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Series consists of programs and recordings of events hosted by the Faculty of Music during the 2003-2004 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2002-2003 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. Series also includes programs from student recitals during the 2002-2003 academic year.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2000-2001 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 1992-1993 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. Series also includes programs from student recitals during the 1992-1993 academic year.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 1971-1972 concert season, including faculty, student, and guest artists. Series also includes programs from student recitals at the Faculty of Music during the 1971-1972 academic year.

Series consists of drafts, notes, and correspondence for articles, lectures, and a book outline on electronic music by Myron Schaeffer, which were written during his tenure as director of the University of Toronto Electronic Music Studio (UTEMS).

Series contains letters from Robert Aitken and Herbert Deutsch (of Hoftrsa University) to Myron Schaeffer's wife, Lilein Schaeffer, and two obituaries, including one written by Ann Osborn in The Muse.

Series consists of materials relating to awards and honours received by Greta Kraus, including the Toronto Arts Award (1990), the Order of Ontario (1991), and the Order of Canada (1993). Materials include correspondence, programs, newspaper clippings and other press releases, and photographs. The series also includes two VHS tapes with recordings of the Order of Ontario ceremony (May 8, 1991) and the Toronto Arts Awards (August 15, 1990).

Series consists of materials pertaining to Elizabeth Benson Guy's family, including funeral service programs, obituaries, newspaper clippings, and articles by her husband John Dentay. Series also contains a letter from Tom Guy to Sarah Louise Guy (1893-1964) (Elizabeth Benson Guy's parents).

Series contains of materials relating to Elizabeth Benson Guy's performance career, consisting predominantly of programs and reviews of her performances.

Series consists of correspondence sent to Emmy Heim from various colleagues and friends, including correspondence E.G. Dentay, Margaret G. Skipworth (Lady Margaret Hall), and Victor Zuckerkandl, as well as some handwritten draft replies by Emmy Heim.

Series consists of manuscript scores dedicated to, copied for, or copied by Emmy Heim. Scores include repertoire that Heim performed at various recitals and concerts, as well as music written for Heim by students of Arnold Schönberg, who she likely met while performing at his Verein für Privataufführungen, and who—like her—emigrated to the United Kingdom in the 1930s.

Series consists of conductor's scores for Canadian compositions conducted by Victor Feldbrill, often from the world premiere performance. Each score includes Feldbrill's annotations and the scores are frequently inscribed to Feldbrill by the composer. Most scores were printed by the Canadian Music Centre (CMC).

Series consists of correspondence relating to Victor Feldbrill's conducting career, and other personal and family records.

Series consists of recordings of New Music Concerts performances.

Series contains sheet music, audio recordings, scripts, storyboards, working notes, and other material relating to Family Passions, TV, Commercials, and other miscellaneous projects which Doug Riley was a part of.

Series contains sheet music relating to projects with Ofra Harnoy, Chang Woo Lee, and Michael Burgess.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 1968-1969 concert season, including faculty, student, and guest artists.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 1967-1968 concert season, including faculty, student, and guest artists.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 1966-1967 concert season, including faculty, student, and guest artists.

Series consists of records relating to Derek Holman's education and career as an educator, composer, conductor, and organist. The series includes awards, certificates, degrees, photographs, programs, posters, reviews of performances, notebooks, correspondence, lecture notes, and assorted writings by Derek Holman.

Series consists of records relating to events and concerts by Esprit Orchestra as part of their outreach and educational initiatives, including Towards a Living Art (TALA) and Creative Sparks, which includes their annual New Wave Composers Festival. These programs, and other related activities, support one of Esprit's core initiatives: to cultivate the next generation of new music professionals.

Series consists of correspondence, nominating letters, speeches, and certificates for awards received by the Esprit Orchestra. Awards include the Award of Distinction from Sunco (received [1985]); Jean A. Chalmers National Music Award (1995); nomination for a Juno award (1998 for Tabuh-Tabuhan, Music of Colin McPhee); Musician of the Year (Alex Pauk) by the Toronto Musicians' Association (2000); and the Toronto emerging composer award (2003), which Esprit Orchestra was involved with.

Series consists of professional portraits of Michael Colgrass, as well as photographs from workshops, concerts, and rehearsals, and family photographs. Series includes photographs of Colgrass in Stuttgart when he was a timpanist with the Seventh Army Symphony Orchestra (1955-1956); from his time in Copenhagen for the performance of his Rhapsodic Fantasy by the Danish Radio Orchestra conducted by Tamas Vetö (1965); from his Fort Wayne Residency (1972); of his rehearsals with the Canadian Brass for Flashbacks (1979); from a production of Colgrass' "Something's gonna happen" at Duggan Jr. High School in Edmonton, Alberta (1982); from rehearsals of Chaconne with the Toronto Symphony Orchestra conducted by Andrew Davis (1984); neuro-linguistic programming (NLP) workshops, particularly at the Dynamic Learning Center at NLPU in Santa Cruz, California (1987); workshop at University of New Mexico (1988); at Longmeadow High School and Springfield Public School in Massachusetts (1992); University of Manitoba workshop (1997); and Winona Drive School workshop (1999).

Series consists of notes and scripts used for various workshops led by Michael Colgrass, and select recordings of these workshops.

Series consists of manuscripts, drafts, notes, and clippings pertaining to various writings by Michael Colgrass, including articles written for journals, magazines, and newspapers; two books; his correspondence with friends and colleagues; and poems and satires.

Series consists of audio and video recordings of performances by Ron Collier and of compositions and arrangements by Collier. The series includes audio cassettes from the Duke Ellington Society that were issued to its members; audio recordings of Collier's lectures on Ellington at Humber College (1980s); performances by the Ron Collier Quintet and the Ron Collier Tentet; and records from the Canadian Broadcasting Corporation (CBC) radio transcription service of performances by Collier, his groups, and his compositions and arrangements.

Series consists of photographs of Canadian and European musicians from the early 1900s, as well as Giuliana Gattoni's collection of publicity photographs from the late 1980s and early 1990s, which predominantly consists of photographs of Canadian Opera Company productions.

Series consists of materials relating to music education in Toronto, including at the Toronto Conservatory of Music and the Toronto College of Music.

Series consists of records pertaining to various promotional events and free concerts produced by the Aldeburgh Connection. The series includes materials for one concert by Stephen Ralls and Bruce Ubukata prior to the official formation of the Aldeburgh Connection concert series, “Opera in the Drawing Room” (January 14, 1979). Each file consists of programs, scripts, scores annotated by Ralls and Ubukata, set and lighting designs, posters, and reviews.

Series consists of programs and reviews from performances of John Francis Johnstone's song "The Humber Fairy" after his death.

Series consists of photographs of faculty, musicians-in-residence, guest artists, students, faculty events, and facilities, which were collected and used by the promotions office at the University of Toronto Faculty of Music.

Series consists of promotional materials created by the Faculty of Music to advertise events, facilities, and programs at the Faculty of Music. Materials include brochures, pamphlets, posters, and season event calendars.

Series consists of materials from the Opera School or Opera Division at the University of Toronto. Materials include correspondence, press clippings, notes on performances, tour schedules, role assignments, rehearsal schedules, notes on props and furniture, budgets, and internal memorandums.

Series contains audio recordings of various performances by Elyakim (Peter) Taussig and colleagues, predominantly from CBC radio broadcasts of his concerts.

Series contains a file of scores, scripts, and publicity materials.

Series consists of catalogues for Boyd Neel's collections of scores and parts for orchestras that he conducted (the Boyd Neel String Orchestra and the Hart House Orchestra) and his collection of audio recordings in various formats.

Series contains three-dimensional memorabilia objects, including three glass plate negatives from Kathleen Parlow's time in Petersburg; three framed photographs of Parlow's parents[?]; two metal stamps of Parlow with her violin; two framed photographs of Parlow (one as a young child); the National Award in Music medal from the University of Alberta; a family photo album, including a family tree; an Edison cylinder record of Parlow playing Nocturne, Op. 9, no. 2 in E-flat Major by Chopin (recorded 1913); an Edison 78 RPM record of Parlow playing Melodie by Tchaikovsky; and, 2 audio cassettes with recordings of the Parlow String Quartet. Series also includes drawings and watercolours of Kathleen Parlow.

The photographs included in the family album are listed at the front of the album and transcribed here:
1 - Uncle James Hamilton
2 and 3 - Mr. and Mrs. Allan (St. John)
4 - Mrs. Taylor (Allan's daughter)
5 - Nell (Allan's granddaughter)
6 - James Allen
7 - Sisters Allen
8 - Mr. and Mrs. Ross
9 - Mary Jane Sterling (mother's cousin)
10 and 11 - Mr. or Dr. and Mrs. Cooper
12 and 13 - Estabrooks and sister
14 and 15 - "The two Miss Guns"
16 - Uncle Sam
17 - Uncle Johnie
18 - Miss. Everitt
19 - Cousin George
20 and 21 - Rev. and Mrs. Harvey
21 - Annie Howe (niece of Uncle Sam's)
22 - Edgar Thompson
23 and 24 - Deacon and Mrs. Conolly (cousin)
25 and 26 - Mr. and Mrs. Merritt
27 - Major Hartley
28 - Mrs. Twee[...?] (minister's wife)
29 - Mr. Good
30 - Rev. Blakeney
31 - Mrs. Jones
32 - Baby Estabrooks
33 - Mr. Taylor
34 - Nell Taylor
35 - Boardman Wheeler
36 - James Hamilton (uncle)
37 - Cousin George
38 - Minnie Wheeler
39 and 40 - Father and Mother
41 - Miss. Conolly
42 - Mr. Broderick (Auntie Hamilton's brother-in-law)
43 and 44 - Mr. and Mrs. James Wheeler
45 and 46 - Mr. and Mrs. Roberts
47 - another Miss. Conolly
48 - Nellie Allan
49 - Dr. Broderick.

Series consists of examination papers set, lecture notes, and student papers from Kenins's time at the Faculty of Music, University of Toronto.

Series contains concert programmes dated from 1939-1958. Programmes reflect performances from Kathleen Parlow as well as the performances of the South Mountain String Quartet, Parlow String Quartet, Toronto Symphony Orchestra, Canadian Trio, and many of other performers. Concert programmes are from a variety of locations worldwide including the United States, England, Finland, Belgium, Germany, Poland, and many other locations. Programmes are in black and white and colour. Some programmes have gold gilt edges as well as other visually interesting features.

Series consists of manuscript scores and parts, and sketches, for Lothar Klein's instrumental, vocal, choral, chamber, and orchestral works. File also contains film and incidental music written by Klein.

Series consists of documents created after Leslie Bell's death, including letters of condolence written to his wife Leona Bell; copies of his obituaries; and, documents pertaining to the Leslie Bell Scholarship, which was established in his name by the Leslie Bell Singers Alumnae in 1971. The award was created to support choral conductors further their professional careers and enhance their conducting abilities. The award is managed by the Ontario Arts Council (OAC).

Series consists of materials for: Cascando (1963-1965), Wordsong (1971-1973), Guitarmusic for John Cage (1972-1975), Wordmusic (1973-1974), Mikemusics (1973-1977), Silencesong (1974), Minutemusics (1977-1980), Thunderword (1978-1979), Nonologue (Onemanshow, 1980), and Sh! (Mikemusics, 1973-1977).

Series consists of promotional and personal photographs of J. Churchill Arlidge, his family, and groups to which he belonged, including the Independent Order of Foresters (Arlidge was the High Organist); Christ Church at Deer Park, Toronto, Ontario; and a Grand Jury in 1907, which was appointed to investigate and make recommendations regarding public institutions and services in Toronto.

Series consists of compositions and arrangements by Gena Branscombe, including published sheet music with inscriptions from the composer and manuscript copies of scores and parts.

Series consists of manuscript music and scores for Buczynski's radio music and children's pieces.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2021-2022 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. The University of Toronto, including the Faculty of Music, returned to in-person events with limited capacity audiences in September 2021. Concerts were cancelled, postponed, or virtual only during January 2022 as the University shifted to predominantly remote instruction due to the COVID-19 pandemic. The University returned to in-person learning (and in-person events at the Faculty of Music resumed) as of February 7, 2022. The majority of concerts during the 2021-2022 concert season were streamed online via the Faculty's various YouTube channels.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2019-2020 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles. In-person concerts at the Faculty of Music ended on March 13, 2020 due to the COVID-19 pandemic.