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File consists of 1 chapbook containing poems by Jack Hannan. The chapbook is unbound and is the third title in a six-part series labelled Dreadnaught Chapbooks.

The colophon provides further printing information:
"Designed and produced at Dreadnaught
24 Sussex Avenue, Toronto Canada.

Composed in Linotype Granjon, and handprinted
on Zephyr text and Hooper Rotuna cover papers
in an edition of 200 copies, September 1980."

File consists of 1 chapbook containing prose by Helen Albright. The chapbook is staple bound and is the second title in a six-part series labelled Dreadnaught Chapbooks.

The colophon states:
"Designed and produced at Dreadnaught
24 Sussex Avenue, Toronto Canada

Composed in Linotype Granjon, and handprinted
on Zephyr text and Strathmore Grandee cover papers
in an edition of 200 copies, May 1980."

File consists of 1 chapbook containing poems by A. F. Moritz. The chapbook is staple bound and is the first title in a six-part series labelled Dreadnaught Chapbooks.

The colophon states:
"Designed and produced at Dreadnaught
24 Sussex Avenue, Toronto, Canada.

Composed in Linotype Granjon, and handprinted
on Zephyr text and Strathmore Grandee cover papers
in an edition of 200 copies, March 1980."

The back page has an annotation in marker: "117/200" and is signed by A.F. Moritz.

The file consists of 1 softcover copy of 16 collected essays by neuroscientist Allan Elliott. The edition includes a foreword by Louis Dudek and an afterword by J. Wendell MacLeod.

The colophon provides further detail:
"Designed and produced at Dreadnaught
24 Sussex Avenue, Toronto Canada.

Composed in Linotype Granjon and handprinted
on Simpson Lee 100% recycled text and
Mayfair cover papers
in an edition of 250 copies, May 1980."

File consists of 1 chapbook containing an inaugural address given by Pierre Elliot, Director of Studies, to attendees of the Claymont Third Course in 1978. The chapbook was produced by Dreadnaught Press for the Claymont Society, a spiritual retreat and educational center in Charles Town, West Virginia.

The colophon states:

"Design and produced at Dreadnaught
24 Sussex Avenue, Toronto Canada

Handset in Cochin and Goudy Light, and handprinted
on Caress text and Strathmore Grandee cover papers
in an edition of 500 copies
June 1978"

File consists of 1 chapbook containing 13 poems by Bruce Wilson.

The colophon states:

Designed composed and printed at
the Dreadnaught press
24 Sussex avenue Toronto Canada
in an edition of 100 copies
March 1976
The type is Gill Sans
and the paper Kilmory 1776"

File consists of 1 single fold pamphlet containing the poem The Twa Corbies, a Scottish adaptation of an anonymous song.

The back page states:

"Hand-set in Poliphilus type
from the collection of Massey College

Published and printed by Nelson Adams
at the Dreadnaught press
24 Sussex Avenue Toronto Canada"

File consists of 1 softcover copy of Testament for Man, a collection of poems by Mexican poet Gilberto Meza. The poems have been translated from Spanish into English by Theresa Moritz and A. F. Moritz. The book features illustrations by Chilean visual artist Ludwig Zeller.

File consists of 1 hardcover copy of Selected Poems of Christina Logan. The book includes a preface by Wolfgang Schmidt. Title page has cataloguing information written in pencil at top right.

The colophon states:

"Designed and produced at Dreadnaught
24 Sussex Avenue, Toronto Canada."

File consists of 1 softcover copy of Sadness of Spacemen, a book of prose poems by Canadian poet Robert Priest. The book includes illustrations by Rudy McToots and Ursula Pflug.

File consists of 1 chapbook containing prose by Helen Albright and multi-coloured illustrations by Deborah Barnett.

The colophon states:

"Designed and produced at Dreadnaught
24 Sussex Avenue, Toronto Canada

Illustrated by Deborah Barnett

Handset in Monotype Garamont
and handprinted on Monadnock Caress

500 copies, September 1980"

File consists of 1 softcover copy of New South, a poetry anthology edited by David Brooks. The book was published by Dreadnaught Press, and distributed by Prism Books. The cover features an illustration by Australian artist Silvana Gardner.

The anthology features works by 23 Australian poets and a foreword by Mark Strand. The poets are listed below in order of appearance:

Robert Adamson
Bruce Beaver
John Blight
R. F. Brissenden
David Brooks
David Campbell
Rosemary Dobson
Christopher Edwards
Alan Gould
Kevin Hart
Gwen Harwood
Geoffrey Lehmann
David Malouf
Les A. Murray
Craig Powell
Jennifer J. Rankin
Kevin Roberts
Judith Rodriguez
Thomas W. Shapcott
Peter Skrzynecki
Andrew Taylor
John Tranter
Fay Zwicky

This item is an 11 page article by Henri Nouwen entitled, ‘Prayer and Health Care’, published in Review by the Catholic Health Association of Canada, Vol. 17, No. 4, Winter 1989, pp.5 – 16. This article is adapted from a lecture given by Nouwen for the CHAC’s 50th anniversary Day of Celebration, October 25, 1989 in Ottawa, ON. Nouwen begins by reminding his audience of the talk he gave 12 years previously on compassion and indicates that he would now like to speak on the source of compassion: prayer. Nouwen begins by writing about Jesus’ prayer which is the source of Jesus’ life-giving ministry. ‘Every aspect of Jesus’ ministry, every word, every action and every detail of his own journey bespeaks life…’ Nouwen states that from his prayer of listening Jesus understands he is the beloved and that he wants us to know that we are also. ‘Jesus wants each of us to be just as much a child of God as he is himself’. Nouwen then goes on to describe the stresses and pressures that prevent us from being able to hear the God who desires us and our need, over time, to turn to God, to live our lives for God. Nouwen then goes on to speak about freedom which will come from prayer as we learn to listen, to move away from obsessions and compulsions, to say ‘no’ to death forces. The last half of the article speaks about the discipline of prayer in three ways: discipline of the mind, discipline of the heart, and discipline of the body. Nouwen concludes by stating, ‘ …I call all of you to be men and women of prayer, men and women truly belonging to God, men and women who at every moment of your existence and every part of yourselves will give life, not in your own name, but in the name Him who said, “I come to bring life…” Folder also contains a loose leaf photocopy of the article with annotations.

Collection consists of printed materials including chapbooks, books, bound volumes, broadsides, posters, greeting cards, stationery, advertising materials, and other ephemera. The collection spans Deborah Barnett’s career as a designer, printer, and publisher at Dreadnaught Press, Dreadnaught Design, Someone.ca, and Someone Editions.

Chapbooks and production materials Barnett designed and produced as the College Printer at Kelly Library Print Studio are held in a separate collection, which is currently being processed.

Series consists of broadsides, posters, greeting cards, postcards, promotional material, and one chapbook designed by Deborah Barnett and produced at Someone.ca.

This item is two copies of a 4 page article by Henri Nouwen entitled,’ Seeing Christ: A meditation on Andrew Rublev’s Savior of Zvenigorod’, published in America, Vol. 154, No. 1, January 4 – 11, 1986, pp. 4 – 7. Nouwen begins this meditation on the icon by stating, ‘To see Christ is to see God and all of humanity. This mystery has evoked in me a burning desire to see the face of Jesus’. Nouwen then relates this to his love of the face of Christ as portrayed by Rublev in this icon. Nouwen begins by describing the damage to this 15thC image and then describes what he sees as a ‘tender human face’ and the colors ‘of inexpressible beauty’ which are used. The next focus for Nouwen are the eyes of Christ: ‘Their gaze is so mysterious and deep that any word that tries to describe them is inadequate’. Nouwen concludes the meditation by stating, ‘Seeing the Christ by Rublev is a profound event…seeing Christ leads us to the heart of God as well as to the heart of all that is human’. In an Afterword, Nouwen discusses the icon painting tradition and notes that beginning in the 6th C. there is a tendency to portray the face of Christ in a similar way in all icons and in a way which may be related to the face on the Shroud of Turin which may have been the actual face of Christ.

This item is a 5-page article by Henri Nouwen entitled ‘L’Arche in North America: Home, Healing and Hope’, published in ‘Letters of L’Arche’, No. 76, 1992, pp. 2 – 6. Nouwen is writing this at the time of the funeral of Pere Thomas Philippe, one of the founders of L’Arche. Nouwen senses that Pere Thomas’ legacy of the vision of L’Arche will continue to live, ‘he can bring a rich harvest’. Nouwen goes on to ask ‘how to be l’Arche in North America’? Nouwen sees three core words that will bear much fruit: Home, Healing and Hope. I. Home: Nouwen sees L’Arche as being home especially for the core members many of whom have experienced living in institutional places that were not ‘home’. Nouwen goes on to describe the sense of homelessness that many in North America experience: actual homelessness, but also places where people live without a welcome, places where people live in loneliness, places where people live alone together. Nouwen notes that the Assistants who come to L’Arche have and do experience this homelessness as well. Nouwen sees that home at L’Arche provides a place to be home but also to be a place of mission and a recognition that we are still journeying home. II. Healing: ‘The great paradox of L’Arche is that, while no one is cured, everyone is healed’. Nouwen speaks of the great suffering that has been experienced by the core members but also by the Assistants. All seek healing. ‘It is clear that we are all handicapped that we all need to offer each other healing by the way we live together’. III. Hope: ‘L’Arche invites people, barely respected or acknowledged by our society, to become witnesses of hope’. ‘Joy, peace, acceptance, truthfulness, the ability to welcome, to forgive and to celebrate; these are only some of the gifts handicapped people have to offer…This knowledge of the ‘gift of the poor’ has been a great inspiration in L’Arche over the years, and has made L’Arche into a true sign of hope’.

McLuhan, Marshall. "All of the Candidates are Asleep." The Saturday Evening Post, vol. 241, no. 16, 1968, pp. 34-36.

Mauge, Roger. "McLuhan." Paris Match, no. 1176, 20 November 1971, pp. 15-26.

McLuhan, Marshall, and George B. Leonard. "The Future of Education: The Class of 1989." Look,vol.31, no. 4, 1967, pp. 23-25.

Kritzwiser, Kay. "The McLuhan Galaxy." The Globe and Mail Magazine[Toronto, Ont.], 4 January 1964, pp. 8-9, 17, 19.

Kostelanetz, Richard. "Understanding McLuhan (In Part)." The New York Times Magazine, 29 January 1967, pp. 18-19.

Steed, Nicholas. "The Car Downtown." Maclean's, pp. 13-15.

Howard, Jane. "Oracle of the Electric Age." Life, vol. 60, no. 8, 1966, pp. 91-99.

Alderman, Tom. "The All-At-Once World of the Management Hootenanny Starring Marshall McLuhan." The Canadian (The Toronto Daily Star), vol. 2, no. 32, 1966, pp. 16-19.

DeMott, Benjamin. "Against McLuhan." Esquire, vol. 66, no. 2, 1966, pp. 71-73.

Ross, Alexander. "The High Priest of Pop Culture." Maclean's Magazine, vol. 78, no. 13, 1965, pp. 13, 42-43.

Gemini Books. Patterns of Literary Criticism: A New Series of Critical Anthologies. 1965.

University of British Columbia. Festival of the Contemporary Arts 1965. February 1-10, 1965.

Norden, Eric. "Playboy Interview: Marshall McLuhan--A Candid Conversation with the High Priest of Popcult and Metaphysician of Media." Playboy, vol. 16, no. 3, 1969, pp. 53-74, 158.

Carpenter, Edmund Snow. Thinking Through Language. Cooper & Beatty, Ltd. 14 pages.

"Explorations." edited by Marshall McLuhan, University of Toronto Graduate, v. 1, no. 1, 1967, pp. 65-96.

"Explorations, number 21." edited by Marshall McLuhan, University of Toronto Graduate, v. 1, no. 2, 1968, pp. 65-96.

"Explorations, number 22." edited by Marshall McLuhan, University of Toronto Graduate, v. 1, no. 4, 1968, pp. 65-96.

McLuhan, Marshall and Joseph Keogh. "Salt and Scandal in the Gospels." In Explorations 26, edited by Marshall McLuhan, University of Toronto Graduate, v. 3, no. 1, 1969, pp. 82-85.

Mickelburgh, Bruce. "The Password is Involvement." Monday Morning, vol. 2, no. 1, 1967, pp. 18-21.

Fulford, Bob. "Mailer, McLuhan and Muggeridge: On Obscenity." The Realist, no. 83, 1968, pp. 5-12.

"Explorations, number 28." edited by Marshall McLuhan, University of Toronto Graduate, v. 3, no. 3, 1970, pp. 65-96.

Fulford, Bob. "The Great Debate: McLuhan, Mailer, Muggeridge at Odds." The Montrealer, vol. 42, no. 5, 1968, pp. 31-40.

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McLuhan, Marshall. "Harold Innis." In Explorations, number 25, edited by Marshall McLuhan, University of Toronto Graduate, v. 2, no. 3, 1969, pp. 91-98.

McLuhan, Marshall. "The University and the City." In Explorations 27, edited by Marshall McLuhan, University of Toronto Graduate, v. 3, no. 2, 1970, pp. 75-80.

"Explorations." edited by Marshall McLuhan, Varsity Graduate, v. 12, no. 4, 1966, pp. 49-64.

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"Explorations." edited by Marshall McLuhan, Varsity Graduate, v. 13, no. 4, 1967, pp. 65-79.

McLuhan, Marshall. "The University in the Electric Age: The End of the Gap Between Theory and Practice." Varsity Graduate, vol. 11, no. 3, 1964, pp. 60-64.

"Explorations." edited by Marshall McLuhan, Varsity Graduate, v. 12, no. 3, 1966, pp. 49-64.

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