- OTUFM 54-A-7.331-1
- Item
- 1978
Part of University of Toronto Electronic Music Studio tape collection
Patrick, Dennis
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Part of University of Toronto Electronic Music Studio tape collection
Patrick, Dennis
Part of Hershell Ezrin fonds
Original
Part of Harley J. Spiller collection
Zwei Legato-Übungen : für Bariton
Part of Stratton-Clarke collection
Demuth, Leopold, 1861-1910 (baritone). Zwei Legato-Übungen : für Bariton. Fischer, Eugen, 1874-1967. Historic Masters: 4-42307. Matrix 15251u. Recorded in Vienna, Austria.
Zwakke mensen hebben sterke medemensen nodig = Weak people need strong fellow-men
Part of Henri Nouwen fonds
Item consists of a newspaper article called "Zwakke mensen hebben sterke medemensen nodig" by Rik de Gendt. The article is about Ark Flanders celebrating their 20th anniversary and Jean Vanier's L'Arche communities. Attached to the article is an English summary.
Part of University of Toronto Electronic Music Studio tape collection
Heiß, Hermann
Part of University of Toronto Electronic Music Studio tape collection
Heiß, Hermann
Zum 70. Geburtstag Erich Kahlers
Part of Victor Zuckerkandl index
Zuckerkandl introduces the reader to the works of Erich Kahler in celebration of his 70th birthday. The manuscript concludes with a list of Kahler's published works alongside short descriptions of their contents.
Part of Stratton-Clarke collection
Tauber, Richard, 1891-1948 (tenor). Zueignung. Strauss, Richard, 1864-1949 (composer). Odeon: Rxx 76755. Matrix xxB-6441. Recorded in Berlin, Germany.
Part of Stratton-Clarke collection
Oestvig, Karl Aagard, 1889-1968 (tenor). Zueignung. Strauss, Richard, 1864-1949 (composer). Polydor: B 2061. Matrix 1944ar. Recorded in Berlin, Germany.
Part of Stratton-Clarke collection
Schlusnus, Heinrich, 1888-1952 (baritone). Zueignung. Strauss, Richard, 1864-1949 (composer). His Master's Voice: B 2009. Matrix 14120r. Recorded in Berlin, Germany.
Part of Stratton-Clarke collection
Lashanska, Hulda, 1893-1974 (soprano). Zueignung. Strauss, Richard, 1864-1949 (composer). Victor. Matrix BVE-41146-1. Recorded in New York, New York.
Zorn, anerkennung, liebe: tragik and grobe unserer bindung an die familie
Part of Henri Nouwen fonds
Part of University of Toronto Electronic Music Studio tape collection
Rzewski, Frederic
Part of Dan Bender Zoo collection
Part of Henri Nouwen fonds
Zodiac sequence no. 1 and no. 2
Part of University of Toronto Electronic Music Studio tape collection
Henninger, Richard
Zigfrid : Kho-kho, kho-kho : Ariya s molotkom
Part of Stratton-Clarke collection
Ershov, Ivan Vasil'evich, 1867-1943 (tenor). Zigfrid : Kho-kho, kho-kho : Ariya s molotkom. Wagner, Richard, 1813-1883 (composer). Gramophone Monarch: 22034. Matrix 96i. Recorded in St. Petersburg, Russia.
Zigeunerweisen = Gypsy moon (hand in hand)
Part of Stratton-Clarke collection
Tauber, Richard, 1891-1948 (tenor). Zigeunerweisen = Gypsy moon (hand in hand). Borganoff, Igor (composer). Parlophone: RO 20427. Matrix E-9485.
Part of Stratton-Clarke collection
Lehmann, Lotte, 1888-1976 (soprano) ; Ulanowsky, Paul, 1908-1968 (piano). Zigeunerlieder, op. 103. Brahms, Johannès, 1833-1897 (composer). RCA Victor: DM 1188 (10-1393 to 10-1394). Recorded in Camden, New Jersey.
Zigeunerliebe : Ich bin ein Zigneunerkind = Gypsy love : I am a Gypsy child
Part of Stratton-Clarke collection
Schmidt, Joseph, 1904-1942 (tenor). Zigeunerliebe : Ich bin ein Zigneunerkind = Gypsy love : I am a Gypsy child. Lehár, Franz, 1870-1948 (composer). Parlophone: DP 174. Matrix 85273. Recorded in Vienna, Austria.
Zigeunerbaron : Ja, das Schreiben und das Lesen und Vorspiel zum III. Akt
Part of Stratton-Clarke collection
Hann, Georg, 1897-1950 (bass) ; Nick, Edmund, 1891-1974 (conductor). Zigeunerbaron : Ja, das Schreiben und das Lesen und Vorspiel zum III. Akt. Strauss, Johann, 1825-1899 (composer). Polydor: 57440. Matrix 02069-KK. Recorded in [Berlin, Germany].
Zhizn za Tzarya: Rechitativ i Ariya Susanina : Chuyut pravdu
Part of Stratton-Clarke collection
Tihonov, Pavel Il'ic, 1877-1944 (bass). Zhizn za Tzarya: Rechitativ i Ariya Susanina : Chuyut pravdu. Glinka, Michail Ivanovič, 1804-1857 (composer). Matrix 2788¾c. Recorded in Moscow, Russia.
Zhizn za Tzarya : V pole chistoe glyazhu = A life for the Tzar : I gaze across the open plains
Part of Stratton-Clarke collection
Nezhdanova, Antonina Vasil'evna, 1873-1950 (soprano). Zhizn za Tzarya : V pole chistoe glyazhu = A life for the Tzar : I gaze across the open plains. Glinka, Michail Ivanovich, 1804-1857 (composer). His Master's Voice: 023153. Matrix 317af. Recorded in Moscow, Russia.
Part of Stratton-Clarke collection
Chaliapin, Feodor Ivanovitch, 1873-1938 (bass). Zhizn za Tzarya : Rechitativ Susanina : Ay, gde zhe ty moya Antonidushka = A life for the Czar : Susanin's recitative : Where are you, my dearest Antonidushka?. Glinka, Michail Ivanovich, 1804-1857 (composer). His Master's Voice: DB 758. Matrix Cc-4890-1. Recorded in London, England.
Zhizn za Tzarya : Pesnya Vany = A life for the Tzar : Prayer of Vanya
Part of Stratton-Clarke collection
Zbrujewa, Eugenia, 1868 1936 (mezzo-soprano and alto). Zhizn za Tzarya : Pesnya Vany = A life for the Tzar : Prayer of Vanya. Glinka, Michail Ivanovič, 1804-1857 (composer). Gramophone: GC 2-23372. Matrix 7948L. Recorded in St. Petersburg, Russia.
Zhizn za Tzarya : Chuyut pravdu
Part of Stratton-Clarke collection
Kastorskij, Vladimir Ivanovich, 1871-1948 (bass). Zhizn za Tzarya : Chuyut pravdu. Glinka, Michail Ivanovič, 1804-1857 (composer). Historic Masters ; Gramophone: HM 120. Matrix 4959L. Recorded in St. Petersburg, Russia.
Zhizn za Tzarya : Chuyut pravdu
Part of Stratton-Clarke collection
Kastorskij, Vladimir Ivanovich, 1871-1948 (bass). Zhizn za Tzarya : Chuyut pravdu. Glinka, Michail Ivanovič, 1804-1857 (composer). Gramophone & Typewriter Company: GC 3-22565. Matrix 4959L. Recorded in St. Petersburg, Russia.
Zhizn za Tzarya : Chuyut pravdu
Part of Stratton-Clarke collection
Tihonov, Pavel Il'ic, 1877-1944 (bass). Zhizn za Tzarya : Chuyut pravdu. Glinka, Michail Ivanovich, 1804-1857 (composer). Matrix 2788¾c. Recorded in Moscow, Russia.
Zhizn za Tzarya : Ariya = A life for the Tzar : I look over the empty field
Part of Stratton-Clarke collection
Nezhdanova, Antonina Vasil'evna, 1873-1950 (soprano). Zhizn za Tzarya : Ariya = A life for the Tzar : I look over the empty field. Glinka, Michail Ivanovich, 1804-1857 (composer). Matrix 300s. Recorded in Moscow, Russia.
Zhizn na Tzarya : Mazurka = A life for the Tzar : Mazurka
Part of Stratton-Clarke collection
Varlikh, Gugo, 1856-1922 (conductor). Zhizn na Tzarya : Mazurka = A life for the Tzar : Mazurka. Glinka, Michail Ivanovich, 1804-1857 (composer). Matrix 17936b. Recorded in St. Petersburg, Russia.
Zhidovka : Rakhil, ti mne dana
Part of Stratton-Clarke collection
Davydov, Aleksandr Mikhailovich, 1872-1944 (tenor). Zhidovka : Rakhil, ti mne dana. Halévy, Fromental, 1799-1862 (composer). Gramophone Monarch: 022100. Matrix 274m. Recorded in St. Petersburg, Russia.
Zerada Slack (oral history) [audio]
Part of Brazilian Menu collection
Part of Stratton-Clarke collection
Teyte, Maggie, 1888-1976 (soprano). Zémire et Azor : Rose chérie. Grétry, André-Ernest-Modeste, 1741-1813 (composer). RCA Victor: MO 1169. Matrix D6-RB-2876.
Part of Stratton-Clarke collection
Teyte, Maggie, 1888-1976 (soprano). Zémire et Azor : Rose chérie. Grétry, André-Ernest-Modeste, 1741-1813 (composer). RCA Victor: 10-1370. Matrix D6-RB-2876. Recorded in Camden, New Jersey.
Zeit und Raum der musikalischen Erfarhung
Part of Victor Zuckerkandl index
An essay exploring the facets of music that make possible musical experience, including tone, movement, time, and space. Zuckerkandl writes that the experience of tone is always interpreted in relation to a tonal field, and that the difference between an acoustic event and a musical event is the dynamism of the latter. On movement, he writes that the idea of sound movement is problematic as sounds are not physical things that can move; the solution is to regard the movement of tones as pure movement that is separated from physical space. Time, on the other hand, is always pervaded by tactical experience through the experience of grouping; Zuckerkandl writes that we do not feel rhythm as equal division, but as a series of departures from and returns to an origin point, thus musical rhythm is felt as a wave, which can be felt at multiple levels. Musical time is thus felt qualitatively, not as absolute measurement. Finally, Zuckerkandl addresses musical space as a dynamic ordering of tones in relation to each other, rather than as a geometric concept, into which a person gains insight by placing themselves within the musical space as a participant. Zuckerkandl references prominent figures of Gestalt psychology throughout the article, including Max Wertheimer, Kurt Koffka, and Geza Revesz, as well as other figures from psychology and philosophy. Minor edits in pencil to phrasing.
Zeit und Raum der musikalischen Erfahrung [Version B]
Part of Victor Zuckerkandl index
Zuckerkandl explores the spatial and temporal experience of music. The text is comprised of four sections: pitch, movement, time, and space. In the first section, Zuckerkandl explains that pitches “refer” to each other; they do not correspond to objects in the real world. Zuckerkandl’s discussion of movement outlines problems with conceptualizing pitch movement as an object "in different positions in pitch-space.” In the section on time, Zuckerkandl asserts that music is experienced in groupings of twos and threes. In the final section on space, Zuckerkandl explores issues regarding the “placelessness” of “audible space.”
Zeit und Raum der musikalischen Erfahrung [Version A]
Part of Victor Zuckerkandl index
Zuckerkandl explores the spatial and temporal experience of music. The text is comprised of four sections: pitch, movement, time, and space; section headers have been pencilled in. In the first section, Zuckerkandl explains that pitches “refer” to each other; they do not correspond to objects in the real world. Zuckerkandl then explores issues in concepts of pitch movement. In the section on time, Zuckerkandl asserts that musical rhythm is experienced in groupings of twos and threes and is felt as a “wave” or “pulse.” In the final section on space, Zuckerkandl explores issues regarding the “placelessness” of “audible space.”
Zeige mir den weg: texte fur alle tage von aschermittwoch bis ostern
Part of Henri Nouwen fonds
Item consists of a book written by Nouwen containing excerpts from his previously published writings. The translated title is: Show Me the Way : Readings for Each Day of Lent. The 40-day Lenten path includes readings for Ash Wednesday, the four weeks of Lent, Passion Week, Holy Week, Good Friday, and Easter Sunday.
Part of Stratton-Clarke collection
Cuénod, Hugues, 1902-2010 (tenor) ; Ensemble Nadia Boulanger ; Derenne, Paul, 1907-1988 (tenor). Zefiro torna : part 2. Monteverdi, Claudio, 1567-1643 (composer). His Master's Voice: DB 5039. Matrix 2LA-1521-1. Recorded in Paris, France.
Part of Stratton-Clarke collection
Cuénod, Hugues, 1902-2010 (tenor) ; Ensemble Nadia Boulanger ; Derenne, Paul, 1907-1988 (tenor). Zefiro torna : part 1. Monteverdi, Claudio, 1567-1643 (composer). His Master's Voice: DB 5039. Matrix 2LA-1520-1. Recorded in Paris, France.
Part of Stratton-Clarke collection
Nezhdanova, Antonina Vasil'evna, 1873-1950 (soprano). Zdes khorosho = How fair is this spot, op. 21, no. 7 ; Solovey = The rose and the nightingale, op. 2, no. 2. Rachmaninoff, Sergei, 1873-1943 (composer) ; Rimsky-Korsakov, Nikolay, 1844-1908 (composer). Matrix 325af. Recorded in Moscow, Russia.
Zdes khorosho : op. 21, no. 7 ; Ptichka = How fair is this spot ; Little bird
Part of Stratton-Clarke collection
Katul'skaya, Yelena Kliment'yevna, 1888-1966 (soprano). Zdes khorosho : op. 21, no. 7 ; Ptichka = How fair is this spot ; Little bird. Rachmaninoff, Sergei, 1873-1943 (composer) ; Grechaninov, Aleksandr Tikhonovich, 1864-1956 (composer). Amour Gramophone: 2-23761. Matrix 17230b. Recorded in St. Petersburg, Russia.
Zazà : Zazà, piccola zingara = Zaza, little gypsy
Part of Stratton-Clarke collection
Granforte, Apollo, 1886-1975 (baritone). Zazà : Zazà, piccola zingara = Zaza, little gypsy. Leoncavallo, Ruggero, 1857-1919 (composer). His Master's Voice: AGSA 23. Matrix BM-1188. Recorded in Milan, Italy.
Zazà : Zazà, piccola zingara = Zazà, little gypsy
Part of Stratton-Clarke collection
Thomas, John Charles, 1891-1960 (baritone). Zazà : Zazà, piccola zingara = Zazà, little gypsy. Leoncavallo, Ruggero, 1857-1919 (composer). RCA Victor: 15859. Matrix PCS-036427-5. Recorded in Hollywood, California.
Part of Stratton-Clarke collection
Ruffo, Titta, 1877-1953 (baritone). Zazà : Zazà, piccola zingara. Leoncavallo, Ruggero, 1857-1919 (composer). His Master's Voice: DA 355. Matrix A-12660. Recorded in Camden, New Jersey.
Part of Stratton-Clarke collection
Amato, Pasquale, 1878-1942 (baritone). Zazà : Zazà, piccola zingara. Leoncavallo, Ruggero, 1857-1919 (composer). Fonotipia: 92009. Matrix XPh-2691. Recorded in Milan, Italy.
Part of Stratton-Clarke collection
Reali, Antenore, 1897-1959 (baritone) ; Radiotelevisione italiana. Orchestra sinfonica di Torino. ; Basile, Arturo, 1914-1968 (conductor). Zaza : Zaza, piccola zingara. Leoncavallo, Ruggero, 1857-1919 (composer). Cetra: BB 25130. Matrix 2-70930. Recorded in [Turin, Italy].
Zaza : Zaza, kleine Zigeunerin
Part of Stratton-Clarke collection
Stracciari, Riccardo, 1875-1955 (baritone). Zaza : Zaza, kleine Zigeunerin. Leoncavallo, Ruggero, 1857-1919 (composer). Odeon: O 9032. Matrix XXPh-3840. Recorded in Milan, Italy.