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Series C: Photographic Prints contains all of photograph prints that were housed in paper folders and filing cabinets in the office of Ken Jones. The folders were arranged by subject. For the most part, folders are labelled by subject but the folders and some photographs were out of order when the records were transferred to UTSC Library. In some cases, folders contain photos that do not reflect the subject of the original folder label.

This series contains materials used and made for those who are teaching or using Blissymbolics. It includes official teacher's guides published by Blissymbolics Communication Institute - Canada, activity kits made and used by BCIC, as well as copies of children's books in a variety of languages which use or have been translated into Blissymbolics for young children.

Series consists of memorabilia relating to Stratton's record collection, including historical photographs, record disc label posters, programs, 2 conductor's batons, Vanity Fair prints, artwork, and manuscript excerpts.

Includes two convocation programs.

Papers that were removed from the vinyl enclosure can be found in 2-16.

The subseries includes menus from countries part of the North American continent including Antigua and Barbuda, Bahamas, Barbados, Bermuda, Canada, (from the provinces of British Columbia, Manitoba, Newfoundland and Labrador, Northwest Territories, Nova Scotia Ontario, Quebec, Saskatchewan and the Yukon), Costa Rica, Cuba, Curaçao (part of the Kingdom of the Netherlands), El Salvador, Greenland (part of Denmark), Guatemala, Mexico, Panama, and the United States of America, (from the states of Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming).

Menu types include take out menus, booklet style menus, tri-fold and four fold menus, small card menus and single sheet menus.

Menus feature Chinese, Italian, Mexican, Cambodian, Tibetan, Vietnamese, Islamic, Spanish, Jamaican, Armenian, Israeli, Malaysian, American, Mongolian, Singapore, Thai, Taiwanese, Burmese, Korean, Laotian, Japanese, Middle Eastern, Afghan, Lebanese, Ecuadorian, Turkish, Peruvian, Argentinian, Egyptian, Venezuelan, Hong Kong style, seafood and vegetarian cuisine.

This fonds consists of textual material and artefacts including correspondence, a draft of William Kirby Rolph’s doctoral thesis, and drafts of articles. The fonds also contains newspaper clippings, certificates, pins and medals, and photographs relating to W.K. Rolph’s life and Ruth Bell’s academic career.

Item is a poster for the Blissymbolics Communication Institute - Canada.

The subseries includes menus from China, (Beijing, Hangzhou, and Shanghai), Hong Kong (Special Administrative Region of the People's Republic of China), Egypt, Guam (United States), India, Indonesia, Israel, Japan, Malaysia, the Philippines, Singapore, South Korea, Taiwan (Republic of China), Tibet (Autonomous Region of the People's Republic of China), Thailand, Turkey and Vietnam. Menus feature Chinese, Japanese, Thai, Indonesia, Italian, European, Russian, American, vegetarian and seafood cuisine.

The subseries comprises countries from the following areas: Eastern Asia, South-East Asia and Western Asia and Middle East.

Hong Kong and Tibet have been treated as separate geographical areas for retrieval purposes.

Although part of Russia is found on the Asian continent, all menus from Russia are found in the Europe subseries.

The subseries includes menus from the countries part of Oceania and includes Australia, New Caledonia (France) and New Zealand.

Menus feature Cambodian, Italian, Nepalese, Vietnamese, Malaysian, Indonesian, Indian and Chinese cuisine.

Oceania was chosen to denote the geographic continent usually termed Australia to cover a larger geographic region.

Includes photographs, Toronto Gilbert and Sullivan Society documents, 1940s – 2000s, including The Canadian Savoyard and ToRonToRa; miniature set designs; programmes; St. Anne’s productions; ‘pre-history’ from Harbord Collegiate productions, courtesy of Mort Greenberg and other material related to the Toronto Society and to Gilbert and Sullivan, London, including the D’Oyly Carte Company

Includes photographs, Toronto Gilbert and Sullivan Society documents, 1940s – 2000s, including The Canadian Savoyard and ToRonToRa; miniature set designs; programmes; St. Anne’s productions; ‘pre-history’ from Harbord Collegiate productions, courtesy of Mort Greenberg and other material related to the Toronto Society and to Gilbert and Sullivan, London, including the D’Oyly Carte Company.

This subseries consists of commemorative and celebratory posters for BCI and Blissymbolics.

The subseries includes menus and some correspondence from countries that are a part of the European continent including Austria, Belgium, Czech Republic, Denmark, England, Finland, France, Germany, Iceland, Ireland, Italy, Malta, the Netherlands, Norway, Poland, Portugal, Russia, Scotland, Slovenia, Spain, Sweden, Switzerland and Wales.

The subseries comprises areas part of Central, Eastern, Western, Southern and Northern Europe.
Menus feature Chinese, Japanese, Italian, Thai, Finnish, Vietnamese, Mongolian, Indian and Indo-Chinese, Russian and seafood cuisine.

Menus types found in this subseries includes take away menus, static menus, bound menus, trifold formatted menus, and photocopies. Business cards for a small portion of the restaurants are attached to the menus.

File contains:
-Four booklet style menus from Victoria Cruises
-A fan menu from the M.S. Tijluwah.
-M.S. Ruys Chinese Dinner menu printed on lace handkerchief, November 7, 1964.
-M.S. Leverkusen Chinese Special Dish menu from December 25th, 1936, the Hamburg-Amerika Linie

The correspondence series follows three distinct ordering systems. Those files that were separated as Haultain’s personal correspondence are placed at the front of the series (Box 006) and arranged in chronological order. The “personal” designation appears to have been imposed on the records by the rearrangement of Edith Birkett (see Series 8). Also included in this series are some miscellaneous Haultain correspondence files on a variety of topics, including the Ritual, and some personal correspondence that was filed with the Ritual records.

Boxes 007 through 009 are arranged chronologically and include correspondence between the Wardens and the Camps, some committee correspondence and general Kipling Ritual correspondence. The alphabetical arrangement appears to have been mostly applied following Birkett’s arrangement of the Kipling Ritual files and includes significant correspondence with Camp and Corporate Secretaries and Wardens including Norman Parkinson, Louis Trudel, Robert Marshall and Thomas Hogg. These letters are arranged alphabetically (Boxes 009 through 012).

In later accessions the records are mostly arranged in chronological order and are interspersed with various attachments such as receipts and meeting minutes. Largely these records contain the details of the activity of the office of the Camp One Secretary. For correspondence with the other Camp secretaries see also Series 7. Files (07) and (09) in B1982-0023/006 include early examples of the hand-hammered iron rings.

Includes a computer printed snapshot of Onley at the York University ceremony and two convocation programs.

Includes a computer printed snapshot of Onley at the University of Toronto ceremony.

Accession 2008.014 is divided into 6 series according to format.
These are: Textual and Other Material, Photographic Material, Graphic Material, Audio Material, Video Material, and Artifacts.
The first series, Textual and Other Material, includes scripts related to Nelvana (scripts, business, legal records, development files,correspondence, personal diaries, notebooks and other production-related files). This series also includes 31 series bibles and over 500 books and periodicals.
The second series, Photographic Material, includes photographs related to the animation production process, as well as images of Nelvana staff at work and play.
The third series, Graphic Material, includes material from different parts of the production process (animation cells, backgrounds, and cleanups).
They include some of the best known and most valuable of such materials, including Tintin, Rupert, Babar and Dog City. This series also includes posters.
The fourth series, Audio Material, consists largely of commercial recordings used for research. This series also includes rough mixes for Nelvana productions.
The fifth series, Video Material, primarily consists of completed Nelvana programs, as well as different versions of productions in progress.
The sixth series, Artifacts, includes a number of promotional items (toys, stuffed animals, clothing, etc.) from Hirsh’s productions.

This fonds includes graphic and textual material relating to a number of productions, including:

The Edison Twins (Television, 1982)
Droids (Television, 1985)
The Care Bears (Television, 1985)
Babar (Television, 1989)
Rupert (Television, 1991)
The Adventures of Tintin (Television, 1991)
Eek! the Cat (Television, 1992)
Cadillacs and Dinosaurs (Television, 1993)
Dog City (Television, 1992)
Tales from the Cryptkeeper (Television, 1993)
Budgie the Little Helicopter (Television, 1994)
Tabaluga (Television, 1994)
Tales from the Crypt (Television, 1996)
Franklin (Television, 1997)
Bob and Margaret (Television, 1998)
The Doodlebops (Television, 2004)
This fonds includes audiovisual material relating to a number of productions, including:

A Cosmic Christmas (Television, 1977)
The Care Bears (Television, 1985)
Tres Estelles (Television, 1987)
My Pet Monster (Television, 1987)
T & T (Television, 1988)
Babar (Television, 1989)
Beetlejuice (Television, 1989)
Little Rosey (Television, 1990)
Ren & Stimpy Show (Television, 1991)
The Adventures of Tintin (Television, 1991)
Rupert (Television, 1991)
Eek! the Cat (Television, 1992)
Fievel’s American Tails (Television, 1992)
Family Dog (Television, 1993)
Cadillacs and Dinosaurs (Television, 1993)
Dog City (Television, 1992)
Free Willy (Television, 1994)
The Magic School Bus (Television, 1994)
Tales from the Cryptkeeper (Television, 1994)
Little Lulu (Television, 1995)
Little Bear (Television, 1995)
The Hardy Boys (Television, 1995)
The Neverending Story (Television, 1995)
Blazing Dragons (Television, 1996)
Stickin’ Around (Television, 1996)
Nancy Drew (Television, 1995)
Waynehead (Television, 1996)
Ace Ventura: Pet Detective (Television, 1996)
Donkey Kong Country (Television, 1997)
Ned’s Newt (Television, 1997)
Gargoyles: The Goliath Chronicle (Television, 1997)
Franklin (Television, 1997)
Anatole (Television, 1998)
Flying Rhino Junior High (Television, 1998)
Dumb Bunnies (Television, 1998)
Bob and Margaret (Television, 1998)
Birdz (Television, 1998)
Pippi Longstocking (Television, 1997)
Rolie Polie Olie (Television, 1998)
Blaster’s Universe (Television, 1999)
George and Martha (Television, 1999)
Redwall (Television, 2001)
The Doodlebops (Television, 2004)
Spider Riders (Television, 2006)

This fonds contains 15 accessions of records. See accession-level descriptions for more details.

Includes matchbooks, buttons, pamphlets, poems, and other materials from Canadian elections.

File contains material from when David C. Onley, Ruth Ann Onley, and staff visited Beijing. Includes official Paralympic programmes, media guide, travel book (Frommer's), badge lanyards, and a five yuan note.

This fonds contains 55 accessions of records. See accession-level descriptions for more details.

Item is a bookmark for the Blissymbolics Communication International Panel and Organizational Meeting in Montreal.

Fonds contains writings, family letters, photographs, photocopies of biographical documents, collected by Bob Arlidge, and manuscripts of Arlidge's original compositions, arrangements, and transcriptions of performed pieces.

Includes two convocation programs, convocation procedure book, and a letter from Alumni Affairs conferring the degree inside a University of Windsor folder.

This fonds is divided into 6 series, divided by format. These are: Textual Materials, Photographs, Audio Materials, Video Materials, Cinefilms and Artifacts.

The first series, Textual Materials, consists of documents from every phase of the production process. These include: proposals for various series, treatments, synopses, draft scripts, finished scripts, story boards, series presentations, and promotional kits. Legal and financial papers are also included.

The second series, Photographs, includes a number of prints used for research and promotional purposes.

The third series, Audio Material, includes sound elements and research material.

The fourth series, Video Material, comprises raw footage, edits, masters and viewing copies of completed productions. Of particular interest is the footage shot for Hollywoodism, which includes interviews with several Hollywood directors and producers who are now dead.

The fifth series, Cinefilms, includes raw footage and elements. Some personal films on Super 8 are also included.

The sixth series, Artifacts, includes posters, clothing, props, awards and a large Canadian flag.

This fonds includes textual material relating to a number of productions, including:

Falasha: Exile of the Black Jews (Film, 1983)
AIDS in Africa (Film, 1990)
Burden on the Land (Television, 1990)
Deadly Currents (Film, 1991)
Ms. Conceptions (Film, 1995)
The Plague Fighters (Television, 1996)
Selling of Innocents (Television, 1996)
Expulsion and Memory (Television, 1996)
A Mother’s Grief (Television, 1997)
The Dancing Game (Television, 1997)\
Hollywoodism (Television, 1997)
Quest for the Lost Tribes (Television, 1999)
Scandal! Then and Now (Television, 1999)
Drag Kings (Television, 2000)
The Struma (Television, 2000)
Betrayal! (Television, 2004)
Tell It Like It Is (Television, ca. 2004)
Sex Slaves (Television, 2005)
The Naked Archaeologist (Television, 2005)
Yummy Mummy (Television, 2005)
This fonds includes audiovisual material relating to a number of productions, including:

Falasha: Exile of the Black Jews (Film, 1983)
Burden on the Land (Television, 1990)
Ms. Conceptions (Film, 1995)
The Plague Fighters (Television, 1996)
Selling of Innocents (Television, 1996)
The Dancing Game (Television, 1997)
Hollywoodism (Television, 1997)
Quest for the Lost Tribes (Television, 1999)
Scandal! Then and Now (Television, 1999)
The Struma (Television, 2000)
Betrayal! (Television, 2004)
Impact of Terror (Film, 2004)
Tell It Like It Is (Television, ca. 2004)
The Naked Archaeologist (Television, 2005)
Yummy Mummy (Television, 2005)
Sex Slaves (Television, 2005)
The Exodus Decoded (Television, 2006)
Charging the Rhino (Film, 2007)

First accession contains correspondence, drafts of speeches and writings, journals, scrapbooks, photographs, clippings and family papers.

Second accession contains 56 boxes and items. The documents consist of personal and business correspondence, articles and addresses, banking and legal documents, estate information, biography information, and other items. The correspondence relates to art and the National Gallery, De Grassi Point, geology, Japanese consul, The Champlain Society, the National Battlefields Commission, the Royal Colonial Institute, the Round Table, University College Alumnae Association Building Committee. There is a significant amount of correspondence from the Canadian Bank of Commerce, the University of Toronto, and the Royal Ontario Museum, and with many prominent individuals in Canada and worldwide as well as letters to Mary before and after they married and messages of condolence received by the family after the death of Sir Edmund Walker. Other documents in the collection relate to the Alexander, Buchan, and Morrow families; the Coronation of King George V and other special events; the Duke of Sutherland's Scheme (Imperial Colonization Corporation of Canada); the West Virginia Debt Settlement; and C. White Mortimer. The items are books, a lace handkerchief, a wooden drawer containing numerous calling cards, card index of pictures and art objects, a framed drawing of the coat of arms, Sir Edmund Walker's certificates and medal upon being admitted as a Knight of the Order of the Hospital of St. John of Jerusalem, pieces of the fireplace from Long Garth, a silver vase, a silver bowl, a china plate with Walker crest and logo, and a fishing rod and net.

Fonds consists of 4 accessions of records. This fonds consists of materials from 15 different family members and is arranged in series based on the size of the materials from each member (with six family members contributing to most of this fonds). There are 8 series overall (with series 7 consisting of additional family members and series 8 as the photography series). Each series within
this fonds predominantly consists of correspondence between family members, legal documents, financial records, articles, diaries, genealogical research, and analog photographs, and a video. This fonds also consists of objects such as medals, ribbons,
and an engraved plate. See accession-level descriptions for further detail.

This fonds consists of 5 series, divided by format. These are: Textual Material, Photographic Material, Audio Material, Video Material, and Artifacts.

The first series, Textual Materials, includes material relating to CRTC applications, specialty services, CHUM, CityTV and other organizations. The bulk of the material pertains to programming on City, MuchMusic and CHUM, though personal correspondence, journals, and administrative documents are also included.

The second series, Photographic Material, includes personal and professional material. Of particular note is a series of black and white prints from the early days of CityTV in the 1970s.

The third series, Audio Material, consists of hearings from 1970s CRTC hearings, as well as MuchMusic’s commercial compilations and original performances by Canadian and international artists.

The fourth series, Video Material, consists of informally filmed one-of-a-kind events at CityTV and MuchMusic, as well as more personal events (Switzer’s wedding, reunion shows, etc.). Also included are DVDs of CHUM international projects featuring videos by performers from around the world.

The fifth series, Artifacts, consists of a number of items used for publicity, including t-shirts, toys, a snowglobe, pins, and lunchboxes.

This fonds includes textual material relating to a number of productions, including:

20 Minute Workout (Television, 1983)
Molson’s Rock TV (Television, 1983)
Fight Night (Television, 1983)
1990 Video Music Awards (Television, 1990)
Earth: Final Conflict (Television, 1997)
This fonds includes audiovisual material relating to a number of productions, including:

Much Music: Electric Circus Old School (Album, 1995)
Much More Music: Sampler (Album, 1997)
Much Music: Made In The 80’S (Album, 1997)
Much Dance 1997 (Album, 1997)
Much: Big Shiny Tunes 3 (Album, 1998)
Much Dance 1999 (Album, 1999)
Trax (Television, 1999)
Much: Big Shiny Tunes 4 (Album, 1999)
Much Music (Album, 1999)
Much Dance 2000 (Album, 2000)
On the Nose (Film, 2001)
Much Music: Volume 7 (Album, 2001)
On the Nose (Film, 2001)
Bravo! Chill Classical (Album, 2002)
Much: Big Shiny Tunes 7 (Album, 2002)
Much Dance 2003 (Album, 2003)
Much Dance ‘90s (Album, 2003)
MuchMusic Video Awards 2004 (Film of Live Musical Performance, 2004)
Going the Distance (Film, 2004)
The Collector (Television, 2004)
Christmas Tape: The Essential Collection (Album, 2004)
Water (Film, 2005)
Bon Cop, Bad Cop (Film, 2006)
Much More Retro Presents: The Pursuit Of Happiness Live In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Ashley MacIssac Live
At The Rehearsal Hall (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Payola$ Live
In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Glass Tiger Live In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: Gowan Live In Concert (Film of Live Musical Performance, ca. 2006)
Much More Retro Presents: The Spoons Live In Concert (Film of Live Musical Performance, ca. 2006)
MuchMusic Video Awards 2006 (Film of Live Musical Performance, 2006)
Much Dance 2007 (Album, 2007)

Minutes and agenda of the following Faculty of Nursing Committees: Admission / Applications Committee (1970-1978, and 1999-2002); Admission and Awards (1970-1999); Awards Committee (1998-2000); Committee on Standing (1983-2003); Curriculum meeting (1971-2005); Faculty Council Committee (1975-1996, 1998-2000); Faculty of Nursing Executive Committee (1972-1991); Graduate Committee (1979-1999); Monograph Committee (1994-1998); and Staff Meeting (1955-1988). Also included are personnel files as well as some print materials and 2 boxes of artifacts (nursing uniforms).

Subseries contains various tableware and food items.

This fonds contains 75 accessions of records. See accession-level descriptions for more details.

This fonds consists of one accession documenting three generations of the McCarthy family of Toronto. The majority of records document two graduates of the University of Toronto, Douglas Findlay McCarthy (B.A.Sc, 1929) and his son, Douglas Dale McCarthy (M.D. 1955). Sous fonds 1 consists of personal records of Douglas Findlay McCarthy documenting primarily his years as an engineering student during the mid 1920s at the University of Toronto. Personal diaries cover his education not only for these four years (1924-1929) but also some of his high school years at Malvern Collegiate. Also included are photographs of his team sports in water polo and basketball as well as graduation, and sports artifacts such as two trophies for bowling and rugby. Among the materials in Series 1 are the only documents relating to his father: two engineer’s booklets signed “Geo. A. McCarthy, Moncton, N.B.” and dated 1893.
Sous fonds 2 contains records relating to his son, Dale McCarthy during his time as a medical student in medicine in 1955 and relating to his medical career in the 1960s. However among these materials are some medical prescriptions believed to belong to his maternal grandfather, A.W. Moffatt for the 19th century as well as a Marey Sphygmograph used for measuring blood pressure during the same time period. Unfortunately, there is no documentation regarding his years with the Department of Medicine at the University of Toronto, or his involvement with the Ontario March of Dimes in Northern Ontario.

This fonds consists of 15 series, divided mainly by production (these include produced and unproduced projects). These are: Go Further, Grass, Over the Hedge, Howard Stern: Private Parts, Tales of the Rat Fink, The Pink Panther, ‘Chris Rock Project’, ‘Freedom’, ‘Jackie Gleason Project’, ‘Corky’, ‘The Unprofessionals’, ‘Materials Submitted to Blum’, ‘Going to the Movies’, ‘Len and Heather Blum’s Personal Archives’, ‘General Materials’.
The first series, Go Further, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes notes, contracts, correspondence and publicity materials.
The second subseries includes video footage from the film (post production).
The third subseries consists of a CD considered for the sound track.
The fourth subseries consists of a poster.
The second series, ‘Grass’, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes correspondence, research materials, and drafts.
The second subseries includes trailers, research materials and various versions of the film.
The third subseries includes music that appeared on the soundtrack.
The fourth subseries consists of a poster.
The third series, Over the Hedge, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes scripts, notes, correspondence, outlines, legal documents and research notes.
The second subseries consists of a crew selection video.
The third subseries includes research material.
The fourth subseries consists of a poster.
The fourth series, ‘Howard Stern: Private Parts” includes five subseries: Textual Material, Photographic Material, Video Material, Audio Material and Artifacts.
The first subseries includes correspondance and advertising documents.
The second subseries includes photographs taken at the Cannes festival.
The third subseries includes publicity material.
The fourth subseries includes research and publicity material.
The fifth subseries includes a poster.
The fifth series, ‘Tales of the Rat Fink’, includes three subseries: Textual Material, Video Material, and Artifacts.
The first subseries includes a script.
The second subseries includes postproduction elements.
The third subseries consists of a poster.
The sixth series, ‘The Pink Panther’, includes two subseries: Textual Material and Artifacts.
The first subseries includes scripts, handwritten notes, correspondence, and arbitration materials.
The second subseries includes a poster.
The seventh series, ‘Chris Rock Project’, includes three subseries: Textual Material, Video Material, and Audio Material. The first subseries includes transcripts, outlines and notes.
The second subseries includes research material.
The third subseries includes research material and recorded telephone conversations with Rock.
The eighth series, ‘Freedom’, includes two subseries: Textual Material and Audio Material.
The first subseries includes research material, letters from Ivan Reitman’s parents, transcripts, and a script.
The second subseries includes original interview tapes.
The ninth series, ‘Jackie Gleason Project’, includes three subseries: Textual Material , Audio Material and Video Material.
The first subseries includes research notes.
The second and third subseries include research material.
The tenth series, ‘Corky’, includes four subseries: Textual Materials, Photographic Materials, Video Materials, and Audio Materials.
The first subseries includes a script.
The second subseries includes photographs of the Wilkinsons music group.
The third subseries includes a VHS tape of the Dini Petty Show.
The fourth subseries includes music by the Wilkinsons on commercial cassette.
The eleventh series, ‘The Unprofessionals’, includes two subseries: Textual Materials and Video Materials.
The first subseries includes research material and notes.
The second subseries includes research material.
The twelvth series, ‘Materials Submitted to Blum’, consists of textual material (primarily scripts).
The thirteenth series, ‘Going to the Movies’, consists of textual material. Included here are leather bound books of published columns, as well as original drafts.
The fourteenth series, ‘Len and Heather Blum’s Personal Archives’, consists of two subseries: Textual Material and Photographic Material.
The first subseries includes correspondence, personal accounting papers, press clippings, and a journal.
The second includes photographs of various personal events.
The fifteenth series, ‘General Materials’, consists of two subseries: Textual Material and Photographic Material.
The first subseries includes correspondence, passports, calendars, press clippings, financial documents, real estate documents.
The second subseries includes photographs of Blum at various personal and professional events.

This fonds includes textual material relating to a number of productions, including:

Howard Stern: Private Parts (Film, 1997)
Grass (Film, 1999)
Go Further (Film, 2003)
Madagascar (Film, 2005)
Thank You for Smoking (Film, 2005)
Over the Hedge (Film, 2006)
Tales of the Rat Fink (Film, 2006)
The Pink Panther (Film, 2007)
This fonds includes audiovisual material relating to a number of productions, including:

Howard Stern: Private Parts (Film, 1997)
Grass (Film, 1999)
The Making of Ivan Reitman (Television, 2002)
Go Further (Film, 2003)
Madagascar (Film, 2005)
Thank You for Smoking (Film, 2005)
Over the Hedge (Film, 2006)
Tales of the Rat Fink (Film, 2006)
The Pink Panther (Film, 2007)

Subseries contains various souvenir objects from restaurants and special events.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

This fonds contains several series of records that document both Coxeter’s professional and personal life. Much of the professional correspondence in Series 2, as well as awards, tributes and obituaries found in Series 1 document his role as a mathematical mentor who influenced and inspired professional and amateur mathematicians alike. The bulk of the correspondence however mainly post dates his official retirement in 1980 and is therefore incomplete in documenting his extensive relationships with many mathematicians around the world throughout his lengthy career.

Four decades of correspondence, (1930s -1980), is not the only gap in the Coxeter fonds. Also missing is the voluminous amount of manuscripts for his articles and books along with research notes and drafts that would accompany such records. Nevertheless, what does exist of the professional correspondence, along with lectures in Series 5, course teaching notes in Series 7 and the few manuscripts and many geometrical drawings in Series 6, give researchers a window into his mathematical genius. There are also a full run of diaries, Series 4, that briefly record Coxeter’s day to day activities and thoughts.

Personal correspondence in Series 3, early family photographs in Series 9, early creative works in Series 10, diaries in Series 4 and Ph.D. records in Series 8 shed light onto various aspects of Coxeter’s life before arriving at the University of Toronto in 1936. These documents give researchers glimpses of his early childhood and upbringing, his early mastering of music, as well as, his research at Cambridge. His role as a father and husband as well as the relationships within the extended Coxeter family are best documented in a substantial part of the personal correspondence found in Series 3 as well in the daily diaries in Series 4.

The Coxeter fonds also includes some original items from other important mathematicians. There is a scrapbook of geometric drawings that belonged to fellow mathematician Alicia Boole Stott. This item dated 1899 makes up the entire Series 11. Also Coxeter acquired some of the papers belonging to 19th century British mathematician W.W. Rouse Ball presumably when he was producing further editions of one of Ball’s publications. This has been placed in Series 12.

Fonds also includes copies of Professor Coxeter's publications on mathematical problems that have been translated into other languages, and copies of Canadian and American counter-memorials and annexes to the International Court of Justice's "Delimitation of the Maritime Boundary in the Gulf of Maine Area, with covering correspondence (Coxeter was an adviser to the Canadian government).

This fonds contains the personal and professional papers of Dr. Helen Sawyer Hogg documenting her contribution to professional astronomy, her high regard as a popular educator as well as her responsibilities as a parent, daughter, wife and friend. The records have been arranged into series either by type of record or to reflect a certain type of activity. Records documenting various aspects of her career are filed first, followed by papers reflecting her personal life.

Included is both professional and personal correspondence; records relating to her activities on associations, boards and organizations; records such as draft manuscripts, correspondence and outlines and data relating to her publishing activities and research; papers relating to her education and her teaching responsibilities; as well as diaries and family papers series.

Because Dr. Hogg's career spanned nearly seven decades during a time astronomy as a discipline was still developing both nationally and internationally, these records are not only useful to those researching Dr. Hogg's achievements but will be insightful to those researchers studying the development of astronomy as a science and profession. Moreover, Dr. Hogg was a woman in a field of science, which is still dominated by men. Those studying women's history may find Dr. Hogg's personal records a useful case study in one woman's success in a largely male dominated profession.

Contained within the Helen S. Hogg personal records are three sous-fonds: Frank S. Hogg [1922-1952], her first husband and also an astronomer at the David Dunlap Observatory; Prof. Ruth Northcott [1932-1969], close personal friend and professional colleague of Helen Hogg, also on staff at the D.D.O.; Dr. C.A. Chant [193- - 194-], director emeritus of the D.D.O and head of the Department of Astronomy at the University of Toronto from 1904-1935. These sous-fonds are individually described and have been filed after the Helen Hogg personal records.

This fonds consists of two series: ‘Textual’ and ‘AudioVisual’.

The first series, ‘Textual’, is divided into 27 subseries, each pertaining to a specific production or project.

Each of these subseries is further subdivided into 8 subsubseries: ‘Development’, ‘Production’, ‘Photography’, ‘PostProduction’,
‘Distribution’,‘Marketing’, ‘Business Affairs’, ‘Press and Publicity’.

The second series, ‘AudioVisual’, is also subdivided by production.

These are in turn divided into 3 subsubseries: Cinefilm (consisting of 16mm colour negative), Video Recordings (consisting of ¾ in. cassettes, Digital Betacam cassettes, BetacamSP cassettes, DVC Pro cassettes, DVCam cassettes, PAL cassettes, VHS cassettes, Hi8 cassettes, DVDs, Mini DV cassettes, CDROMs and a Zip Disc), and Audio Recordings (consisting of multitrack magnetic reels, ¼ in. magnetic reels, digital cassettes, DA88 cassettes, CDs, and Zip Discs.)

This fonds includes graphic and textual material relating to a number of productions,
including:

The Negotiator (Television, 1994)
Life and Times (Television, 1996)
The Tenure of Dr. Fabrikant (Television, 1996)
The Conjuror (Television, 1997)
Diana Kilmury: Teamster (Television, 1997)
Turning Points of History (Television, 1997)
Gambling: A Risky Business (Television, 1997)
Workweek: In Pursuit of Tomorrow (Television, 1997)
At the End of the Day: The Sue Rodriguez Story (Television, 1998)
Da Vinci’s Inquest (Television, 1998)
The Body: Inside Stories (Television, 1998)
Hard Time: The David Milgaard Story (Television, 1999)
Frontiers of Construction (Television, 1999)
The Sexual Century (Television, 1999)
Scorn (Television, 2000)
Blue Murder (Television, 2000)
Offspring (Television, 2000)
Betrayed (Television, 2001)
Human Wildlife (Television, 2002)
Unholy Water (Television, 2002)
Choice: The Henry Morgentaler Story (Television, 2003)
Ten Days in March (Television, 2003)
Open Hearts: The Cradle Will Fall (Television, 2003)
Show Me Yours (Television, 2004)
Whiskey Echo (Television, 2005)
This fonds includes audiovisual material relating to a number of productions, including:

The Negotiator (Television, 1994)
Life and Times (Television, 1996)
The Tenure of Dr. Fabrikant (Television, 1996)
The Conjuror (Television, 1997)
Diana Kilmury: Teamster (Television, 1997)
Turning Points of History (Television, 1997)
Gambling: A Risky Business (Television, 1997)
Workweek: In Pursuit of Tomorrow (Television, 1997)
At the End of the Day: The Sue Rodriguez Story (Television, 1998)
Da Vinci’s Inquest (Television, 1998)
The Body: Inside Stories (Television, 1998)
Hard Time: The David Milgaard Story (Television, 1999)
Frontiers of Construction (Television, 1999)
The Sexual Century (Television, 1999)
Scorn (Television, 2000)
Blue Murder (Television, 2000)
Offspring (Television, 2000)
Betrayed (Television, 2001)
Human Wildlife (Television, 2002)
Unholy Water (Television, 2002)
Choice: The Henry Morgentaler Story (Television, 2003)
Ten Days in March (Television, 2003)
Open Hearts: The Cradle Will Fall (Television, 2003)
Show Me Yours (Television, 2004)
Whiskey Echo (Television, 2005)

Fonds consists of the following series: Student records, 1928-1931; Diaries and journals, 1924-1989; Writing, 1937-1992; Tributes/memorabilia, 1927-2004; and Memoirs, [ca. 1983] - [ca. 1988]. In addition, there is one class stick.

The fonds deals with records relating to St Hilda's College from its founding until 2004. Most of them are from the office of the head of St Hilda's College (whose title changed over the years from Lady Principal to Principal and Dean of Women to Dean of Women and Dean of St Hilda's. Records include correspondence, student records, committee minutes, reports and statistics, photographs, policies, budgets and other administrative records. Note that there are no documents for the period 1953-1978 when Katharine Darroch was in office.

This series documents Dr. Moldofsky’s research activities, in particular, his two major research projects on Microgravity, Sleep and Immune Functions in Humans (SWIF) with the Canadian Space Agency and NASA, funded through the National Institutes of Health (NIH).

The first project (1995-1999) studied the influence of gravity change on sleep and the immune system in astronauts. The aim of this research was to further advance the studies of disordered sleep and altered immune functions observed in distressing circumstances, and in patients with psychiatric (major depression) and medical conditions (i.e. fibromyalgia, post febrile chronic fatigue syndrome). This experiment was conducted during the Mir 23/NASA 4 and Mir 24 missions in 1997-1998.

The second project of the same title (2000-2003) involved experiments carried out in space but then subsequently lost during the Space Shuttle Columbia disaster. This second phase aimed to understand bone loss in astronauts in space as well as osteoporosis on Earth, believing that chemical changes in the human immune system – possibly triggered by sleep deprivation – could instead be a major cause of bone loss in space and on the ground (as opposed to just microgravity).

Included in this series: grant applications; correspondence; files related to visits to the Russian Space Agency in Star City and the Johnson Space Center in Houston (including photographs); baseline data collection (BDC) data sets; and final reports. Also included are EEG electrode caps used by American and Russian astronauts aboard the MIR space station.

One video documents President Prichard's address at Spring Reunion on June 3, 2000. A CD containing photographs and a web presentation document the dedication of the Roy Oglesby Room at 21 King's College Circle. Two CDs document the University of Toronto 175th Banners. They contain portraits (Tif files) as well as images of each banner (PDF files). There are 136 people, mainly famous or accomplished alumni and faculty.
Three paper bags to commemorte President Prichard's farwell with cartoon on the side.