Affichage de 113 résultats

File contains correspondence, meeting minutes, and reports regarding a concert of music by contemporary Canadian composers at the Canadian Conference for the Arts (May 5, 1961), including letters from Ken Winters, Barbara Pentland, John Adaskin, Vida H. Peene, Dorothy Ball, John Weinzweig, Alan Jarvis, Catherine Smyth, Arthur Berger, Robert Whitney, and Jean Papineau-Couture.

File consists of correspondence and program information relating to the International Conference of Composers (Stratford, August 1960).

File contains correspondence, book reviews, and three photographs by Peter Smith of the International Conference of Composers (Stratford, 1960). Included in the photographs are Murray Adaskin, John Beckwith, Luciano Berio, John Weinzweig, Oskar Morawetz, Jean-Marie Beaudet, Vagn Holmboe. The conference proceedings were published in 1961 under the title The Modern Composer and His World.

File consists of draft articles for the Royal Conservatory of Music of Toronto Bulletin (April 1965) and the Varsity Graduate (December 1965) on the Student Composers' Symposium in Toronto (February 1965).

File consists of John Beckwith's lecture notes and a promotional flyer for a talk that Beckwith gave at McMaster University (July 15, 1965)

Program:

• Symphonic ode / Weinzweig
• Piano concerto no. 1 / Chopin (Yuko Fujimuna, piano)
• Symphony no. 6 / Tchaikovsky

Program:

• La forza del destino overture / Verdi
• Edge of the world / John Weinzweig (premiere)
• Passacaglia and Fugue / Bach, arr. Stokowski
• Symphony no. 2 / Dvorak

File includes correspondence with and about various Canadian composers, including Violet Archer, Serge Garant, Rodolphe Mathieu, Pierre Mercure, Jean Papineau-Couture, Barbara Pentland, R. Murray Schafer, Harry Somers, Gilles Tremblay, and John Weinzweig. File pertains to the series Canadian Composers, an initiative of the Canadian Music Centre (CMC), which issued detailed studies of individual Canadian composers and their works, beginning with Harry Somers (University of Toronto Press, 1975). John Beckwith was the chairman of the Publications Committee at CMC at the time.

File consists of John Beckwith's handwritten notes for a course that he taught at the University of Ottawa on Canadian music (July 7-11, 1975).

File consists of John Beckwith's handwritten notes for a talk that he gave at the Music Critics Institute (September 20, 1975).

File consists of an revised and corrected copy of the manuscript score and sketches for a piece two trumpets, horn, trombone/euphonium, and tuba. Commissioned by the Canadian Brass and dedicated to Helen and John Weinzweig. The work was premiered by the Canadian Brass at the Stratford Festival (August 25, 1972).

Performers: Academy Symphony Orchestra ; Victor Feldbrill, conductor ; Deniz Tahberer, violin
Program:

• Edge of the world / John Weinzweig
• Violin concerto in D major, op. 61 / Beethoven
• Symphony no. 2 in D major, op. 43 / Sibelius

File consists of John Beckwith's lecture notes and related correspondence for a talk given at Learning Unlimited (March 1, 1984) and to University of Toronto Alumni (November 20, 1984).

Program:

• Egmont overture / Beethoven
• Symphonic ode / Weinzweig
• Symphony no. 35 / Mozart
• Symphony no. 2 / Sibelius

File consists of promotional photographs of John Weinzweig.

Subseries consists of reference files for various staff and faculty at the University of Toronto Faculty of Music. These files were maintained by the promotions office (primarily by Edith Binnie, promotions officer, 1963-1984) and used in the creation of promotional material, including the Faculty's newsletter. Files include memorandums, correspondence, contracts for performances outside of the Faculty, news clippings about activities at the Faculty, and reports on activities and special projects.

Subseries includes files on the following individuals and ensembles: William Aide, Michael Albano, Amici, Raffi Armenian, John Arpin, Gianetta Baril, Lee Bartel, John Beckwith, Boris Berlin, Melvin Berman, Edith Ann Binnie, Douglas Bodle, Russell Braun, Dennis Brott, Walter Buczynski, James Campbell, Ronald Chandler, Stephen Chenette, Gustav Ciamaga, Martha Collins, Steve Dann, Victor Danchenko, Andrew Dawes, Alex Dean, Bernard Diamant, Daniel Domb, Mark DuBois, John Edwards, David Elliott, Barry Elmes, Robin Engelman, Robert Falck, Victor Feldbrill, Lorand Fenyves, Fenyves-Orloff-Parr Trio, Harry Freedman, Ann Cooper Gay, Rivka Golani, Nicholas Goldschmidt, John Greer, Gryphon Trio, Doreen Hall, Christos Hatzis, John Hawkins, Nancy Hermiston, David Hetherington, Pierre Hetu, Derek Holman, Andrew Hughes, Barney Ingraham, Elmer Iseler Singers, Jacques Israelievitch, Wayne Jeffery, Irene Jessner, Gaynor Jones, Eli Kassner, Talivaldis Kenins, Patricia Kern, James Kippen, Lothar Klein, Zoltan Kodaly, Norbert Kraft, Anton Kuerti, Gary Kulesha, Jeanne Lamon, Rosemarie Landry, Lorne Lofsky, Judy Loman, Che Anne Loewen, Boris Lysenko, Lorna MacDonald, Ernest MacMillan, Rika Maniates, Stacey McCartney, Rob McConnell, Lois McDonall, Timothy McGee, Deborah Milsom, Thomas Monahan, Oskar Morawetz, Carl Morey, Mike Murley, Daniel Neff, Nexus, Phil Nimmons, Harvey Olnick, Orford String Quartet, Vladimir Orloff, Patricia Parr, Dennis Patrick, Roy Patterson, Paul Pedersen, Joel Quarrington, Louis Quilico, Stephen Ralls, Doreen Rao, Erika Raum, Paul Read, Gary Relyea, Godfrey Ridout, Eugene Rittich, Shauna Rolston, George Sawa, Ezra Schabas, Pat Shand, St. Lawrence String Quartet, Nora Shulman, Suzanne Shulman, Pierre Souvairan, Scott St. John, Richard Summers, David Tanner, Ivars Taurins, Colin Tilney, Toronto Consort, Joaquin Valdepenas, Cameron Walter, John Weinzweig, William Wright, David Zafer.

File consists of proposals, policies, forms, form letters to composers, correspondence, press releases, copies of newspaper articles, reports, and other records pertaining to the initial years of the John Adaskin Project. The project, under the leadership of John Adaskin, was initially named the "Canadian Contemporary Graded Educational Music Project" and received funding from the Canada Council in 1961. The file includes a copy of Adaskin's initial suggested plan for the project (submitted July 25, 1961); notes on Seminar I, held November 1963, with 15 Canadian composers in attendance (Murray Adaskin, Louis Applebaum, Samuel Dolin, Anne Eggleston, Robert Fleming, Harry Freedman, Talivaldis Kenins, Alfred Kunz, William McCauley, Francois Morel, Clermont Pepin, Murray Schafer, Harry Somers, Norman Symonds, and John Weinzweig) as the first commissioning composers of the project; and materials from Sminar II, held March 1965, with the following Canadian composers: Murray Adaskin, Anne Eggleston, Robert Fleming, Harry Freedman, Talivaldis Kenins, Alfred Kunz, Murray Schafer, Harry Somers, and John Weinzweig.

Program:

• Rhapsody for orchestra / John Weinzweig (premiere)

File consists of correspondence relating to John Beckwith book Music at Toronto: A Personal Account (1995) and the preceding talks that Beckwith gave at the University of Toronto Faculty of Music in celebration of its 75th anniversary (1993). Correspondents include Helmut Kallmann, Rivi Frankle, Chan Ka Nin, Marnie Hare, David Beach, John Hamilton, Stephen Brathwaite, Bruce Minorgan, Paul Pedersen, Paul Green, Fred Clarke, Ezra Schabas, and Doreen Rao. File also includes a photograph of Sir Ernest MacMillan, Godfrey Ridout, Leo Smith, John Weinzweig, and Healey Willan (photo by Herb Nott, ca. 1942), which was used in Beckwith's book.

File consists of correspondence and grant applications regarding commissioned works by John Weinzweig, Barbara Monk Feldman, and Alex Pauk.

File consists of correspondence, editing notes, reviews, and the contract with Golden Dog Press for John Beckwith's book Music Papers: Articles and Talks by a Canadian Composer, 1961-1994 (Ottawa: Golden Dog Press, 1997). The file includes correspondence with the publishers, editors, and other related individuals regarding publishing permissions.

Correspondents include Michael Gnarowski and Dennis Forcese (Gold Dog Press), Howard Brown, Louis Applebaum, Glenn Colton, Rick MacMillan (SOCAN), Robert Fulford, David Lasker (Globe and Mail), John B. Lawson, Harry Somers, Raymond Ringuette, William Toye, Carl Morey, John Weinzweig, Ezra Schabas, and Geoffrey Payzant.

File contains correspondence, press reviews, rehearsal schedules, performance contracts, and the stage manager's script for the NMC concert on April 12, 1987.

Item contains a copy of the poster, autographed by John Weinzweig.

Program:

• Gordian suite no. 1 / Purcell
• Flute concerto / Vivaldi
• Adagio and fugue / Mozart
• Flute divertimento / Weinzweig
• String serenade
• Air / Bach

File consists of correspondence and grant applications relating to commissions funded by the Canada Council, including those by Melissa Hui, Udo Kasemets, and John Weinzweig.

File consists of the manuscript score for a set of pieces for piano solo, dedicated to John Weinzweig. The set includes:

1. Distant bugle 1
2. Single file
3. Distant bugle 2
4. Unfinished rag.

File consists of correspondence and grant applications relating to commissions funded by the Ontario Arts Council (OAC), including those by Melissa Hui, Udo Kasemets, and John Weinzweig.

File consists of correspondence, reviews, and notes for a concert featuring the music of five members of the founding generation of the League of Canadian Composers (Murray Adaskin, Violet Archer, Jean Papineau-Couture, John Weinzweig, and Barbara Pentland) on February 24, 1991.

File consists of correspondence and notes regarding the book Weinzweig: Essays on his Life and Music (Waterloo: Wilfrid Laurier University Press, 2011), co-edited by Brian Cherney and John Beckwith. File includes digital photos from the book launch event. File includes correspondence with Elaine Keillor, John Weinzweig, Rebecca Sinnaeve (Toronto Musicians' Association), Cheryl Martin (Royal Conservatory of Music), Clark Ross, Robert Aitken, and Bruce Mather.

Program:

• Violin concerto / Weinzweig (Albert Pratz, violin)

File consists of CJRT FM recordings of New Music Concerts' October 20, 1979 performance in Walter Hall, which was broadcast on November 12, 1979. The concert included a performances of:

• Trio for flute, oboe, harpsichord / Oskar Morawetz
• Anerca : excerpt / Serge Garant
• Contrasts for six performers : excerpt / Norma Beecroft
• Incandescence / Pierre Mercure
• Trois caprices, no. 3 : excerpt / Jean Papineau-Couture
• The Confession stone : excerpt / Robert Fleming
• Trio con Alea : for violin, viola and cello : excerpt / Barbara Pentland
• Calceolaria : excerpt / Udo Kasemets
• Requiems for the party girl : excerpt / R. Murray Schafer
• Canada dash, Canada dot. Bon ami / John Beckwith
• Etude en forme de toccate for two percussionists / Francois Morel
• Sui : for flute, percussion and metronomes / John Fodi
• Improvisation : excerpts / Harry Somers
• Illumination II : excerpt / Otto Joachim
• Paulutation : for prepared tape / Hugh Le Caine
• For : excerpt / Paul Pedersen
• Canon for Stravinsky / Gustav Ciamaga
• ...le sifflement des vents porteurs de l'amour : excerpt / Gilles Tremblay
• Madrigal IV : excerpt / Bruce Mather
• A Private collection : excerpt / John Weinzweig
• Nautilus : excerpt / Barry Truax
• La Tourangelle : excerpt / Istvan Anhalt
• The Explainer : excerpt / Harry Freedman
• Greeting music / Claude Vivier
• Three pieces for clarinet and piano, no. 2 : excerpt / Francis Chan
• Group portrait with piano for woodwind quintet : excerpt / Brian Cherney

File consists of a recording of a fundraising concert for New Music Concerts (NMC) at Gallery 345 featuring the music of John Cage, John Weinzweig, Barbara Pentland, Witold Lutoslawski, Conlon Nancarrow, and Henry Brant.

File consists of correspondence, contracts, and rehearsal schedules for a concert by New Music Concerts that included music by Brian Cherney, John Weinzweig, Chris Harman, and Adam Scime.

File consists of correspondence and a draft program for a concert of music by John Weinzweig at Walter Hall, University of Toronto Faculty of Music on March 8, 2013.

Program:

• Dummiyah / John Weinzweig (premiere)
• Violin concerto / Berg (Lorand Fenyves, violin)

File consists of 2 pages of interview notes; Notations v 5, no 1 published interview with David Olds.

Program:

• John Weinzweig
• Strauss
• Vivaldi

Program:

• Divertimento 9 for orchestra / Weinzweig

Compilation of recordings of Canadian music:

• Champagne dances vallagroises / Ridout
• Barn dance / Weinzweig
• Piano concerto / Weinzweig
• Piece concertante / Jean Papineau concerto
• Symphony in 10 parts, second movement / Barbara Pentland
• Flute, percussion / Gilles Tremblay
• Electronic studios (Dance music) / Ann Southam
• Concerto grosso / Symonds
• Moonlight / Schafer
• Influence of country / Somers

Item is a photograph taken during the reception following the 80th Birthday Concert for John Weinzweig at the Faculty of Music (March 11, 1993). Pictured (left to right): Harry Somers, Phil Nimmons, Victor Feldbrill, John Weinzweig, R. Murray Schafer, and John Beckwith.

Dub from CBC Thursday Music.
Program:

• Dummiyah / John Weinzweig
• Violin concerto / Alban Berg (Fenyves, violinist)
• Essay for orchestra, op. 12 / Samuel Barber

Victor Feldbrill's 80th birthday concert program:

• Symphonic ode / Weinzweig
• Double concerto / Brahms (Ralston, St. John)
• Symphony no. 7 / Dvorak

File consists of copies of newspaper articles and programs featuring John Weinzweig and a copy of a memorandum from CBC AM Radio regarding two radio shows on Weinzweig (1973). Weinzweig (1913-2006) taught at the Faculty of Music in the University of Toronto from 1952 until his retirement in 1978.

Program:

• Red ear of corn / Weinzweig