Showing 67 results

Archival description
University of Toronto Music Library Series
Print preview View:

Correspondence

Series contains correspondence written and received by Kathleen Parlow. Includes the following subseries: Letters; Postcards; Maida Parlow's transcriptions.

Sheet Music

Series contains sheet music created and/or accumulated by Kathleen Parlow. Subseries include Manuscripts; Published

Concert Programmes

Series contains concert programmes dated from 1939-1958. Programmes reflect performances from Kathleen Parlow as well as the performances of the South Mountain String Quartet, Parlow String Quartet, Toronto Symphony Orchestra, Canadian Trio, and many of other performers. Concert programmes are from a variety of locations world wide including the United States, England, Finland, Belgium, Germany, Poland, and many other locations. Programmes are in black and white and colour. Some programmes have gold gilt edges as well as other visually interesting features.

Press Records

Series contains material from newspapers and magazines which relate to Kathleen Parlow, her students, articles written by Parlow, etc. Subseries include: clippings and publications; transcriptions; students and others; Halvorsen discovery

Programs

Series consists of miscellaneous programs, predominantly for concerts that took place in Toronto.

Autographs

Series consists of the following autographs, collected by Florence L. Clarke, first wife of Henry John Cody, president of University of Toronto (1932-1945): Emma Abbott (1882); Teresa Carreño (1883); Emma Juch (1885); Clara Louise Kellogg (1885); Sofia Scalchi-Lolli; Ede Remenyi; Marcella Sembrich (1883); Potta (1882); Blatchford Kavanagh; Etelka Gerster Gardini (1882); Gabriella Boema; Emma Thursby (1883); Eugenia Pappenheim; Helena Modjeske (1882); Camilla Urn (1883); Mary F. Scott-Siddons (1880); Kate Claxton (1882); Zelia Trebelli; Minnie Hauk (1882); Rose Coghlan (1882); Rafael Joseffy; August Wellesley; Geneviève Ward (1882); five other illegible signatures.

Toronto music education

Series consists of materials relating to music education in Toronto, including at the Toronto Conservatory of Music and the Toronto College of Music.

Chronological research files

Series consists of chronological research files. Some of the files include tables of contents, which index the notes, clippings, and copies of material relating to Theodore Thomas's career included in the file.

Research files by topic or library

Series contains miscellaneous research files created and gathered by Ezra Schabas in the production of his biography of Theodore Thomas. The series also includes copies of three articles written by Schabas on Thomas, prior to the publication of the biography.

Microfilms

Series consists of microfilm copies of scrapbooks, correspondence, and programs relating to Theodore Thomas's career, which Ezra Schabas used for the biography Theodore Thomas : America's conductor and builder of orchestras, 1835-1905.

Compositions

Series consists of original manuscripts and copies of manuscripts, including both scores and parts, for compositions composed or arranged by John Beckwith.

Other activities

Series consists of administrative writings, correspondence, reviews, radio programs, and other documents relating to John Beckwith’s work at the Canadian Broadcasting Corporation, the University of Toronto, and various other appearances at conferences, symposiums, and universities. Series also includes writings related to his publications.

Other correspondence

Series consists of personal and professional correspondence, including letters from and to many Canadian musicians and composers.

Biographical

Series includes awards and honours, radio transcripts, portraits, journal articles, and other bibliographic documents.

Ontario College of Art projects

Series consists of Udo Kasemets's notebooks, posters, and plans for projects at the Ontario College of Art (OCA). Series also contains Kasemets's OCA teaching materials and notes.

Correspondence

Series contains letters, cards, and correspondence, including letters from George Crumb; John Leberg; Witold Lutoslawski; R. Murray Schafer; Pierre Trudeau (2). Cards: Vera [Frenkel]; Michael [Snow] (2); Veronica Tennant; Grant [?]; and, David [?] (2). Series also contains autographed photographs from Elly Ameling and Philippe Entremont, and a photograph of Taussig with Natalia Granados (Barcelona, 1980).

Compositions : scores, parts, and sketches

Series consists of manuscript scores and parts, and sketches, for Lothar Klein's instrumental, vocal, choral, chamber, and orchestral works. File also contains film and incidental music written by Klein.

Theoretical and critical writings

Series consists of materials created for Klein's teaching at the University of Toronto, and interview with Witold Lutoslawski, and various composition studiesand exercises.

Research files and correspondence

Series consists of Ezra Schabas's textual research files for his biography of Sir Ernest MacMillan. Files include correspondence with Schabas, copies of correspondence with MacMillan, copies of newspaper articles and photographs, and copies of research on MacMillan by other individuals, including that by Keith MacMillan.

Programs and magazine articles

Series consists of programs for performances of compositions by Gena Branscombe, magazine articles on her, and copies of her membership cards to various music and non-music associations. The series also includes a program and poster for a 100th anniversary concert at The James Room, Barnard Hal, Barnard College, Manhattan (November 15, 1981).

Compositions and original creations

Series contains original works with Phil Nimmons as main author. The series includes scripts for radio broadcasts as well as scores and parts for various ensembles.

Arrangements

Series consists of manuscripts scores, parts, and scripts. These arrangements were made by Phil Nimmons for various ensembles.

Promotional materials and memorabilia

Series consists of a promotional booklet and poster, which feature the same photograph and include excerpts of newspaper reviews of his performances. Series also includes his wooden conductor's baton.

Correspondence and family records

Series consists of letters to J. Churchill Arlidge concerning his performances; family correspondence; Arlidge's wedding certificate; and a jewel pendant that belonged to his mother.

Teaching and performance materials

Series consists of materials created by J. Churchill Arlidge in the course of his teaching and performance career, including sheet music with added vocal parts, written in his own hand, a practice record booklet that he published in Toronto in 1907, and the script and program for a concert that he gave in the 1880s.

Compositions and arrangements

Series consists of Ron Collier’s arrangements and original compositions, mostly written for various jazz formations and big band. The series includes manuscript scores, parts, and some sketches for Collier's compositions and arrangements.

Performance, teaching, and personal records

Series consists of records relating to Ron Collier's performance career, including photographs from his time in the Kitsilano Boys' Band in Vancouver; correspondence with various musicians; photographs of his own quartet/quintet/dixtuor/ big band; and, photographs, correspondence, and other records from Collier's collaborations with Duke Ellington. Series also contains lecture notes and other materials relating to his teaching career at Humber College, where he taught composition and arranging (1974-1994). Series also contains some personal and family photographs, scrapbooks, and correspondence.

Audio and video recordings

Series consists of audio and video recordings from the Duke Ellington Society; Ron Collier’s Ellington lectures at Humber College (1980s); and, performances by the Ron Collier Tentet.

Compositions and arrangements

Series consists of some original compositions and many arrangements by Leslie Bell, predominantly for choral ensemble, with some scores and parts for band or orchestra.

Radio scripts, indexes, and notes

Series consists of radio scripts and notes for programs written by Leslie R. Bell in his role as a radio commentator for CBC and CFRB in Toronto. The series also contains indices that accompany many of these scripts for Bell's programs, including Audio, Speaking of music, Music about town, and Music won't hurt you. The series also contains notes from Bell's research for radio programs, lectures, and from his school days, including his notes for his thesis on art education.

Publicity, correspondence, and various other documents

Series consists of newspaper articles by and about Leslie Bell, concert programs, scrapbooks, documents from the Canadian Music Educators' Association (CMEA), and photographs. Bell wrote a column for the Toronto Star from 1950 until 1961, and many of his columns are included in this series. The CMEA documents are included as Bell was a founder of the association and its executive director from 1959 until his death in 1962. He also edited the Canadian Music Educator journal during that time. The series also contains a file of correspondence, photographs, and certificates for Bell's son L. Richard Bell.

Results 1 to 50 of 67