- CA ON00357 2073
Fonds consists of constitutions, minutes, reports, correspondence and other material, 1966-1978; and farcical letter, 1940, relating to Gate House.
Victoria University (Toronto, Ont.). Gate House
Fonds consists of constitutions, minutes, reports, correspondence and other material, 1966-1978; and farcical letter, 1940, relating to Gate House.
Victoria University (Toronto, Ont.). Gate House
Fonds consists of constitution, 1857; minutes, 1857-1893; correspondence (letterbooks), 1870-1882; treasurer's books, 1857-1892; and library record book, 1885-1891.
Victoria College (Cobourg, Ont.). Literary Association
Fonds contains writings, family letters, photographs, and photocopies of biographical documents including, collected by Bob Arlidge.
Arlidge, Joseph Churchill
Fonds consists of records created during Ron Collier's career as a performer, composer, arranger, teacher, and band leader. The fonds includes manuscripts of Collier's arrangements and original compositions; correspondence with musicians; photographs; lecture notes from his career at Humber College in Toronto, Ontario; and records from his collaborations with Duke Ellington. Fonds also contains audio and video recordings of performances and lectures.
This fonds contains essays, research, course material and ephemera belonging to Thomas Langan. The files contain six dominant themes including: essays and journal publications, materials from educational committees, course outlines and reference materials, research notes, correspondences and miscellaneous materials. Essays and journal publications include subjects such as: education, philosophy, Christianity, socialism, world events and identity. Course materials focused on philosophy, religion, world issues and technology. Correspondences are primarily focused on professional and academic contacts from other universities or journal publications.
These materials document Langan’s career as an active community member, an academic and a philosopher.
This fonds contains works, correspondences, and ephemera belonging to and about Edward Monahan. The fonds has six main categories of materials: drafts and research notes for “Teach me Goodness, Truth and Understanding,” later published as "Teach me Goodness, Truth and Knowledge"; materials regarding the publication of “Collective Autonomy”; personal correspondence; reports from organizations including the Council of Ontario Universities and St. Michaels Collegium; Laurentian University materials; and reading notes and articles on a variety of philosophical topics. Some of the most notable topics covered in the reading notes include: the contemporary Catholic church, natural law, moral theology, Catholic education, higher education, Greek philosophy, and academic tenure.
These materials document Monahan’s career both as a philosopher and academic, as well as a university administrator.
Monahan, Edward J.
Fonds consists of manuscript scores, compositional sketches, correspondence, programs, and teaching materials, related to Kenins's career as a composer and professor at the Faculty of Music, University of Toronto.
Fonds contains documents relating to Leslie R. Bell's career as a composer, arranger, choral conductor, educator, and music columnist. Materials include manuscript music (both of arrangements and original compositions); radio scripts and notes relating to his work in broadcasting as a radio commentator for CBC and CFRB, Toronto; publicity documents relating to performances by Leslie Bell and the Leslie Bell Singers; correspondence; documents relating to his work as the co-founder and first executive director of the Canadian Music Educators' Association (CMEA); and, newspaper articles, including those written by Bell and about him). The fonds also contains postmortem documents, including condolence correspondence to his wife, Leona Bell, and documents relating to the Leslie Bell Singers reunions and the Leslie Bell Scholarship.
Bell, Leslie R.
Fonds consists of sketches, drafts, and texts for Udo Kasemets’s compositions, including scores prior to 1960 that use conventional media, and those after 1960, which consists of multi-purpose scores, combination scores, and theatre pieces. The fonds also contains programs and press notices for performances by Udo Kasemets and of his works; correspondence with many American avant-garde musicians; and Kasemets’s projects and notes from his time teaching at the Ontario College of Art.
The fonds consists of records pertaining to Ken Taylor’s career in the foreign service, as well as records related to his personal life.
Fonds is comprised of the following series: Series 1: Correspondence; Series 2: Personal records; Series 3: Records relating to diplomacy; Series 4: Media and news clippings; Series 5: Awards and honours; Series 6: Ephemera and memorabilia; Series 7: Graphic material; Series 8: Audio-visual records.
Taylor, Kenneth Douglas
Fonds consists of records associated with Frye's academic career in addition to some personal records. The fonds is comprised of the following series: 1) Correspondence files; 2) Literary files; 3) Personal files; 4) Professional files; 5) Audio-visual records; 6) Publications by Northrop Frye; 7) Files about Northrop Frye; 8) Artifacts; 9) Miscellaneous printed files; 10) Files relating to the estate of Northrop Frye; and 11) Collected Northrop Frye records.
Frye, Herman Northrop
The fonds consists of Jay Macpherson's records relating to her poetry, academic career, and personal life.
Macpherson, Jean Jay
Fonds consists of corporate records (minutes, a subpoena, correspondence, constitution, petition, reports, questionnaires - 1894-1981); Articles and reviews (1895-1981); Music, scripts, programs, posters, and other ephemera (ca. 1894-1997); Audio tapes and records (1954-1963).
Victoria University (Toronto, Ont.). Bob Revue
Fonds consists of personal papers related to John Beatty's work as a minister and involvement with the Upper Canada Academy including correspondence, deeds, professional licences, and lists of financiers for various church projects.
Fonds contains materials relating to Eileen Law's career as a contralto and teacher, including programs, reviews and publicity materials of performances, photographs, and teaching materials.
Fonds consists of seven series: Correspondence, 1894-1939; Subject/correspondence files, 1887-1990; Minutes and other records of committees and associations, 1903-1988; Records concerning students and dons, 1884-1989; Records concerning the anniversary of Annesley Hall, 1974-1979; Records relating to Annesley Hall and women's Residences, 1902-1969; and Records of the Annesley Student Government Association, 1903-1963.
Victoria University (Toronto, Ont.). Dean of Women
Fonds consists of minutes of the Students' Council, 1913-1914; minutes of the Men's Council, 1914-1916; minutes of the Women's Students Council, 1914-1920; and agreement between the Faculty of Victoria College and Men Students of the College (as represented by the Students' Council) re student government, 1914.
Victoria University (Toronto, Ont.). Students' Council
Fonds consists of minutes, constitutions and regulations, reports, correspondence and other records of the Annesley Student Government Association and its successor the Annesley Addison Student Government Association.
Annesley Student Government Association
Literary Papers, Fiction and Non-Fiction
Boxes 1-6, 10-14
Insight: A Journal of Catholic Opinions
Literary Manuscripts by Other Authors
Eustace, Cecil John
Fonds consists of manuscript music; radio music and children's pieces; correspondence with the Canadian Broadcasting Corporation (CBC), Canadian Music Centre (CMC), Canada Council, Ontario Arts Council, performers, representatives of performing organizations, friends, colleagues, friends, colleagues, students; press notices and reviews; programs; Polish community activities; notebooks and journals.
Fonds consists primarily of manuscript scores and parts, along with typescript copies. The fonds also contains radio scripts and cue sheets from Canadian Broadcasting Corporation (CBC) productions, for which Phil Nimmons wrote and arranged music. Scores and parts include music written for his jazz band Nimmons 'N' Nine; its expanded version Nimmons 'N' Nine Plus Six; and various other ensembles. When indicated on the scores or parts, further details about the performers of each piece are indicated in file-level descriptions.
Fonds consists of the following series: Subject files, 1932-2003; Records relating to students, 1913-2003; Correspondence of the Registrar, 1928-1975; Records related to courses and programmes, 1893-2003; and Emmanuel College Chapel records, 1945-1960; Records related to orientation and convocations; and Records related to recruitment.
Series 4 - Records related to courses and programmes - contains records of Union Theological College, the antecedent of Emmanuel College.
Emmanuel College (Toronto, Ont.). Registrar’s Office
Fonds consists of the following series: Papers relating to Victoria University/University of Toronto, 1959–1998; General correspondence, 1951–1996; Papers relating to education and early employment, 1933–1984; Papers relating to literary activities, 1948–1992; and Personal papers/memorabilia, 1933–1997.
Love, Christopher Charles
Fonds consists of the records of the Registrar and Associate Registrar, primarily relating to Victoria College students and student records as well as awards, prizes and scholarships, convocations, registration procedures, baccalaureate services, receptions, counselling, etc. Fonds also consists of material related to the Registrar's work with the Senate. Records include correspondence, annual reports, as well as ephemera and photographs.
Fonds consists of three series: Correspondence/subject files, 1893–2013; Student records, 1837–2008; Photographs.
Victoria College (Toronto. Ont.). Registrar's Office
Fonds includes catalogues of the libraries of Neel Boyd's orchestras, and of his personal scores and recordings collections. Also includes correspondence.
Fonds consists of the administrative, financial, and performance records of the Aldeburgh Connection. Most of the fonds consists of materials created for, and as a result of, each concert produced by the Aldeburgh Connection, including promotional materials, scripts, annotated scores, correspondence, research notes, and reviews. The fonds also contains textual materials from the production of the Aldeburgh Connection’s recording projects, promotional events, board minutes, complete financial records, and correspondence regarding their fundraising efforts.
Fonds contains autograph poems by both Lampman and Scott, a bound volume with two Lampman poems presented to the College by Scott, various poems by Lampman and Scott printed on cards or in booklets and sent as Christmas cards along with Christmas greetings to "Shortt” [the Reverend Charles Harper Shortt who was a fellow student of Lampman’s at Trinity].
Archibald Lampman and Duncan Campell Scott
The fonds consists of records kept by Stephen Reynolds during the course of his adult life. These include correspondence with family, friends, and colleagues that illuminate his personal life, his Christian faith, and his various pastoral and intellectual pursuits. Carbon copies of many outgoing letters were created and kept. Reynolds kept an intermittent diary through the time period represented here. These were sometimes typed, and often handwritten in small notebooks. He apparently removed pages from these notebooks and inserted them in files with correspondence and other material from the same time period.
Other records include academic papers, research material, sermons, prayers, drafts of manuscripts, course materials, and some official documents such as academic transcripts.
Reynolds, Stephen James
Fonds comprises handwritten and carbon copies of the manuscripts for two books: “A Study in the Idea of God” and “Civilization in the Making.” As well, there is a Sign-List for Pre-Hammurabi Contract Tablets. There are some 100 lantern slides that Mercer was famous for using in his lectures. Some of these slides by photographer A.J. Reading show titles for the images; however there is no listing of them.
Mercer, Samuel Alfred Browne
The fonds consists of textual material and photographs. Much of the material relates to articles, speeches, books, book chapters, radio/television scripts, and book reviews written by JWH in the areas of Canadian foreign policy and international organization. As well, there is material relating to conferences and seminars in which he participated and organizations with which he was involved, files on his teaching at Glendon College, the University of Toronto, and Leeds University and his doctoral students, files of business and personal correspondence, material collected for his two-volume work, The Shaping of Peace, family and professional memorabilia.
Holmes, John W.
Fonds consists of digital images of the 211 page music instruction manual. A collection organized into 12 volumes.
Fonds consists of material relating to Kathleen Parlow's personal life and her musical career. Includes photographs; correspondence; daybooks; sheet music; concert programs; press; and personal material.
Fonds consists of the records from the Upper Canada Academy and the period when Victoria University (formerly College) was situated in Cobourg. It includes records of the Academy Treasurer, John Beatty and of the Bursars/Treasurers, John Potts and George Cox.
Subsequent records are from the Bursars of Victoria University:
W.J. Little (1932-1951)
W.C. James (1951-1963)
F.C. Stokes (1963-1985)
Larry Kurtz, (1985-2003)
David Keeling (2004-2009)
Ray deSouza (Present)
Victoria University (Toronto, Ont.). Bursar's Office
Fonds consists of four series: Minutes, 1928–2011; Minutes of the Curriculum Committee, 1976–1989; Minutes of the Planning Advisory Committee, 1989–1990; and Self-study, 1967, 1990.
Emmanuel College (Toronto, Ont.). Council
This fonds contains 4 accessions of records from the Institute of Immunology. See accession-level descriptions for details.
University of Toronto. Institute of Immunology
Fonds consists of eleven sketchbooks and a copy of a presentation given by Schmid at Victoria University in December 2018.
This fonds contains 1 accession of records from the University of Toronto's Mark S. Bonham Centre for Sexual Diversity Studies.
See accession-level description for details.
University of Toronto. Mark S. Bonham Centre for Sexual Diversity Studies
This fonds documents various facets of Prof. Armatage’s career as a filmmaker, senior programmer for the Toronto International Film Festival, and a professor of Cinema Studies and Women’s Studies at the University of Toronto. The academic activity files in Series 1 give an overview of the breadth of her interests, achievements and promotions. Lecture notes and other course materials in Series 2, along with comments on student works found in Series 3, document her teaching role. These will be especially useful to researchers interested in understanding the early beginnings of both women studies and cinema studies and how these developing academic disciplines were being taught to students. Prof. Armatage’s role as a programmer for the Toronto International Film Festival is documented in her extensive notes found in notebooks where she recorded critiques of films she was screening. These are found in Series 4. The extent of her filmmaking is documented in Series 7 and contains preserved original film elements to several of Prof. Armatage’s films, along with a limited amount of related documentation on the making of these films. Unfortunately, this fonds does not contain release prints for these titles.
This fonds has only a small amount of records relating to her published academic works as well as files relating to conferences she organized and associations in which she was active. These can be found in Series 5 and Series 6.
This fonds consists of 3 accessions of records from the Canadian General Hospital No. 4. See accesion-level descriptions for more details.
A1980-0021: Correspondence among Charles Kirk Clarke, William Belfry Hendry, James Alexander Roberts and others concerning the hospital unit, together with memoranda on the unit's history and personnel; war diary, in three volumes, recording daily activities of the hospital in Salonika; albums of photographs of the unit's activities in England, in Salonika, and en route to those places (1915-1918). This fonds also contains one photo print of the Hospital (1942).
A1988-0014: Panoramic view of the Canadian General Hospital No. 4 taken in England. (1 photoprint)
A2016-0043: This accession contains a selection of x-rays done on soldiers at the Canadian General Hospital No. 4 during, and shortly after the First World War. The x-rays are mounted in an album, which patient names and wound descriptions listed on the back of each image. The accession also contains 4 detailed autopsy record books. The autopsies appear to have been completed at Basingstoke, England, where Hospital No. 4 was relocated from its original station in Salonika, Poland. Neither the x-rays or the autopsy reports appear to be complete.
Canadian General Hospital No. 4 (University of Toronto)
Fonds consists of the records of the Women's Literary Society (Ladies' Literary Society) including constitutions, minutes of meetings, financial records, and song books.
Victoria College (Toronto, Ont.). Women's Literary Society
Fonds consists of financial record and list of users of the Rink Committee; constitutions and minutes, 1931-1938, 1965; minutes of the Field Day Committee, 1909-1918; petition re playing field, [ca.1902]; and financial records, 1895-1916, 1951-1972.
Victoria College (Toronto, Ont.). Athletic Union
Fonds consists of documents relating to the Zola Research Program and the publication of the 10 volume "Émile Zola Correspondance" series, including project files, inventories, reference materials, photocopies of Émile Zola’s correspondence and other documents related to the project. The project files contained in this fonds document the development and activities of the Zola Research Program. Project files records include inventories of various letters, funding information, budgetary forms, donor agreements, publicity documents and summaries of the project written both by external entities (newspapers) and internal figures (members of the Program staff). Also included are supplementary documents that were collected to create a broader contextual framework. Each letter is be supported with annotations and background information on the correspondents, events or people discussed in the letters as well as the social and political state of France during the 19th century. While the collection of letters by Zola was the primary mandate of the project, along the way the Program collected a vast number of reference materials to broaden the perspective. This fonds contains the off-prints, various documents (both collected by Zola and collected by the Zola Research Program about various 19th century figures) and bibliographies. Books collected by the Program are now the basis of the Émile Zola Collection in the Rare Book Collection of Kelly Library.
The correspondence is composed mostly of photocopies of handwritten letters, post cards, cartes de visites, telegrams and typed transcriptions of letters. The correspondence is a mixture of professional and personal letters that discuss various matters from the publication of Zola’s main works to the birth of his children. It is clear from the various handwritings and documentation styles that multiple figures were involved in the processing of the letters. However, as a Research Associate and long-term member of the team, Dorothy Speirs was the primary figure creating, processing and cross-referencing the letters. This can be seen through the presence of her initials on most of the documents. Additionally, as Project Archivist Hélène Issayevitch organized the letters and maintained the record-keeping practices throughout. It is important to note that after the dissolution of the Zola Research Program in 1995, Speirs continued collecting reference materials and adding them to the collection. As a result, there are a number of documents contained within that extend outside the dates of the Program. The result of this continued research is an additional publication completed in 2008, in association with Owen Morgan.
This collection remains the largest repository of Émile Zola’s letters available in North America. In recent years, the descendants of Zola have divided the estate, including the letters, resulting in a dispersal of the documents. This collection represents the largest single collection of Zola’s letters that is accessible and open to the public. Additionally, this fonds contains a fountain of information on key figures in the Naturalist Movement of the 19th century, as well as other well-known artists, scholars, intellectuals and political and social figures, including J.K. Huysmans, Edmond de Goncourt, Gustave Flaubert, Édouard Manet, Alfred Bruneau, Paul Alexis, Henry Céard, Léon Hennique, and Guy de Maupassant - all of which can be found either through personal discussions in the letters or supplementary documentation. The hidden value in this fonds lies in the plethora of reference resources that are available. The fonds also houses a vast number of off-prints that explore various aspects of Zola’s life as well as the broader Naturalist community of the 19th century. Some other significant pieces include original 19th century illustrated theatrical pamphlets from the Théâtre Libre, various original newspaper clippings and original letters by Émile Zola, Alexandrine Zola, Paul Alexis and Jules Claretie.
Fonds is arranged into 6 series:
1) Project Files series: consists of a variety of records that document the development of the project over the years, including funding information, publicity and marketing documents, donor agreements, budgetary forms and some correspondence amongst various scholars.
2) Letters by Zola series: consists of photocopies of letters written by Zola between 1856 and 1902. This series also contains an original letter by Émile Zola, dated June 22, 1890 (File #107).
3) Letters to Zola series: contains photocopies of letters written to Zola between 1858 and 1902. This series also contains an original letter by Alexandrine Zola to Émile Zola, dated May 27, 1890 (File #248).
4) Letters by Contemporaries series: consists of photocopies of letters sent between Zola’s family and contemporaries. This series contains an original letter from Paul Alexis to Léon Hennique, dated September 19, 1887 (File #420).
5) Collected and Reference Material series: contains photocopies of documents about the project and the various correspondents in the fonds (documents written by or about Émile Zola, documents about his family and correspondents, off-prints of works written about Émile Zola and naturalism, project inventories of letters and bibliographies). Series contains a variety of original documents including newspapers and theatrical pamphlets.
6) Alphabetical Index Forms series: consists of biographical and contextual information on correspondents of Émile Zola, figures mentioned in the letters, or the main journals for which he wrote.
Zola Research Program
Fonds consists of correspondence, manuscripts, sound recordings, drawings and diaries created and accumulated by the poet and playwright Wilfred Watson, husband to Sheila Watson. Material has been arranged to align with the Wilfred Watson fonds held by the University of Alberta Archives.
Fonds is comprised of 8 series:
Fonds consists of journals, literary manuscripts, correspondence, teaching and student materials, reference materials, business and financial records; and personal photographs and objects of the author and professor of English, Sheila Watson. Also consists of collections of correspondence purchased and preserved by Watson for the purpose of her doctoral thesis and personal interest in the painter and author Wyndham Lewis.
The Sheila Watson fonds series consist of:
1.0. Diaries, reading journals and day planners
2.0. Manuscripts and drafts
3.0. General correspondence
4.0. Publishing records and business correspondence
5.0. Professional activities materials
6.0. Student material
7.0. Teaching material
8.0. Research and reference materials
9.0. Financial and legal records
10.0. Personal photographs
11.0. Personal records, artwork and artifacts
The White Pelican editorial material sous-fonds (the records of Watson's role as editor of her literary journal) series consists of :
1.0. Editorial Records
2.0. Financial Records
3.0. Design and printing records
Fonds consists of incoming and outgoing correspondence with constituents, government officials, supporters, and other MPs; official documents; political pamphlets and booklets; election posters and flyers; newspaper clippings; personal records (notebook, speech notes); photographs; and personal memorabilia, including a leather pouch with relics of St. Anthony and St. Oliver Plunket. Fonds also includes a sous-fonds of O’Neill’s daughter, Teresa V. O’Neill. The Teresa V. O’Neill sous-fonds includes a draft of her doctoral thesis and correspondence related to her role of literary executrix of her father’s estate.
Fonds consists of materials accumulated by Dr. Laurent and Mrs. Colette Potvin involving the Papal Commission on Population and Birth Control. The records cover the time period 1964 to 1966. The records consist of preliminary papers and drafts, research and reference material, studies and reports pertaining to the Commission that were sent to the Potvins, correspondence with Commission members and representatives of the Church, as well as reports presented by and to members during Commission sessions.
The fonds is composed of three series:
This fonds consists of organizational, administrative, and community records. The records range in date from 1969-2009.
Fonds has been organized into nine series:
L'Arche Daybreak (Association)
The Marjorie Lamb/ Alert Service fonds is primarily comprised of the research and publishing files of Marjorie Lamb in her capacity as a public speaker and the author of the Alert Service newsletter. The newsletter, which she published in the 1950s and 1960s sought to expose and counteract Communist activities in Canada. Her files extensively document the labour movement, Cold War political issues at the municipal, provincial and federal levels, and radical social movements in Toronto and across Canada. Implicit throughout the records are the issues of domestic espionage and propaganda.
Collection consists of audiovisual materials featuring recordings of events given by and used by members of l'Arche International/Internationale. This material includes 1708 audio cassettes, 37 videocassettes, 8 film reels, and 78 audio reels. Much of the material features recordings created at L'Arche retreats internationally, such as the Covenant Retreat, Renewal Retreat, and Faith and Light Retreat. Prominent speakers include Jean Vanier, Henri Nouwen, Joe Egan, Robert Larouche and Sue Mosteller.
The majority of the audio files feature Jean Vanier, usually speaking at retreats. The film reels are recordings made and collected by L'Arche Daybreak, and feature a CBC film on Daybreak (from 1970), pilgramages and trips made by Faith and Light and Daybreak. There is also a film reel of Jean Vanier.
Collection has been arranged into eight series:
Collection also includes a binder which functioned as a catalogue for many of the cassettes that were housed at l'Arche Daybreak until 2004 and 2006. This binder is located in series 7.
L'Arche Daybreak (Association)
Fonds consists of 15 series:
Nouwen, Henri J.M.