- OTUFM 38
- Fonds
- 1830
Fonds consists of digital images of the 211 page music instruction manual.
Frost, Henry
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Fonds consists of digital images of the 211 page music instruction manual.
Frost, Henry
Fonds contains writings, family letters, photographs, photocopies of biographical documents, collected by Bob Arlidge, and manuscripts of Arlidge's original compositions, arrangements, and transcriptions of performed pieces.
Arlidge, Joseph Churchill
Fonds consists of material relating to Kathleen Parlow's personal life and her musical career, including photographs, correspondence, daybooks, sheet music, concert programs, press, and personal material.
Parlow, Kathleen
Fonds consists of compositions, programs and reviews, photographs and family documents.
Guerrero, Alberto
Fonds consists of records created by John Beckwith during his career as a composer, writer, music critic, radio broadcaster, administrator, educator, and performer. Records include sketches, drafts, and manuscripts of his compositions and arrangements, as well as programs, posters, reviews, correspondence, recordings, and other materials from premieres and other performances of his works.
Fonds also includes records relating to Beckwith's work as a radio commentator and script writer for the Canadian Broadcasting Corporation (CBC); music critic for the Toronto Star; professor and dean of the University of Toronto Faculty of Music; and writer of numerous lectures, articles, and books.
Beckwith, John
Fonds consists of a collection of signed portraits, mainly dated 1920-1924: Eva Clare, Herbert A. Fricker, Ernest Hutcheson, Isidor Philipp, Augustus S. Vogt, Paul Wells, Ernest F. White.
Coatsworth, Vida
Fonds contains music manuscripts, published copies of Branscombe's arrangements and compositions with inscriptions from the composer, photographs, and programs.
Branscombe, Gena
Fonds consists of records pertaining to the two-piano, four-hands duo of Harry and Ida "Claudette" Culley, the "The Black and White Spotters". Records include annotated sheet music and manuscript parts copied by Harry Culley for performance; newspaper articles and press releases; posters; programs; photographs; and correspondence.
Culley, Henry Francis
Fonds consists of sheet music used by Edith McConica when she accompanied silent films in Luseland, Saskatchewan in the 1920s, as well as some pedagogical sheet music used when she was learning piano from Leora Kridler (Mrs. Milton Herrold) in her home town of Findlay, Ohio, and teaching her children piano in Luseland.
McConica, Edith
Collection predominantly consists of programs that Carl Morey collected from attending performances and for research purposes. Some programs include program notes written by Morey (e.g., Canadian Opera Company programs, among others), ticket stubs, newspaper clippings of reviews of the performances, and/or autographs from the performers.
Morey, Carl
Fonds consists of the personal and professional papers of Greta Kraus, including correspondence, photographs, programs, and some materials relating to the Kraus family.
Kraus, Greta
Fonds includes a Minute book 1898-1916, with programs pasted in; 1906 revised Constitution; correspondence to and from members, 1913-1916; undated list of members.
Toronto Clef Club
Fonds includes memorabilia , photographs, correspondence, lecture notes, brochures and programs.
Lambert, George James
Fonds consists of transcriptions and original compositions for string quartet and orchestra, copies of Frank Blachford's songs, and a program from a performance by Blachford at the Royal Conservatory of Music. Many of Blachford's transcriptions are not dated.
Blachford, Frank
Fonds consists of scrapbooks and signed photographs, predominantly relating to concerts by the Toronto Conservatory Symphony Orchestra (which became the Toronto Symphony Orchestra in 1908).
Welsman, Frank Squire
Fonds consists of a scrapbook with programs and press notices of Olive Scholey's performances as a contralto, at the Toronto College of Music, and in other venues in Southern Ontario.
Scholey, Olive
Fonds contains documents relating to Leslie R. Bell's career as a composer, arranger, choral conductor, educator, and music columnist. Materials include manuscript music (both of arrangements and original compositions); radio scripts and notes relating to his work in broadcasting as a radio commentator for CBC and CFRB, Toronto; publicity documents relating to performances by Leslie Bell and the Leslie Bell Singers; correspondence; documents relating to his work as the co-founder and first executive director of the Canadian Music Educators' Association (CMEA); and, newspaper articles, including those written by Bell and about him). The fonds also contains postmortem documents, including condolence correspondence to his wife, Leona Bell, and documents relating to the Leslie Bell Singers reunions and the Leslie Bell Scholarship.
Bell, Leslie R.
Fonds includes minute/program books (1906-1912, 1912-1922, 1922-1936, 1936-1946); cash books (1914-1928,1928-1948); file including texts of skits with parody songs, printed constitutions (1916/1917 and 1920), and typescript history of 1899-1962.
Speranza Musical Club
Fonds consists of Emmy Heim's lecture notes for the Toronto Conservatory of Music (TCM) and Royal Conservatory of Music in Toronto (RCMT), correspondence, programs, posters, and a photograph. Fonds also includes manuscripts of songs written for, or copied by, Emmy Heim.
Heim, Emmy
Fonds consists of programs from his performances, a letter confirming his appointment to the Royal Conservatory of Music (RCM) in Toronto, a newspaper clipping, and his annotated copy of the Canadian Music Centre sheet music for Six Miniatures after Hokusai for violin and piano by Elliot Weisgarber (1972). The fonds also includes two catalogues for his personal music library: one current to 1976, and another current to 1997.
Kash, Eugene
Fonds consists of the personal and professional papers of Elizabeth Benson Guy, including correspondence, photographs, programs, reviews, press notices, and manuscripts copied by or for Benson Guy.
Benson-Guy, Elizabeth
Fonds consists of a photograph and correspondence.
Hartmann, Arthur
Fonds contains materials relating to Eileen Law's career as a contralto and teacher, including programs, reviews and publicity materials of performances, photographs, and teaching materials.
Law, Eileen
Fonds consists of records created during Ron Collier's career as a performer, composer, arranger, teacher, and band leader. The fonds includes manuscripts of Collier's arrangements and original compositions; correspondence with musicians; photographs; lecture notes from his career at Humber College in Toronto, Ontario; and records from his collaborations with Duke Ellington. Fonds also contains audio and video recordings of performances and lectures.
Collier, Ron
Fonds consists of autograph manuscript scores and parts for compositions and arrangements for orchestra, string orchestra, string quartet, and woodwind quintet by Robert G. Manson.
Manson, Robert Graham
Fonds consists of publicity materials for the piano duo of Kathleen Irwin and Winifred Mazzoleni and manuscript scores for voice and piano by Kathleen Irwin.
Irwin, Kathleen
Fonds includes catalogues of the libraries of Boyd Neel's orchestras, and catalogues of his personal scores and recordings collections. Fonds also includes recordings of performances conducted by Boyd Neel, and a photograph of Neel conducting one of his orchestras.
Neel, Boyd
Fonds consists of the compositions, recordings, and papers of Derek Holman, a former professor at the Faculty of Music, University of Toronto. The fonds contains manuscript scores and parts by Derek Holman, including original compositions, arrangements and realizations, juvenilia, and sketch materials; audio and video recordings of Holman’s compositions and performances; papers and photographs from Holman’s work with various choirs and churches (including at the University of London, University of Toronto, University of Trinity College, Bishop-Strachan, Royal School of Church Music, St. Simon’s, Concord Singers, Croydon Bach Society, Grace Church-on-the-Hill, and the Canadian Children’s Opera Company); and, Holman’s personal papers, including awards, certificates, degrees, and notebooks.
Holman, Derek
Conservatory Chamber Music Club fonds
Fonds consists of material relating to the meetings of Conservatory Chamber Music Club. Includes one minute book 1937-1941, including descriptions of programs and list of members.
Conservatory Chamber Music Club
Fonds consists primarily of manuscript scores and parts for music written, arranged, and orchestrated by Phil Nimmons. Materials also include annotated scripts for incidental music that Nimmons wrote for various Canadian Broadcasting Corporation (CBC) radio and television productions. Fonds includes scores and parts for two ensembles that Nimmons led, Nimmons 'N' Nine, and its expanded version Nimmons 'N' Nine Plus Six, as well as various other ensembles.
Nimmons, Phil
Fonds consists of records that pertain to the career of Canadian conductor Victor Feldbrill, including his conductor's scores for Canadian compositions (many of which he premiered), including his annotations and corrections, and composers' autographs. Fonds also includes audio recordings of performances that Feldbrill conducted, including many premiere performances of Canadian compositions, spanning Feldbrill's entire career conducting various orchestras in Canada and abroad.
Feldbrill, Victor
Fonds consists of compositions and arrangements by John Hawkins, program notes, correspondence, teaching materials and biographical documents, sound recordings, and video recordings.
Hawkins, John
Fonds includes audio tapes, video art works, correspondence, compositions and arrangements, scrapbooks, and term papers for Taussig's graduate courses.
Taussig, Elyakim
University of Toronto Opera Division fonds
Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.
University of Toronto. Opera Division
Fonds consists of manuscript scores, compositional sketches, correspondence, programs, and teaching materials, related to Kenins's career as a composer and professor at the Faculty of Music, University of Toronto.
Kenins, Talivaldis
Fonds consists of manuscript music; radio music and children's pieces; correspondence with the Canadian Broadcasting Corporation (CBC), Canadian Music Centre (CMC), Canada Council, Ontario Arts Council, performers, representatives of performing organizations, friends, colleagues, friends, colleagues, students; press notices and reviews; programs; Polish community activities; notebooks and journals.
Buczynski, Walter
Fonds consists of sketches, drafts, and texts for Udo Kasemets’s compositions, including scores prior to 1960 that use conventional media, and those after 1960, which consists of multi-purpose scores, combination scores, and theatre pieces. The fonds also contains programs and press notices for performances by Udo Kasemets and of his works; correspondence with many American avant-garde musicians; and Kasemets’s projects and notes from his time teaching at the Ontario College of Art.
Kasemets, Udo
Fonds consists of jazz compositions, dance band arrangements, and biographical materials.
Delamont, Gordon
Fonds includes 110 files of sketches and final copies for many of his musical works; 3 files of theoretical and critical writings; and, 1 file of programs and press notices.
Klein, Lothar
Fonds consists of the professional and personal records of composer Michael Colgrass. The collection includes manuscripts of his compositions; administrative and financial documents relating to commissions with orchestras, performers, and publishers; and materials generated from the performance of these compositions (including recordings, programs, reviews, and program notes). Other records relate to workshops that Colgrass led, particularly his Neuro Linguistic Programming (NLP) workshops and Colgrass' writings, including poetry, articles, manuscripts and notes for his books, and correspondence with friends and colleagues.
Colgrass, Michael
Fonds consists of arrangements by Vic Centro, and related ephemera, including photographs, correspondence, publicity materials, and recordings. Much of the material relates to Centro's time performing and recording in Toronto with Phil Nimmons and CBC radio.
Centro, Vic
Fonds consists of Myron Schaeffer's notes and drafts for lectures, articles, and an unpublished book on electronic music. The fonds also contains condolence correspondence following his death, his obituary, and scores and sketches for a couple of his electronic compositions.
Schaeffer, Myron
Fonds includes computer-generated scores and parts for his original works, as well as his many arrangements for violoncello ensembles of works by other composers, written 1965-2006. Many of the arrangements were done for The Yale Cellos; Aldo Parisot and The Yale Cellos; Shauna Rolston; The Banff Violas; Lee Armstrong and the Birmingham Cello Group. Many contain program notes.
Kenneson, Claude
Fonds consists of records created, accumulated, and used by Doug Riley between the years 1966-2007. The majority of the records in this fonds is sheet music resulting from collaborations with other musicians, arrangements by Doug Riley, or original compositions. Although the fonds consists largely of jazz music, there is a wide variety of genres including classical music represented. Audio recordings could prove useful in the understanding of Doug Riley's performances or musical techniques.
Throughout his career Doug Riley collaborated in a variety of projects including composing music for theatre, television, awards shows, and social events. The fonds includes evidence of these projects including scripts, itineraries, storyboards, etc.
Also included in the fonds is correspondence between Doug Riley and other prominent figures in the music industry. Many set lists included in the fonds could provide insights into the performances of Doug Riley.
Riley, Doug
Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.
New Music Concerts
Fonds includes manuscript scores of compositions and arrangements written for Boss Brass recordings. All arrangements are by Rob McConnell. The fonds also includes some original compositions by McConnell. Scores are assigned dates based on the date of recording by Boss Brass, and later by the Rob McConnell Tentet.
McConnell, Rob
Fonds consists of newsletters and ephemera produced by the Toronto Wagner Society.
Toronto Wagner Society
Fonds consists of manuscript lead sheets, parts, and scores created and used by Gary Williamson. It consists of original compositions by Williamson and his arrangements of jazz standards. Most of the arrangements are not dated.
Williamson, Gary
Fonds consists of the administrative, financial, and performance records of the Aldeburgh Connection. Most of the fonds consists of materials created for, and as a result of, each concert produced by the Aldeburgh Connection, including promotional materials, scripts, annotated scores, correspondence, research notes, and reviews. The fonds also contains textual materials from the production of the Aldeburgh Connection’s recording projects, promotional events, board minutes, complete financial records, and correspondence regarding their fundraising efforts.
Aldeburgh Connection
Fonds consists of the administrative records of Esprit Orchestra, from its foundation in 1983 as Esprit Contemporain, to 2021.
Records include meeting minutes and correspondence from the board of directors and associated committees; financial records, including budgets, year-end financial statements, and reports to granting agencies; performance records, including planning files from subscription and non-subscription concerts, national and international tours, and composer commissions; materials relating to the orchestra's education and outreach activities; promotional materials, including posters, photographs, programs, and reviews; records relating to recording projects, including CDs, music for films, and radio broadcasts; awards received by the orchestra and its musical director Alex Pauk; and correspondence with musicians, composers, and other associations.
Esprit Orchestra