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Fonds consists of 3 accessions

B2003-0023 (7 boxes, 1892-1921): This accession documents the short life of Gerald Edward Blake from his birth in 1892, his education at Ridley College and the University of Toronto, to his death on the battlefields of France during World War I in 1916. Series 1 and 3 contain his diaries and correspondence to family members in which he describes his experiences at school, his trips to Britain and France in 1913 and most significantly, his 13 months of service during World War I. The majority of his letters are to his mother during his months overseas, but there are also letters to his sisters, Margaret (1893-1963), Constance (1896-1979) and his brother, Verschoyle (1899-1971). Some of these letters are attached to typescript copies, prepared by his brother Verschoyle prior to 1971. Capt. Blake also sent postcards annotated by him which provide a photographic record of British army life in camp, as well as official coloured war service postcards of the British army in action. Other postcards of street scenes in France and Britain helped to illustrate the places he had been including the town of Pozières near which he was killed in 1916 (Series 5). Other war records include his military orders and notes while at the front, and his copy of active service bible. Correspondence and photographs also document his close friendship with his cousins Hume Wrong (1894 – 1954; BA 1915) and Harold Wrong (b.1891; BA 1913), who was also killed in action in July 1916. After Gerald’s death, Hume Wrong assisted Mrs. Blake in making arrangements for her son’s grave site in France and sent home photographs of the cemetery which he visited in 1920-1921 (Series 5). In addition, Mrs. Blake received other remembrances of her son’s service such as a commemorative medal from the British Army, a copy of the history of his battalion’s service in the War and a copy of Volume II of the British Roll of Honour (Series 4).

B2004-0028 (2 files, 1902-1914): Original diploma of Gerald Blake awarded for Bachelor of Arts degree, University of Toronto, 1914; photocopies of letters from Gerald Blake's father, Edward Francis Blake, to administrators at schools (St. Andrews College, and Ridley College) attended by Gerald Blake, 1902-1904. (Photocopies are from original letterbook of E.F. Blake to be given to the Archives of Ontario).

B2006-0025 (1 file, 1915): Four letters written by Gerald Blake to his sister, Constance and his mother in 1915 while serving in W.W. I. Also includes typescript of "Dedicatory Prayer" on death of Gerald Blake.

Fonds consists of the following series: Subject files, 1932-2003; Records relating to students, 1913-2003; Correspondence of the Registrar, 1928-1975; Records related to courses and programmes, 1893-2003; and Emmanuel College Chapel records, 1945-1960; Records related to orientation and convocations; and Records related to recruitment.

Series 4 - Records related to courses and programmes - contains records of Union Theological College, the antecedent of Emmanuel College.

Fonds consists of 7 accessions

• B1986-0032: Personal records of J. W. Michael Bliss, Professor in the Department of History. (9 boxes, 1958-1975)
• B1987-0043: Personal records of J. W. Michael Bliss, Professor in the Department of History. (11 boxes, 1962-1982)
• B1988-0076: Correspondence regarding and drafts, with comments, of manuscript for J. W. Michael Bliss's book, "Northern Enterprise: five centuries of Canadian Business" published by McClelland and Stewart, 1987. (5 boxes, 1985-1986)
• B2006-0015: Personal records of Michael Bliss, professor of history, consisting of correspondence, consulting and editorial work, manuscripts and publications, lecture notes and associated teaching files, addresses, references; 1,216 slides illustrating a wide variety of subjects in Canadian history; 93 slides illustrating the Montreal smallpox epidemic of 1885; photographs relating to themes in Canadian business and general history. (31 boxes, 1881-2005)
• B2017-0007: Further personal records of Michael Bliss, Professor Emeritus of History, consisting of personal and family correspondence, and photographs; other correspondence; scrapbooks; interviews; files relating to the University of Toronto, including memorabilia from his years as a senior fellow on the Massey College; addresses; drafts of articles, a play, books (including biographies of Sir William Osler and Harvey Cushing, and Bliss’ memoirs), short stories and book reviews; files on consulting and editing projects; files on professional organizations, especially the American Osler Society. (38 boxes and 4104 digital files, 1856-2017)
• B2017-0008: Handwritten, typed, and word-processed journals, along with digital versions covering Bliss’ life and career from 1967 to 2017. (3 boxes and 56 digital files, 1967-2017)
• B2021-0023: Records surrounding his health and subsequent death. Includes his medical records, diary and notes he made about his health, and email correspondence from friends who reviewed his medical records after his death, on behalf of the Bliss family. Also includes items following his death including obituaries and tributes, letters of condolence, and the guest book from the Memorial Service at Massey College.

This collection contains a variety of materials relating to the development, dissemination, use, and study of Blissymbols by Blissymbolics Communication Institute - Canada, and by affiliate organizations, scholars, educators, and users of augmentative communication around the world. The collection additionally includes administrative records, promotional material, and memorabilia of the BCIC.

This series consists of teaching, sample and personal communication tools and displays for users of Blissymbolics. This includes Blissymbol boards, books, and other augmentative communication devices.

This subseries consists of sample Blissymbol communication displays, including boards, books, posters and electronic communication devices used for instructor reference, student teaching, student evaluation, and individual use.

File contains sample Blissymbolic communication books, one disassembled, as well as one poster with photos of a personal Blissymbolic communication book.

Godfrey Uyeno, George Tashichi’s son, went on to join the Royal Canadian Air Force in in the 1950s. This series contains material relating to his time in the military. He flew in a CF-100, was an all-weather interceptor in a two man crew consisting of a pilot and navigator. Godfrey, the navigator, directed the pilot to intercept enemies using radar. He served as navigator during his tour from 1958 to 1963 and spent the rest of his time with the Royal Canadian Air Force on ground jobs.

Contains official documents, newspaper clippings, scrapbooks, photographs and other biographical material related to the life of Japanese Canadian Hide Shimizu and her family members. Includes material related to Shimizu's awards from the Order of Canada, the Order of the Precious Crown (Government of Japan) and the National Association of Japanese Canadians (NAJC).

• B2002-0009/001P(01)-(05): Sikh Studies Conference: photographs taken at a dinner in the home of Prof. Israel.
• B2002-0009/001P(06)-(07): Photographs of the office in the Centre for South Asian Studies, room 2054 Sidney Smith, 1985
• B2011-0004/001(18): Photographs of M. Israel at the Indo-Canadian Institute, 1980, with Canadian students, and Resident Director

Records document Milton Israel’s graduate studies at University of Michigan, and his publishing, teaching and research activities as Professor of South Asian Studies in the Department of History at the University of Toronto. The records relating to his graduate studies consist of research notes and some footnote drafts for his doctoral thesis “The Anglo-Indian in defense of authority, 1905-1910”.

A significant portion of the B2002-0009 accession documents his research and teaching activities relating to South Asian settlement and migration during the 1990s and includes course materials for HIST 394, a course he developed on this topic. In addition there is correspondence and reports relating to the Sikh Studies program in the Department for the Study of Religion developed at the time he was Director for the Centre for South Asian Studies.

The B2011-0004 accession contributes significantly to his research and teaching activities, including course materials and lecture notes for HIS 101, HUM 101, HIS 232, HIS 282, HIS 364 and HIS 394, relating to British colonialism, the history of India and particularly modern India, and South Asian civilization and migration. Also included are several popular lectures and seminars that Professor Israel gave over the course of his career.

Records documenting his publication activities in Series 4 focus on primarily three projects: his book In the future soil: a social history of the Indo-Canadians in Ontario (1994), his work on Encyclopedia of Canada’s Peoples (1999) while he was Chair of the Multicultural History Society of Ontario and “Safe Haven. The refugee experience of five families”, a book and exhibition produced in cooperation with the Royal Ontario Museum. Accession B2011-0004 also includes notes and correspondence regarding several published reviews and articles by Professor Israel, as well as reviews of these key publications.

An earlier accession (B1995-0052) is represented in Series 6, and includes correspondence, research material, notes and card files relating to, with drafts of, Milton Israel's book, "Communications and Power: propaganda and the press in the Indian Nationalist Struggle, 1920-1947" (1994).

Fonds consist of 3 accessions. See accession-level descriptions for more details.

This accession consists of administrative records of the Art Museum at the University of Toronto and the galleries comprised within: the Justina M. Barnicke gallery and the University of Toronto Art Centre (UTAC). Records consist of exhibition materials including curatorial research, correspondence, grant applications, proposals, budgets, loan agreements, install guides, lists of works, didactic labels, press materials, invitations, exhibition texts and catalogues, and condition and conservation reports. Records also include facilities reports and renovation plans, collection management files, event and lecture records, and board meeting minutes.

This accession consists of administrative records of the Art Museum at the University of Toronto and the galleries comprised within: the Justina M. Barnicke gallery and the University of Toronto Art Centre (UTAC). Records consist of exhibition materials including curatorial research, correspondence, grant applications, proposals, budgets, loan agreements, installation guides, lists of works, didactic labels, press materials, invitations, exhibition texts and catalogues, and condition and conservation reports. Records also include facilities reports, building plans, a selection of historical records from University College, ephemera, administrative records of work-study and volunteer programs, collection management files, event and lecture records, and board meeting minutes.

The Peter H. Russell fonds is comprised of three accessions: B2005-0001, B2017-0006, and B2019-0008. The records span over 60 years and document Prof. Russell’s academic career primarily with the Department of Political Science at the University of Toronto and as a recognized expert in the field of judicial, constitutional, and Indigenous politics.

Arranged in fourteen series, the records consist of correspondence, both personal and professional, manuscripts of published and unpublished works, addresses, talks and reviews, teaching and research materials. In particular, these records document the development of his expertise through the preparation of manuscripts, research, teaching and communication with colleagues at universities in Canada and internationally. Material also reflects Prof. Russell’s advocacy and active engagement in a number of national issues.

Correspondents in accession B2005-0001 include members of the Canadian judiciary such as Justices D. C. McDonald, Bora Laskin, Bertha Wilson, and Alan Linden, and politicians such as Bob Rae, Ian Scott, Ed Broadbent and Stephane Dion.

Both Series 6 (Professional activities and addresses) and Series 11 (Articles, reviews, published addresses and referee comments), contains samples of talks and addresses delivered to prominent bodies such as the Toronto Club, the Canadian Club (Toronto and Winnipeg), to university audiences and local community groups such as Learning Unlimited.

His public service activities with Indigenous groups, such as the Dene Nation, and with related governmental bodies, such as the Royal Commission on Aboriginal Peoples and the Ipperwash Inquiry, are documented in Series 5 (Consultation and public service). In addition to his academic activities, material from accession B2005-0001 in this series includes records relating to his community involvement with the Wychwood Rate Payer’s Association, the Bathurst-St. Clair Task Force, Legal Aid Committee, Ontario Liberal Association and University Settlement, among others.

Finally, material in this fonds provides significant coverage of Prof. Russell’s participation in associations and organizations such as the Churchill Society for the Advancement of Parliamentary Democracy (Series 7) University of Toronto Faculty Association (Series 8), the College and Retiree Association of Canada (Sub-series 10.1) and the Retired Academics and Librarians of the University of Toronto (Sub-series 10.2).

The collection consists of manuscript drafts and proofs of her novels and novellas, as well manuscripts of unpublished work and some non-fiction. It also includes correspondence (editorial as well as fan mail), and marketing and publicity material.

Fonds consists of the records of Larry Davies, the Director of the External Relations and Development Department, primarily outgoing correspondence as well as records documenting the relationship between the Department, alumni, and alumni groups such as the Alumni of Victoria College (AVC) and the Emmanuel College Alumni/ae Association. Records also document fundraising and development activities as well as the planning and hosting of events such as reunions and milestone celebrations.

Fonds contains lists of Permanent Class Executives of Victoria College, guest book and transcripts of addresses given at the Memorial Service held for Victoria University President A.B.B. Moore, promotional material, questionnaires, notes, lists, correspondence, research material, reports, financial records, annual reports, and photographs.

The fonds is made up of seven series: Series 1: Special Events and Celebrations; Series 2: Campaigns and Fundraising; Series 3: Records of the Director; Series 4: Records related to Victoria College Alumni; Series 5: Publications and Newsletters; Series 6: Records related to Emmanuel College Alumni; and Series 7: Photographs.

File consists of an annotated score with a handwritten English libretto and photographs of the actors on stage with the set from a February-March 1954 Canadian Opera Company (COC) production that Herman Geiger-Torel directed with Ernesto Barbini, conductor; Hans Berends, set designer; and Suzanne Mess, costume designer.

Performers: Evelyn Gould, Joanne Ivey, Andrew MacMillan, Bernard Turgeon, Sylvia Grant, Patricia Rideout, Phyllis Mailing, Jon Vickers, Glenn Gardiner, Mary Morrison, James Milligan, Ernest Adams, Lesia Zubrack, Alexander Gray, William Copeland, Robert Goulet, Dolores Huck.

File consists of an annotated score with Herman Geiger-Torel's notes from a 1965 performance and three photographs of the set and one of the opera singers. Annotations include a handwritten cast list from another, likely earlier, performance. The 1965 production for the Canadian Opera Company (COC) was directed by Herman Geiger-Torel with Wolfgang Martin, conductor; Brian Jackson, set designer; and Suzanne Mess, costume designer.

Performers (1965): Garnet Brooks, Darlene Hirst, Donald Young, Maurice Brown, David Geary, Margaret Tynes, Roxolana Roslak, Joanna Myhal, Royce Reaves, Phil Stark, Arlene Meadows, Thomas Park, Danny Tait, Ian Garratt, Wallace Williamson, Tito Dean, Oskar Raulfs, Ermanno Mauro, Abbot Anderson.

File consists of an annotated score with production notes from the September-October 1969 production by the Canadian Opera Company (COC), including stage plans and a photograph of the set. The COC production was directed by Herman Geiger-Torel with Heinrich Bender, conductor; Lawrence Schäfer, set design; and Marie Day, costume design.

Performers: Joan Maxwell, Kathryn Newman, Leah Werman, Dodi Protero, Elsie Sawchuk, Stephanie Gerson, Astrid Varnay, Eileen Schauler, Mignon Dunn, Sonia Rohozynsky, Lorna Hearst, Paul Trépanier, Steven Henrikson, Richard Mundt, Heran Rombouts, Phil Stark.

Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.

Fonds consists of records documenting the professional and personal life of analytic philosopher and professor, Ian Hacking. Records primarily focus on the academic and publishing activity of Hacking from the early 1980s to 2010. The material reflects the broad and diverse interests of Hacking in his work, as well as his exchange with scholars in diverse fields. Records include correspondence, manuscripts and drafts of written works, reprints, lecture notes, and extensive subject files. Additionally, correspondence, press clippings, and photographs chronicle Hacking’s professional and academic achievements.

Fonds also documents aspects of Hacking’s personal and family life. These include his diaries and notebooks, birth and marriage certificates, drawings by his children, family snapshots, as well as correspondence, photographs, and copies of records from the Hacking and MacDougall families.

See series and subseries descriptions for additional information.

Fonds consists of correspondence, subject files, course material, research records, and conference and publication files documenting the life and career of Prof. Roxana Ng, professor at OISE and community activist. Fonds also includes administrative material from OISE, in particular from AECP (Adult Education and Counselling Psychology) Department, the AECD (Adult Education and Community Development Program), CIARS (Centre for Integrative Anti-Racism Studies), and the CWSE (Centre for Women’s Studies in Education).

Fonds also includes records relating to Prof. Ng’s involvement in various community groups, NGOs and grassroots organizations, including the Apparel Textile Action Committee (ATAC), CERIS (The Ontario Metropolis Centre), the Canadian Research Institute for the Advancement of Women (CRIAW), The International Ladies' Garment Workers' Union (ILGWU), INTERCEDE (International center to End Domestic Exploitation), Inter Pares, The Jade Garden Adjustment Committee, the National Organization of Immigrant and Visible Minority Women of Canada (NOICMWC), UNITE (the Union of Needletrades, Industrial and Textile Employees), Women Working with Immigrant Women (WWIW), and the Homeworkers Association (HWA)

Series consists of textual records and graphic material documenting Ian Hacking’s personal life and career, with eight files related to the histories of both the Hacking and MacDougall families. Records include a passport, birth and marriage certificates, family snapshots, drawings by his children, as well as correspondence detailing financial contributions made to various charities and initiatives. Hacking’s professional and academic activity is reflected in written and photographic documentation of awards and honours received, including the Killam Prize for the Humanities, the Companion to the Order of Canada, and the Holberg International Memorial Prize. Also included in the series is an autobiographical document written by Hacking detailing the orientation of his research.

Digital files consist of files documenting his personal life and family [“BUSYNESS”], a folder of biographical information and curriculum vitae, further documentation about the Holberg Prize, and drafts of writings by Judith Baker titled “Trust and Commitment” and “Some Aspects of Reasons and Rationality”.

Fonds consists of records, 1946–2009, consisting of six series relating to Johnston’s academic life and research, including those relating to her education, 1946–1961; professional life, 1957–2009;Records relating to the church, theatre and other activities, 1965–2003; teaching records, 1959–2008; scholarships and publications, 1971–2009. and photographs, [1961?]–2002.

Fonds consists of records created between 1946–2009, consisting of six series relating to Johnston’s academic life and research, including: Education, 1946–1961; Professional life, 1957–2009; Records relating to the church, theatre and other activities, 1965–2003; Teaching records, 1959–2008; Scholarships and publications, 1971–2009; and photographs, [1961?]–2002.

Contains materials generated and collected in the course of business by the Toronto Anti-Draft Programme (TADP), 1964-1977. Includes individual case files, intake and housing records, sales records for the Manual for Draft-Age Immigrants to Canada, counseling materials, lobbying and public relations files, materials from other activist, religious and anti-war groups, TADP administrative records, and a collection of printed items.

Collection predominantly consists of programs that Carl Morey collected from attending performances and for research purposes. Some programs include program notes written by Morey (e.g., Canadian Opera Company programs, among others), ticket stubs, newspaper clippings of reviews of the performances, and/or autographs from the performers.

This series consists of one folder with two photographs. The first is a portrait of Nathan Keyfitz taken in 1960 while the second is of Northwest Company Buildings in Terrebonne, Quebec.

This fonds consists of a mix of documents and records pertaining to Easterbrook’s various professional roles, including those of teacher, researcher, and administrator. Of the three accessions that make up the fonds, B1975-0030 consists of correspondence with Harold Innis as well as assorted notes, including those taken from discussions with Innis during his final months; B1979-0039 consists of correspondence, memoranda, reports, notes, and manuscripts documenting Easterbrook’s roles as professor and head of the Department of Political Economy; while B1985-0011 consists of textual and graphic records documenting Easterbrook’s teaching activities and term as Chairman of the Department of Political Economy. There is thus considerable overlap between the aforementioned accessions. The organization of the fonds into series consequently reflects this overlap such that several accessions often appear in a single series.

Fonds includes audio tapes, video art works, correspondence, compositions and arrangements, scrapbooks, and term papers for Taussig's graduate courses.

Fax announcing the departure of Van Hori from the Toronto NAJC chapter. Includes some photographs of Hori at the Ottawa Banquet.

Fonds consists of the records of the Board of Regents and its committees

Series consists of programs and posters from concerts held at Gallery 345, as well as thank you cards and notes from performers, and building plans for the gallery space and building (345 Souraren Ave., Toronto, Ontario). Series also includes a USB thumb drive (173 MB) with archived files from the Gallery 345 website, including performance announcements, program information, and performer biographies.

Fonds consists of recordings of performances and related ephemera, including programs and posters, from events at Gallery 345 in Toronto, from its opening in 2005 to its closure in 2019.

Subseries consists of sketches and photographs of set and costume designs for productions by the Opera School, including:

• Figaro's wedding costume from Mozart's Le Nozze di Figaro : costume design for Andrew MacMillan, designed by Stewart Bagnani (1948 and 1951)
• Ballet, act III from Mozart's Le Nozze di Figaro : costume design by Stewart Bagnani (1948 and 1951)
• Susanna's wedding dress from Le Nozze di Figaro : costume design for Marguerite Gignac, designed by Stewart Bagnani (1948 and 1951)
• Sparafucile from Verdi's Rigoletto : costume design for Jan Rubes, designed by Stewart Bagnani (1950)
• Don Giovanni from Mozart's Don Giovanni : costume design for Edmund Hockridge, designed by Stewart Bagnani (1950)
• Donna Elvira's travelling costume from Mozart's Don Giovanni : costume design for Elizabeth Benson Guy, designed by Stewart Bagnani (1950)
• Rossini's Il Turco in Italia : [photograph of set design] (November 1968)
• Verdi's Rigoletto : costume designs for Rigoletto by Suzanne Mess (1973)
• Mozart's Don Giovanni : [photographs of set design] (March 1978)
• Britten's Rape of Lucretia : [slides for projection] (December 1978)
• Offenbach's Orpheus in the Underworld : costume sketch for Pluto, designed by Elsie Sawchuk [photograph] (March 1979)
• Britten's Sir John in Love : [set designs] (March 1984)
• Mozart's Don Giovanni : costume designs for Donna Anna, performed by Alyssa Durnie and Leannie Kaufman [2017]
• Mozart's Marriage of Figaro : production sketches (n.d.).

Subseries consists of photographs and contact sheets of most major Opera School productions between 1946 and 2016; headshots of performers and administrators (Kathryn Knapp, John Beckwith, Ettore Mazzoleni, Tyrsa Gawrachynsky, Jacqui Lynn Fidlar, Tania Perrish, Eve-Rachel McLeod, Herman Geiger-Torel, Virginia Lippert, Marion Parsons, Ernesto Barbini, Ermanno Mauro, Alpar the fencing master); and photographs from various Opera School events, including the Opera Department's 25th anniversary, the commemoration of the Herman Geiger-Torel room, and Lofti Mansouri's visit. Subseries also includes photographs of MacMillan Theatre, Walter Hall, the construction of the Edward Johnson Building, opera student scholarship winners, and Helen May's lesson with Dr. Ernesto Vinci, with Emelie Rubleu at the piano (June 25, 1952).

Subseries includes photographs from the following productions:

• Opera excerpts (December 1946)
• The Bartered Bride by Bedřich Smetana (April 1947)
• Orfeo and Eurydice by Christoph Willibald Gluck (February 1948)
• Rosalinda by Johann Strauss (May 1948)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (December 1948)
• Gianni Schicci by Giacomo Puccini (March 1949)
• La Bohème by Giacomo Puccini (May 1949)
• Hansel and Gretel by Engelbert Humperdinck (November 1950)
• Rigoletto by Giuseppe Verdi (February 1950)
• Opera School film by the National Film Board (1951)
• The Old Maid and the Thief by Gian Carlo Menotti (April 1952)
• Madame Butterfly by Giacomo Puccini (February 1953)
• Cosi fan tutte by Wolfgang Amadeus Mozart (February 1953)
• Angelique by Jacques Ibert (May 1953)
• The Telephone by Gian Carlo Menotti (April 1955)
• Amelia Goes to the Ball by Gian Carlo Menotti (April 1959)
• The Marriage contract by Gioachino Rossini (April 1960)
• Die Kluge by Carl Orff (April 1961)
• The Mother by Alois Hába (April 1961)
• Maria Egiziaca by Ottorino Respighi (April 1961)
• A Dinner Engagement by Lennox Berkeley (April 1962)
• Cosi fan tutte by Wolfgang Amadeus Mozart (1963)
• Amahl and the Night Visitors by Gian Carlo Menotti (December 1964)
• Albert Herring by Benjamin Britten (March 1964) [opening of MacMillan Theatre]
• Angélique by Jacques Ibert and Le Pauvre Matelot by Darius Milhaud (April 1964)
• The Secret Marriage by Domenico Cimarosa (February 1965)
• Deirdre by Healey Willan (April 1965)
• The Love for Three Oranges by Sergei Prokofiev (December 1965)
• L'Oca del Cairo by Wolfgang Amadeus Mozart (January 1966)
• Die Kluge by Carl Orff (February 1966)
• The Portuguese Inn by Luigi Cherubini and The Wandering Scholar by Gustav Holst (March 1966)
• Deirdre by Healey Willan (September 1966)
• Hansel and Gretel by Engelbert Humperdinck (December 1966)
• The Impressario by Wolfgang Amadeus Mozart and Le Portrait de Manon by Jules Massenet (January 1967)
• The Rape of Lucretia by Benjamin Britten (February 1967)
• Dialogues des Carmelites by Francis Poulenc (April 1967)
• Oedipus Rex by Igor Stravinsky (November 1967)
• Le Portrait de Manon by Jules Massenet and There and Back by Paul Hindemith (December 1967)
• The Magic Flute by Wolfgang Amadeus Mozart (December 1967)
• The Unwilling Physician by Salvatore Allegra and Il Combattimento di Tancredi by Claudio Monteverdi (January 1968)
• Pelléas et Mélisande by Claude Debussy (March 1968)
• The Turk in Italy by Gioachino Rossini (November 1968)
• Amahl and the Night Visitors by Gian Carlo Menotti (December 1968)
• Hamlet by Humphrey Searle (February 1969)
• Ariadne on Naxos by Richard Strauss (March 1969)
• "A School for Opera" by Wolfgang Amadeus Mozart, Gioachino Rossini, Giuseppe Verdi, and GIacomo Puccini (March 1970)
• Iphigenie en Tauride by Christoph Willibald Gluck (November 1970)
• The Little Sweep by Benjamin Britten (December 1970)
• "The Magic of Opera" by Carl Maria von Weber, Giuseppe Verdi, and Jacques Offenbach (March 1971)
• The Rake's Progress by Igor Stravinsky (December 1971)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1972)
• Falstaff by Giuseppe Verdi (January 1973)
• L'Ormindo by Francesco Cavalli (April 1973)
• The Prisoner's Play by John Rea (May 1973)
• Don Giovanni by Wolfgang Amadeus Mozart (January 1974)
• Cosi fan tutte by Wolfgang Amadeus Mozart (1974)
• Dido and Aeneas by Henry Purcell and Gianni Schicci by Giacomo Puccini (April 1974)
• The Elixir of Love by Gaetano Donizetti (January 1975)
• Cosi fan tutte by Wolfgang Amadeus Mozart (April 1975)
• The Crucible by Robert Ward (January-February 1976)
• The Mines of Sulphur by Richard Rodney Bennett (April 1976)
• The Four Ruffians by Ermanno Wolf-Ferrari (January 1977)
• Katya Kabanova by Leoš Janáček (March 1977)
• Albert Herring by Benjamin Britten (December 1977)
• Orpheus in the Underworld by Jacques Offenbach (December 1977)
• Don Giovanni by Ralph Vaughan Williams (March 1978)
• Rape of Lucretia by Benjamin Britten (November 1978)
• Orpheus in the Underworld by Jacques Offenbach (March 1979)
• L'Enfant Prodigue by Claude Debussy and Gianni Schicci by Giacomo Puccini (November 1979)
• Dialogues of the Carmelites by Francis Poulenc (March 1980)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (November 1980)
• Patience by Arthur Sullivan (March 1981)
• La Perichole by Jacques Offenbach (November 1981)
• Amelia Goes to the Ball by Gian Carlo Menotti and Riders to the Sea by Ralph Vaughan Williams (March 1982)
• Don Giovanni by Wolfgang Amadeus Mozart (November 1982)
• Dido and Aeneas by Henry Purcell and L'Heure Espagnole by Maurice Ravel (March 1983)
• Riders to the Sea by Ralph Vaughan Williams (March 1983)
• Opera excerpts (1983)
• Maria Egiziaca by Ottorino Respighi and Prima Donna by Arthur Benjamin (November-December 1983)
• Sir John in Love by Ralph Vaughan Williams (March 1984)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1985)
• Mamelles de Tiresias by Francis Poulenc (March 1986)
• The Goose of Cairo by Wolfgang Amadeus Mozart (March 1987)
• Angelique by Jacques Ibert (March 1987)
• Riders to the Sea by Ralph Vaughan Williams (March 1988)
• The Marriage Contract by Gioachino Rossini (March 1988)
• La Caterina by Joseph Haydn (March 1989)
• Iolanta by Arthur Sullivan (March 1989)
• Patience by Arthur Sullivan (March 1990)
• "French Trilogy": L'Enfant Prodigue by Claude Debussy, Le portrait de Manon by Jules Massenet, and M. Choufleuri by Jacques Offenbach (February 1991)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (March 1992)
• Dido and Aeneas by Henry Purcell (March 1993)
• Gianni Schicci by Giacomo Puccini (March 1993)
• The Goose of Cairo by Wolfgang Amadeus Mozart and The Breasts of Tiresias by Francis Poulenc (March 1994)
• Iolanthe by Arthur Sullivan (March 1995)
• L'étoile by Emmanuel Chabrier [March 1997]
• La finta giardiniera by Wolfgang Amadeus Mozart (November 1997)
• Paul Bunyan, op. 17 by Benjamin Britten (March 1998)
• Threepenny opera by Bertolt Brecht (November 1998)
• Dialogues des Carmelites by Francis Poulenc (March 1999)
• A Midsummer Night's Dream, op. 64 by Benjamin Britten (November 1999)
• La Rondine by Giacomo Puccini (February 2000)
• Die Fledermaus by Richard Strauss (November 2006)
• L'Heure Espagnole by Maurice Ravel [March 2009]
• The Secret marriage by Domenico Cimarosa (2010)
• Don Giovanni by Wolfgang Amadeus Mozart (March 2011)
• Don Pasquale by Gaetano Donizetti (November 2013)
• The Machine Stops by Patrick McGraw, Robert Taylor and Stephen Webb, libretto by Michael Albano, based on the short story by E.M. Forster (January 2016)
• Ariadne auf Naxos by Richard Strauss (n.d.)
• The Four ruffians by Ermanno Wolf-Ferrari (n.d.)
• Barber of Seville by Gioachino Rossini (n.d.)
• Orpheus (n.d.)
• Dialogues des Carmelites by Francis Poulenc (n.d.)
• Riders to the sea by Ralph Vaughan Williams (n.d.)
• Rape of Lucretia by Benjamin Britten (n.d.)
• L'Enfant Prodigue by Claude Debussy (n.d.)
• Iolanta by Arthur Sullivan (n.d.)
• M. Choufleri by Jacques Offenbach (n.d.)
• Manon by Jules Massenet (n.d.)
• Patience by Arthur Sullivan (n.d.)
• Elixir of Love by Gaetano Donizetti (n.d.)
• The Marriage of Figaro by Wolfgang Amadeus Mozart (n.d.)
• Cosi fan tutte by Wolfgang Amadeus Mozart (n.d.)

Consists of 6 accessions which include correspondence, notes, notebooks, sketchbooks, sketches, designs for stage sets, costume designs, photoprints and photonegatives, scrapbooks documenting the artistic lives of Frederick Coates and his wife, Louise Brown. The photographs include images of Frederick's family, his military service in World War I, dance, and his work in the reconstruction of the faces of maimed soldiers, his studio and their house, and models of buildings. Also includes Guest Book for "Sherwood House", with invitations to dramatic productions held therein; three letters between members of the Hoitt family (1867, 1885). Also included are water colours of costume designs, 5 Art Deco works of art, consisting of Coates' three stage sets for 'Danse Fronds' (ca. 1929), 'Fashions' (ca. 1928), and 'The Storm Centre' (1927); a theatre design featuring a clown; and a still life entitled 'The Blue Plate' (1922). Artifacts include medals, printing blocks, pottery, 20 modelling tools and a sculpture documenting their careers and artistic work.

Various photographs

Promotional material for *Toyohiko Kagawa" by Robert Schildgen.

A photograph and a map of the area have been inserted between the pages of the book.

Records document Mr. Pieters' activities as a student and alumnus of New College at the University of Toronto. Pieters was an active participant in the development of Caribbean students' activities, including the West Indian Students' Association. As a student teacher at the Faculty of Education, he was active in the Future Teachers Club and other initiatives that worked to encourage post-secondary studies in teaching to African Canadian students. Material includes correspondence, brochures, flyers, clippings, photographs, reports, and notes.