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Fonds consists of the records of Dr. Fraser Mustard, documenting his long and varied career in health, medicine and education, and his work building interdisciplinary, cross-university institutions for research and advocacy. The contents of the fonds primarily document the last 20-30 years of Dr. Mustard’s career, although there is some coverage of his early research and teaching career in medicine. The fonds provides a significant record of the work of the Canadian Institute for Advanced Research (CIAR) and Founders’ Network, as well as the Early Years Report, Council for Early Childhood Development (CECD), Aga Khan University and Dr. Mustard’s work in Australia.

Records include correspondence, day planners and itineraries, travel files, meeting notes, presentation slides, news clippings, reports, minutes, outreach material, photographs and other records documenting Dr. Mustard’s speeches, awards and honours, writing, travel, and support for various government initiatives, businesses, academic institutions and community organizations. Evident throughout is Dr. Mustard’s innovative approach to pedagogy and organizational structures, his persistent advocacy, and his insistence that governments and communities adopt strategies to early childhood education that are grounded in sound research.

The fonds also documents some aspects of Dr. Mustard’s personal life, including some family correspondence and records relating to personal events, such as his 75th birthday, the publication of his biography, and his death.

Fonds consists of material related to the professional life of Hershell Ezrin, in particular his career in provincial and federal government. Records document his transition between roles as Canadian Consul, Executive Director of the Canadian Unity Information Office, and later, Principal Secretary to Ontario Premier, David Peterson. Extensive correspondence and press clippings reflect professional moves as well as the large network of individuals surrounding Ezrin in his positions in both the public and corporate sectors. The fonds also consists of addresses given by Ezrin following his time at Queen’s Park, personal and family correspondence and photographs, as well as images and publicity material related to the negotiations and patriation of the Constitution Act. Additionally, the fonds consists of Mr. Ezrin’s collection of editorial cartoons and bibliographic material. See series descriptions for additional details.

This fonds contains 3 accessions of records. See accession-level descriptions for more details.

Fonds consists mainly of records related to the production of the musical comedy/operetta Saints Alive! (1949) for which Ronald Bryden (later a theatre critic and academic) wrote the libretto and Keith MacMillan wrote the music during their time at Trinity College. Included are copies of the script, libretto, and score; MacMillan’s scrapbook about the show, with his annotations on the script; lists of cast members; programs and reviews. As well, there is a script and parts of the handwritten music manuscript for another collaboration by MacMillan and Bryden: the one-act musical comedy What – No Crumpets! (1947). The fonds includes other creative writing by MacMillan from his Trinity days.

The bulk of the materials related to Daisy Dotsch’s professional life: the running of Vaughan Cooperative Nursery School (particularly after it moved to Vaughan Road in 1950 through Dotsch’s retirement in 1972.), materials related to Dotsch’s teaching and professional development, and materials related to the nursery school organizations she belonged to. This include correspondence, notes, Vaughan School schedules, calendars, fundraising materials, curriculum materials, published materials, photographs, ephemera, and one phonographic audiorecording disc. It also includes a substantial amount of published resources on early childhood education and running nursery schools.

Contains series:

1. Correspondence, notes, and calendars.
2. Professional development materials, materials for lectures and courses.
3. Nursery school organizations.
4. Periodicals.
5. Vaughan Cooperative Nursery School (Includes York Township Nursery Schools
   Association).
6. Vaughan Cooperative Nursery School child observations and reports.
   RESTRICTED
7. Parent/teacher resources.

Correspondence, notes, brochures, press clippings, and publications documenting Professor Douglass' career as a speech - language pathologist; includes an audiotape of the "Song of Thanksgiving", n.d., written and sung by one of his students.

Fonds consists of records documenting Douglas Hartle's career as a professor of economics at the University of Toronto; Deputy Secretary to the Treasury Board Secretariat in Ottawa; advisor to federal and provincial governments; consultant and economic advisor on tax and revenue matters to the government of Botswana; director of the Botswana/Toronto Project; consultant to the World Bank regarding budget financing in the Philippines and finally as a consultant to the Ontario Fair Tax Commission.

Includes: correspondence, maunscripts and publications, briefs, reports, addresses and speeches, notes, research files, press clippings, course materials

Topics covered include macro economic issues such as rent control, government budgetary and expenditure process, and tax related issues.

Also included are photoprints of Hartle standing in front of sign for the Institute of Policy Analysis ca. 1978.

This fonds consists of one accession of personal records of Dr. William J. Fowler, former professor of applied psychology at the Ontario Institute for Studies in Education at the University of Toronto, and various US institutions such as University of Chicago, Harvard and Tufts University. The records are an important resource for students of the history of development of child studies in North America. Dr. Fowler, in addition to developing his own theories on early childhood development, was a colleague of several American pioneers in this area, such as Dr. Helen Koch, Dr. Robert Hess, Dr. Alice Honig and Prof. J. McVicker Hunt.

The records are organized into 10 series reflecting a career that spanned more than 40 years, from his days as a graduate student at Harvard and the University of Chicago to his years as a private consultant in his company, Center for Early Learning and Child Care, Inc. Included in this accession is correspondence, manuscripts of both published and unpublished works, teaching materials, research materials, grant proposals and reviews, special project files relating to the joint OISE- Canadian Mothercraft Society of the early 1970’s, and records of the Center for Early Learning and Child Care,Inc.

Original research data with personal identifiers for children as subjects of research were not retained.

Fonds consists of the professional and personal records of composer Michael Colgrass. The collection includes manuscripts of his compositions; administrative and financial documents relating to commissions with orchestras, performers, and publishers; and materials generated from the performance of these compositions (including recordings, programs, reviews, and program notes). Other records relate to workshops that Colgrass led, particularly his Neuro Linguistic Programming (NLP) workshops and Colgrass' writings, including poetry, articles, manuscripts and notes for his books, and correspondence with friends and colleagues.

Collection consists of electronic music compositions created at the University of Toronto Electronic Music Studio (UTEMS) and copies of tapes made at other electronic music studios around the world. The collection includes the two original card-catalogue indices for the tape collection, organized by tape number and by composer, and accompanying reports and manuals used in the studio.

The archives contain a range of documentation relating to the foundation, history, and activities of the University of Toronto Scarborough. The materials have been arranged largely by originating department or by medium in the case of publications, photographs, clippings, architectural plans, and artifacts. There are ten series, several of which have subseries:

A. UNIVERSITY OF TORONTO GOVERNING COUNCIL

B. EXECUTIVE AND ADMINISTRATIVE BODIES
B.1. Principal
B.2. Vice-Principal, Research
B.3. Dean and Vice-Principal, Academic
B.4. Assistant/Associate Dean
B.5. Registrar
B.6. Superintendent
B.7. Director of Physical Education
B.8. Director of Educational Communication Systems
B.9. Scarborough College Council
B.10. Office of Advancement / Development Office
B.11. Office of Admissions and Student Recruitment
B.12. Communications & Public Affairs
B.13. Committees with Unknown Office of Origin

C. ACADEMIC DEPARTMENTS AND PROGRAMS
C.1. General Programs in Arts and Science
C.2. Extension Program
C.3. Department of Anthropology
C.4. Department of Arts, Culture & Media
C.5. Department of Biological Sciences
C.6. Department of Computer & Mathematical Sciences

C.7. Department of Critical Development Studies
C.8. Department of English
C.9. Department of French and Linguistics
C.10. Department of Historical and Cultural Studies
C.11. Department of Human Geography
C.12. Department of Management
C.13. Department of Philosophy
C.14. Department of Physical and Environmental Science
C.15. Department of Political Science
C.16. Department of Psychology
C.17. Department of Sociology
C.18. Department of Physical Education

D. SERVICES
D.1. Library
D.2. Scarborough-Erindale Technical Service
D.3. Gallery
D.4. Athletics and Recreation Services
D.5. Physical Plant Services
D.6. Student Services
D.7. Student Organizations
D.8. Alumni Services
D.9. Alumni Organizations
D.10. Faculty and Staff Services
D.11. Faculty and Staff Organizations

E. EXTERNAL SOURCES OF INFORMATION
E.1. History of Scarborough College (various sources)
E.2. University of Toronto – St George and Mississauga campuses
E.3. Centennial College
E.4. Durham College
E.5. Scarborough Regional School of Nursing
E.6. University of the West Indies
E.7. Trent University
E.8. City of Scarborough
E.9. Clippings and Scrapbooks

F. PHOTOGRAPHS AND MICROFILM
F.1. Photographs
F.2. Microforms

Personal records of John R. Evans, president of the University of Toronto (1972-1978), consisting of correspondence, addresses, memoranda, minutes of meetings, reports, and photographs relating to his activities (primarily after he stepped down as president of the University of Toronto) as chair, member of boards of directors, or adviser to government and private agencies in health, educational and informational fields, including the government of Ontario, Allelix Pharmaceuticals, Canadian Foundation for Innovation, McMaster University, Ontario Institute for Cancer Research, Medical and Related Science Research District (MaRS), the World Bank/Rockefeller Orphan Drug and Vaccine Project, the Pew Global Stewardship Initiative, and governance generally. Also includes accounts of trips to China and Japan, and files on several conferences.

This fonds includes a collection of personal and professional papers relating to Zend’s career and life in Canada. It includes holograph and typed manuscripts with revisions, notes and artwork for his poems, notes and scripts for CBC radio programmes that he produced and papers and financial records related to Zend’s business activities. The fonds also includes audio visual records related both to Zend’s career at the CBC and his creative endeavors.
The fonds is divided into 6 series: CBC Programmes, Literary and Art Manuscripts, Business Activities, Biographical Papers, Printed Materials, and Audio Visual Materials.

The first series, CBC Programmes, includes research notes, scripts, memos, correspondence, and contracts related to various CBC programmes.

The second series, Literary and Art Manuscripts, includes literary and art manuscripts, notebooks, drafts, printed research materials, drawings, collages, photographs, and correspondence.

The third series, Business Activities, includes correspondence, financials, permits and film scripts related to Zend’s various business activities

The fourth series, Biographical Papers, includes notebooks, diaries, scrapbooks, and correspondence, and textual records related to Zend’s personal matters.

The fifth series, Printed Materials, includes various printed works, research materials, and a collection of Zend’s printed appearances in journals and anthologies.

The sixth series, Audio Visual Materials, includes 33 reels of cinefilms and 648 audio tapes. Included are film elements related to editing work performed by Zend and audio records of interviews conducted by Zend for research purposes.

This fonds includes textual material relating to the following organizations:

Canadian Broadcasting Corporation
Elan Design
Tamarack Films
Toronto Tükör
Toronto Mirror
Zend Productions
This fonds includes textual material relating to the following literary projects and publications

Madouce (manuscript, 1965-68)
How Do You Doodle (manuscript, 1969)
The Tamarack Review (magazine, 1969)
Performing Arts in Canada (magazine, 1970)
Bric a Brac (manuscript, 1971)
Volvox (magazine, 1971)
Exile (journal, 1972-74, 1977-78)
From Zero to One (book, 1973)
Anthology of Canadian Hungarian Authors (book, 1974)
The Look of Books (printed research materials, 1974)
The Sound of Time (book, 1974)
Assassination Quartet (book, 1976)
Gilgamesh (unpublished manuscript, 1976)
Nicolette (unpublished manuscript, 1976)
A Critical (Ninth) Assembling (book, 1979)
Precisely Six Seven Eight Nine (book, 1979)
To Say the Least (book, 1979)
The Tragedy of Man (unpublished translation, 1979)
Ariel and Caliban (book, 1980)
Canadian Fiction Magazine (magazine, 1980)
Key to the Cube (unpublished manuscript, 1981)
My Friend Jerònimo (book, 1981)
Arbormundi (book, 1982)
Beyond Labels (book, 1982)
Lords of Winter and of Love (book, 1983)
Oāb (book, 1983, 1985)
Canadian Poets from A to Z (book, 1984)
Shoes & Shit – Stories for Pedestrians (book, 1984)
The Three Roberts (book, 1984)
Rampike (magazine, 1985-86)
Cinema Canada (printed research materials)
Pinch (printed research materials)
Take One (printed research materials)
This fonds includes audio visual material relating to the following programmes and projects

Ideas (radio program, 1969-77)
Split Affair (short film, 1979)
Stroke (film, 1969)
Before the Battle
The Mystery Maker (television program)

This fonds is a very complete documentation of all aspects of Prof. Stoicheff career. His relationship with colleagues at the University, nationally and internationally is evident throughout but especially in the Series 1 Correspondence, Series 8 Professional Association and Activities, and Series 9 University of Toronto. Series 1 Correspondence also documents his mentoring role and his role as a referee and evaluator of peer and student work. This is also documented in Series 11 Teaching, Series 12 Correspondence with Students and Series 8 Professional Associations and Activities. His research activities are extensively documented not only in Series 6 Research but in Series 10 Ontario Laser and Lightwave Research Centre and in Series 3 Publications. Finally, his published academic contributions as well as his less formal contributions are documented in Series 3 Publications, Series 4 Books and Series 7 Talks, Addresses. Articles and Remarks.

Correspondence, administrative files for Department of Psychology, research materials on Fatal Accident Survey, behavioral studies files, imprinting, invasion of privacy study. Includes papers relating to the history of the department.

This fonds consists of 3 accessions which together give a fairly complete documentation of Prof. Prentice’s career as a scholar, mentor and teacher. Extensive correspondence, memos, e-mails, research notes and manuscripts found in various series document her scholarly contributions. Correspondence with students, letters of recommendation and her leadership on associations and projects document her wide influence among historians. Since she was a pioneer in the teaching of women’s history, her teaching files found in Series 9 are important resources in studying women’s history as an emerging discipline in higher education.

Perhaps most importantly however, this fonds documents the network of Canadian academics, most of which were women, in the area of women’s history, the history of education and women’s studies in general. Many of Prof. Prentice projects and publications were collaborative and therefore the fonds documents her relationship with this network of women historians. It is also evident that through these collaborations, Prof. Prentice was not only at the centre of women’s studies within her own generation but also influenced the next generation of scholars who have gone on to make their own contributions in history departments and women’s studies programs throughout Canadian universities.

Prof Prentice is a pioneer in both teaching and researching women’s history. As a result, these records will be of interest to anyone researching the evolution of women’s history as a discipline, the teaching of the history of education and women’s history as well the role of women in higher education.

Personal records of Margaret Allemang, documenting her career as a researcher, historian and professor of nursing history at the University of Toronto, and as a promoter and preserver of nursing history, primarily through her oral histories with nursing sisters from World Wars I and II, the Margaret Allemang Centre for the History of Nursing, and the Canadian Association for the History of Nursing/Association Canadienne pour l'Histoire du Nursing (CAHN/ACHN), the latter two of which she was a co-founder. There are also files on other professional organizations, including the Canadian Nurses Association, Elderhostel, and the Conference on Nursing History and other nursing conferences. Included are correspondence, appointment books, minutes, administrative and teaching files, oral history interviews, research notes, manuscripts, reports, newsletters, addresses and audiotapes.

Personal records of Harvey Moldofsky, Professor Emeritus, Department of Psychiatry, former Director of the Centre for Sleep and Chronobiology at Toronto Western Hospital, and a world renowned specialist in sleep disorders. The records consist of correspondence, notes, raw data, addresses, publications, photographs, slides, posters, floppy disks, CDs, videos and artifacts documenting his research and other activities. Most of the files relate to his research work on sleep problems over many years, in particular those associated with the astronauts and cosmonauts on the NASA shuttle/Mir space station in the 1990’s, as part of the Microgravity, Sleep and Immune Functions in Humans (SWIF) project. Also included is the first working model of a sleep apnea machine (ca. 1983).

These accessions of personal records provide a fairly complete representation of Samuel Hollander’s professional life as an academic. The accessions cover his entire career from his student days at the London School of Economics to his retirement from the University of Toronto in 1998 and his appointment at Ben-Gurion University in Beer-Sheva, Israel in 2000. Correspondence, found in the various series gives a rich commentary on his professional endeavours and gives a good overview of the debates surrounding Hollander’s work. Lecture notes and taped lectures document how his ideas were taught in the classroom and his Ph.D. files found in Series 5 show his dedication to the teaching and mentor roles for which he is so highly regarded.

The Peter H. Russell fonds is comprised of three accessions: B2005-0001, B2017-0006, and B2019-0008. The records span over 60 years and document Prof. Russell’s academic career primarily with the Department of Political Science at the University of Toronto and as a recognized expert in the field of judicial, constitutional, and Indigenous politics.

Arranged in fourteen series, the records consist of correspondence, both personal and professional, manuscripts of published and unpublished works, addresses, talks and reviews, teaching and research materials. In particular, these records document the development of his expertise through the preparation of manuscripts, research, teaching and communication with colleagues at universities in Canada and internationally. Material also reflects Prof. Russell’s advocacy and active engagement in a number of national issues.

Correspondents in accession B2005-0001 include members of the Canadian judiciary such as Justices D. C. McDonald, Bora Laskin, Bertha Wilson, and Alan Linden, and politicians such as Bob Rae, Ian Scott, Ed Broadbent and Stephane Dion.

Both Series 6 (Professional activities and addresses) and Series 11 (Articles, reviews, published addresses and referee comments), contains samples of talks and addresses delivered to prominent bodies such as the Toronto Club, the Canadian Club (Toronto and Winnipeg), to university audiences and local community groups such as Learning Unlimited.

His public service activities with Indigenous groups, such as the Dene Nation, and with related governmental bodies, such as the Royal Commission on Aboriginal Peoples and the Ipperwash Inquiry, are documented in Series 5 (Consultation and public service). In addition to his academic activities, material from accession B2005-0001 in this series includes records relating to his community involvement with the Wychwood Rate Payer’s Association, the Bathurst-St. Clair Task Force, Legal Aid Committee, Ontario Liberal Association and University Settlement, among others.

Finally, material in this fonds provides significant coverage of Prof. Russell’s participation in associations and organizations such as the Churchill Society for the Advancement of Parliamentary Democracy (Series 7) University of Toronto Faculty Association (Series 8), the College and Retiree Association of Canada (Sub-series 10.1) and the Retired Academics and Librarians of the University of Toronto (Sub-series 10.2).

Collection documents Levine’s writing process for several publications, poems, and short stories. This includes drafts, edited manuscripts, and handwritten notes. Collection also contains personal and professional correspondence, educational records, documents from promotional events, familial records, and teaching materials. Additionally, the collection contains publications of Levine’s work.

Records documenting Dr. S.D.T. Robertson's career as a professor of Electrical Engineering at the University of Toronto. Included are theses of students he supervised, student term papers, lectures and course notes. There are also files related to his research specifically in the field of electric transportation systems and electrical distribution system design. Special media materials relate to his work on electric vehicles.

Includes 28 tapes of Purdy reading his poetry (Cariboo horses; Pressed on sand). Typescripts and drafts of poems. Typescripts and mimeographs of articles and plays for television and radio).

Correspondence, grant applications, subject files, lecture notes, manuscripts for publications;slides, photos and sound recordings relating to his career as a psychologist.

This fonds contains 13 accessions of records. See accession-level descriptions for more details.

The fonds is arranged and described in ten series documenting Jack Chambers’ 50 year career as professor of linguistics, primarily at the University of Toronto, and his external activities as a forensic linguist, consultant and his passion for jazz. Series 1 contains personal records relating to his appointment, salary, and annual activity reports as a member of the faculty of the University of Toronto’s Centre (and later Department) of Linguistic Studies and also includes some personal correspondence. Series 2 relates to his administrative activities in the Department and the University. Correspondence is included in Series 3 and 4. Series 3 contains letters of reference and evaluation for students and colleagues. Series 4 contains more general correspondence with colleagues within and outside the University in the field of linguistics, with some correspondence predating his arrival at the University of Toronto. Series 5, Jazz, contains files of correspondence, manuscripts, research, reviews, evaluations and other records documenting his special interest in this subject. Series 6 documents his teaching activities and contains course files, examination questions and tests as well as student evaluations for some of the courses he has taught and correspondence with former students. Series 7, Consulting, contains files relating to his activities as a forensic linguistic and consultant in criminal and civil court cases, as well as written testimony for Trademark cases. Records relating to his publication activities will be found in Series 8 and 9. The majority of the files of articles (published and unpublished) relate to academic writings in the field of linguistics. Series 9, Books, contain manuscripts and correspondence documenting his books on two jazz musicians (Miles Davis and Richard Twardzik), and one unpublished novel. There are no manuscripts for his books written or co-written on the field of linguistics. The final series, Series 10, documents a 10 year research project on Dialect Topography on various Canadian regions.

Fonds consists of arrangements by Vic Centro, and related ephemera, including photographs, correspondence, publicity materials, and recordings. Much of the material relates to Centro's time performing and recording in Toronto with Phil Nimmons and CBC radio.

This fonds contains 12 accessions of records. See accession-level descriptions for more details.

Correspondence, minutes, memoranda, briefs, reports, notes, manuscripts of addresses and publications, interviews, lecture notes, course outlines, photographs, posters, sound tapes and administrative records documenting the activities of Keith McLeod as a professor in the Faculty of Education, University of Toronto, with particular emphasis on multicultural and intercultural education, the teaching of English as a second language, multiculturalism, aging and health care. Included in the administrative records are files on the merger of the Faculty of Education with the Ontario Institute for Studies in Education. Related to these files are course outlines and lecture notes for courses given at the University of Toronto, University of Manitoba, and Université de Montréal. There are also files on the journal, Multiculturalism; on organizations such as the Canadian Association of Second Language Teachers, Canadian Council for Multicultural and Intercultural Education, Canadian History of Education Association, Canadian Council of Multicultural Health, Multicultural Health Coalition, the Ontario Multicultural Organization; and on problems relating to the teaching of the French language in Saskatchewan.

Records in this fonds document some of Dr. Spencer's peace activities including her participation in the Canadian Pugwash Group, the Helsinki Citizen's Assembly and Science for Peace as well as her attendance at some conferences and meetings. However, many of her activities, especially relating to the 1980s disarmament movement and her consultative roles are not evident in these records. Also this accession only provides a sampling of her talks and publications. There is however complete drafts and notes for her textbook as well as early versions for works still in progress. Finally, Dr. Spencer's notes and papers as a student of sociology at University of California Berkeley are also preserved in this accession.

These records will be of interest to anyone researching the Canadian and international peace movements and themes such as disarmament, peace advocacy, Canadian international affairs and the role of non-governmental organizations. It also may be of interest to those researching the teaching of these topics within the discipline of sociology. Finally, Prof. Spencer's student notes offer a glimpse of what was being taught at Berkeley in the mid 1960s (then the top department of sociology in the U.S.) . They would be of interest to anyone studying that institution and the history of sociology as an academic discipline.

This fonds is divided into 4 series, according to format. These are: Textual Material, Audio Material, Video Material and Cinefilms.

The first series, Textual Material, includes one file of print ads from the 1970s.

The second series, Audio Material, includes ¼ audio masters and dubs for a number of advertisements. This series also includes cassette copies of a radio jingles and a recording of a 1960 episode of The Curling Show (CBC Ottawa).

The third series, Video Material, consists of demo reels for Cubby Marcus and The Moving Hand Creative Enterprises Inc. This series also includes several video cassette copies of particular advertisements.

The fourth series, Cinefilms, includes several of Cubby Marcus’ demo reels. This series also includes several 16 mm copies of particular advertisements.

Clients/Products that Cubby Marcus has promoted include:

Air Canada
AlkaSeltzer
Ansco
Bristol Myers
Braun
Brunswick
Calona Wines
Canada Packers
Canada Vinegar
Canadian Home Builders
CBC
Clorox
CNCP
Connor Bros.
Dominion Dairies
Egg Marketing Board
Ford Motor Company
General Foods
Giacondi Wines
Government of Canada
Grand Touring Automobiles
IBM Canada
Imperial Oil
Javex
Kraft Foods
Labatts Breweries
Maple Leaf
Ontario Blue Cross
Ontario Milk Marketing Board
Marlin Travel
Maxwell House
McGuiness
Metrecal
Mitchum Thayer
Mohawk Raceway
Molson Breweries
Moulinex
Pastellis
Philips Tobacco
Pork Marketing Board
Ralston Purina Pet Foods
Ritz Crackers
Royal Trust
Sealtest Dairies
Shirt Stop
Shopsy’s
St. Hubert Restaurants
Tender Vittles
Toronto Star
Trans Canada Telephone
Tums
Union Gas
Warner Lambert
Wrigleys
Zero Detergent.

Including manuscripts, proofs and correspondence – related to Follett’s small press imprint, Pedlar Press, which she founded in 1997. It also includes manuscript drafts for Follett’s first published novel, Tell it Slant (Toronto: Coach House Press, 2001), as well as other professional and personal material relating to the life and work of Beth Follett.

Collection scripts, music and film of productions by Alan Lund, primarily at the Charlottetown Festival in Prince Edward Island, the Stratford Festival and the Canadian National Exhibition (CNE).

Fonds consists of the records of Anne Lancashire, documenting her career as a Professor of English at the University of Toronto from her appointment in 1965 at the University College English Department, and her cross-appointment to Drama in 1975 and Cinema Studies in 1985, until her retirement in 2012, as well as her several administrative positions at the University. Her research, publications and administration positions held for several professional associations are also documented. The content of the fonds primarily document the last 40 years of her work, but there is some coverage of her early teaching career and research. The fonds provides a significant record of her work as a faculty and administration member of the University of Toronto, her extensive research and scholarship, and her involvement in several professional associations relating to English literature and drama.

Records include correspondence, minutes, reports, course notes, syllabi, exams and tests, course bibliographies and a course pack on medieval literature, press clippings, publication reviews, research lectures and papers, manuscripts and other records documenting Professor Lancashire’s graduate and undergraduate courses taught in English, Drama and Cinema Studies, various administrative positions, and extensive research and scholarship.

This fonds contains 52 accessions of records. See accession-level descriptions for more details.

This fonds contains 6 accessions of records. See accession-level descriptions for more details.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

Fonds documents Allan Irving’s activities from 1976 to 1998 as a doctoral candidate at the University of Toronto Faculty of Social Work; as lecturer and/or professor at King’s College (University of Western Ontario), at the Faculty of Social Work (University of Toronto), at the Nipissing College (Laurentian University) and Wilfrid Laurier University. It also partially documents his other professional and scholarly activities, publications and writings, lectures and addresses from 1978 to 1999.

This fonds contains 11 accession of records. See accession-level descriptions for more details.

This fonds consists of 15 series, divided mainly by production (these include produced and unproduced projects). These are: Go Further, Grass, Over the Hedge, Howard Stern: Private Parts, Tales of the Rat Fink, The Pink Panther, ‘Chris Rock Project’, ‘Freedom’, ‘Jackie Gleason Project’, ‘Corky’, ‘The Unprofessionals’, ‘Materials Submitted to Blum’, ‘Going to the Movies’, ‘Len and Heather Blum’s Personal Archives’, ‘General Materials’.
The first series, Go Further, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes notes, contracts, correspondence and publicity materials.
The second subseries includes video footage from the film (post production).
The third subseries consists of a CD considered for the sound track.
The fourth subseries consists of a poster.
The second series, ‘Grass’, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes correspondence, research materials, and drafts.
The second subseries includes trailers, research materials and various versions of the film.
The third subseries includes music that appeared on the soundtrack.
The fourth subseries consists of a poster.
The third series, Over the Hedge, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.
The first subseries includes scripts, notes, correspondence, outlines, legal documents and research notes.
The second subseries consists of a crew selection video.
The third subseries includes research material.
The fourth subseries consists of a poster.
The fourth series, ‘Howard Stern: Private Parts” includes five subseries: Textual Material, Photographic Material, Video Material, Audio Material and Artifacts.
The first subseries includes correspondance and advertising documents.
The second subseries includes photographs taken at the Cannes festival.
The third subseries includes publicity material.
The fourth subseries includes research and publicity material.
The fifth subseries includes a poster.
The fifth series, ‘Tales of the Rat Fink’, includes three subseries: Textual Material, Video Material, and Artifacts.
The first subseries includes a script.
The second subseries includes postproduction elements.
The third subseries consists of a poster.
The sixth series, ‘The Pink Panther’, includes two subseries: Textual Material and Artifacts.
The first subseries includes scripts, handwritten notes, correspondence, and arbitration materials.
The second subseries includes a poster.
The seventh series, ‘Chris Rock Project’, includes three subseries: Textual Material, Video Material, and Audio Material. The first subseries includes transcripts, outlines and notes.
The second subseries includes research material.
The third subseries includes research material and recorded telephone conversations with Rock.
The eighth series, ‘Freedom’, includes two subseries: Textual Material and Audio Material.
The first subseries includes research material, letters from Ivan Reitman’s parents, transcripts, and a script.
The second subseries includes original interview tapes.
The ninth series, ‘Jackie Gleason Project’, includes three subseries: Textual Material , Audio Material and Video Material.
The first subseries includes research notes.
The second and third subseries include research material.
The tenth series, ‘Corky’, includes four subseries: Textual Materials, Photographic Materials, Video Materials, and Audio Materials.
The first subseries includes a script.
The second subseries includes photographs of the Wilkinsons music group.
The third subseries includes a VHS tape of the Dini Petty Show.
The fourth subseries includes music by the Wilkinsons on commercial cassette.
The eleventh series, ‘The Unprofessionals’, includes two subseries: Textual Materials and Video Materials.
The first subseries includes research material and notes.
The second subseries includes research material.
The twelvth series, ‘Materials Submitted to Blum’, consists of textual material (primarily scripts).
The thirteenth series, ‘Going to the Movies’, consists of textual material. Included here are leather bound books of published columns, as well as original drafts.
The fourteenth series, ‘Len and Heather Blum’s Personal Archives’, consists of two subseries: Textual Material and Photographic Material.
The first subseries includes correspondence, personal accounting papers, press clippings, and a journal.
The second includes photographs of various personal events.
The fifteenth series, ‘General Materials’, consists of two subseries: Textual Material and Photographic Material.
The first subseries includes correspondence, passports, calendars, press clippings, financial documents, real estate documents.
The second subseries includes photographs of Blum at various personal and professional events.

This fonds includes textual material relating to a number of productions, including:

Howard Stern: Private Parts (Film, 1997)
Grass (Film, 1999)
Go Further (Film, 2003)
Madagascar (Film, 2005)
Thank You for Smoking (Film, 2005)
Over the Hedge (Film, 2006)
Tales of the Rat Fink (Film, 2006)
The Pink Panther (Film, 2007)
This fonds includes audiovisual material relating to a number of productions, including:

Howard Stern: Private Parts (Film, 1997)
Grass (Film, 1999)
The Making of Ivan Reitman (Television, 2002)
Go Further (Film, 2003)
Madagascar (Film, 2005)
Thank You for Smoking (Film, 2005)
Over the Hedge (Film, 2006)
Tales of the Rat Fink (Film, 2006)
The Pink Panther (Film, 2007)

Fonds consists of correspondence, news clippings, reports, reviews, appointment calendars, and other records relating to Michael R. Marrus’s education, academic career, publishing record and university and community service. In particular, records document Prof. Marrus’s prestigious career as a historian of the Holocaust and an expert on the relationships between Christians and Jews (predominantly in France) during World War Two, and also document his involvement in ongoing concerns in the Jewish community, both pertaining to faith and Zionism. In particular, Prof. Marrus’s extensive publishing record is well-documented in contracts, reviews, and ongoing correspondence with readers and colleagues debating and exploring the assertions made in his work. The fonds also documents Prof. Marrus’s career as a student at Berkeley in the 1960s, and his return to student life with his pursuit of a Master of Studies in Law degree (MSL) from the University of Toronto in 2004. Some records also relate to Prof. Marrus’s teaching duties and appointments at the University of Toronto, as well as his service on the University’s Governing Council. One series documents his service on the International Catholic-Jewish Historical Commission (1999-2001) and with the Friends of Le Chambon-sur-Lignon.

This fonds consists of 16 series, divided by production, format, and project, based on Story’s original division and organisation of files. The series are as follows:

1.“Some Letters to a Young Poet Feature Film”
2.“Echo Lake Feature Film”
3.“Palace short film”

4. “The Time Traveler TV Movie”
5. “Works in Development”
6. “The Chair short film”
7. “Duke Redbird short film”
8. “Elusive short film”
9. “Canadian Aboriginal Archive Project”
10. “Writing Projects”
11. “European Mime Tour 1990”
12. “Personal Calendars 1986 – 2011”
13. “Teaching Materials”
14. “Personal Files”
15. “Book Collection”
16. “Indigenous Collection”.

The first series, “Some Letters to a Young Poet Feature Film”, includes story research notes, script drafts, art design research, shooting script, production stills, audio cassettes, raw footage, ¾ inch U-Matic video cassettes, Betacam SP video cassettes, VHS cassettes, casting tapes, original music recordings, handwritten tape-logs, EDLs, director’s notes, production journal, promotional materials, photographic prints and negatives, print press kits, press clippings and memorabilia related to the production of the feature film.

The second series, “Echo Lake Feature Film”, includes research notes, script drafts, shooting script with hand-written notes, art design research, location scout VHS cassettes, casting VHS cassettes, raw footage, MiniDV video cassettes, Betacam SP master video cassette, correspondences, pre-licences, financing agreements, production stills, select props, original music CD, handwritten tape-logs, director’s notes, screener VHS cassettes, production journal, DVD data discs, photographic prints and negatives, print press kits, and press clippings related to the production of the feature film.

The third series, “Palace short film”, includes script drafts in short film and feature-length formats, research notes, production stills, JPEG digital files and photographic prints, funding application, shooting script, shot lists, credits, cast correspondences, film festival programmes, DVD data discs, Mini DV video cassettes, audio CD, and one external hard drive, relating to the production of the short film.

The fourth series, “The Time Traveler TV Movie”, includes story research notes, script drafts, shooting script, art design research, casting material, development agreement, series bible, casting VHS cassettes, six first draft episodic scripts, production stills, camera reports, production notes, raw footage, handwritten tape-logs, director’s notes, production journal, mini DV video cassettes, DVD data discs, digital mov files, digital TIFF files, DVD discs, Blu-ray discs, HDCAM video cassettes, Betacam SP video cassettes, internal hard drives, textile wardrobe items, relating to the production of the TV movie.

Note there are two video cassettes (Betcam & HDCAM) in this series which have a Cree audio dub of the pilot episode, as well as versioning notes and a time-coded translation of the script in Cree and English.

The fifth series, “Works in Development”, includes textual materials such as writing notes, research notes, screenplays, beat sheets, grant applications, funding paperwork, development notes for various unproduced works. The series also contains audio-visual materials such as Mini-DV audition tapes, VHS video cassettes, and 3/4 inch U-Matic video cassettes of live comedy shows.

The sixth series, “The Chair short film”, includes textual production materials, digital prints on data CD, rough cuts on VHS video cassette, as well as final edit on DVD-R and mini DV cassette for a short film written by Sally O'Neill, and produced by Richard Story and Sally O’Neill.

The seventh series, “Duke Redbird short film”, includes promotional postcard, DVDs, DVD-R, mini DV and VHS video cassette, featuring rough cuts and final edit of the short documentary.

The eighth series, “Elusive short film”, includes script drafts for the short film and feature formats, casting documents, financing and distribution materials, photographic prints, shooting script, shot lists, VHS video cassettes, Mini DV video cassettes, DVDs, and a 3 ½ inch floppy disk relating to the production of the short film.

The ninth series, “Canadian Aboriginal Archive Project”, includes a soundtrack on audio cassette, interviews with actor Lorne Cardinal, release agreement, funding applications, digital script on 3 ½ inch floppy disk, VHS video cassettes and Mini DV video cassettes relating to the production of the project.

The tenth series, “Writing Projects”, includes textual materials relating to Story’s writing, such as a book proposal, draft, and supporting press materials for Producing & Directing an Independent Digital Movie; a sales kit, notes, correspondences, and finished drafts of The Portable Film School; and a number of 3 ½ inch floppy disks with other works.

The eleventh series, “European Mime Tour 1990”, includes VHS video cassettes, 3/4 inch U-Matic video cassettes, audio cassettes, 33 rpm audio record, photographic prints, as well as ephemera and artifacts from the tour.

The twelfth series, “Personal Calendars 1986 – 2011”, includes hand-written and colour-coded monthly calendars for each year. The calendar for 2008 is not included. Items were digitized by donor, prior to donation. The digital files are not included in this donation.

The thirteenth series, “Teaching Materials”, includes textual materials such as course notes, course descriptions, exam papers, feedback forms, film festival programmes, flipbooks, grant applications and film release press kits used as teaching examples. The series contains 36 VHS video cassettes of commercially released film productions used in the donor’s course curriculums. Photographs and digital prints are included in some of the press kits in the series. Also included are 7 mounted 35mm colour transparencies of production stills from commercially released film titles.

Please note that this series contains confidential information relation to student names, contact info and grades.

The fourteenth series, “Personal Files”, includes materials relating to the donor’s teenage years in Vancouver, and his interest in the punk and skateboarding scenes. The series includes commercial and independent music releases on 33rpm and 45rpm discs, as well as newspaper clippings, photographs, skateboarder magazines, newsletters, stickers, club membership cards, flags, and various ephemera. Artifacts include a medal, trophy, ribbons, and rosettes from skateboarding competitions.

The fifteenth series, “Book Collection”, includes a range of published books relating to the donor’s creative influences. Authors represented included Gaston Bachelard, Walter Murch, Friedrich Nietzsche and Andrey Tarkovsky.

The sixteenth series, “Indigenous Collection”, includes materials relating to the donor’s creative work and teaching in the Indigenous and Aboriginal media communities, in Canada and internationally. Textual materials include press clippings, festival brochures, media directories, training leaflets, magazines and publications relating to Indigenous issues. The series also includes commercially released DVDs and CDs from Indigenous artists, and festival tote bags.

This fonds includes textual and audio-visual material relating to the following film productions:
• Echo Lake
• Elusive
• Palace
• Some Letters to a Young Poet
• The Chair
• The Time Traveller

This fonds includes textual material relating to the following film productions:
• The Hidden Path
• Z-Virus

This fonds includes audio-visual material relating to the following film productions:
• Duke Redbird

The collection consists of papers and tapes (with transcriptions) relating to Pearce's book of interviews with twelve Canadian writers titled Twelve Voices (1980). It also includes tapes and transcripts with Milton Acorn for an article in Canadian Poetry.

This fonds consists of 11 series, divided by subject matter, production and format, and reflecting Feniaks’s own division and naming of his files. The series are: “Introduction and Overview”, “Early Days Media, Promo Folders, B&W Photographs”, “90 Minutes Live with Peter Gzowski / Canada After Dark", “That's Life Global TV”, “Lifetime CTV”, “Freelance Writer / Broadcaster work”, “Feature Articles”, “Good Times features on celebrated Canadians”, “Books autographed by interview subjects”, “Videotapes from Freelance Work” and “Clippings and Periodicals”.

The first series, “Introduction and Overview”, includes resumes, headshot photographs, correspondence, notes, video cassettes and audio cassettes relating to Feniak’s early work. This series also contains a first edition print of the John Lennon book, A Spaniard in the Works, as well an audio cassette recording of an interview with Ray Manzarek of The Doors recorded in 1996.

The second series, “Early Days Media, Promo Folders, B&W Photographs”, includes notes, press clippings, promotional photographs and publicity materials relating to Feniak’s work for Winnipeg Folk Festival, CBC Winnipeg, and Winnipeg Free Press.

The third series, "90 Minutes Live with Peter Gzowski / Canada After Dark", includes production notes, guest listings, research, and CBC memos relating to the production of 90 Minutes Live with Peter Gzowski and Canada After Dark on CBC. Some items containing personal information may be restricted.

The fourth series, “That's Life Global TV”, includes press kits, promotional photographs, interview notes, and story notes relating to Feniak’s work as a host for That’s Life on Global TV.

The fifth series, "Lifetime CTV", includes video cassettes, DVD-Rs, promotional photographs, tour itineraries, production notes, interview notes, correspondence, continuity prints, and press clippings for Lifetime seasons 1 through 4 on CTV.

The sixth series, “Freelance Writer / Broadcaster work”, includes production notes, story pitches, video cassette demo reels and article press clippings for Feniak’s work as a freelance writer and television host.

The seventh series, “Feature Articles”, includes audio cassettes, video cassettes and newspaper clippings of Feniak’s interviews and features on notable figures in the world of entertainment.

The eighth series, “Good Times features on celebrated Canadians “, includes audio cassettes, mp3 audio, typed articles and Good Times magazine clippings of Feniak’s interviews and features on notable Canadians, such as Leslie Nielsen, Gordon Lightfoot, William Shatner, Jim Cuddy, Stompin’ Tom Connors, Margot Kidder, Silken Laumann, Arlene Dickinson, Colin Mochrie, Rick Mercer, and Dr. David Sazuki.

The ninth series, “Books autographed by interview subjects”, includes hard cover and soft cover books by authors such as Irving Layton, Dr. David Sazuki and Joan Collins. This series also contains a sketchbook by Friz Freleng, with 6 original pen drawings of Looney Toons characters, signed by the artist.

The tenth series, “Videotapes from Freelance Work”, includes video cassettes of Feniak’s work on television programs such as Today’s Parent, Lifetime, and That’s Life, as well as consumer recordings of other television events such as Live Aid and the Juno Awards 1998.

The eleventh series, “Clippings and Periodicals”, includes newspaper clippings, festival programs, and press credentials for Feniak’s freelance journalist and reporting work. This series also contains some promotional buttons and a medal.

This fonds includes textual and audio-visual material relating to the following television productions:
• 90 Minutes Live with Peter Gzowski
• Canada After Dark
• Lifetime
• Live it Up
• That’s Life
• Today’s Parent

This fonds includes textual material relating to articles in the following publications:
• Frank (periodical)
• Globe and Mail (newspaper)
• Good Times (magazine)
• Saturday Night (magazine)
• The City (Toronto Star magazine)
• Toronto (magazine)
• Toronto Star (newspaper)

The records cover Dr. Eichler’s professional work: speeches, publications, and correspondence; legal work; important documentation regarding the Coalition for the Establishment of a Royal Commission on New Reproductive Technologies, as well as follow up material related to the Commission. Eichler served as part of the committee that established five new Women’s Studies chairs at Canadian institutions and that work and process is documented here. Finally, there is a limited amount of research and papers not already documented in the other series, including Eichler’s days as a student. There is a small collection of media, primarily audio recordings, as well as some photographs, and the DVD Eichler produced Household Work: More than it Seems.

This fonds contains 1 accession of records. See accession-level descriptions for more details.

Fonds consists of material related to Teach-in's organized by the International Forum Foundation and held at the University of Toronto.
1965 – Revolution and Response
1966 – China: Coexistence or Containment
1967 – Religion and International Affairs
1968 – Exploding Humanity: Crisis in Numbers

Includes minutes of meetings, correspondence, memoranda, notes, financial records, programs, publicity and press coverage, audiotapes of pre-Teach-in lectures (1967), speeches, a colour film of Secretary General U Thant's address to the Third International Teach-in (1967), photographs and publications.

This fonds contains 6 accessions of records. See accession-level descriptions for more details.

Fonds consists of records created, accumulated, and used by Doug Riley between the years 1966-2007. The majority of the records in this fonds is sheet music resulting from collaborations with other musicians, arrangements by Doug Riley, or original compositions. Although the fonds consists largely of jazz music, there is a wide variety of genres including classical music represented. Audio recordings could prove useful in the understanding of Doug Riley's performances or musical techniques.

Throughout his career Doug Riley collaborated in a variety of projects including composing music for theatre, television, awards shows, and social events. The fonds includes evidence of these projects including scripts, itineraries, storyboards, etc.

Also included in the fonds is correspondence between Doug Riley and other prominent figures in the music industry. Many set lists included in the fonds could provide insights into the performances of Doug Riley.