Showing 2869 results

Archival description
Series
Print preview View:

Toronto music education

Series consists of materials relating to music education in Toronto, including at the Toronto Conservatory of Music and the Toronto College of Music.

Autographs

Series consists of the following autographs, collected by Florence L. Clarke, first wife of Henry John Cody, president of University of Toronto (1932-1945): Emma Abbott (1882); Teresa Carreño (1883); Emma Juch (1885); Clara Louise Kellogg (1885); Sofia Scalchi-Lolli; Ede Remenyi; Marcella Sembrich (1883); Potta (1882); Blatchford Kavanagh; Etelka Gerster Gardini (1882); Gabriella Boema; Emma Thursby (1883); Eugenia Pappenheim; Helena Modjeske (1882); Camilla Urn (1883); Mary F. Scott-Siddons (1880); Kate Claxton (1882); Zelia Trebelli; Minnie Hauk (1882); Rose Coghlan (1882); Rafael Joseffy; August Wellesley; Geneviève Ward (1882); five other illegible signatures.

Photographs of musicians

Series consists of photographs of Canadian and European musicians from the early 1900s, as well as Giuliana Gattoni's collection of publicity photographs from the late 1980s and early 1990s, which predominantly consists of photographs of Canadian Opera Company productions.

Programs

Series consists of miscellaneous programs, predominantly for concerts that took place in Toronto.

Family records and correspondence

Series consists of copies of photographs and documents pertaining to Johnstone's family. Documents include correspondence between Mary F. Williamson and Helmut Kallmann of the National Library of Canada; a copy of the petition for divorce filed by Catherine (McGregor) Johnstone against her husband John Francis Johnstone, which was later withdrawn (January 8, 1979); a copy of an article in the Toronto Star (November 26, 1927) regarding Amelia Hart and her seven husbands (Johnstone was the fourth); a copy of a letter from Mary F. Williamson to Professor Carl Morey at the Faculty of Music, University of Toronto regarding Johnstone and performances of his songs; a copy of Johnstone's obituary (February 25, 1913); and a copy of scanned portraits of Johnstone. The series also consists of electronic records, including scanned images from the Johnstone family photo album (ca. 1900).

Teaching and performance materials

Series consists of materials created by J. Churchill Arlidge in the course of his teaching and performance career, including sheet music with added vocal parts, written in his own hand, a practice record booklet that he published in Toronto in 1907, and the script and program for a concert that he gave in the 1880s.

Correspondence and family records

Series consists of letters to J. Churchill Arlidge concerning his performances; family correspondence; Arlidge's wedding certificate; and a jewel pendant that belonged to his mother.

Promotional materials and memorabilia

Series consists of a promotional booklet and poster, which feature the same photograph and include excerpts of newspaper reviews of his performances. Series also includes his wooden conductor's baton.

Photographs

Series consists of promotional and personal photographs of J. Churchill Arlidge, his family, and groups to which he belonged, including the Independent Order of Foresters (Arlidge was the High Organist); Christ Church at Deer Park, Toronto, Ontario; and a Grand Jury in 1907, which was appointed to investigate and make recommendations regarding public institutions and services in Toronto.

Classical scores

Series contains various classical scores and parts, many of which were arranged and/or composed by Doug Riley.

Research materials

Series consists of research materials collected by Carl Morey, predominantly relating to Canadian music and opera.

Programs

Series consists of programs and other ephemera collected by Carl Morey, predominantly from performances that he attended in Canada, the United States, Britain, France, Germany, and Italy. Some programs also include ticket stubs, newspaper clippings, annotations by Morey, or program notes written by Morey.

Concerts

Series consists of materials produced by the Aldeburgh Connection for each of their concerts, including the Sunday Afternoon Concert Series, held at Walter Hall, Faculty of Music, University of Toronto (1982-2013); the Recital Series at the Glenn Gould Studio, Toronto (1993-2013); the Discovery Series (also called the Young Artists Series), held at Walter Hall (1998-2011); the Bayfield Festival of Song (2007-2012); and various concerts performed on tour in North America and Great Britain. Each file contains the records created and used in the production of the concert, including promotional materials (programs, posters, and pamphlets); correspondence with musicians, sponsors, and venues; newspaper clippings of concert reviews; contracts with performers and venues; research notes; narrative scripts for the Sunday Afternoon Concert Series; scores annotated by Stephen Ralls and Bruce Ubukata; arrangements and transpositions of songs; stage, set, and lighting designs; subscriber lists; and ticket sales records.

Recording projects

Series consists of correspondence, rehearsal schedules, recording take lists, budgets, and research notes, regarding the production of the Aldeburgh Connection’s recording projects, including one cassette and six compact discs. The albums include recordings from various Aldeburgh Connection concerts, recordings with musicians featured in these concerts, and recordings of compositions commissioned by the Aldeburgh Connection.

Promotional events and free concerts

Series consists of records pertaining to various promotional events and free concerts produced by the Aldeburgh Connection. The series includes materials for one concert by Stephen Ralls and Bruce Ubukata prior to the official formation of the Aldeburgh Connection concert series, “Opera in the Drawing Room” (January 14, 1979). Each file consists of programs, scripts, scores annotated by Ralls and Ubukata, set and lighting designs, posters, and reviews.

Governance and finance records

Series consists of the administrative and financial records of the Aldeburgh Connection, including newsletters; correspondence regarding private donations, corporate funding, and government grants; financial ledgers and budgets; and, board minutes. As a registered charity, the Aldeburgh Connection was dependent upon donations, funding, and grants, in addition to revenue from ticket sales, to support each concert season. Donations after the end of the Aldeburgh Connection concerts in 2013 were given in support of the organization’s archival project, which included the creation of an online archive of sound recordings, digitized programs, and a database of their performance repertoire. The series also includes the letters of incorporation for “The Aldeburgh Connection Concert Society” and early promotional material used to obtain funding.

Arrangements

Series consists of manuscripts scores, parts, and scripts. These arrangements were made by Phil Nimmons for various ensembles.

Compositions and original creations

Series contains original works with Phil Nimmons as main author. The series includes scripts for radio broadcasts as well as scores and parts for various ensembles.

Sound recordings

Series consists of materials for: Cascando (1963-1965), Wordsong (1971-1973), Guitarmusic for John Cage (1972-1975), Wordmusic (1973-1974), Mikemusics (1973-1977), Silencesong (1974), Minutemusics (1977-1980), Thunderword (1978-1979), Nonologue (Onemanshow, 1980), and Sh! (Mikemusics, 1973-1977).

Ontario College of Art projects

Series consists of Udo Kasemets's notebooks, posters, and plans for projects at the Ontario College of Art (OCA). Series also contains Kasemets's OCA teaching materials and notes.

Biographical

Series includes awards and honours, radio transcripts, portraits, journal articles, and other bibliographic documents.

Other correspondence

Series consists of personal and professional correspondence, including letters from and to many Canadian musicians and composers.

Other activities

Series consists of administrative writings, correspondence, reviews, radio programs, and other documents relating to John Beckwith’s work at the Canadian Broadcasting Corporation, the University of Toronto, and various other appearances at conferences, symposiums, and universities. Series also includes writings related to his publications.

Compositions

Series consists of original manuscripts and copies of manuscripts, including both scores and parts, for compositions composed or arranged by John Beckwith.

B3 quartet projects

Series contains sheet music and set lists relating to projects of the B3 Quartet from years 1980-1998.

Results 101 to 150 of 2869