni Mitchell: Painting with Words and Music (Television, 1998)
Toller Cranston: A Tribute (Television, 1998)
Tara Lipinsky: From This Moment (Television, 1999)
Jann Arden: Live At Last (Television, 2000)
The Wave (Television, 2000)
The Goods (Television, 2001)
2003 Juno Awards (Television, 2003)
This fonds includes audiovisual material relating to a number of productions, including:

Heart of Gold (Television, 1982)
Indigo (Television, 1983)
My Father My Rival (Television, 1984)
Tucker and the Horse Thief (Television, 1984)
Great Canadian Moments in Sports (Television, 1984)
Workin’ for Peanuts (Television, 1984)
The Truth About Alex (Television, 1986)
1986 Gemini Awards (Television, 1986)
It’s Only Rock ‘N Roll (Television, 1987)
1989 Juno Awards (Television, 1989)
A David Foster Christmas Card (Television, 1989)
Fellini and Me (Television, 1990)
Saying Goodbye (Television, 1990)
Kurt Browning: Tall in the Saddle (Television, 1991)
Test Pattern (Television, 1989 – 1991)
Country Gold (Television, 1992)
Pumped! (Television, 1992)
Canada Day (Television, 1992)
1993 Juno Awards (Television, 1993)
Ready Or Not (Television, 1993)
The Artistry of Torvill and Dean (Television, 1994)
Prairie Oyster: Group Portrait (Television, 1994)
Kurt Browning: You Must Remember This (Television, 1994)
Ed’s Night Party (Television, 1995)
Skate (Television, 1995)
Shark Talk (Television, 1996)
Scott Hamilton: Upside Down (Television, 1997)
Scott Hamilton: Back on the Ice (Television, 1997)
Open Mike With Mike Bullard (Television, 1997 – 2003)
Full Circle: The Untold Story of the Dionne Quintuplets (Television, 1998)
Joni Mitchell: Painting with Words and Music (Television, 1998)
Toller Cranston: A Tribute (Television, 1998)
100 Years of Canadian Sports (Television, 1999)
Tara Lipinsky: From This Moment (Television, 1999)
The WarmUp Show with Sean Tweedley (Television, 1999)
1999 Stars on Ice (Television, 1999)
The Wave (Television, 2000)
2000 Stars on Ice (Television, 2000)
Jann Arden: Live At Last (Television, 2000)
Sandra Bezic: The Passion to Skate (Television, 2000)
The MermanOff (Television, 2000)
2001 Canada’s Walk of Fame (Television, 2001)
Sonic Temple (Television, 2001)
The Goods (Television, 2001)
2002 Canada’s Walk of Fame (Television, 2002)
2002 Juno Awards (Television, 2002)
Jamie & David: A Golden Homecoming (Television, 2002)
Kurt Browning: Ice Legends (Television, 2002)
2003 Juno Awards (Television, 2003)
Sean Cullen Home For Christmas (Television, 2003)
Canadian Idol (Television, 2003)
Canadian Idol (Television, 2004)
2004 Juno Awards (Television, 2004)
2004 Canada’s Walk of Fame (Television, 2004)
2005 Canada’s Walk of Fame (Television, 2005)
Mindtrip: Explorations of the Paranormal (Television, 2005)
Jon Dore Show (Television, 2005)
Falcon Beach (Television, 2005 – 2006)
Canadian Idol (Television, 2005)
2005 Canada’s Walk of Fame (Television, 2005)
2005 Juno Awards (Television, 2005)
Hatching, Matching, & Dispatching: Pilot & Season 1 (Television, 2005)
Instant Star (Television, 2006)
2006 Juno Awards (Television, 2006)
Comedy Gold (Television, 2006)

Insight Productions

2008.013 accrual

This fonds is divided into 6 series, divided by format. These are: Textual Materials, Photographs, Audio Materials, Video Materials, Cinefilms and Artifacts.

The first series, Textual Materials, consists of documents from every phase of the production process. These include: proposals for various series, treatments, synopses, draft scripts, finished scripts, story boards, series presentations, and promotional kits. Legal and financial papers are also included.

The second series, Photographs, includes a number of prints used for research and promotional purposes.

The third series, Audio Material, includes sound elements and research material.

The fourth series, Video Material, comprises raw footage, edits, masters and viewing copies of completed productions. Of particular interest is the footage shot for Hollywoodism, which includes interviews with several Hollywood directors and producers who are now dead.

The fifth series, Cinefilms, includes raw footage and elements. Some personal films on Super 8 are also included.

The sixth series, Artifacts, includes posters, clothing, props, awards and a large Canadian flag.

This fonds includes textual material relating to a number of productions, including:

Falasha: Exile of the Black Jews (Film, 1983)
AIDS in Africa (Film, 1990)
Burden on the Land (Television, 1990)
Deadly Currents (Film, 1991)
Ms. Conceptions (Film, 1995)
The Plague Fighters (Television, 1996)
Selling of Innocents (Television, 1996)
Expulsion and Memory (Television, 1996)
A Mother’s Grief (Television, 1997)
The Dancing Game (Television, 1997)\
Hollywoodism (Television, 1997)
Quest for the Lost Tribes (Television, 1999)
Scandal! Then and Now (Television, 1999)
Drag Kings (Television, 2000)
The Struma (Television, 2000)
Betrayal! (Television, 2004)
Tell It Like It Is (Television, ca. 2004)
Sex Slaves (Television, 2005)
The Naked Archaeologist (Television, 2005)
Yummy Mummy (Television, 2005)
This fonds includes audiovisual material relating to a number of productions, including:

Falasha: Exile of the Black Jews (Film, 1983)
Burden on the Land (Television, 1990)
Ms. Conceptions (Film, 1995)
The Plague Fighters (Television, 1996)
Selling of Innocents (Television, 1996)
The Dancing Game (Television, 1997)
Hollywoodism (Television, 1997)
Quest for the Lost Tribes (Television, 1999)
Scandal! Then and Now (Television, 1999)
The Struma (Television, 2000)
Betrayal! (Television, 2004)
Impact of Terror (Film, 2004)
Tell It Like It Is (Television, ca. 2004)
The Naked Archaeologist (Television, 2005)
Yummy Mummy (Television, 2005)
Sex Slaves (Television, 2005)
The Exodus Decoded (Television, 2006)
Charging the Rhino (Film, 2007)

Associated Producers Ltd.

2014.003 accrual

This fonds is divided into 5 series, divided by format. These are: Cinefilm, Video Materials, Audio Materials, Photographic Materials, Textual Records.

The first series, Cinefilm, contains original prints in both b&w and colour. It includes home movies, newsreels, as well as Spiess’s debut film Die Thomaner.

The second series, Video Materials, contains Digital Betacam cassettes. These include transfers of commercials, home movies, and Die Thomaner.

The third series, Audio Materials, includes soundtrack elements and radio commercials.

The fourth series, Photographic Materials includes behind the scenes photos of commercial shoots, family portraits, and glass negatives by Spiess’s father, Karl.

The fifth series, Textual Materials, includes papers relating to the formation of the first accrual of the Fritz Spiess archive. It also includes several periodicals that featured work by Spiess and technical literature about technologies of the day.

This fonds includes textual, photographic, graphic material relating to a number of productions/entities/products, including:

• The Canadian Society of Cinemathographers 1957- 2007 (2007)
• Upside Down: Les Artiques (2008)
• Upside Down: Les Artiques (2011)
• Eskimo Art Film
• Fritz Spiess fonds
• “Jamaican Pumpkin”
• Karl Spiess
• Pledge

This fonds includes audio-visual material relating to a number of productions/entities/commercial products, including:

• Spiess Family German home movies (1930 – 1941)
• Die Thomaner (1941)
• Spiess Family Canadian home movies (1950s)
• Canada 100 Centennial Film
• Carling Black Label
• Eskimo Art Film
• Gulf
• Inco
• Playboy

Spiess, Fritz

2009.014 accrual

This accession is divided into 2 series according to format. These are: ‘Audiovisual Material’ and ‘Textual Material’
The first series, ‘Audiovisual Material’ includes raw footage/shoot tapes, stock/historical footage, soundtrack elements, various edits/mixes, openings/logos, digital production stills, and final masters.

This fonds includes audiovisual material relating to a number of productions, including:
Country Gold (1992)
Juno Awards (1989-2009)
Radio Weiners (pilot) (2002)
Canadian Idol (2004 - 2008)
Kalan Porter (2005)
Muskoka Stoneman (pilot) (2005)
Mindtrip: Explorations of the Paranormal (2005)
In Essence (2005)
Deal or No Deal Canada (2007)
Project Runway (2007-2008)
Jon Dore Show (2007-2008)
Sabbatical (pilot) (2007)
The Nutcracker (2008)
CanWest Canspell (2009)
Tragically Hip Cinecast (2009)

The second series, ‘Textual Materals’, includes correspondence, production files, casting binders, tape logs, sound reports, scripts, contracts/agreements, budgets, still photos, episode summaries, credits, deal memos, schedules, judge’s comments, cast lists, release forms.

This fonds includes graphic and textual material relating to a number of productions,
including:
Canadian Idol – Season 3 (2005)
Canadian Idol – Season 5 (2007)
Canadian Idol – Season 6 (2008)
Deal or No Deal Canada (2007)
Jon Dore Show (2007)
Juno Awards – 31st Annual (2002)
Juno Awards – 33rd Annual (2004)
Juno Awards – 34th Annual (2005)
Muskoka Stonemen (2005)
Radio Weiners (2002)
Sonic Temple (2001)
Toronto Variety Show (2005)
Ready Or Not (1993 – 1997)
The Stone Angel (2006)
Wasaga Beach 2001 – 2003)

Insight Productions

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