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Other pieces, fragments, and sketches

Subseries consists of pieces by other composers, most of which were likely written out by J. Churchill Arlidge so that he could add flute obbligato parts. Most pieces in the subseries were likely performed at least once by Arlidge during his career, but the date of performance is unknown.

Music for performance

Subseries consists of pieces and arrangements by composers other than J. Churchill Arlidge, but copied for Arlidge for particular performances. Subseries also includes sheet music with Arlidge's annotations for performance.

Original compositions and arrangements

Subseries consists of manuscript scores and parts for original compositions, arrangements, and hymn settings by J. Churchill Arlidge. Pieces include those for flute and piano, voice and piano, medleys, choral works, pieces for orchestra, and others. Subseries includes Arlidge's early compositions and arrangements (ca. 1857-1863).

Music for teaching

Subseries consists of technique exercises written out by J. Churchill Arlidge, most likely for his flute students.

Classical sheet music

Subseries consists of classical sheet music, predominantly performed by Harry and Ida "Claudette" Culley as part of their piano duo, the Black and White Spotters. With the exception of occasional pieces for solo instrument and piano; and published arrangements for two pianos, four hands, the sheet music is mainly for solo piano, with some manuscript second piano parts written out by Harry Culley. The sheet music includes annotations and alterations for performance, and most include precise timings. The Culley's performed regularly on radio shows from the 1930s to 1950s and would have to fill a set amount of time. These timings would have helped them select their repertoire for each show. The subseries also contains some orchestral parts, which were likely used by Harry Culley when he was conductor of the Royal York Orchestra (1929-1930) or Music Director at the Royal Alexandra Theatre (1948-1955). Subseries also includes vocal sheet music used by Ida (Fernley) Culley during her time demonstrating pianos in the warerooms of local piano retailers and manufacturers, and collections of etudes used by Harry Culley for lesson books as a child.

Books

Subseries contains digitized book manuscripts by Zuckerkandl.

Published scores

Subseries consists of sheet music and published scores performed by Kathleen Parlow and/or given to her by the composer. The subseries includes quartet parts used by the Parlow String Quartet, and a piano score for Violin Concerto no. 2 by Henryk Wieniawski with annotations by Parlow's teacher Leopold Auer. Most of the sheet music has been annotated by Parlow.

Juvenilia

Subseries consists of Derek Holman's earliest compositions, written when he was a child (up to age 16).

Student-related press

Subseries contains newspaper and magazine clippings relating to the students of Kathleen Parlow. Specifically, many articles focus on her student Gisele MacKenzie (LaFleche).

Press transcriptions

Subseries contains handwritten and typed transcriptions of articles written about Kathleen Parlow and/or her performances around the world. Some of the transcriptions are translations of articles written in various other languages.

Gymnasium records

Sub-series consists of essays written by Nouwen during his years at Gymnasium - a grammar school in the Netherlands for students aged 12 to 18 years who aim to attend university. Top students would learn Latin and Greek.

Scrapbooks

Subseries consists of six scrapbooks regarding Kathleen Parlow's career, including a scrapbook of articles about her students.

Handwritten and typed notes

Subseries includes notes from Leslie Bell's teaching career and his time as a student, as well as research notes for Bell's radio programs and various lectures.

Canada Series

Subseries consists of scores and parts for arrangements by Phil Nimmons for the 13-episode CBC radio program "Canada Series" with Morris Surdin.

Popular sheet music

Subseries consists of popular sheet music, predominantly performed by Harry and Ida "Claudette" Culley as part of their piano duo, the Black and White Spotters. With the exception of occasional songs for voice and piano; pieces for solo instrument and piano; and published arrangements for two pianos, four hands, the sheet music is mainly for solo piano. Second piano parts, which closely follow the solo piano sheet music, were written out by Harry Culley. The sheet music includes annotations and alterations for performance, and most include precise timings. The Culley's performed regularly on radio shows from the 1930s to 1950s and would have to fill a set amount of time. These timings would have helped them select their repertoire for each show. The subseries also contains some instrumental parts written in Harry Culley's hand, which were likely used while he was conductor of the Royal York Orchestra (1929-1930) or Music Director at the Royal Alexandra Theatre (1948-1955).

CBC Stage 52

Subseries consists of scripts, scores, and parts for the Canadian Broadcasting Corporation (CBC) radio series Stage 52, which aired on Sunday nights. Phil Nimmons regularly wrote incidental music for radio plays broadcast on this program.

Postcards

Subseries includes a collection of postcards. Some of the postcards are blank, others were written or sent by Kathleen Parlow. Postcards are in both black and white and colour.

Showtime

Subseries consists of scores and parts for incidental music that Phil Nimmons wrote for "Showtime," previously known as "Canadian General Electric Showtime" or "C.G.E. Showtime" or the "CGE Show".

Seminary records

Sub-series consists of essays and notes written by Nouwen during his time in the seminary. Nouwen spent 1950-1951 at the minor seminary at Apeldoorn, then spent 1951-1953 at the Diocesan Seminary in Rijsenburg, Holland, studying Philosophy, and 1953-1957 studying Theology. Nouwen was ordained on July 21, 1957.

Folio

Subseries consists of scripts, scores, and parts for plays that aired on the CBC television program "Folio." "Folio" ran from 1955 to 1959, succeeding "Scope" and preceding "Festival" as CBC's flagship program from television dramas and musical comedies.

Scrapbook 1956, 1958

Sub-series consists of four original published articles written by Nouwen in 1956 and 1958. All articles are described to the item level. Two articles are copies of those found in the other scrapbooks. It appears that Nouwen prepared this scrapbook while studying at Nijmegen (1957-1964) and gave it to his mother in July 1975.

The Barris Beat

Subseries consists of scores, parts, and scripts for episodes of the Canadian variety television series "The Barris Beat," which aired on CBC TV. Musical arrangements for this show were by Phil Nimmons and Nimmons 'N' Nine served as the house band.

Orchestrations

Subseries consists of parts from dance band orchestrations used by Harry Culley during his time as conductor of the Royal York Orchestra (1929-1930) and as Music Director at the Royal Alexandra Theatre (1948-1955). Many of the parts are annotated for performance, and some files include manuscript parts copied by Harry Culley.

Summarized data

This series contains summarized data for each subject patient (coronary and control), arranged by decade. Includes name of patient, study number, data relating to physical condition at various dates, occupation, social class, etc.

Radio scripts and indices

Subseries consists of radio scripts written by Leslie Bell and indices for particular programs that Bell hosted.

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