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Series consists of 2 published books about La Troupe des Anciens and Paulette Collet.

Series consists of various video and audio recordings of La Troupe des Anciens' performances over the years, including recordings of "Tartuffe", "L’Avare", "Le bourgeois gentilhomme", "Les precieuses ridicules", "Le malade imaginaire", "Le medecin malgre lui", and more.
Series additionally includes several videos of commercial productions of Molière's plays.

Series consists of collected programmes from performances of La Troupe des Anciens from 1975 to 2019. Series also includes ticket examples from several shows, as well as records relating to the group's 50th anniversary event.

Series consists of publications about La Troupe des Anciens and Professor Paulette Collet. Publications include articles, reviews, and promotional material for the troupe's various theatrical productions, all of which are largely found in full-length issues of newspapers and newsletters.

Series consists of promotional posters for performances put on by La Troupe des Anciens over the years, as well as one poster celebrating the troupe's 50th anniversary.

Series largely consists of photographs documenting La Troupe des Anciens' various performances throughout 1971 to 2011, but also includes photographs of cast members, production members, and several after-parties.

Series consists of records from John Beckwith's student years; scrapbooks of concerts Beckwith attended and participated in during this time; awards, tributes, and honours that he received later in his career in recognition of his many contributions to Canadian music; and other general biographical material that Beckwith collected throughout his life.

Series consists of personal and professional correspondence, including letters from and to many Canadian musicians and composers.

Series consists of materials created and collected by John Beckwith in preparation for teaching select courses at the University of Toronto Faculty of Music, as well as records relating to the numerous articles, lectures, book chapters, and monographs that Beckwith wrote throughout his career.

Series consists of recordings of performances of John Beckwith's compositions and arrangements and recordings of interviews, lectures, and other events by, or featuring, Beckwith.

Series consists of radio scripts, drafts and clippings of music criticism and reviews, and program notes. Between 1949 and 1963, John Beckwith was a regular freelance writer and staff continuity writer (1953-1955) for various CBC radio series and composer documentaries, which he researched, wrote, and in some instances, narrated. At the same time, Beckwith wrote concert reviews for the Globe and Mail (occasional, 1948-1949 and 1952-1953), for the Toronto Daily Star (regular critic, 1959-1962, 1963-1965), and record reviews for the Canadian Music Journal (associate editor, 1957-1962). He also wrote program notes for the Toronto Symphony Orchestra (1966-1971).

Series consists of programs, posters, correspondence, notes, meeting minutes, newspaper clippings, and other materials relating to performances, concerts, and events that John Beckwith participated in as a composer, performer, speaker, administrator, researcher, and/or script writer.

Series consists of programs, notes, correspondence, and John Beckwith's arrangements for the summer concert series "Music at Sharon." Lawrence Cherney founded the series in 1981 and Beckwith researched and made arrangements for the heritage program included each year. The concert series was held at the Temple of the Children of Peace in Sharon, Ontario and ran until 1990, sponsored by the York Pioneer and Historical Society. The 1991 series was held at the Sharon-Hope United Church in Newmarket, Ontario, sponsored by the Musical Heritage Society of Sharon.

Series also includes materials for a related production, "Musical Toronto: A Concert Party," which was part of the Toronto International Festival. The concert, also researched and arranged by John Beckwith, reused many of the arrangements that Beckwith created for Music at Sharon and featured many of the same musicians.

Series consists of texts and libretti for John Beckwith’s compositions and arrangements, as well as related correspondence, programs, reviews, and other notes relating to performances and recordings of these works.

Series consists of manuscript scores, parts, and sketches for original compositions and arrangements by John Beckwith.

Series consists of rough notes, lecture notes, final copies, correspondence, press releases, and photographs from books, articles, presentations, and poetry by Derek Healey.

Series consists of articles about Derek Healey, scrapbooks, and other ephemera.

Series consists of a selection of posters advertising concerts that included works by Derek Healey.

Series consists of Derek Healey's correspondence with publishers and conductors regarding his compositions.

Series consists of Derek Healey's rough notes, including manuscript sketches and drafts, for his compositions, which he began to keep and maintain after a conversation with librarian Rollyn Morris at the University of Victoria. After 1999, when Healey began to compose on the computer (starting with Six Canadian Folk Songs, Set II, op. 86, these rough notes are fewer, as the majority of his "notes" were on the computer. These later compositions include printouts of the work's status about a week after it was started.

Series also contains performance records for Healey's compositions, including correspondence with performers, programs, posters, reviews, and other pertinent materials. Healey began collecting performance materials after arriving in Canada in August 1979.

Series also includes notes on Healey's compositions taken during and following lessons with Boris Porena (1962-1963) and his "favourite" notebook with sketch and reference material (e.g., Indian talas, piano struts, etc.) that he referenced and used regularly throughout his compositional career.

Series consists of miscellaneous short, non-opus compositions by Derek Healey, including manuscripts, transparencies, and master scores.

Series consists of manuscripts, transparencies, and master scores for original compositions by Derek Healey. Until 1999, Healey's manuscripts are handwritten; starting in 1999, Healey began to compose on a computer, and all future compositions are typeset.

Works were written in the following locations:

• Wargrave, England (op. 1a – 2b)
• Maidstone, England (op. 2c – 4)
• Shiplake, England (op. 5 – 16)
• Rome and Siena, Italy (op. 17a – op. 20d)
• Maidenhead, England (op. 21 – 34)
• Victoria, British Columbia (op. 35 – 39)
• Toronto, Ontario (op. 40 – 41a)
• Guelph, Ontario (op. 41b – 53)
• Eugene, Oregon (op. 54 – 69)
• Ruislip, England (op. 70 – 79)
• Brooklyn, New York (op. 80 – 164).

Series consists of records related to agreements made between the Board of Regents and other bodies as well as records related to arbitration and court proceedings involving the University.

Series consists of programs and recordings of events presented by the Faculty of Music during the 2023-2024 concert season, including faculty, student, and guest artists.

Series consists of several subseries which include records from Cobourg: One subseries contains Registers, Directories, Marks, 1837-1946. The remaining subseries consist of student record cards. These cards often contain a photo of the student.

Series consists of correspondence, leases and other legal agreements, court documents, surveys, deeds, mortgage records, sketches, financial and other records, 1871-2009, relating to the administering of properties owned by Victoria and not used for academic purposes, and for maintaining Victoria's interest in property developments which affected the University. The records relate to insurance, including liability, and the planning and development, management and leasing, acquisition and sales of property, taxes, property disputes and litigation.

The architectural plans and drawings have been separated into Series 23.

The Bursar's responsibilities with regard to property were initially the insurance of buildings and their contents. However, as the need for regular income became more urgent and evident, and as the University expanded and required more buildings, the Bursar's work likewise increased. The Bursar became responsible for the legal negotiations and accounting over purchases, sales and leases; and the supervision and funding of alterations and renovations and the construction of new buildings. Along with this the Bursar dealt with property tax as the University was only exempt from this in respect to its property used for academic purposes.

Series consists of records documenting Morgan’s teaching activities within the Department of Philosophy and the Women’s Studies Programme at the U of T.

Planning material, including budgeting, correspondence, and event information for the Ontario Japanese Canadian Centennial Art Exhibition.

Planning material with notes for the various events organized by the Japanese Canadian Citizens’ Association to celebrate the 100th anniversary of Manzo Nagano, the first Japanese to settle in Canada. Most records were created in 1977, the year of the centennial.

Records created during the organization and fight for Japanese Canadian Redress. Records include NAJC agendas, media reports, and correspondence. Many of the meeting minutes and notes contain marginalia by Kanbara.

Information about the youth organization in Toronto, serving the Japanese Canadian community. Meeting minutes, agendas, flyers for events, and notes are collected by Kanbara.

Planning material, notes taken at the conference, and information about a similar conference held in Vancouver. The symposium focused on Japanese Canadians in the arts.

Material created by the Hamilton Chapter of the NAJC regarding the Redress movement, the constitution of the Hamilton Chapter, and some events organized by the chapter.

Records from various events that took place in Toronto. Some records relate to the Japanese Canadian Cultural Center.

Primarily textual material created by the National Japanese Canadian Citizens’ Association (later the National Association of Japanese Canadians) and collected by Kanbara as he participated in the organization. Meeting minutes, agendas, notes, and correspondence between Kanbara and others from the organization are included, almost all with marginalia by Kanbara. Records date from around the Japanese Canadian centennial and then later in the early 1990s.

This series consists of volumes of The Mike, the official student newspaper of the University of St. Michael’s College. The newspaper has been in operation since 1948 and has been published on a predominantly bi-weekly basis.

This series consists of the various configurations of yearbooks published by the students of St. Michael’s College. Titles include: The Year Book of St. Michael’s College (1910-1931; 1934-1935), The Thurible (1932-1933; 1937-1948; 1950), Through St. Michael's with the Camera (1940-1942; 1946-1948), Keystone (1968), Windrose (1969-1970; 1980; 1982-1985; 1987-1995, 2022, 2023), The Sword (1995-1999).

Series consists of various publications about Father Donovan, the Donovan Art Collection, and artists included in the collection. Publications include articles, reviews, exhibition catalogues, promotional materials, and full-length issues of magazines and newspapers. The series additionally includes two published catalogue books of the Donovan Art Collection, along with a DVD of the OMNI Television show about the collection.

Although the series contains mostly original copies of different publications, the series also demonstrates Father Donovan's personal practice of cutting, arranging, and gluing various article texts onto blank paper for safe-keeping.

Series consists of collected texts pertaining to artists within the Donovan Art Collection. Texts include articles, CVs, interviews, and exhibition catalogues. Currently, the series only consists of artist Meryl McMaster's reference file.

Series consists of stewardship reports sent to Father Donovan from St. Michael's College. These reports outline Father Donovan's financial and artwork contributions to the St. Michael's College community, extending as far back as 1981.

Series consists of documents and correspondences related to the publication of the 2010 Donovan Art Collection catalogue. Documents include rough copies of catalogue essays, correspondences between Father Donovan and catalogue editors, and shipping addresses of artists. Additionally, the series also includes several invoices and receipts for costs of the book launch, copyright, and printing.

The 2010 catalogue is the most recent printed overview of the Donovan Art Collection. Father Donovan's essays describe the collection's beginnings, as well as the artworks' engagement with the St. Michael's College community.

Series consists of documents relating to art loans of the Donovan Art Collection, including loan agreements, receipts, shipment notices, invoices, and more. Many loan agreements also include related correspondence from artwork borrowers.

This series consists of invoices and receipts regarding financial donations, art purchases, and other expenses of the Donovan Art Collection, as well as correspondences between Father Donovan and the art collection accounting team. Other documents within the series include opening and closing balances for both the Donovan Art Collection account and Endowment Fund account.

Series consists of typed and handwritten lists outlining various visitors to the Donovan Art Collection throughout the years, as well as an inventory of the Donovan Art Collection and the location of artworks on the St. Michael's College campus.

Series consists of various documents relating to purchased acquisitions for the Donovan Art Collection. Documents include invoices and receipts for artwork purchases, and costs pertaining to the artworks' appraisal, framing, transportation, and installation. Additionally, the series also contains several certificates of authenticity and tax receipts.

This series contains photographs collected by Morley mainly for his research on the history of Neurological Surgery in Canada and his biography on Kenneth G. McKenzie. Predictably many of the images document neurology staff at the Toronto General Hospital (TGH). Included are group portraits of the staff in the 1950s as well as individual images of Sir Geoffrey Jefferson, Kenneth G. McKenzie, E. Harry Botterell. Later photographs document events or celebrations at TGH including Botterell Day in 1978, Morley’s retirement party in 1985 and the 75 yrs of Neurosurgery in Canada Symposium held in 1998. There are also 33 slides relating Toronto General Hospital history used by Findlay in his articles on the history of neurosurgery at the TGH, including portraits of Dr. C. L. Starr, Kenneth G. McKenzie, Harry Botterell, Bill Keith, Frank Turnbull, Joe Cluff, Charles Drake, Jessie Young, Bill Lougheed, Eric Linell and Ross Fleming. Finally, filed at the end, are photographs originally belonging to the TGH showing equipment and procedures in neurology in the 1960s. Many of these have annotations by Morley’s in order to highlight their significance.

This series contains records related to the work of students Professor Roots was supervising. The material includes correspondence, notes, drafts, grant applications and reports on student work.

This series consists of teaching, sample and personal communication tools and displays for users of Blissymbolics. This includes Blissymbol boards, books, and other augmentative communication devices.