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This fonds consists of records documenting the founding, early activities, and 75th Anniversary of the Madawaska Club of Go Home Bay, Ontario. The records were acquired by the University of Toronto Archives over six accessions between 1974 and 1983.

B1974-0015: Consists of annual meetings and reports, charter and bylaws, shares and finances, land and titles records, transportation and maintenance, committee records; historical notes and club history, 1948. Photoprints and negatives of club activities at Go Home Bay; negatives showing maps of Go Home Bay and surrounding areas contained in albums. Photo albums were compiled and maintained by Professors C.A. Chant, G.R. Anderson and Grant Robertson.

B1975-0016: Consists of minutes books (1901 – 1953), register of shareholders, legal files re Madawaska Club vs Galbraith (1946 – 1948) and Joyce Rankin vs Madawaska Club (1964 – 1968), memorabilia, diaries, 75th anniversary celebrations, photographs.
B1976-0022: Consists of photographs documenting the recreational activities at Go Home Bay and Hope Island; dedication of the Soldiers' Tower; convocations and official visits of dignitaries such as Viscount Allenby (1926) and Lord Wellington (1926).

B1977-0030: Consists of minute books (1953 – 1976), and annual meetings of shareholders (1900 – 1962).

B1977-0034: Consists of sound recordings from the Madawaska Club and George Ross Lord.

B1983-0021: Consists of indexes (photocopies of cards) of general subjects and family names; subject files including minutes of directors and executive committees (1977 – 1983), annual meetings, reports, by-laws committee (dealing with John Galbraith case); article from "The Canadian Fish Culturist" with section on Go Home Bay (1946).

This fonds consists of one accession containing the personal records of Margaret Allemang, Muriel Ward, Jean Wilson, Patricia S.B. Stanojevic, Catherine McNaughton, Ethel Irwin, Mary Potts, Muriel Uprichard and Delta and Irene Mick. These records were donated to the Margaret M. Allemang Centre for the History of Nursing Archives by the women themselves or their family members. The records cover a variety of topics relating to the history of nursing such as their own involvement as staff members in the School of Nursing at the University of Toronto, the development of nursing curricula, nurses involvement in World War II, and the study of cardiac patients. The fonds includes correspondence, photographs, research data, oral history interviews, audiocassettes, nurse’s pins and published manuscripts.

Personal records of Margaret Allemang, documenting her career as a researcher, historian and professor of nursing history at the University of Toronto, and as a promoter and preserver of nursing history, primarily through her oral histories with nursing sisters from World Wars I and II, the Margaret Allemang Centre for the History of Nursing, and the Canadian Association for the History of Nursing/Association Canadienne pour l'Histoire du Nursing (CAHN/ACHN), the latter two of which she was a co-founder. There are also files on other professional organizations, including the Canadian Nurses Association, Elderhostel, and the Conference on Nursing History and other nursing conferences. Included are correspondence, appointment books, minutes, administrative and teaching files, oral history interviews, research notes, manuscripts, reports, newsletters, addresses and audiotapes.

The records cover Dr. Eichler’s professional work: speeches, publications, and correspondence; legal work; important documentation regarding the Coalition for the Establishment of a Royal Commission on New Reproductive Technologies, as well as follow up material related to the Commission. Eichler served as part of the committee that established five new Women’s Studies chairs at Canadian institutions and that work and process is documented here. Finally, there is a limited amount of research and papers not already documented in the other series, including Eichler’s days as a student. There is a small collection of media, primarily audio recordings, as well as some photographs, and the DVD Eichler produced Household Work: More than it Seems.

Fonds consists of six accessions of records documenting the life of Martin L. Friedland, as a student, professor of law and administrator at the University of Toronto; as an expert on legal matters and a contributor to the formation of public policy at the provincial and federal levels; and as an author of several books and numerous articles, in particular the researching and writing of his book University of Toronto: A History (University of Toronto Press, 2002 & 2013).

See accession-level descriptions for further details.

Personal records of Mary Mamie O'Brien (1926-1998), philosopher and feminist scholar, Professor Emerita in the Department of Sociology in Education at OISE. Includes files on: her education; professional correspondence; extensive drafts and manuscripts of her research, writings, and addresses; artistic works (poetry, short stories and a play); and photographs of Mary O'Brien with colleagues and friends.

The Massey Family records consist primarily of official and personal documents created by Vincent Massey. They reflect his distinguished diplomatic career, including his terms as Canadian ambassador to the United States during the 1920s and as High Commissioner to London during the 1930s and 1940s, along with his lengthy affiliation with the Liberal Party of Canada. Also represented are his years as Governor-General of Canada and as the leader of the Royal Commission on National Development in the Arts, Sciences and Letters. The moral and financial support given by Vincent and Alice Massey to cultural development in Canada, both individually and through the Massey Foundation, is evident in a wealth of documents relating to the fields of education, music, drama and fine arts (including such institutions and organizations as the National Council of Education, Hart House Quartet, Hart House Theatre, the Dominion Drama Festival, and the National Art Gallery). Their support of the University of Toronto is also well documented. In addition to the records of Vincent Massey, some papers of Alice Massey and correspondence of many members of the Grant, Massey and Parkin families are present.

The bulk of the records are found in B1987-0082. There are two other related accessions:

• B1998-0008: Correspondence between Vincent Massey and Sir Henry Newbolt, including a copy of memo on the Constitutional Crisis in 1926.
• B1998-0032: Files of the Board of Syndics (G.F. McFarland, Honorary Treasurer) relating to Hart House Theatre (1929-1945), and Hart House String Quartet (1931-1942); one file on Hart House 50th anniversary (1968-1969).

Fonds consists of research files created and used by Meredith Hill while executing her part of the 'Divinity 150' project at Trinity College. This project was begun in 1987 to study the Anglican clergy, in particular their training at the Cobourg Theological Institute and its successor, the Faculty of Divinity at Trinity College. Her research focused on the women who studied Divinity at Trinity College from 1915 to 1987. Fonds contains research obtained from records in the Trinity College Archives, and from surveys answered by former students. The fonds also contains a paper and course materials by Alison Kemper, a published paper by Meredith Hill as well as her presentation to the Divinity 150 Colloquium.

Records in this fonds document some of Dr. Spencer's peace activities including her participation in the Canadian Pugwash Group, the Helsinki Citizen's Assembly and Science for Peace as well as her attendance at some conferences and meetings. However, many of her activities, especially relating to the 1980s disarmament movement and her consultative roles are not evident in these records. Also this accession only provides a sampling of her talks and publications. There is however complete drafts and notes for her textbook as well as early versions for works still in progress. Finally, Dr. Spencer's notes and papers as a student of sociology at University of California Berkeley are also preserved in this accession.

These records will be of interest to anyone researching the Canadian and international peace movements and themes such as disarmament, peace advocacy, Canadian international affairs and the role of non-governmental organizations. It also may be of interest to those researching the teaching of these topics within the discipline of sociology. Finally, Prof. Spencer's student notes offer a glimpse of what was being taught at Berkeley in the mid 1960s (then the top department of sociology in the U.S.) . They would be of interest to anyone studying that institution and the history of sociology as an academic discipline.

The fonds consists of 6 series sorted by production companies and subject.
Series 1: NHK, Nippon Hōsō Kyōkai
Tsuji Communications became the distributor/agent for NHK programs from Japan. The first series includes four popular TV series in Japan. The first includes the popular Japanese show Kōhaku Uta Gassen, translated to the Japanese Red and White Show. It is an annual New Year’s Eve television special produced by Japanese public broadcaster NHK. The show is broadcast live simultaneously on television and radio by the NHK network and TCI productions. The Japanese Red and White show part of the series features master tapes with edited and satellite versions, from 1976 to 2000. Also included are the promos, clips, and episodes from Toronto Kohaku. The second Oshin is a popular series in Japan, episodes 1-271, in English subtitles and cue sheets to explain the episode’s content. The third is Japan Video Topics, short 15 minutes episodes on different topics in Japan. Lastly is the NHK Weekly News and various news clips aired on the NHK network.
Series 2: Tsuji Communications (TCI)
Susan and Roy Tsuji created the TCI Communication company, sometimes labelled as Tsuji Productions in 1980. Their popular Television series Hello Japan was a half-hour weekly program produced and hosted by Susan Tsuji. The episodes and clips spread from 1977 to 2000, including the short program Hello Toronto. It consisted of interviews, musical performances, and on-location shoots of community and public events (1984-2004). The Tsuji’s captured and recorded the visits of visiting dignitaries (such as the Prince and Princess of Japan). They capture interactions the Japanese Canadian community with federal and provincial politicians, conferences pertaining to the National Association of Japanese Canadians (NAJC), Japanese Canadian Cultural Centre (JCCC), and the Redress Campaign and more. As the Tsuji Family was very well connected in their community, they could attract all the important guests to speak on all the topics of importance to the community.
Series 3: Tsuji Family
This series consists primarily of personal videos, documents and objects that once belonged to Susan and Roy Tsuji. The Tsuji’s main objective was to promote Japanese culture to Japanese Canadians, not only in media but to support local schools for children to learn the language and culture of Japan. The textual documents include the materials and textbooks used by the Language International (LI) schools. These textual documents include the international students’ textbooks, schedules, and journals, which students had to keep studying the Japanese language.
Series 4: National Association of Japanese Canadians (NAJC)
The collection also features video recordings and textual documentation of the Redress Campaign and the 10th Anniversary of the Redress. The NAJC negotiated the historic Redress Settlement on behalf of all Japanese Canadians who suffered injustices and acts of discrimination during World War II. Led by the NAJC, the movement sought to hold the Government of Canada accountable for the severe human rights violations suffered by the community between 1941 and 1949. Many Japanese Canadians were interned and deported, while others were sent to the sugar beet farms of Alberta and Manitoba. The property of Japanese Canadians was seized by the Government and sold without their consent. Prime Minister Brian Mulroney and NAJC President Art Miki ended a successful campaign that led to the historic signing of the Redress agreement on September 22, 1988. The Tsuji family interviewed and captured key events and spokespersons from the NAJC for the Redress journey across Canada to Ottawa. Most notable interviews were held for Roger Obata, Joy Kogawa and Art Miki, the president of the NAJC.
The fonds includes footage of the march and progress to Ottawa, city hall, and the Redress rally to celebrate their victory. Interviews of Bob Ito, Roger Obata, various Prime Ministers, and supporters of the Redress campaign are also included in the fond. Footage of the Redress campaign spreads from 1983 to 1997. The last sub-series is the 10th Anniversary Banquet and Gala of the Redress, the gala was to thank the leaders of the NAJC, such as the tribute to Roger Obata.
Series 5: Television Commercials
The Tsuji family also obtained a vast collection of 30 seconds and 60 seconds commercials aired during their programs. Many created by Japanese companies such as the Japan Airline, Sanyo, Mita; and western commercials.
Series 6: Miscellaneous
The final series of the collections are the Miscellaneous. Overall, this collection is a balanced combination of entertainment, drama, local affairs, and international programming of interest to the Japanese Canadian community from the 1980s to 2001.
Please note that this fonds contains confidential information in relation to organizers names, and contact information. This fonds contains primarily textual documents to the Redress campaign, and the media format includes tapes such as Umatic, BetacamSP, and VHS. Also included is Roy’s vinyl collection, Hi8 cassettes, floppy disks, and photographs with colour prints of the singers from the Red and White show.

Fonds consists of the professional and personal records of composer Michael Colgrass. The collection includes manuscripts of his compositions; administrative and financial documents relating to commissions with orchestras, performers, and publishers; and materials generated from the performance of these compositions (including recordings, programs, reviews, and program notes). Other records relate to workshops that Colgrass led, particularly his Neuro Linguistic Programming (NLP) workshops and Colgrass' writings, including poetry, articles, manuscripts and notes for his books, and correspondence with friends and colleagues.

Fonds consists of correspondence, news clippings, reports, reviews, appointment calendars, and other records relating to Michael R. Marrus’s education, academic career, publishing record and university and community service. In particular, records document Prof. Marrus’s prestigious career as a historian of the Holocaust and an expert on the relationships between Christians and Jews (predominantly in France) during World War Two, and also document his involvement in ongoing concerns in the Jewish community, both pertaining to faith and Zionism. In particular, Prof. Marrus’s extensive publishing record is well-documented in contracts, reviews, and ongoing correspondence with readers and colleagues debating and exploring the assertions made in his work. The fonds also documents Prof. Marrus’s career as a student at Berkeley in the 1960s, and his return to student life with his pursuit of a Master of Studies in Law degree (MSL) from the University of Toronto in 2004. Some records also relate to Prof. Marrus’s teaching duties and appointments at the University of Toronto, as well as his service on the University’s Governing Council. One series documents his service on the International Catholic-Jewish Historical Commission (1999-2001) and with the Friends of Le Chambon-sur-Lignon.

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

This fonds is divided into 4 series: ‘NOW Communications Inc.’, ‘NOW Magazine Photo Archive’, ‘The ‘Photo’ Series’, ‘NOW Magazine Audiovisual’.

The first series, ‘NOW Communications Inc.’, consists mainly of textual material relating to the production of the magazine. It is divided into 14 sections: ‘Administration’, ‘Advertising’, ‘Contracts’, ‘Awards’, ‘Circulation’, ‘Correspondence’, ‘Ephemera’, ‘Financial’, ‘Legal’, ‘Photography’, ‘Posters’, ‘Printing Subcontracts’, ‘Promotional’, ‘Publicity’, and ‘Research’. This series also includes 39 bound volumes of NOW Magazine (a complete run dating from Summer 1981 to August 2001).

The second series, ‘NOW Magazine Photo Archive’ consists of several thousand photographs related to the production of NOW Magazine (Vols. 1- 9). These photos document current events, personalities, buildings and businesses, streetscapes, conventions, demonstrations and rallies, theatre rehearsals and performances, film production stills, promotional portraits, and advertising and product shots used for advertising/illustrations/cover shots. This also includes 23 pieces of original artwork.

The third series, ‘The Photo Series’, consists of several thousand photographs related to the production of NOW Magazine (Vols. 10 - 13).
The photographs feature the same subject matter as those in the second series.

The fourth series, ‘NOW Magazine Audiovisual’, consists of audio and video items including production meetings, speeches, radio advertisements, interviews with Michael Hollet and Alice Klein, interviews with celebrities conducted by Michael Hollett, seminars, music compilations, and radio and television profiles of NOW Magazine.

When Dr. Solandt started donating his personal records to the University of Toronto Archives in 1988, beginning with his certificates and diplomas, the richness, diversity, and volume of the material still to come was only hinted at. Over the next five years further donations were made, punctuated by telephone conversations about the need for still more boxes and folders and archival methods of arrangement and description. Dr. Solandt was very interested in our professional approach to managing his records and was determined (as always, I was to discover) to do things in the proper manner. Twenty years after his death his widow, Vaire, donated the last of his personal records; they had been partially arranged by Dr. Solandt and stored above the garage at the Wolfe Den.

Dr. Solandt’s running commentary on his past life, as the boxes piled up for transfer to the Archives, proved of considerable assistance. I faced a huge volume of records documenting wide-ranging, complex, and often inter-related events, which he had divided into categories roughly equivalent to his numerous activities. These were to form the basis of most of the forty-six series in this inventory. In addition, beginning several years before, he had undertaken to do what few individuals have ever had the time or the inclination to attempt – an overview of each principal activity. There are more than twenty of these, totalling several hundred pages. Each demonstrates the clarity of thought and an understanding of the essentials of any problem facing him that characterized his work and enabled him often to juggle several divergent projects at once. They proved invaluable as I sought to make sense of the mountain of material in front of me, and should be equally useful to researchers.

The records, dating from 1915 to 1994, encompass most of the media one might expect to find in an archives, the bulk being textual records, graphic material (primarily photographs and slides), maps and plans, and publications. The material pertaining to his personal life consists primarily of biographical files (including press coverage), correspondence and diaries, files on his travels and, especially, on his canoe trips as part of the “Voyageurs” group.

Most of the records, not surprisingly, document his extraordinarily active and productive professional life, from the beginning of World War II to the end of the 1980s. The earlier portions of his career, especially his years with the Defence Research Board, Canadian National Railways, de Havilland, and the Electric Reduction Company are not well represented here as the records are largely found elsewhere. The volume of records begin to pick up in the mid-1960s and the greatest strength is to be found in those generated from the early 1970s on, when Dr. Solandt’s activities became complex indeed, with directorships in many companies, many consultancies, trusteeships and advisory committees. Three activities which seemed to please him most were ...the Scientific Advisory Committee to the Legislative Assembly of the Northwest Territories [1976-1982]..consultancies for international agricultural and medical research [1975-1988]...and Senior Consultant to the Institute for Environmental Studies at the University of Toronto, enabling him to retain a close association with the University.

This finding aid for this fonds is arranged by series, with the accessions clearly designated. In the series that are grouped by activity, the arrangement, once career changes are identified, is largely chronological. The principal concentration of activity in any project is the determining factor in the order. Organizations that predominate in one series may be represented in another, particularly those dealing with international agricultural and medical research, such as the umbrella Consultative Group on International Agricultural Research. Most accessions have more than one series.

Dr. Solandt’s abiding interest in scientific research and development is a recurring theme throughout and was instrumental, for instance, to his agreeing to chair the newly established Science Council of Canada (1966) and in joining the IMASCO/CDC Research Foundation (1978). Similarly, it was his acknowledged excellence as a manager that, in later years, brought him into contact with the international research agencies that needed professional advice on internal structural problems. On another level, the canoe trips he began at the age of 41 nurtured an interest in wilderness conservation and, subsequently, involvement with the Quetico Foundation and the Wilderness Research Foundation. One factor linking all these activities was Dr. Solandt’s inter-disciplinary approach to ideas and problem solving; it is a recurring theme in his correspondence and in his introductions to the series.

This fonds contains 86 accessions of records. See accession-level descriptions for more details.

The acquisition is broken into the following 30 series:
Series 01. Alien's First Christmas; Aliens Next Door [1991]

Series 02. Alfred Hitchcock Presents [1986 – 1987]

Series 03. Beyond Reality, [1990 – 1996]
2 seasons (20 + 24 episodes)
A science-fiction television program, following two scientists as they investigate the paranormal found in other people’s daily lives.
1994 Winner, Gemini Awards, Best Original Music Score for a Series
1992 Winner, Motion Picture Sound Editors-Golden Reel, Best Sound Editing - Television Episodic - Dialogue & ADR
1993 Nominee, Gemini Awards, Best Direction in a Dramatic or Comedy Series
1993 Nominee, Gemini Awards, Best Original Music Score for a Series
1994 Nominee, Gemini Awards, Best Dramatic Series
1994 Nominee, Gemini Awards, Best Photography in a Dramatic Program or Series
1994 Nominee, Gemini Awards, Best Picture Editing in a Dramatic Program or Series

Series 04. The Blob Family [1989]

Series 05. C’mon Geese [1989, 2000]
A short documentary on William (Bill) Lishman, the artist and aviator. Lishman is most known for his work with Canadian Geese and their migration to the south. The documentary is created with footage of geese in flight filmed by Lishman as he attempts to teach the gees to fly behind his small aircraft. This film has been awards several awards.
Winner, Blue Ribbon, American Film & Video Festival
Winner, Gold Apple, National Educational Film & Video Festival
Winner, Grand Prize of Festival , Free Flight Film Festival

Series 06. Deke Wilson's Mini-Mysteries [1990 – 1994]
1 season (13 episodes)
Deke Wilson, a hip teen, solves mysteries while also balancing the troubles of daily life.

Series 07. Destination X [1995 – 1998]

Series 08. Dog House [1987 – 1993, 1996 – 2000]
1 season (26 episodes)
The story follows a boy and his dog as they solve crimes. The dog, by cause of a car accident, has the mind of a police detective, and is thus also able to communicate with the boy. A children’s comedy show that deals with both fun crime solving and common family issues.

Series 09. Freaky Stories [1995]

Series 10. Frequent Flyer [1993 – 1997]
Made for TV-movie about a pilot that is cheating on three women, each believing they are his only romantic partner and all living in different cities. The story unfolds as each woman becomes suspicious of their pilot lover and begin to follow him as he continues to live his triple life.

Series 11. Full Cycle

Series 12. Guerilla Gardener [1997 – 2011]

Series 13. Hamilton’s Quest [1986 – 1998]
1 season (10 episodes)
The story of a man who discovers he is not the biological son of his parents who have just passed away. In a mean to help cope, he begins a journey to find his biological mother and father.

Series 14. Happy Birthday Bunnykins [1993 - 1995]
TV movie
Based on the characters from the Royal Doulton fine china collection. An animated cartoon of one little rabbit’s hope for his Birthday celebrations.

Series 15. Held Hostage: The Sis and Jerry Levin, [1988 – 1991, 1999, 2003]
TV Movie
As Jerry Levin, CNN reporter, is captured in Beirut, his wife Sis Levin works with the State Department for his release. Based on a true story.

Series 16. High Country

Series 17. Improper Channels [1979 – 1984, 1995, 2002 – 2003]
Movie
After a car accident, Jeff Martley and his estranged wife Diana loose custody of their daughter. The movie follows their attempts to get their daughter back. A comedy-drama.
1982 Winner, Genie Awards, Best Performance by a Foreign Actor
1982 Nominee, Genie Awards, Best Performance by a Foreign Actress
1982 Nominee, Genie Awards, Best Screenplay, Original
1982 Nominee, Genie Awards, Best Achievement in Art Direction

Series 18. Johann's Gift to Christmas [1991, 1998 – 2001]
TV Christmas Special
A children’s Christmas about a mouse who helps a few clergy men by composing a Christmas song.

Series 19. Kissinger & Nixon [1993 – 1997, 2002, 2005]
TV Movie
Based on the book Kissinger: A Biography(1992) by Walter Isaacson. The film follows Kissinger as he attempts to end the Vietnam crisis while Nixon focuses on the upcoming election.
1996 Winner, Primetime Emmy Awards, Outstanding Makeup for a Miniseries or a Special
1996 Nominee, Primetime Emmy Awards, Outstanding Lead Actor in a Miniseries or a Special
1996 Nominee, Directors Guild of America Award, Outstanding Directorial Achievement in Dramatic Specials
1996 Nominee, PGA Awards, Outstanding Producer of Long-Form Television
1997 Nominee, Gemini Awards, Best Performance by an Actor in a Leading Role in a Dramatic Program
1997 Nominee, Gemini Awards, Best Performance by an Actor in a Leading Role in a Dramatic Program
1997 Nominee, Gemini Awards, Best Writing in a Dramatic Program
1997 Nominee, Gemini Awards, Best Original Music Score for a Program
1997 Nominee, Writers Guild of America, Adapted Long Form

Series 20. The Little Crooked Christmas Tree [1991, 1995, 2000]
TV Christmas Special
Based on the children’s picture book of the same name by Michael Cutting.

Series 21. Lives of Girls and Women [1990 – 1997, 2000]
TV Movie
Based on a book of related short stories by Alice Munro. The film follows the life of character Del Jordan in rural Ontario. Del is unsatisfied with her small town life, as is her mother who is very similar, yet Del does not see herself in her.
1995 Winner, Atlantic Film Festival, Audience Award Best Film
1995 Nominee, Banff Television Festival, Best Made-for-TV Movie
1995 Nominee, Gemini Awards, Best Performance by an Actress in a Leading Role in a Dramatic Program
1995 Nominee, Gemini Awards, Best Performance by an Actor in a Featured Supporting Role in a Dramatic Program
1995 Nominee, Gemini Awards, Best Production Design or Art Direction
1995 Nominee, Gemini Awards, Best Costume Design

Series 22. Paragon Entertainment [1985 – 1986, 1993, 1998 – 2001]
Corporate records

Series 23. Phillip Marlowe: Private Eye [1984 – 1989, 2002, 2007 – 2010]
2 seasons (5 + 6 episodes)
A mystery show that follows private detective Phillip Marlowe as he solves crimes. Based on the stories by Raymond Chandler.
1983 Winner, CableACE Awards, Lighting in a Dramatic Presentation – Film
1984 Winner, Edgar Allan Poe Awards, Best Television Episode
1983 Nominee, CableACE Awards, Actor in a Dramatic Presentation
1983 Nominee, CableACE Awards, Art Direction in a Dramatic Presentation
1983 Nominee, CableACE Awards, Directing a Dramatic Presentation
1983 Nominee, CableACE Awards, Program Series - Dramatic Presentation: 60 Minutes or Less
1983 Nominee, CableACE Awards, Single Program - Dramatic Presentation: 60 Minutes or Less
1983 Nominee, CableACE Awards, Costume Design in a Dramatic Presentation
1986 Nominee, Gemini Awards, Best Pay TV Drama
1986 Nominee, Gemini Awards, Best Writing in a Dramatic Program/Series (TV Adaptation)
1986 Nominee, Gemini Awards, Best Photography in a Dramatic Program or Series
1986 Nominee, Gemini Awards, Best Music Composition for a Series (Dramatic Underscore)
1987 Nominee, CableACE Awards, Actress in a Dramatic Series
1987 Nominee, CableACE Awards, Editing a Theatrical Special/Dramatic Special or Series/Movie or Miniseries
1987 Nominee, Canadian Society of Cinematographers Awards, Best Cinematography in TV Drama

Series 24. Rapture [1987, 1990 – 1993]
TV Movie
Jeff Lisker is a successful computer programmer that goes back to his home town and tried to strike up a romance with his high school crush Georgianne. Instead, Georgianne is not interested in love but finds his friendship helpful as she mourns her recently murdered husband. Georgianne’s daughter believe Jeff is her father’s murderer and begins to investigate.
1993 Nominee: Gemini Awards, Best TV Movie
1994 Nominee: Canadian Society of Cinematographers Awards, Best Cinematography in TV Drama

Series 25. 1994 Baker Street: Sherlock Holmes Returns [1990 – 1997, 2000]
TV Movie
After waking up in modern times from suspended animation, Holmes continues to solve mysteries and tackle the descendants of his previous foes.
1994 Nominee, Edgar Allan Poe Awards, Best Television Feature or Miniseries

Series 26. Split Images [1991 – 1993]
A rich man goes on a killing spree while having a friend record each murder. Eventually the police catch wind and begin to investigate.
1994 Nominee, Gemini Awards, Best Sound in a Dramatic Program or Series

Series 27. Street Noise [1990 – 1993, 1997, 1999 - 2000]

Series 28. Tourist Trap [1990 – 1997, 2003, 2006]

Series 29. Tracks of Glory [1991 – 1999]
TV mini series
Based on the book Major Taylor Down Under by Jim Fitzpatrick. Set in the early 1900s, the story focuses on cyclist Major Taylor and his Australian rival Don Walker.
1993 Winner, Logie Awards, Most Popular Miniseries/Telemovie

Series 30. A Tribute to Sam Kinison [1994, 1996]

Correspondence, grant applications, subject files, lecture notes, manuscripts for publications;slides, photos and sound recordings relating to his career as a psychologist.

Includes the following series of records:

1. General professional correspondence
2. Publications and manuscripts
3. Addresses
4. Radio and television
5. Professional activities
6. Lecture notes
7. Teaching files
8. Biographical materials

This fonds has been arranged into five series based on the creator’s order. These series are as follows:
Series One: Songwriting
Series Two: Screenwriting
Series Three: Digital Print Writing
Series Four: Writers Guild of Canada
Series Five: Kaslo/Kootenays and Mining
Series One: Songwriting includes records pertaining to White’s songwriting career with Paul Hann. This series has been arranged into subseries as follows:
Subseries One: Commercial Releases includes Paul Hann’s commercial albums and singles, with songs written by White. Records in this series include 12 in. vinyl LPs for “A Fine White Thread,” “Another Tumbleweed,” “Paul Hann,” “High Test” and “Hometown Hero.” It also includes 8-track cassettes of “A Fine White Thread,” “Another Tumbleweed,” and “Paul Hann.” This subseries also features commercially released compilation albums featuring Paull Hann, including “In the Dawning: A Story of Canada” on 12 in. vinyl as well as compact disc. It also includes “The ACME Sausage Company,” a compilation of CKUA radio featuring a performance by Paul Hann. Finally, this subseries includes the limited release compact disc “Acrid Smoke and Amber Drink: The Lost Songs of Pete White and Paul Hann 1968-1978.”
Subseries Two: Original Recordings and Digital Transfers includes various recordings made by White and Hann on ¼ in. audio tape as well as 2 in. audio tape. This includes registration demos for BMI, outtakes, unreleased singles, interim mixes, and master recordings of songs and albums. This also includes recordings made by Paul Hann and the band Canadian Club for CKUA radio. Finally, this subseries includes digital transfers of audio tapes to compact disc.
Subseries Three: Film and Television Soundtracks
This subseries includes recordings made by White and Hann for film and television soundtracks on ¼ in. audio tape. This includes compositions for “The Parent Puzzle,” “Faces of Yesterday: History of Schooling in Alberta”, “Prairie Years,” and “Come Alive.”
Subseries Four: Songs Lists, Lyrics, Chronologies includes records related to White’s songwriting and publishing career with Paul Hann. Records in this subseries include songs lists and publisher share information, music and lyrics, contracts, and correspondence.
Subseries Five: Business Affairs includes records related to the business and management side of White’s work with Paul Hann. Included in this subseries are correspondence, performance contracts, mechanical license agreements, songwriting and publishing agreements, recording contracts, original music service agreements and composers’ agreements, song registration forms, and royalties statements.
Subseries Six: Promo Materials and Photos includes records related to the promotional aspects of White’s work with Paul Hann. Included in this subseries are press kits, aggregated reviews, and promotional photographs.
Subseries Seven: Clippings and Ephemera includes newspaper and magazine clippings related to White and Hann’s music career, as well as festival and performance programmes. This subseries also includes copies of the book “The Game of Our Lives” by Peter Gzowski, which includes the lyrics to White and Hann’s song “Hometown Hero” in its preface.
Series Two: Screenwriting includes records related to White’s screenwriting career, and it has been arranged into the following subseries based on a career chronology provided by the creator:
Subseries One: One-Off Short Films includes records related to short films written by White. Records in this subseries include screenplays, shooting scripts, and script outlines. Works represented in this subseries include: “Starting Over,” “The Treasure,” “Generations”, “The Ballet Class,” “Snowbirds,” “Years of Sorrow, Years of Shame,” and “Scarlet Heritage.”
Subseries Two: Television Series includes records related to television shows written by White. Records in this subseries include screenplays, shooting scripts, treatments, outlines and premises, episode screeners and dubs, correspondence, press clippings, show prep memos, cast lists, shooting schedules, day out of days schedules, beat sheets, and notes. Works represented in this subseries include: “The Parent Puzzle,” “Stony Plain,” “The Beachcombers,” “Danger Bay,” “The Campbells,” “Bordertown,” “Airwolf II,” “Family Pictures,” “War of the Worlds,” “Jericho 911,” “Northwood” and “Da Vinci’s Inquest.”
Subseries Three: Television Movies includes records related to television movies written by White. Records in this subseries include correspondence, treatments, outlines, screenplays, shooting scripts, production stills, promotional one-sheets, crew lists, call sheets, press clippings, preliminary VHS screeners, a production cap and crew t-shirt, as well as research interviews on audio tape. Works represented in this subseries include: “Striker’s Mountain,” “The Legend of Ruby Silver,” and “Peacekeepers.”
Subseries Four: Screenplays includes records related to screenplays written by White. Records in this subseries include screenplays, one-sheets, film proposals, and research materials. Works represented in this series include: “Four by Four,” “Slug Addiction: A Rock & Roll Fairy Tale”, “Nighthawk Crossing” (also known as “Crossing the Line”), “Scarlet Ladies,” “Mungo” and ‘Love and Genius.”
Subseries Five: Mini-Series includes records related to mini-series written by White. Records in this subseries include screenplays, development and series outlines, correspondence, notes, outlines, beat sheets, writer’s agreement and transfer of rights agreement, and research reports. Works represented in this subseries include: “The Temptations of Big Bear,” “Mountain Men,” “The Columbia Dams,” “Midnight Son,” “Thompson & Tyrell” and “The On-to-Ottawa Trek.”
Subseries Six: Movie Treatments includes records related to movie treatments written by White. Records in this series include treatments, synopses, and outlines. Works in this subseries include: “Bernie & The Guy,” “Craig’s Man,” “Lawrence After Arabia,” and “The Flying Bandit.”
Subseries Seven: Pitches includes records related to various pitches written by White. Records in this series include one-sheet pitches, story pitches, synopses, outlines, notes and research materials. Works in this series include, but are not limited to “Headless Valley,” “The Cheaters,” “Fall of a Prince,” and “Detachment.”
Subseries Eight: Screenwriting Projects Research Materials consists of records related to research done by White, predominantly pertaining to a potential series entitled “The Denisons of Canada.” Records in this subseries include grant applications, correspondence, a television series treatment, and a project description. It also includes a substantial amount of research materials, including books, book and journal excerpts, copies of historical records including maps, photographs, correspondence and diaries, archival finding aids, genealogical records, and bibliographies. Also included in this subseries are research files for a potential new instalment of “Peacekeepers,” set in Cyprus, in 1974, as well as research for a project entitled “Graveyard of the Pacific.”
Subseries Nine: Awards consists of awards and nominations received by White over the course of his screenwriting career. Included in this series are Gemini nomination certificates for “Striker’s Mountain,” “The Legend of the Ruby Silver,” and “Peacekeepers.” It also includes awards statuettes from the Writer’s Guild of Canada Top Ten Awards, for “Ruby Silver” and “Peacekeepers.”
Subseries Ten: Miscellaneous Files includes records labeled as miscellaneous by the creator, as well as records not easily ascribed to a particular title or production. Records in this series include correspondence, WGC project registrations for various titles, matted postcards, research clippings, a brochure for White’s production company (Kicking Horse Productions), writer’s contracts and purchase agreements, and a disc containing professional photographs of White.
Subseries Eleven: Books and Reference Materials consists of books related to White’s screenwriting career. Works in this series include “Telling It: Writing for Canadian Film and Television,” (which includes a chapter by White), and “Big Screen Country: Making Movies in Alberta.” It also includes two screenplays not written by White, a book about the Avro Arrow, and an Orenda Engines branded lighter.
Series Three: Digital Print Writing includes records related to White’s digital print writing work (including novels, novelizations, and memoirs). Included in this series is a copy of White’s novel, Crimea Sabre, as well as printing order details pertaining to this book. Also included in this series are research clippings pertaining to “Crimea Sabre.” This series also includes an essay by White about the founding of the Council of Canadians. This series also includes personal short stories, genealogical research records (including family trees, correspondence, copies of military service records, and scans of family photos), and a small amount of White’s personal materials (high school report cards, membership cards, track and field ribbons).
Series Four: Writer’s Guild of Canada includes records related to White’s work with the ACTRA Writer’s Guild as well as the Writer’s Guild of Canada, and the arrangement is largely based on the creator’s original order. Records in this series include correspondence, clippings, policy and discussion papers, policy proposals, lists of guild personnel and portfolios, meeting minutes and agendas, reports, forum and working group agendas, priorities and action items lists, speeches, and notes. It also includes a full run of “The WGC News” newsletter, as well as a run of “Canadian Screenwriter” magazines from White’s time as Guild president. Finally, this subseries includes a USB key of digital files relating to White’s time as WGC president.
Series Five: Kaslo/Kootenays and Mining includes records related to White’s time as a miner, resident of Kaslo, British Columbia, and work with the Kootenay Lake Historical Society. Records in this series include newspaper and magazine clippings and brochures pertaining to home design and home building. It also includes research and copies of archival materials pertaining to the history of mining in British Columbia. It also includes historical publications by the Geological Survey of Canada, and books pertaining to the Kootenays, including a first edition of the 1888 travelogue “A Ramble In British Columbia.”

This fonds consists of 11 series, divided by subject matter, production and format, and reflecting Feniaks’s own division and naming of his files. The series are: “Introduction and Overview”, “Early Days Media, Promo Folders, B&W Photographs”, “90 Minutes Live with Peter Gzowski / Canada After Dark", “That's Life Global TV”, “Lifetime CTV”, “Freelance Writer / Broadcaster work”, “Feature Articles”, “Good Times features on celebrated Canadians”, “Books autographed by interview subjects”, “Videotapes from Freelance Work” and “Clippings and Periodicals”.

The first series, “Introduction and Overview”, includes resumes, headshot photographs, correspondence, notes, video cassettes and audio cassettes relating to Feniak’s early work. This series also contains a first edition print of the John Lennon book, A Spaniard in the Works, as well an audio cassette recording of an interview with Ray Manzarek of The Doors recorded in 1996.

The second series, “Early Days Media, Promo Folders, B&W Photographs”, includes notes, press clippings, promotional photographs and publicity materials relating to Feniak’s work for Winnipeg Folk Festival, CBC Winnipeg, and Winnipeg Free Press.

The third series, "90 Minutes Live with Peter Gzowski / Canada After Dark", includes production notes, guest listings, research, and CBC memos relating to the production of 90 Minutes Live with Peter Gzowski and Canada After Dark on CBC. Some items containing personal information may be restricted.

The fourth series, “That's Life Global TV”, includes press kits, promotional photographs, interview notes, and story notes relating to Feniak’s work as a host for That’s Life on Global TV.

The fifth series, "Lifetime CTV", includes video cassettes, DVD-Rs, promotional photographs, tour itineraries, production notes, interview notes, correspondence, continuity prints, and press clippings for Lifetime seasons 1 through 4 on CTV.

The sixth series, “Freelance Writer / Broadcaster work”, includes production notes, story pitches, video cassette demo reels and article press clippings for Feniak’s work as a freelance writer and television host.

The seventh series, “Feature Articles”, includes audio cassettes, video cassettes and newspaper clippings of Feniak’s interviews and features on notable figures in the world of entertainment.

The eighth series, “Good Times features on celebrated Canadians “, includes audio cassettes, mp3 audio, typed articles and Good Times magazine clippings of Feniak’s interviews and features on notable Canadians, such as Leslie Nielsen, Gordon Lightfoot, William Shatner, Jim Cuddy, Stompin’ Tom Connors, Margot Kidder, Silken Laumann, Arlene Dickinson, Colin Mochrie, Rick Mercer, and Dr. David Sazuki.

The ninth series, “Books autographed by interview subjects”, includes hard cover and soft cover books by authors such as Irving Layton, Dr. David Sazuki and Joan Collins. This series also contains a sketchbook by Friz Freleng, with 6 original pen drawings of Looney Toons characters, signed by the artist.

The tenth series, “Videotapes from Freelance Work”, includes video cassettes of Feniak’s work on television programs such as Today’s Parent, Lifetime, and That’s Life, as well as consumer recordings of other television events such as Live Aid and the Juno Awards 1998.

The eleventh series, “Clippings and Periodicals”, includes newspaper clippings, festival programs, and press credentials for Feniak’s freelance journalist and reporting work. This series also contains some promotional buttons and a medal.

This fonds includes textual and audio-visual material relating to the following television productions:
• 90 Minutes Live with Peter Gzowski
• Canada After Dark
• Lifetime
• Live it Up
• That’s Life
• Today’s Parent

This fonds includes textual material relating to articles in the following publications:
• Frank (periodical)
• Globe and Mail (newspaper)
• Good Times (magazine)
• Saturday Night (magazine)
• The City (Toronto Star magazine)
• Toronto (magazine)
• Toronto Star (newspaper)

The Peter H. Russell fonds is comprised of three accessions: B2005-0001, B2017-0006, and B2019-0008. The records span over 60 years and document Prof. Russell’s academic career primarily with the Department of Political Science at the University of Toronto and as a recognized expert in the field of judicial, constitutional, and Indigenous politics.

Arranged in fourteen series, the records consist of correspondence, both personal and professional, manuscripts of published and unpublished works, addresses, talks and reviews, teaching and research materials. In particular, these records document the development of his expertise through the preparation of manuscripts, research, teaching and communication with colleagues at universities in Canada and internationally. Material also reflects Prof. Russell’s advocacy and active engagement in a number of national issues.

Correspondents in accession B2005-0001 include members of the Canadian judiciary such as Justices D. C. McDonald, Bora Laskin, Bertha Wilson, and Alan Linden, and politicians such as Bob Rae, Ian Scott, Ed Broadbent and Stephane Dion.

Both Series 6 (Professional activities and addresses) and Series 11 (Articles, reviews, published addresses and referee comments), contains samples of talks and addresses delivered to prominent bodies such as the Toronto Club, the Canadian Club (Toronto and Winnipeg), to university audiences and local community groups such as Learning Unlimited.

His public service activities with Indigenous groups, such as the Dene Nation, and with related governmental bodies, such as the Royal Commission on Aboriginal Peoples and the Ipperwash Inquiry, are documented in Series 5 (Consultation and public service). In addition to his academic activities, material from accession B2005-0001 in this series includes records relating to his community involvement with the Wychwood Rate Payer’s Association, the Bathurst-St. Clair Task Force, Legal Aid Committee, Ontario Liberal Association and University Settlement, among others.

Finally, material in this fonds provides significant coverage of Prof. Russell’s participation in associations and organizations such as the Churchill Society for the Advancement of Parliamentary Democracy (Series 7) University of Toronto Faculty Association (Series 8), the College and Retiree Association of Canada (Sub-series 10.1) and the Retired Academics and Librarians of the University of Toronto (Sub-series 10.2).

This fonds consists of Byer’s work as a Professor at the University of Toronto, and his government and private-sector work for various committees and councils. The fonds includes a large collection of lecture notes, syllabi, and class materials used by Byer to deliver instruction for various engineering courses. The collection also includes Byer’s research notes for numerous committee and council projects for the University of Toronto and for various public and private-sector organizations. Many of Byer’s publication notes, talks, and conference presentations are also included in this fonds. The Philip H. Byer fonds consists of the following series; 1) Files for Courses, 2) Files for Lecture Notes and Papers/Publications and Presentations, 3) Files for Committees and Research Projects, and 4) Files for University Committees and Projects.

This fonds is divided into 4 series: Textual Material, Audio Material, Video Material and Cinefilms.

The first series, textual materials, includes file folders containing canceled cheques and administrative paperwork, as well as 1,317 wrap binders detailing the process of creating the advertisements. These binders include story boards, correspondence, invoices, purchase orders, scripts, cast lists, payroll documents, contracts, call sheets, permits, shooting schedules and insurance information.

The second series, Audio Material, includes primary raw recordings, intermediate edits, and finished documents. Many of the cassette tapes, compact discs and digital audio tapes also contain recordings of conference calls which would usually involve the director, an executive from the ad agency and an executive from Radke.

The third series, Video Material, includes several iterations of the commercials and music spots made by the company (raw footage, editing stages, and finished productions), as well as showreels sent to Radke by companies seeking work for their directors (including Errol Morris and David Fincher).

The fourth series, Cinefilms, includes 16mm and 35mm camera negative.

Over the course of its 18 year history, the Radke Film Group has produced more than 23,000 commercials. Products that Radke has promoted include:
· Chevrolet Cavalier
· Tostitos
· Eggo Waffles
· The Bay Sale
· Labatt Blue Beer
· Aspirin
· CD Walkman
· Lady Speedstick Deodorant
· Bell Sympatico High Speed Internet
· Purina Dog Chow
· CNE
· Discovery Channel – Shark Week
· Salvation Army
· Tim Horton’s
· Interac Direct Payment
· Jello
· The Weather Network
· Ontario Tourism
· Lysol Kitchen Cleaner
· Zellers
· Nintendo Game Cube
· Ministry of Health – Child Immunization
· Gibson’s Finest Canadian Whiskey
· Showcase: Cronenberg Festival
· Carnival Cruises
· Hot Docs

This fonds consists of 16 series, divided by production, format, and project, based on Story’s original division and organisation of files. The series are as follows:

1.“Some Letters to a Young Poet Feature Film”
2.“Echo Lake Feature Film”
3.“Palace short film”

4. “The Time Traveler TV Movie”
5. “Works in Development”
6. “The Chair short film”
7. “Duke Redbird short film”
8. “Elusive short film”
9. “Canadian Aboriginal Archive Project”
10. “Writing Projects”
11. “European Mime Tour 1990”
12. “Personal Calendars 1986 – 2011”
13. “Teaching Materials”
14. “Personal Files”
15. “Book Collection”
16. “Indigenous Collection”.

The first series, “Some Letters to a Young Poet Feature Film”, includes story research notes, script drafts, art design research, shooting script, production stills, audio cassettes, raw footage, ¾ inch U-Matic video cassettes, Betacam SP video cassettes, VHS cassettes, casting tapes, original music recordings, handwritten tape-logs, EDLs, director’s notes, production journal, promotional materials, photographic prints and negatives, print press kits, press clippings and memorabilia related to the production of the feature film.

The second series, “Echo Lake Feature Film”, includes research notes, script drafts, shooting script with hand-written notes, art design research, location scout VHS cassettes, casting VHS cassettes, raw footage, MiniDV video cassettes, Betacam SP master video cassette, correspondences, pre-licences, financing agreements, production stills, select props, original music CD, handwritten tape-logs, director’s notes, screener VHS cassettes, production journal, DVD data discs, photographic prints and negatives, print press kits, and press clippings related to the production of the feature film.

The third series, “Palace short film”, includes script drafts in short film and feature-length formats, research notes, production stills, JPEG digital files and photographic prints, funding application, shooting script, shot lists, credits, cast correspondences, film festival programmes, DVD data discs, Mini DV video cassettes, audio CD, and one external hard drive, relating to the production of the short film.

The fourth series, “The Time Traveler TV Movie”, includes story research notes, script drafts, shooting script, art design research, casting material, development agreement, series bible, casting VHS cassettes, six first draft episodic scripts, production stills, camera reports, production notes, raw footage, handwritten tape-logs, director’s notes, production journal, mini DV video cassettes, DVD data discs, digital mov files, digital TIFF files, DVD discs, Blu-ray discs, HDCAM video cassettes, Betacam SP video cassettes, internal hard drives, textile wardrobe items, relating to the production of the TV movie.

Note there are two video cassettes (Betcam & HDCAM) in this series which have a Cree audio dub of the pilot episode, as well as versioning notes and a time-coded translation of the script in Cree and English.

The fifth series, “Works in Development”, includes textual materials such as writing notes, research notes, screenplays, beat sheets, grant applications, funding paperwork, development notes for various unproduced works. The series also contains audio-visual materials such as Mini-DV audition tapes, VHS video cassettes, and 3/4 inch U-Matic video cassettes of live comedy shows.

The sixth series, “The Chair short film”, includes textual production materials, digital prints on data CD, rough cuts on VHS video cassette, as well as final edit on DVD-R and mini DV cassette for a short film written by Sally O'Neill, and produced by Richard Story and Sally O’Neill.

The seventh series, “Duke Redbird short film”, includes promotional postcard, DVDs, DVD-R, mini DV and VHS video cassette, featuring rough cuts and final edit of the short documentary.

The eighth series, “Elusive short film”, includes script drafts for the short film and feature formats, casting documents, financing and distribution materials, photographic prints, shooting script, shot lists, VHS video cassettes, Mini DV video cassettes, DVDs, and a 3 ½ inch floppy disk relating to the production of the short film.

The ninth series, “Canadian Aboriginal Archive Project”, includes a soundtrack on audio cassette, interviews with actor Lorne Cardinal, release agreement, funding applications, digital script on 3 ½ inch floppy disk, VHS video cassettes and Mini DV video cassettes relating to the production of the project.

The tenth series, “Writing Projects”, includes textual materials relating to Story’s writing, such as a book proposal, draft, and supporting press materials for Producing & Directing an Independent Digital Movie; a sales kit, notes, correspondences, and finished drafts of The Portable Film School; and a number of 3 ½ inch floppy disks with other works.

The eleventh series, “European Mime Tour 1990”, includes VHS video cassettes, 3/4 inch U-Matic video cassettes, audio cassettes, 33 rpm audio record, photographic prints, as well as ephemera and artifacts from the tour.

The twelfth series, “Personal Calendars 1986 – 2011”, includes hand-written and colour-coded monthly calendars for each year. The calendar for 2008 is not included. Items were digitized by donor, prior to donation. The digital files are not included in this donation.

The thirteenth series, “Teaching Materials”, includes textual materials such as course notes, course descriptions, exam papers, feedback forms, film festival programmes, flipbooks, grant applications and film release press kits used as teaching examples. The series contains 36 VHS video cassettes of commercially released film productions used in the donor’s course curriculums. Photographs and digital prints are included in some of the press kits in the series. Also included are 7 mounted 35mm colour transparencies of production stills from commercially released film titles.

Please note that this series contains confidential information relation to student names, contact info and grades.

The fourteenth series, “Personal Files”, includes materials relating to the donor’s teenage years in Vancouver, and his interest in the punk and skateboarding scenes. The series includes commercial and independent music releases on 33rpm and 45rpm discs, as well as newspaper clippings, photographs, skateboarder magazines, newsletters, stickers, club membership cards, flags, and various ephemera. Artifacts include a medal, trophy, ribbons, and rosettes from skateboarding competitions.

The fifteenth series, “Book Collection”, includes a range of published books relating to the donor’s creative influences. Authors represented included Gaston Bachelard, Walter Murch, Friedrich Nietzsche and Andrey Tarkovsky.

The sixteenth series, “Indigenous Collection”, includes materials relating to the donor’s creative work and teaching in the Indigenous and Aboriginal media communities, in Canada and internationally. Textual materials include press clippings, festival brochures, media directories, training leaflets, magazines and publications relating to Indigenous issues. The series also includes commercially released DVDs and CDs from Indigenous artists, and festival tote bags.

This fonds includes textual and audio-visual material relating to the following film productions:
• Echo Lake
• Elusive
• Palace
• Some Letters to a Young Poet
• The Chair
• The Time Traveller

This fonds includes textual material relating to the following film productions:
• The Hidden Path
• Z-Virus

This fonds includes audio-visual material relating to the following film productions:
• Duke Redbird

This fonds documents the administrative and teaching duties of Robert Spencer, as a Professor Emeritus of History and a specialist in European history, especially German history in the 19th and 20th centuries. They also document his education and his participation in World War II; his extensive international research, publications and speaking engagements; as well as his involvement with professional associations and organizations such as the University of Toronto Contingent, Canadian Officers Training Corps (COTC), the International Studies Programme and the Graduate Centre for International Studies, Altantik-Brücke, and the Conference on Security and Co-operation in Europe (CSCE). Included is personal correspondence, correspondence with international organizations, government departments, embassies and consulates; lecture notes; manuscripts and addresses.

Also present are two sous-fonds. The first is the personal papers of his wife, Ruth Margaret Church Spencer, who served with the Women’s Royal Canadian Naval Service (WRENS) during World War II as a base librarian and afterwards as the first professional librarian at Canada House in London. The second consists of files compiled by Ralph Flenley, a specialist in German history and sometime chair of the Department of History: examination questions, student mark books, and drafts of an unpublished manuscript on Anglo-German relations.

This fonds consists of five accessions, described below:

B1972-0020

Correspondence, minutes, memoranda, notes, reports, and press clippings documenting the activities of the Faculty of Arts and Science Constituency of the President's Council of the University of Toronto, as assembled by Professor Robert Spencer while a member of the Council. In addition to Council minutes and related material, there are files on several presidential advisory committees, the Advisory Planning Committee of the Board of Govemors, the University's Master Plan, the School of Hygiene, tenure (Haist Committee), and the Council's Sub-committee on Resource Planning. Included is material documenting the participation of professors C. B. Macpherson and J. B. Conacher.

B1977-0010

Correspondence, memoranda, briefs, minutes, posters, architectural plans, maps, and press clippings documenting Spencer's role in various University administrative bodies including: the Board of Governors Property Committee, 1969 – 1972; the Program Committee of the Commission on University Government, 1969 – 1970; the President's Council, 1969 – 1970; the Committee on Accommodations and Facilities, 1969 – 1972; the Capital Planning Committee, 1971; the Sigmund Samuel Renovation Committee, 1972; Faculty of Arts and Science Library Committee 1967 – 1969; and the Library Council Executive Committee 1965 – 1969. Also includes records of committees relating to stack access issue to the new Robarts Library (the Heyworth Committee), 1971 – 1972, and to the use of the Sigmund Samuel Library 1970 – 1972.

B2010-0024

Personal records of Robert Spencer, Professor Emeritus of History and a specialist in European history (19th and 20th centuries) that document his administrative and teaching duties at the University of Toronto, his research, writings and editing, and addresses, and his involvement with professional associations and organizations such as the COTC (University of Toronto), and the U of T International Studies Programmes, Atlantik-Bruecke, the Conference on Security and Co-operation in Europe (CSCE), the federal government, and German diplomatic bodies and institutions.

B2013-0005

Further personal records of Robert Spencer, Professor Emeritus of History, documenting his education, his military service during World War II; his post-war studies at Trinity College and the University of Oxford; his administrative duties at the University of Toronto, his editorial work, his extensive travels as a researcher and speaker, and his writings, including the history of U of T Contingent, Canadian Officers’ Training Corps (COTC) project.

Also present are two sous-fonds. The first is the personal papers of his wife, Ruth Margaret Church Spencer who served with the Women’s Royal Canadian Naval Service (WRENS) during World War II as a base librarian and afterwards as the first professional librarian at Canada House in London. Includes correspondence, certificates, addresses, diaries, photographs, reports, maps, interviews, and memorabilia. The second consists of files compiled by Ralph Flenley, Professor Emeritus of History: examination questions, student mark books, and drafts of an unpublished manuscript on Anglo-German relations.

The arrangement of this accession closely follows the file listing provided by Professor Spencer, with some rearrangement and addition of information, as deemed necessary.

B2022-0014

This accession includes a Challenge Coin created for Robert Spencer’s 100th birthday and a note that describes its iconography.

The Robert Sandler Fonds is separated under series based on the production of various TV series and movies.

Series 1: Northrop Frye Lectures (Frye) Collection
As noted, as the ‘Fyre Collection’ by Sandler in his writings. The collection includes Professor Northrop Frye’s writings and Sandler’s own lectures note from his time as student under Professor Northrop Frye in English literature. The textual in series contains lecture notes on Shakespeare, a collection of William Shakespeare’s various plays. Which was the winner of the Governor General’s Award for Non-Fiction. The series contains Sandler’s audiotape collection of Professor Frye’s undergraduate classes Introduction to Shakespeare for two plus years. Frye’s lectures were transcribed, and Professor Northrop Frye’s edited them into a book, which Sandler sold to publisher Fitzhenry & Whiteside. The documents and audiotapes lead to the publishing of Northrop Frye on Shakespeare: Edited by Robert Sandler won Professor Northrop Frye his only Governor General’s Award for Non-Fiction.

Sandler worked on multiple projects with Professor Northrop Frye, such as the Bible and Literature and Story of Us. Professor Northrop Frye and Sandler had a good student and teacher relationship, to the point that Professor Northrop Frye wrote a letter of recommendation for Sandler’s CBC application. Sandler was able to work with Professor Northrop Frye when Sandler worked with the University of Toronto’s Media Centre to record the professor’s lectures. Formats within the series includes video and audio copies of the original 25-hour long lectures, used in Bible and Literature, Sandler’s notes to edit the hour-long lectures into 30 ½ hour programs, notes for the 30 roundtable discussions, promotional material are Sandler’s contribution to initiating the Frye project.

Series 2: Fraggle Rock
The second series holds mostly screenplays and script for the children’s program Fraggle Rock. Fraggle Rock is the first series HBO commissioned and created by Jim Henson and his team. It was nominated and won various awards. Sandler was a writer brought on in Season 2 and wrote six episodes and one of his shows was nominated for an International Emmy. Documents included in the series includes episode script proposals, correspondence with Jim Henson and other producers, cast and crew. Also includes the first, second, and third readthrough drafts, written by Robert Sandler and other writers on the show such as Jerry Juhl, Laura Philips, David Young, bq Nichol and Jocelyn Stevenson. The series also includes photographs of cast and crew members on the production set of Fraggle Rock; Fraggle Rock Christmas CDs and an award with a piece of Fraggle Rock presented to Sandler for his years of achievement on the show. Lastly are the lawsuit documents involving the series’ writers not being proper financially compensated.

Series 3: Eric’s World
The third series contains the documents and items from the children’s sitcom series that aired from 1991-1996. The show was a 30-minute program broadcasted on TVO, Knowledge Network, SCN, Access and Family Channel. Sandler was hired to create a children’s series featuring Eric Nagler as a children’s performer and his manager, CJ, a puppet manipulated by John Pattison. Robert Sandler and Allen Booth were the co-creator, co-creative producers, Writer, and co-story editors of the series. They also had various writers also contribute to the series as well.

Documents include both the failed and successful documents to pilot the series, drafts, script notes and final drafts of my 30 plus scripts, the remaining scripts from five seasons, writer’s guides, organization papers. Digital and DVD copies.

Series 4: Traders - Street Legal
The fourth series contains the textual files and video from the Canadian prime-time drama set in a Toronto investment firm. The show is about the professional and private lives of a group of young, aggressive attorneys in partnership together in Toronto. The series was broadcasted on Global TV from 1987-1994. Robert Sandler and Allen Booth are the Co-Story Editors, Episode Co-writers. The documents contained in the series are various drafts of scripts such as the first and second draft written by Robert Sandler, production script, outline of scripts, contract between CBC and Robert Sandler; and correspondences from various production and broadcasting companies like CBC.

Series 5: Exhibit A: Secrets of Forensic Science
The Fifth series contains the documentation and episodes of the award-winning and nominated TV Series that pioneered the true crime genre. This series features interesting crimes stories where forensic science played critical role in solving. This program re-enacts cases in which forensic scientists have used their expertise to find and examine evidence that would have previously been undetectable. 30 minutes TV docudrama series, where Sandler was the Creative Producer, Co-Creator, and Episode Writer. The files included in the series, contains the scripts that Sandler wrote and co-wrote in the first season and important episodes in later seasons. It also includes drafts of the script as well as a VHS and digital copies of the show, plus PR material, documents that pertain to the production of the series, screenplays, court orders, and transcripts of interviews from various scientists, police investigators and comments on the case.

Series 6: 72 Hour - True Crime
The Sixth series contains the textual files and videos a half- hour true TV crime docudrama follow up that focused on the investigators. The series ran three seasons, 45 episodes which Sandler had a hand in writing many of the episodes. The series contains the pitch documents, scripts written by Sandler, scripts he was credited, and script notes on the other 43 episodes, and rewritten scripts. Documents also include production photographs, research documents, crew resume, press clippings, tape interviews and notes.

Series 7: Extreme Clergy
The Seventh series are from the ½ hour TV documentary series where Sandler was the creator, writer, and an episode co-writer. The TV series documented the story of one or a team of clergy in social hot spots around the world. Some people in religious orders were surfing the waves, fighting in warzones, artic, and more amazing places outside a place of worship. The collection documents from Sandler includes the pitch documents for the TV series, drafts of the scripts Sandler wrote or co-wrote, DVDs of various steps in the edit, DVDs of the final episode and various tapes and digital copies of the episodes.

Series 8: EXC Finance
The Eight series in the Sandler collection, include the financial documents for various productions. Textual materials obtained from various production companies such as Two Sands Productions and Creative Anarchy. Also includes the applications and forms to fund various film projects; such as the Canadian Television Fund Agreement, Ontario Declaration of Residency/Consent Form 2008, letter from the Canadian Chamber of Commerce and Canadian Heritage letter. Financial papers included in the collection contains various bank statements, audits, notices from banks, authorization form, Tax documents; T2 Corporation Income Tax Return form, claim forms and Invoices.

Series 9: Sex and Religion
The Ninth series in the collection are documents based on the TV documentary series Sex & Religion. Robert Sandler was the co-creator, and episode writer. A documentary series that travels the world looking for the line between sex and sin. Robert Sandler noted that, “in conjunction with Riddle Films, I was wholly responsible for 5 of the 13 episodes about how major religions viewed various aspects of sex.” Textual documents in this series includes Sandler’s involvement in the writing of the scripts and includes DVDs and edits of these episodes.

Series 10: Real Voodoo
The Tenth series in the collection formats features textual, data, video, and photographs. Short tv-movie that includes financial records of various forms from the Canadian Revenue Agency, notice of (RE)Assessment and form of Claiming a Canadian Film or Video Production Tax Credit. Correspondences, proposals, and draft of scripts.

Series 11: My Pet’s Gone Viral (MPGV)
The Eleventh series in the collection features textual, data, video, and photographs of production. Holds eight episodes ½ hour documentary series starring the cats and dogs in YouTube pet videos that went viral. In the collection include script drafts and final scripts written by Sandler. In the collection also include the DVDs of the final episodes. Financial documents include cost report spreadsheet from various budget, MPGV Banking Summary Notes (2014), breakdown of Canadian costs, and eSubmission Summary. Correspondence to and from Animal Planet on distribution and production of the series.

Series 12: Brebeuf and the Huron Carol
The Twelve series in the collection of the A 1-hour TV musical biography, produced by Creative Anarchy and CBC Radio Canada. The TV special was written by Robert Sandler on the dramatization on the life of Father Brebeuf and his time among the Wendat (Hurons) and his The Huron Carole, the first Christmas Carole in the New World. In this series the various versions of the script and drafts are written by Sandler with his corrections. It also includes research notes and articles on Brebeuf. Video copies are in VHS and digital formats of the show, which also includes photos from the filming, flyer, and episodes.

Series 13: Assholes *A Documentary
The Thirteenth series is about novels by Aaron James turn TV documentary. The TV adaptation was written by Robert Sandler and John Walker with the broadcasting channels NFB and CBC Documentary Channel. It is a feature length documentary based on the New York Times’ best seller of the same name. The TV documentary is inspired by the NYT bestselling book, this lively philosophical investigation into the rise of asshole behaviour across the world asks: What does it mean to be an asshole, and more importantly, how do we stop their proliferation. The show has been nominated for a Writer’s Award and a Gemini Award.

With in the collection includes the research journals/notes, drafts and final editions of the script, invoices, email correspondence between Sandler and his co-writer/director John Walker. Majority of the formats in the collection are data floppy disk drives.

Series 14: Make Me Read
The Fourteenth series short internet films, co-written by Robert Sandler and long-time partner Allen Booth. Make Me Read is a series of YouTube videos with young comedians interviewing popular Canadian authors. However, there are no videos of the short films within the collection, instead the collection holds an array of drafts and final editions of the YouTube videos. The series also includes the novels of the Canadian authors that Sandler interviewed. Most of the authors were a part of the Toronto festival ‘The Word on the Street Festival’.

Series 15: Music
The Fifteenth series contains the audio recordings of various artists that Sandler either produced or had some influence in. Textual documentation contains contracts and agreements for BMI Canada - the Music Scene and SOCAN, song lyrics and correspondences between Sandler and artists. Audio holds recordings from vinyl records and audio reels – such as the album for the movie Foxy Lady and the album for Tony Kosinec.

Series 16: Miscellaneous Produced
The Sixteenth series holds various files of various smaller rolls in TV series throughout his carrier. They include drafts of scripts, proposals, resumes, correspondence between networks, writers' contracts, and miscellaneous documents. TV series included in the series are Under the Umbrella Tree, The Biggest Little Ticket, Sesame Street, Dudley the Dragon, and more. Most of the textual documents are transcripts, various versions (drafts) of script & screenplays, correspondences, and financial files. Within the collection also include his personal academic essays from his time in University of Toronto. Most of the produced series and files are labeled as such in the notes.

Consists of 2 accessions

B1986-0101: Portrait of Robert Scollard, Archivist, St. Michael's College. June 1982

B1988-0006: Interview with Father Robert Scollard conducted by Ann Maclean for the Toronto Area Archivist Group newsletter. Topics covered include the establishment of the St. Michael's College Archives, types of holdings in the Archives, Fr. Scollard's contribution's to the history of St. Michael's and his involvement in the Toronto archival community. 7 November 1987.

This fonds includes a collection of personal and professional papers relating to Zend’s career and life in Canada. It includes holograph and typed manuscripts with revisions, notes and artwork for his poems, notes and scripts for CBC radio programmes that he produced and papers and financial records related to Zend’s business activities. The fonds also includes audio visual records related both to Zend’s career at the CBC and his creative endeavors.
The fonds is divided into 6 series: CBC Programmes, Literary and Art Manuscripts, Business Activities, Biographical Papers, Printed Materials, and Audio Visual Materials.

The first series, CBC Programmes, includes research notes, scripts, memos, correspondence, and contracts related to various CBC programmes.

The second series, Literary and Art Manuscripts, includes literary and art manuscripts, notebooks, drafts, printed research materials, drawings, collages, photographs, and correspondence.

The third series, Business Activities, includes correspondence, financials, permits and film scripts related to Zend’s various business activities

The fourth series, Biographical Papers, includes notebooks, diaries, scrapbooks, and correspondence, and textual records related to Zend’s personal matters.

The fifth series, Printed Materials, includes various printed works, research materials, and a collection of Zend’s printed appearances in journals and anthologies.

The sixth series, Audio Visual Materials, includes 33 reels of cinefilms and 648 audio tapes. Included are film elements related to editing work performed by Zend and audio records of interviews conducted by Zend for research purposes.

This fonds includes textual material relating to the following organizations:

Canadian Broadcasting Corporation
Elan Design
Tamarack Films
Toronto Tükör
Toronto Mirror
Zend Productions
This fonds includes textual material relating to the following literary projects and publications

Madouce (manuscript, 1965-68)
How Do You Doodle (manuscript, 1969)
The Tamarack Review (magazine, 1969)
Performing Arts in Canada (magazine, 1970)
Bric a Brac (manuscript, 1971)
Volvox (magazine, 1971)
Exile (journal, 1972-74, 1977-78)
From Zero to One (book, 1973)
Anthology of Canadian Hungarian Authors (book, 1974)
The Look of Books (printed research materials, 1974)
The Sound of Time (book, 1974)
Assassination Quartet (book, 1976)
Gilgamesh (unpublished manuscript, 1976)
Nicolette (unpublished manuscript, 1976)
A Critical (Ninth) Assembling (book, 1979)
Precisely Six Seven Eight Nine (book, 1979)
To Say the Least (book, 1979)
The Tragedy of Man (unpublished translation, 1979)
Ariel and Caliban (book, 1980)
Canadian Fiction Magazine (magazine, 1980)
Key to the Cube (unpublished manuscript, 1981)
My Friend Jerònimo (book, 1981)
Arbormundi (book, 1982)
Beyond Labels (book, 1982)
Lords of Winter and of Love (book, 1983)
Oāb (book, 1983, 1985)
Canadian Poets from A to Z (book, 1984)
Shoes & Shit – Stories for Pedestrians (book, 1984)
The Three Roberts (book, 1984)
Rampike (magazine, 1985-86)
Cinema Canada (printed research materials)
Pinch (printed research materials)
Take One (printed research materials)
This fonds includes audio visual material relating to the following programmes and projects

Ideas (radio program, 1969-77)
Split Affair (short film, 1979)
Stroke (film, 1969)
Before the Battle
The Mystery Maker (television program)

The Roman Bittman and Marily Belec Bittman Fonds is separated based on Roman and Marilyn’s projects and business under these series:
Series 1 – 11
Series 1: Program environment
Series 2: Anglosea Guides
Series 3: NAAF Business – National Aboriginal Achievement foundation
Series 4: Man Alive
Series 5: Agenda and Journals
Series 6: Awards
Series 7: Roman Files
Series 8: Family History
Series 9: NSFDC – Nova Scotia Film Development Corporation
Series 10: APTN – National Indigenous Television Network
Series 11: Mobius Productions

Series 1: Program environment
The first Roman Bittman and Marilyn Belec Bittman collection series is from the National Film Board (NFB) Program Environmental—a research film funded in 1974. The series consists of research notes, conceptual analysis, and the proposed working plan for other films to be produced by the National Film Board.
Series 2: Anglosea Guides
The second series consists of documents used in research and support of the documentary Anglosea. The files include research notes and other supporting documents. Records include the Anglosea Scheduling for Scriptwriting overseas (with additional written information), correspondences, schedule of visits on board Baltic and Oresund Ferries, and schedule of the Programme of Mr. Roman Bittman’s visit to the Arab Maritime Transport Academy. It also includes various business cards from the Ministry of Canada, transportation companies from Canada and international business cards (mainly Arab countries). The documents also contain guidebooks of the area and a navigation booklet for the teachers and students for the St. Lawrence seaway. The International Maritime Lecturers Association approved both manuals.
Series 3: NAAF Business – National Aboriginal Achievement Foundation
The National Aboriginal Achievement Foundation (NAAF) is a charitable organization dedicated to raising funds to deliver programs that provide the tools necessary for Aboriginal peoples, especially youth, to achieve their potential. The Foundation has awarded more than $37 million in scholarships and bursaries to more than 9,800 First Nations, Inuit, and Métis students nationwide. Roman Bittman produced the National Aboriginal Achievement Foundation Awards show, and he also served as the organization’s interim CEO.
The series contains business cards of various government offices and businesses involved in supporting the NAAF. It includes the NAAF Five-year plan 2006-2010 as Roman Bittman’s acting CEO; it also consists of the verbatim of what he said and has comments to his plan. The series contains the planning and description of the National Aboriginal Achievement Awards. Business records includes the schedules for the Ottawa Meetings of the National Aboriginal Achievement Foundation with John Watson, Mark Wilgen, Dahlia Stein, Jascha Jabes, Rick Hansen, and Pat Martin MP. Email correspondence on various business proposals and Roman Bittman assuming acting CEO duties. Lastly, the series also consists of financial documents for the NAAF.
Series 4: Man Alive
The fourth series focuses on the writings of Thomas Merton. Merton was an influential American Catholic author of the twentieth century. His autobiography, The Seven Storey Mountain, has sold over one million copies, and he wrote over sixty other books and hundreds of poems and articles on topics ranging from spirituality to civil rights, and the nuclear arms race. The collection contains audio tapes of the interview and writings of Thomas Merton for Roman Bittman’s production, Man Alive. The tapes are titled Letter of Bernaro to Robert – Peter the Venerable letter of Defense; Race situations – St Basil Ascetical Discourse; Abelard and his Lark of Spiritual Insight; Silence and Makins signs; Poetry and Song; Chinese thought; and other tapes based on Thomas Merton travels.
Series 5: Agenda and Journals
The fifth series contains the agendas and journals that once belonged to Roman Bittman. His journals write of his personal life, but mostly his work, such as his research on Thomas Merton, his trip to Norway, sea battles in WWII and NATO. The agendas consist of meeting schedules, films he worked on, the contact information of his colleagues, and his travel and shooting schedules of various locations, such as his trip to Prince Edward Island, Miami, and Washington, DC. It also includes the agenda that belonged to Marilyn Belec, with her daily schedule and contact list of her colleagues.
Series 6: Awards
The sixth series consists of awards that Roman Bittman won during his extensive career and honoured after his death. Awards for his short films, early films and documentaries include the Screen awards, CFTA film awards, Family Life Film award, Banff International, American Film Festival and many more national and international Film Festival awards. It also includes the National Aboriginal Achievement Awards, which he attended and wrote a message in the award booklet. After his death, many people in the entertainment and the Indigenous community came together to celebrate, honour, and recognize Roman Bittman’s life works. Many include speeches on his achievements, tribute letters, and people sending in letters to various awards nominating him after his death.
Series 7: Roman Files
The seventh series consists of Roman Bittman’s files for researching various films, company correspondences, and corporate financial papers. Documents consist of research and proposals for the potential work of the Pilgrimage sent by Roman Bittman when he was a part of Marilyn Belec Bittman’s company, Mobius Media Corporation. Furthermore, he spent his time at CBC News before becoming a producer of the documentary series The Nature of Things. The seventh series also includes his travel documents and souvenirs. His academic and personal documents include his personal poem and writings; his Ryerson University (now called Toronto Metropolitan University) letters and photos of Ryerson class reunion, touring Ryerson’s new Rogers Communications Centre with his old classmates.
Series 8: Family History
The eighth series focuses on the research done on Roman Bittman’s family history and lineage. Documents include Roman Bittman’s Genealogy Chart. Roman Bittman’s aunt, Sarah Norjard, researched papers he collected in 1992. Research notes contain photography of Sarah and Roman with family, articles from the Record-Gazette and his Métis card. It also includes his family connections towards the Bourassa and St. Germain families, two notable family members in their province’s history.
Series 9: NSFDC – Nova Scotia Film Development Corporation
The ninth series contains his development in the Nova Scotia Film Development Corporation (NSFDC). Documents include press releases from the NSFDC from the board of directors’ appointments and letters from various media companies such as Screen Star group and Mobius media production—project letters for the plans to build and operate the province’s first full sound stage. It also includes a discussion on Roman Bittman’s contract as he served as President of the Nova Scotia Film Development Corporation but was later dismissed in 1996 after the NSFDC board rejected his financing plans for the sound stage.
Series 10: APTN – Aboriginal Peoples Television Network
The tenth series of the fonds contains documents of Roman Bittman’s involvement in the Aboriginal Peoples Television Network (APTN). Bittman was an early advisor to the Aboriginal Peoples Television Network which was launched in 1999 as the first national Indigenous broadcaster in the world. Since then, the network has become a global leader in programming that celebrates the rich diversity of Indigenous Peoples across Turtle Island and beyond. The documents include the Aboriginal Broadcast Talent Directory book from the Centre for Aboriginal Media (CAM), press clippings on Roman Bittman establishing the National Aboriginal Television Network and business cards from various production companies, government cards, finance, and Hotel cards. Lastly, it includes the APTN Board of Directors/AGM Meeting and conference binder that provided investors and producers information on the APTN mission and the agenda for the APRN Teleconference meeting.
Series 11: Mobius Productions
The last series within the fonds is Roman and Marilyn Belec Bittman’s career and work in Mobius Media Productions. Marilyn Belec Bittman was president of the independent production firm, Mobius Productions, and Roman was a partner. Documents entail their correspondences on their various films and productions—government letters from the Ministry of Skills Development, Labour Canada, and other partners. Lastly, it includes corporation magazines and financial works such as Mobius Productions guide to film titles and price lists.

Fonds consists of records created during Ron Collier's career as a performer, composer, arranger, teacher, and band leader. The fonds includes manuscripts of Collier's arrangements and original compositions; correspondence with musicians; photographs; lecture notes from his career at Humber College in Toronto, Ontario; and records from his collaborations with Duke Ellington. Fonds also contains audio and video recordings of performances and lectures.

Fonds consists of correspondence, subject files, course material, research records, and conference and publication files documenting the life and career of Prof. Roxana Ng, professor at OISE and community activist. Fonds also includes administrative material from OISE, in particular from AECP (Adult Education and Counselling Psychology) Department, the AECD (Adult Education and Community Development Program), CIARS (Centre for Integrative Anti-Racism Studies), and the CWSE (Centre for Women’s Studies in Education).

Fonds also includes records relating to Prof. Ng’s involvement in various community groups, NGOs and grassroots organizations, including the Apparel Textile Action Committee (ATAC), CERIS (The Ontario Metropolis Centre), the Canadian Research Institute for the Advancement of Women (CRIAW), The International Ladies' Garment Workers' Union (ILGWU), INTERCEDE (International center to End Domestic Exploitation), Inter Pares, The Jade Garden Adjustment Committee, the National Organization of Immigrant and Visible Minority Women of Canada (NOICMWC), UNITE (the Union of Needletrades, Industrial and Textile Employees), Women Working with Immigrant Women (WWIW), and the Homeworkers Association (HWA)

This fonds includes 6 series, divided by format. The series are: Textual Material, Photographic Material, Audio Material, Video Material, Cinefilm and Artifacts.

The first series, Textual Material, includes annotated scripts, press sheets, press clippings, continuity logs, audio cue sheets, handwritten editing notes, production reports and various other production-related printed materials.

The second series, Photographic Material, consists of studio photographs and production stills.

The third series, Audio Material, includes original sound elements from An American in Canada.

The fourth series, Video Material, includes Betacam and VHS tapes from the production and editing process, as well as viewing copies of completed films and final master-quality versions of each of the episodes in the various television series.

The fifth series, Cinefilm, consists of a 35mm print of the feature film Duct Tape Forever.

The sixth series, Artifacts, includes props from the Red Green Show (including a dart board, clothing, and a model of the Possum Lodge van), as well as fan art and merchandise.

This fonds includes textual material relating to a number of productions, including:

The Red Green Show (Television, 1990)
Supertown Challenge (Television, 1998)
An American in Canada (Television, 2002)
This fonds includes audiovisual material relating to a number of productions, including:

Smith & Smith (Television, 1979)
Me & Max (Television, 1986)
Comedy Mill (Television, 1987)
Red Green Show (Television, 1990)
Go Girl (Television, 1997)
Supertown Challenge (Television, 1998)
5-th Quadrant (Television, 2002)
An American in Canada (Television, 2002)
Duct Tape Forever (Film, 2002)
Steve Smith Playhouse (Television, 2004)
Mr. Happy (Television, 2006)

These accessions of personal records provide a fairly complete representation of Samuel Hollander’s professional life as an academic. The accessions cover his entire career from his student days at the London School of Economics to his retirement from the University of Toronto in 1998 and his appointment at Ben-Gurion University in Beer-Sheva, Israel in 2000. Correspondence, found in the various series gives a rich commentary on his professional endeavours and gives a good overview of the debates surrounding Hollander’s work. Lecture notes and taped lectures document how his ideas were taught in the classroom and his Ph.D. files found in Series 5 show his dedication to the teaching and mentor roles for which he is so highly regarded.

This fonds is divided into 3 series, based on format. These are: Audio Material; Video Material; and Cinefilms.

The first series, Audio Material, is comprised of raw and mixed soundtrack elements used in the production of the programs.

The second series, Video Material, includes unedited field recordings, various edits and completed television programs.

The third series, Cinefilm, includes unedited camera-original colour negative shot for many of the programs and features.

This fonds includes audiovisual material relating to a number of productions, including:

Camilla (Film, 1993)
Swann (Film, 1996)
Painted Angels (Film, 1998)
Conquest (Film, 1998)
External Affairs (Film, 1999)
Jacob Two Two Meets the Hooded Fang (Film, 1999)
The Joanne Kilbourn Mysteries (Television, 2000)
Screech Owls (Television, 2001)
Torso (Television, 2002)
Scar Tissue (Television, 2002)
Long Life, Happiness and Prosperity (Television, 2002)
The Atwood Stories (Television, 2003)
In the Dark (Television, 2003)
Hemingway vs .Callaghan (Television, 2003)
The Detective Murdoch Mysteries (Television, 2004)
The Shields Stories (Television, 2004)
Re-Genesis (Television, 2004)
Dark Oracle (Television, 2004)
Terry (Television, 2005)
Mischief City (Television, 2005)
Life with Derek (Television, 2005)
Eight Days to Live (Television, 2006)
11 Cameras (Television, 2006)
The Jane Show (Television, 2006)
In God’s Country (Television, 2007)

Personal records of Professor Stephen Clarkson, documenting his career as a political scientist, writer, teacher, and his early political career in municipal politics and with the Liberal Party of Canada and Ontario. Records in this fonds document the entirety of Clarkson's life and career. Records include biographical information (CV's, activity reports, honours), personal and professional correspondence, and files related to his early education and the writing of his Ph.D. thesis.

Series 3 to 13 consist of records documenting Clarkson's several books and his extensive research and writings over the course of his career. Joint projects and research with Christina McCall including original records by her can be found in some these series as well, specifically the research and writing of Trudeau and Our Times (Series 2) and research on Canadian Federal politics (Series 13).

Series 14 to 18, document Clarkson's teaching activities and his career within the University of Toronto's Department of Political Science.

Series 19 to 22 document his political roles within the Liberal party, his run for Toronto Mayor in 1969 and as well as his social activism.

This fonds also includes Liberal Party of Canada policy documents (1966-1976) belonging to Allen Linden that were given to Clarkson either because he took over as chair of the policy committee or collected as a primary resource for his research on the Liberal Party.

Accession B2019-0003 was an accrual acquired from his spouse Nora Clarkson following his death, and consists of files from his home office and laptop computer.

Accession B2023-0008 (1 box, 1975-2000) is an accrual of further personal records consisting of his journal and notes about his marriage to Christina McCall.

The fonds consists of records kept by Stephen Reynolds during the course of his adult life. These include correspondence with family, friends, and colleagues that illuminate his personal life, his Christian faith, and his various pastoral and intellectual pursuits. Carbon copies of many outgoing letters were created and kept. Reynolds kept an intermittent diary through the time period represented here. These were sometimes typed, and often handwritten in small notebooks. He apparently removed pages from these notebooks and inserted them in files with correspondence and other material from the same time period.

Other records include academic papers, research material, sermons, prayers, drafts of manuscripts, course materials, and some official documents such as academic transcripts.

Contains series:

1. Undergraduate education and MDiv degree
2. Ministry
3. Anglican Church of Canada
4. For All the Saints
5. ThD Degree
6. Teaching
7. Correspondence

Records documenting Dr. S.D.T. Robertson's career as a professor of Electrical Engineering at the University of Toronto. Included are theses of students he supervised, student term papers, lectures and course notes. There are also files related to his research specifically in the field of electric transportation systems and electrical distribution system design. Special media materials relate to his work on electric vehicles.

Fonds consists of manuscript scores, compositional sketches, correspondence, programs, and teaching materials, related to Kenins's career as a composer and professor at the Faculty of Music, University of Toronto.

Scope and Content: Series 1 – 5
Series 1: “People” Clippings Files
Series 2: AGE Series III
Series 3: Film Company Catalogues
Series 4: Dorothy and Oscar Burritt Award
Series 5: Toronto Film Society Administration

Series 1: People
The first series contains press clippings from various publications of various actors, reviews, and critics of the films—numerous articles on the Directors, musicians, producers, and writers. Press clippings are organized alphabetically by last name, from Joe Abeywicrema to Valerio Zurlini.

Series 2: AGE Series III
The A-G-E Film Society of Toronto was created in 1955 until 1962 for the purpose of “providing those who lived through the cinema’s formative years with the opportunity to relive the past, and to give the new generation of film enthusiasts a chance to see what had been accomplished in motion pictures before their interest in films began.” Within the second series, the AGE collection includes the application for membership in the AGE. It contains the AGE 2nd to AGE 6th Season programmes letter from the AGE Film Society of Toronto to various partners and film organizations. The series also includes several newspaper clippings on the AGE Society.

Series 3: Film Company Catalogues
The third series contains the documents and items from various film production companies whose titles are included in the TFS collection. Production company catalogues collected are from Canadian and international film companies. Companies included in the series are A World of Entertainment, Universal/16, Pan Canadian Film Distributors Inc, Cinematheque Ontario, Paramount, Universal Pictures and more. Many catalogues also come from the TFS Summer series and other film events hosted by TFS.

Series 4: Dorothy and Oscar Burritt Award
The Fourth series contains the textual files and objects on the Dorothy and Oscar Burritt Award. The award was named in honour of Dorothy and Oscar Burritt, who left Vancouver from the Vancouver branch of the Canadian film Society to aid in the creation of the TFS. The Burritt’s contribution to the film society movement was recognized by a special Canadian Film Award in 1963, just a few months before Dorothy’s death. The Toronto Film Society established the Dorothy Burritt Memorial Award (later renamed for Dorothy and Oscar Burritt Memorial Award), an annual cash grant to support projects that contribute “to greater understanding and enjoyment of the film as an art”. The collection includes correspondences from various film societies, such as the Vancouver branch and other film production companies. It also contains reports, Memorial Award packages, press clippings, marketing on advertising the various TFS events, and correspondence to the Burritt Memorial Award Committee.

Series 5: Toronto Film Society Administration
The Fifth series contains the documentation on the administration side of the TFS. Many of the TFS's administration documents include meeting minutes from their AGM (Annual General Meeting) and TFS Board Meeting Minutes. Such meetings include the general and board meeting minutes, documents that pertain to the international film festival and many other festivals, TFS committee report, and correspondences. The series also contains the administration for their awards, such as the Dorothy and Oscar Burritt Memorial Award and film acquisitions. TFS administration documents include their members' information, votes and questionnaires for their members. It also consists of the Eastman House, financial reports, and statements on the TFS events, such as the summer and seasons series. Lastly, include film acquisition documents of various films.

Fonds consists of extensive records documenting the life and career of Thomas Howarth, relating primarily to his activities as an architecture student at the University of Manchester, and as a professor and administrator there and at the Universities of Glasgow and Toronto, as a professional architect, and as an authority on Charles Rennie Mackintosh.

See accession-level descriptions for further details.