Showing 76 results

Archival description
Item
Print preview View:

9 results with digital objects Show results with digital objects

Tape 3a

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

Tape 4b

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

Tape 1

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

The greatest show on earth

Item consists of a videocassette of The Greatest Show on Earth produced by Cecil B. DeMille and distributed by Paramount Pictures in 1952.

Tape 2a

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

Tape 2b

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

Tape 3b

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

Interview with Ricardo Ferro conducted by Rosemonde Desjardins

Item is a video recorded interview between Rosemonde Desjardins (interviewer, representative of FoMARA) and Ricardo Ferro (interviewee). Ricardo Ferro is a Venezuelan-Canadian composer and multi-instrumentalist based in Toronto, Ontario. As an emerging composer, Ricardo has written music for and worked with North American ensembles and performers such as the Calidore String Quartet, Oakville Youth Symphony Orchestra, and Younggun Kim. He has written award-winning music for film and theatre for the Sundeis Film Fastival in Boston and the National Theatre School Festival in Canada. In 2019, Ricarod co-founded the Green Room Sound Collective, a contemporary music organization dedicated to the creation and performance of new dramatic and multimedia works of music, and is currently their artistic director. Ricardo is currently pursuing a degree in composition at the University of Toronto Faculty of Music. Ricardo and Rosemonde's conversation covers topics including eurocentrism in music, music pedagogy, Black Lives Matter, and representation.

Interview with Bruce A. Russell conducted by Elizabeth Robinson

Item is a video recorded interview between Elizabeth Robinson (interviewer, representative of the U of T Music Library) and Bruce A. Russell (interviewee). Bruce A. Russell, (aka Ibrahim El Mahboob) is a composer and self-taught pianist living and working in Toronto. He studied at York University with James Tenney and Phillip Werren, and has composed music for the Madawaska String Quartet, Modetn Times Stage Company, and McMaster dancers and choreographers Pan Johnson and Tracy Renee Stafford. Bruce is particularly interested in 20th and 21st century music, especially posminimalism, and music of the African diaspora, including notated and non-notated forms. Bruce and Elizabeth's conversation covers topics including tokenization, performative diversity, Black Lives Matter, racial politics, and police violence. Tigger warning: this interview includes discussion of discriminatory terminology used to classify Black people. The interview includes mentions of suicidal depression, mental health, and institutionalization.

Interview with Beverley McKiver conducted by Elizabeth Robinson

Item is a video recorded interview between Elizabeth Robinson (interviewer, representative of the U of T Music Library) and Beverley McKiver (interviewee). Beverley McKiver is a music teacher, composer, accompanist, and performer based in Ottawa, Ontario. Beverley's compositions have been performed at Native Earth Performing Arts, Jumblies Theatre, and Soundstreams. In 2020 she premiered a suite of piano solos representing the provincial and territorial emblems, which she composed as a result of a Digital Originals grant from the Canada Council. Beverley and Elizabeth's conversation covers topics including economic disparity, music pedagogy, and violence towards Indigenous communities. Trigger warning: this interview includes discussion of Residential Schools.

Interview with Leighton Harrell conducted by Hillary Chu

Item is a video recorded interview between Rosemonde Desjardins (interviewer, representative of FoMARA) and Leighton Harrell (interviewee). Leighton Harrell is a bassist and composer from Raleigh, North Carolina, currently attending the University of Toronto's Jazz Performance program. Leighton has held a biweekly residency at Poetry Jazz Cafe with his quartet since 2019. He has also performed at venues such as The Toronto Jazz Festival, the Kensington Market Jazz Festival, and Toronto Meridian Centre for the Arts. As a composer and artist, Leighton draws inspiration from hymns and spirituals, folk music, and various traditions of Black American Music. Leighton and Hillary's conversation covers topics including Black AMerican Music, colonialism, cultural appropriation, performative diversity, and music pedagogy.

Interview with Tara Kannangara conducted by Hillary Chu

Item is a video recorded interview between Hillary Chu (interviewer, representative of FoMARA) and Tara Kannangara (interviewee). Tara Kannangara is a vocalist and instrumentalist known for her diverse sound. She is a Juno-nominated artist, and holds a degree in Jazz studies from the Unviersity of Toronto. Tara has performed across North America at venues including the Smithsonian Institute in Washington, D.C., and New York City's Jazz Gallery. Tara is currently a sessional teacher at the University of Toronto in the Faculty of Music's Jazz program. Tara and Hillary's conversation covers topics including assimilation, gender disparity, music pedagogy, racial inequity, and systemic discrimination.

Interview with Dr. Farzaneh Hemmasi conducted by Claire Latosinsky

Item is a video recorded interview between Claire Latosinsky (interviewer, representative of FoMARA) and Dr. Farzaneh Hemmasi (interviewee). Dr. Farzaneh Hemmasi (in Persian orthography فرزانه حمصی ) is as Associate Professor of Ethnomusicology at the University of Toronto. Her research interests include Iranian popular music, the politics of popular culture, and transnationality. Her book, Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music, published in April 2020, examines the postrevolutionary pop music of the Iranian diaspora in Los Angeles as a site of transnational identity creation. She holds a doctorate from Columbia University and has held fellowships with the University of Pennsylvania’s Penn Humanities Forum and Columbia University’s Middle East Institute as well as its Institute of Social and Economic Policy and Research. In the summer of 2020, Prof. Hemmasi was co-chair of the Faculty of Music’s Anti-Racism, Equity, Diversity and Inclusion (AREDI) Workgroup. Dr. Hemmasi and Claire's conversation covers topics including performative diversity, tokenization, music pedagogy, and Black Lives Matter.

Results 1 to 50 of 76