Sub-series consists of documents relating to the Donovan Art Collection Endowment Fund. Documents include receipts of financial donations to the fund, the account's closing and opening balances, as well as correspondences between Father Donovan and St. Michael's College accounting teams.
Sub-series consists of documents relating to the Donovan Art Collection financial account. Documents include invoices and receipts regarding financial donations, art purchases, and other expenses of the Donovan Art Collection, as well as the account's closing and opening balances. Additionally, the sub-series also includes related correspondences between Father Donovan and the collection accounting team.
Sub-series consists of Father Donovan's handwritten lists recording the names and dates of various visitors to the Donovan Art Collection. One of the files also includes a list of artist names whose works appears in the collection.
This subseries consists of sample Blissymbol communication displays, including boards, books, posters and electronic communication devices used for instructor reference, student teaching, student evaluation, and individual use.
Subseries consists of concerts, master classes, guest lectures, and other events led by faculty members and guest artists at the University of Toronto Faculty of Music.
Subseries consists of events that were part of the University of Toronto New Music Festival (UTNMF), an international festival of contemporary music presented annually by the University of Toronto Faculty of Music. The festival was coordinated by Norbert Palej.
Subseries consists of various brochures, syllabi, and histories of the Opera School, later renamed the Opera Department and now known as the Opera Division. Items include the constitution and by-laws of the Royal Conservatory Faculty Association (1971); Royal Conservatory of Music and Faculty of Music Summer School syllabus (1958, 1971, 1974); Royal Conservatory of Music Year Book (1963-1964); Royal Conservatory of Music Senior School syllabus (1948-1949); histories and overviews of the Opera School (1947, 1971); Directory of Opera Companies and Workshops in the United States and Canada (1971); The Bulletin from the Royal Conservatory of Music (1965).
This subseries contains documents relating to workshops and seminars held outside of Canada. Contents include event resources, schedules, memos, notes, research, and presentations.
This subseries contains presentations, articles, case studies, bulletins, and miscellaneous research on Blissymbolics in a variety of non-English languages.
This subseries contains miscellaneous files relating to administrative activities from BCIC, including the files and correspondence of staff and Executive Directors, such as Dave Martin and Dr. Harry Silverman. It also includes records relating to conferences and events held in association with OISE.
This subseries contains meeting minutes, reports and correspondence from the Board of Directors of the Blissymbolics Learning Centre.
The Blissymbolics Learning Centre (also referred to as The Blissymbolics Leaning Centre - Muskoka and the Bala Learning Centre) was a project of BCIC funded by the Ontario Federation for Cerebral Palsy (OFCP) between the years 2001-2006, alongside the support from President Mark Murphy, Ontario Trillium Foundations and other financial donors. The Learning Centre supported Blissymbol users and alumni. In 2006, the OFCP funding ended and the Centre was eventually taken over by a charitable group in Gravenhurst.
This subseries consists of theses in which Blissymbolics is involved or the direct topic of study. The theses come from a variety of different scholars and universities.
This subseries contains books published by Blissymbolics Communication Institute - Canada for the purpose of educating others in using and teaching Blissymbolics.
This subseries contains the affiliate reports and correspondence from BCIC affiliates. This includes Blissymbolic affiliate programs in North America, as well as around the globe.
This subseries consists of VHS tapes, digital storage media, and a film reel. Contents include news clips on Blissymbolics, BCI and augmentative and alternative communication, interviews and workshops with Shirley McNaughton, promotional and explanatory films about Blissymbolics, and various presentation PowerPoints and digital documentation regarding Blissymbolics and Bliss users.
Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles, including two Jazz Orchestra; the Jazz Orchestra 12tet; and the Vocal Jazz Ensemble, directed by Christine Duncan.
Subseries consists of programs and recordings of performances by large ensembles in the Faculty of Music, including: University of Toronto Symphony Orchestra, conducted by Uri Mayer; Wind Ensemble, conducted by Gillian MacKay; Wind Symphony, conducted by Pratik Gandhi; Contemporary Music Ensemble, conducted by Wallace Halladay; MacMillan Singers, conducted by Jamie Hillman; Chamber Choir, conducted by Lori-Anne Dolloff; Soprano/Alto Chorus, conducted by Kathleen Allan; Tenor/Bass Chorus, conducted by Thomas Burton; Guitar Orchestra, conducted by Rob MacDonald; and Graduate Classical Saxophones, conducted by Wallace Halladay.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Afternoon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.
Subseries consists of programs from student recitals at the University of Toronto Faculty of Music (1985-1986). Volume also includes programs from the Thursday Noon Series and programs from masterclasses and other special events held at the Faculty of Music.
Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.
Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.
Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles, including two Jazz Orchestras, directed by Jim Lewis and Jason Logue; the Jazz Orchestra 12tet; and Vocal Jazz Ensemble, directed by Christine Duncan.