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Shaftesbury Films Inc. Fonds

  • CA ON00349 2007.008
  • Fonds
  • 1993-2007

This fonds is divided into 3 series, based on format. These are: Audio Material; Video Material; and Cinefilms.

The first series, Audio Material, is comprised of raw and mixed soundtrack elements used in the production of the programs.

The second series, Video Material, includes unedited field recordings, various edits and completed television programs.

The third series, Cinefilm, includes unedited camera-original colour negative shot for many of the programs and features.

This fonds includes audiovisual material relating to a number of productions, including:

Camilla (Film, 1993)
Swann (Film, 1996)
Painted Angels (Film, 1998)
Conquest (Film, 1998)
External Affairs (Film, 1999)
Jacob Two Two Meets the Hooded Fang (Film, 1999)
The Joanne Kilbourn Mysteries (Television, 2000)
Screech Owls (Television, 2001)
Torso (Television, 2002)
Scar Tissue (Television, 2002)
Long Life, Happiness and Prosperity (Television, 2002)
The Atwood Stories (Television, 2003)
In the Dark (Television, 2003)
Hemingway vs .Callaghan (Television, 2003)
The Detective Murdoch Mysteries (Television, 2004)
The Shields Stories (Television, 2004)
Re-Genesis (Television, 2004)
Dark Oracle (Television, 2004)
Terry (Television, 2005)
Mischief City (Television, 2005)
Life with Derek (Television, 2005)
Eight Days to Live (Television, 2006)
11 Cameras (Television, 2006)
The Jane Show (Television, 2006)
In God’s Country (Television, 2007)

Shaftesbury Films Inc.

Sam Stedman Fonds

  • CA ON00349 2007.002
  • Fonds
  • 1999-2001

This fonds includes audiovisual material relating to the following theatrical productions:

Sick – A Chamber of Horrors (2001)
Phalanx (1999)

Stedman, Sam

NOW Communications Fonds

  • CA ON00349 2002.002
  • Fonds
  • 1981-2002

This fonds is divided into 4 series: ‘NOW Communications Inc.’, ‘NOW Magazine Photo Archive’, ‘The ‘Photo’ Series’, ‘NOW Magazine Audiovisual’.

The first series, ‘NOW Communications Inc.’, consists mainly of textual material relating to the production of the magazine. It is divided into 14 sections: ‘Administration’, ‘Advertising’, ‘Contracts’, ‘Awards’, ‘Circulation’, ‘Correspondence’, ‘Ephemera’, ‘Financial’, ‘Legal’, ‘Photography’, ‘Posters’, ‘Printing Subcontracts’, ‘Promotional’, ‘Publicity’, and ‘Research’. This series also includes 39 bound volumes of NOW Magazine (a complete run dating from Summer 1981 to August 2001).

The second series, ‘NOW Magazine Photo Archive’ consists of several thousand photographs related to the production of NOW Magazine (Vols. 1- 9). These photos document current events, personalities, buildings and businesses, streetscapes, conventions, demonstrations and rallies, theatre rehearsals and performances, film production stills, promotional portraits, and advertising and product shots used for advertising/illustrations/cover shots. This also includes 23 pieces of original artwork.

The third series, ‘The Photo Series’, consists of several thousand photographs related to the production of NOW Magazine (Vols. 10 - 13).
The photographs feature the same subject matter as those in the second series.

The fourth series, ‘NOW Magazine Audiovisual’, consists of audio and video items including production meetings, speeches, radio advertisements, interviews with Michael Hollet and Alice Klein, interviews with celebrities conducted by Michael Hollett, seminars, music compilations, and radio and television profiles of NOW Magazine.

NOW Communications

J.K. Chambers fonds

  • UTA 1139
  • Fonds
  • 1957-2019

The fonds is arranged and described in ten series documenting Jack Chambers’ 50 year career as professor of linguistics, primarily at the University of Toronto, and his external activities as a forensic linguist, consultant and his passion for jazz. Series 1 contains personal records relating to his appointment, salary, and annual activity reports as a member of the faculty of the University of Toronto’s Centre (and later Department) of Linguistic Studies and also includes some personal correspondence. Series 2 relates to his administrative activities in the Department and the University. Correspondence is included in Series 3 and 4. Series 3 contains letters of reference and evaluation for students and colleagues. Series 4 contains more general correspondence with colleagues within and outside the University in the field of linguistics, with some correspondence predating his arrival at the University of Toronto. Series 5, Jazz, contains files of correspondence, manuscripts, research, reviews, evaluations and other records documenting his special interest in this subject. Series 6 documents his teaching activities and contains course files, examination questions and tests as well as student evaluations for some of the courses he has taught and correspondence with former students. Series 7, Consulting, contains files relating to his activities as a forensic linguistic and consultant in criminal and civil court cases, as well as written testimony for Trademark cases. Records relating to his publication activities will be found in Series 8 and 9. The majority of the files of articles (published and unpublished) relate to academic writings in the field of linguistics. Series 9, Books, contain manuscripts and correspondence documenting his books on two jazz musicians (Miles Davis and Richard Twardzik), and one unpublished novel. There are no manuscripts for his books written or co-written on the field of linguistics. The final series, Series 10, documents a 10 year research project on Dialect Topography on various Canadian regions.

Chambers, John Kenneth (Jack)

Victoria University (Toronto, Ont.). Faculty fonds

  • CA ON00357 2159
  • Fonds
  • 1847-1917

Fonds consists of five minute books containing the minutes of Faculty meetings, 1847-1917 (gap July 1851-May 1853).

Victoria University (Toronto, Ont.). Faculty

Dale Family fonds

  • UTA 1193
  • Fonds
  • 1850-1986

Fonds consists of 2 accessions:

B1975-0013 (2 boxes, 1850-1921): Journal and notes by William Dale relating to his stay in Quebec and science subjects, such as, biology, geology, and math. Included are Dale's correspondence protesting against university hiring and pay. Also, contains press clippings and incoming correspondence to William Dale's daughter, Frances Dale, who researched on her father's past as a student and his role in the student protest of 1895.

B2002-0017 (12 boxes, 1868-1986) : This accession documents the life and times of William Dale, professor of classics and Roman history, his wife and his children, primarily Margaret and Frances Dale. This family’s papers consist of three sous-fonds: the papers of Prof. William Dale, the papers of his wife, Frederika (Frieda) Ryckman Dale, and the papers of their daughter, Fredericka Frances Dale. The records in this accession provide an important historical resource on academic life at the University of Toronto as seen through the eyes of a controversial faculty member in the 19th century, and by two students in the early 20th century.

The William Dale sous-fonds documents through diaries, essays, speeches, teaching and lecture notes the academic achievements and contributions of this 19th century former professor of classics and Roman history at the University of Toronto and two other universities. William Dale’s contribution to the development of the curriculum of study in Classics has been described by Robert Wilhelm: “Together, Maurice Hutton and William Dale were responsible for transforming the miscellaneous Classical Curriculum of University College into a course of study that exhibited greater rigor and careful selection of the readings. Dale appeared to have been the guiding force and influence behind the changes in the classics curriculum; his journals showed him working out the details of the courses and the readings and making comparisons between the curriculum at Toronto and the course of study at Oxford.”

His diaries record not only his daily academic and personal activities, but also his impressions, observations and opinions on local and national events, religion, politics, books, and education. They are fairly complete from his student days prior to entering the University of Toronto, through his undergraduate and graduate years (1873), his first teaching experiences, particular at the English High School in Quebec City to 8 of his 11 years as Lecturer and Associate Professor in the Department of Classics (1884-1892). They are especially rich in documenting the operation of the University in general and the Dept. of Classics in particular. Dale wrote essays, lectures and speeches that went largely unpublished. Many of these manuscripts are contained in this sous-fonds, often heavily annotated by his daughter Frances as she organized his papers.

Complementing the William Dale sous-fonds are the papers of his wife, the former Frederika (Frieda) Ryckman whom he met while teaching at Queen’s University following his dismissal from the University of Toronto in 1895. This sous-fonds consists almost entirely of correspondence from William both before and after their marriage in 1901, and from her children and other family members following his death in 1921. The courtship letters from William Dale document not only his love and their relationship, but also his academic and farming activities. Following their marriage, the correspondence describes his activities while on trips to Toronto to teach at McMaster, the local activities in St. Marys and the surrounding farming community when he attended to their farm. The letters are also filled with his discussions of their relationship, family members and the birth of their children. Following Dale’s death in 1921, the correspondence is almost entirely from her two eldest daughters, Margaret and Frances. Records relating to the other children, William Douglas and Emmaline, are sparse, consisting mainly of a few letters from Margaret and Frances and press clippings on birth and marriage. The letters from Margaret and Frances are a rich resource of information on the day to day activities of two female university students living in Toronto in the 1920s. The daughters kept their mother regularly informed on social activities, the weather, lectures and impressions of professors, and their friends. Following this series of correspondence are files of personal documents relating more generally to the Dale and Ryckman families. Included are Mrs. Dale’s diary of her trip with her daughter Frances to Europe in 1934, her marriage certificate, educational diplomas and a file of correspondence between the Dale children during the 1920’s.

The final sous-fonds consists of the papers of Frances Dale. The first three series of diaries, correspondence and University of Toronto materials complement the sous-fonds of her parents. The diaries especially complement the correspondence in sous-fonds 2 since they provide the day to day record of her experience at the University of Toronto, her early career as a high school teacher and her enduring interest in physical education for women. The trip diaries of 1934 and 1936 are filled with her impressions of shipboard travel, the places and people she saw and met and provide a glimpse of life in pre war Europe. Unfortunately there is no diary of her trip of 1939 to Europe immediate prior to World War II. The bulk of the correspondence concerns her research on her father William Dale begun in the 1950’s and which continued into the late 1980’s. This research prompted her to undertake the typing of transcripts of her father’s unpublished essays and these will be found in Series 4. During the 1970’s several academics contacted her regarding her father’s life, especially the event of his dismissal in 1895. Series 5 contains the draft manuscript of the play by James Reaney entitled “The Dismissal” which was undertaken during the University of Toronto’s sesquicentennial celebrations. Robert Wilhelm, a former student of Frances Dale, used the Dale papers to write a number of papers on Prof. Dale, one of which was published?… Manuscripts of these works are also found in this sous-fond.

Frances Dale was also an avid amateur photographer documenting her European trips, family and friends. Individual prints and negatives, as well as a scrapbook provide a unique insight into travelling during the 1930’s. She also collected pictures of her university days, and members of her family as she conducted her research.

Dale, William

Emmanuel College (Toronto, Ont.). Director of Graduate Studies fonds

  • CA ON00357 2027
  • Fonds
  • 1950-1981

Consists of examination questions and correspondence, 1954-1959; records of the Council on Graduate Studies in Religion, 1950-1964; general correspondence, 1952-1981; inquiries, requests for calendars, 1958-1967; and subject correspondence files, 1964-1979.

Emmanuel College (Toronto, Ont.). Director of Graduate Studies

Grace Workman Scott fonds

  • UTA 1755
  • Fonds
  • [193-] -1980

Records in this accession document Scott's research and publishing activities on hibernation mainly in the 1970s and after Dr. Fisher's death in 1970. Although these records were created by Scott, they represent a continuation of records found in the Fisher Personal Records (Accessions B84-0032, B86-0012 and B86-0035) in so much as they document the results of research undertaken while Dr. Fisher was still alive.

There is also some documentation on Scott's early research mainly relating to her Ph.D. work on frogs' and tadpoles' behaviour with respect to temperature.

Finally there are a few files on the Hibernation Information Exchange, a research group set up largely by Dr. Fisher.

Scott, Grace Workman

Victoria College (Toronto, Ont.). Alumnae Association fonds

  • CA ON00357 2051
  • Fonds
  • 1898-1971

Fonds consists of the following series: Constitution and minutes, 1905-1969; President’s records, 1955-1971; Program Convener's records, 1959-1964; General correspondence, 1901-1946; Records of committees and subject/correspondence files, 1931-1968; and two scrapbooks, 1924-1937 and 1937-1946.

Victoria College (Toronto, Ont.). Alumnae Association

Primedia Productions

  • CA ON00349 2006.010
  • Fonds
  • 1944 - 2001

This fonds is divided into 5 series according to format. These are: Textual Material, Photographic Materal, Audio Material, Video Material, and Cinefilms.

The first series, Textual Material, consists of scripts for various productions, as well as releasing and distribution agreements, contracts, rights and other administrative records.

The second series, Photographic Material, consists of one photograph from Talkabout.

The third series, Audio Material, consists of audio elements for many of Primedia’s productions (including Born Talking, Brain Sex, and Dinosaur).

The fourth series, Video Material, includes series, mini-series and individual programs produced by Primedia. Highlights include series such as Blood & Belonging (written and presented by Michael Ignatieff), dance performances (e.g. Newcomers, Alice, La Ronde, The Merry Widow, and Swan Lake) and theatre productions (e.g. Waiting for the Parade, Billy Bishop Goes to War, and the Stage on Screen series).

The fifth series, Cinefilms, consists of 16mm film from Labour of Love, Heaven on Earth, and the various Gerald Durrell programs. It also includes 35mm film, most of which is from the feature film When Gravity Fails.

This fonds includes textual material relating to a number of productions, including:

The First Country Classic (Live musical performance, Television, 1983)
Quebec/Canada 1995 (Television, 1983)
Amateur Naturalist (Television, 1983)
Labour of Love (Television, 1984)
Durrell in Russia (Television, 1986)
Frontier (Television, 1986)
Ourselves and Other Animals (Television, 1987)
Going Home (Television, 1987)
Life Revolution (Television, 1988)
Big Top (Live dance performance Television,, 1988)
Heaven on Earth (Television, 1988)
Passion and Paradise (Television, 1989)
Polar Passage (Television, 1989)
Onegin (Live performance, Television, 1990)
A Haunting Harmony (Television, 1990)
Stage on Screen (Television, 1991)
Dinosaur (Television, 1991)
Ustinov on the Orient Express (Television, 1991)
The First Circle (Television, 1991)
Disabled Lives (Television, 1992)
Magic or Medicine (Television, 1992)
Brain Sex (Television, 1992)
Blood & Belonging (Television, 1993)
This fonds includes audiovisual material relating to a number of productions, including:

Billy Bishop Goes to War (Television, 1982)
Brian MacDonald’s Newcomers (Television, 1982)
The First Country Classic (Live musical performance, 1983)
Amateur Naturalist (Television, 1983)
Quebec/Canada 1995 (Television, 1983)
Waiting for the Parade (Live performance, Television, 1983)
Labour of Love (Television, 1984)
Durrell in Russia (Television, 1986)
Frontier (Television, 1986)
Ourselves and Other Animals (Television, 1987)
Transit 30/50 (Television, 1987)
Going Home (Television, 1987)
Big Top (Live dance performance, Television, 1988)
Glory Enough For All (Television, 1988)
Return Journey (Television, 1988)
Heaven on Earth (Television, 1988)
Life Revolution (Television, 1989)
Passion and Paradise (Television, 1989)
Alice (Live dance performance, 1989)
When Gravity Fails (Television, 1989)
Polar Passage (Television, 1989)
Karen Kain Prima Ballerina (Television, 1989)
What on Earth (Television, 1989)
Swan Lake (Live dance performance, Television, 1989?)
Born Talking (Television, 1990)
A Haunting Harmony (Television, 1990)
Onegin (Live performance, Television, 1990)
Dinosaur (Television, 1991)
The First Circle (Television, 1991)
Young Catherine (Television, 1991)
Ustinov on the Orient Express (Television, 1991)
Stage on Screen (Television, 1991)
Brain Sex (Television, 1992)
Disabled Lives (Television, 1992)
The Burning Season (Television, 1993)
Magic or Medicine (Television, 1993)
The Sea Wolf (Television, 1993)
Blood & Belonging (Television, 1993)
Anatomy of Love (Television, 1994)

Primedia Productions

Susan Helwig fonds

  • CA ON00349 2007.002
  • Fonds
  • 1999-2001

This fonds includes audiovisual material relating to the following poets:

Amabile, George
Arima, Phlip
Baillie, Martha
Barlow, John
Bates, Judy Fong
Battson, Jill
Bell, Douglas
Blades, Joe
Bruck, Julie
Bruneau, Carol
Bullis, Nancy
Burnham, Clint
Caple, Natalee
Choyce, Lesley
Clark, Joan
Clifton, Joseph
Cochrane, Mark
Corbeil, Carole
Crosbie, Lynn
Crozier, Lorna
Crummey, Michael
Dalibard, Jill
Dandurand, Anne
De Vasconcelos, Erika
Di Nardo, Desi
Domanski, Don
Downie, Glen
Duncan, Jennifer
Farrant, M.A.C.
Fetherling, Douglas
Fiorito, Joe
Folsom, Eric
Foran, Charles
Fraser, Keath
Galt, George
Gaston, Bill
Giangrande, Carole
Gilmour, David
Gould, Maria
Grace, Mary Elizabeth
Green, Terence
Hardy, Melissa
Harper, Lea
Heighton, Steven
Hilles, Robert
Hollingshead, Greg
Holmes, Michael
Hosten, R.
Hynes, Maureen
Ioannou, Susan
Ireland, Ann
Jones, Charlene
Keith, Julie
Kelly, M.T.
Kiesners, Diane
Laba, Mark
Lee, John B.
Litovitz, Malca
Lynes, Jeanette
Malyon, Carol
Marchand, Blaine
Marcotic, Nicole
Martel, Yann
Mather, Ashok
Maviglia, Joseph
McArthur, Mac
McGrath, Donald
McKay, Don
McLennan, Rob
McNeill, Julie
McPhee, Peter
Mulcahy, Barbara
Nadel, Ira
Norman, Chad
O’Neill, John
Pannell, Chris
Panofsky, Ruth
Plantos, Ted
Pyper, Andrew
Redhill, Michael
Richards, David Adams
Robinson, Matthew
Rogal, Stan
Roscoe, Patrick
Ross, Stuart
RowanLegg,
Shelagh
Rubinsky, Holley
Ryder, Lisa
Shaidle, Kathy
Sheier, Libby
Shenfeld, Karen
Sherman, Kenneth
Smith, Steven Ross
SoutarHynes, Mary Lou
Steffler, John
Steinecke, Julia
Stephens, Ian
Stitt, Linda
Struthers, Betsy
Sullivan, Rosemary
Sutherland, Fraser
Toole, D.H.
Treadwell, Florence
Tregrbov, Rhea
Trinidad, David
Turner, Michael
Vaughn, R.M.
Venright, Steve
Waits, Death
Waybrant, Linda
White, Christopher
Wojkowski, Jon
Yanofsky, Joel
This fonds includes audiovisual material relating to:

In Other Words (radio show)
Plus Zero (magazine)
Insomniac Press

Susan Helwig

Peter Feniak Fonds

  • CA ON00349 2019.013
  • Fonds
  • 1964 – 2019

This fonds consists of 11 series, divided by subject matter, production and format, and reflecting Feniaks’s own division and naming of his files. The series are: “Introduction and Overview”, “Early Days Media, Promo Folders, B&W Photographs”, “90 Minutes Live with Peter Gzowski / Canada After Dark", “That's Life Global TV”, “Lifetime CTV”, “Freelance Writer / Broadcaster work”, “Feature Articles”, “Good Times features on celebrated Canadians”, “Books autographed by interview subjects”, “Videotapes from Freelance Work” and “Clippings and Periodicals”.

The first series, “Introduction and Overview”, includes resumes, headshot photographs, correspondence, notes, video cassettes and audio cassettes relating to Feniak’s early work. This series also contains a first edition print of the John Lennon book, A Spaniard in the Works, as well an audio cassette recording of an interview with Ray Manzarek of The Doors recorded in 1996.

The second series, “Early Days Media, Promo Folders, B&W Photographs”, includes notes, press clippings, promotional photographs and publicity materials relating to Feniak’s work for Winnipeg Folk Festival, CBC Winnipeg, and Winnipeg Free Press.

The third series, "90 Minutes Live with Peter Gzowski / Canada After Dark", includes production notes, guest listings, research, and CBC memos relating to the production of 90 Minutes Live with Peter Gzowski and Canada After Dark on CBC. Some items containing personal information may be restricted.

The fourth series, “That's Life Global TV”, includes press kits, promotional photographs, interview notes, and story notes relating to Feniak’s work as a host for That’s Life on Global TV.

The fifth series, "Lifetime CTV", includes video cassettes, DVD-Rs, promotional photographs, tour itineraries, production notes, interview notes, correspondence, continuity prints, and press clippings for Lifetime seasons 1 through 4 on CTV.

The sixth series, “Freelance Writer / Broadcaster work”, includes production notes, story pitches, video cassette demo reels and article press clippings for Feniak’s work as a freelance writer and television host.

The seventh series, “Feature Articles”, includes audio cassettes, video cassettes and newspaper clippings of Feniak’s interviews and features on notable figures in the world of entertainment.

The eighth series, “Good Times features on celebrated Canadians “, includes audio cassettes, mp3 audio, typed articles and Good Times magazine clippings of Feniak’s interviews and features on notable Canadians, such as Leslie Nielsen, Gordon Lightfoot, William Shatner, Jim Cuddy, Stompin’ Tom Connors, Margot Kidder, Silken Laumann, Arlene Dickinson, Colin Mochrie, Rick Mercer, and Dr. David Sazuki.

The ninth series, “Books autographed by interview subjects”, includes hard cover and soft cover books by authors such as Irving Layton, Dr. David Sazuki and Joan Collins. This series also contains a sketchbook by Friz Freleng, with 6 original pen drawings of Looney Toons characters, signed by the artist.

The tenth series, “Videotapes from Freelance Work”, includes video cassettes of Feniak’s work on television programs such as Today’s Parent, Lifetime, and That’s Life, as well as consumer recordings of other television events such as Live Aid and the Juno Awards 1998.

The eleventh series, “Clippings and Periodicals”, includes newspaper clippings, festival programs, and press credentials for Feniak’s freelance journalist and reporting work. This series also contains some promotional buttons and a medal.

This fonds includes textual and audio-visual material relating to the following television productions:
• 90 Minutes Live with Peter Gzowski
• Canada After Dark
• Lifetime
• Live it Up
• That’s Life
• Today’s Parent

This fonds includes textual material relating to articles in the following publications:
• Frank (periodical)
• Globe and Mail (newspaper)
• Good Times (magazine)
• Saturday Night (magazine)
• The City (Toronto Star magazine)
• Toronto (magazine)
• Toronto Star (newspaper)

Feniak, Peter

John Reeves fonds

  • CA ON00349 2009.010
  • Fonds
  • 1964 - 2006

This fonds includes 4 series: ‘Textual Records – Archival’, ‘Textual Records – Published’, ‘Posters and Proofs’, and ‘Photographic Prints’.

The first series, ‘Textual Records – Archival’, consists of business records for the period 1990 to 2004. This series includes receipts, invoices, and financial statements.

The second series, ‘Textual Records – Published’, includes books, magazines, corporate publications, annual reports, and promotional material written by Reeves.

The third series, ‘Posters and Proofs’, consists of promotional material (including large format reproductions of Reeves’ images), magazine proofs, and photocopies of press and magazine clippings.

The fourth series, ‘Photographic Prints’, includes 13 subseries: ‘Canadian Visual Artists Series’, ‘Photographer Portraits Series’, ‘Canadian Authors Series’, ‘Inuit Series’, '‘Ashoona Women’ Exhibition’, ‘Jazz Lives Book ’, ‘Exile’s Exiles Book, ‘In Contro Book’, ‘Country Music Book Project’, ’Surfacing for Atwood’ Exhibition’, ‘City and Country Home article—Miami Beach’, ‘’Remembering Harold Town’ Exhibition’, and 'Miscellaneous’. -The first subseries, ‘Canadian Visual Artists Series’, includes 22 digital prints of members of the Royal Canadian of the Arts. All of the portraits were taken by Reeves, with the exception of his own (which was done by Peter Croyden). The photographs were taken between 1987 and 2001, and printed in 2007.
-The second subseries, ‘Photographer Portraits Series’, includes 13 prints of varying sizes (some matted). The sitters are photographers, including Reeves.
-The third subseries, ‘Canadian Authors Series’, consists of prints of varying sizes. Sitters include Robertson Davies, Pierre Berton, Margaret Laurence, W.O, Mitchell and Margaret Atwood.
-The fourth subseries, ‘Inuit Series’, consists of 45 photographic prints of various sizes, taken between 1971 and 1998. The sitters are primarily Inuit artists. This series also includes 30 images of the Arctic landscape. The fifth subseries, ‘ ‘Ashoona Women’ Exhibition’, consists of digital prints of three important Inuit women artists.
-The sixth subseries, ‘Jazz Lives Book’, consists of photographs that were published in the book Jazz Lives: 100 Portraits in Jazz. Subjects include Oscar Peterson, Dizzy Gillespie, Tony Bennett and Diana Krall.
-The seventh subseries, ‘Exile’s Exiles Book’, consists of 59 work prints on RC paper; these images were included in the book Exile’s Exiles.
-The eighth subseries, ‘In Contro Book’, includes two work prints printed in 1996 for the book In Contro: Where Italy and Canada Meet.
-The ninth subseries, ‘Country Music Book Project’, consists of images (work prints) that were intended to be part of a publication on country music singers and musicians.
-The tenth subseries, ‘ ‘Surfacing for Atwood’ Exhibition’, includes 19 developmental work prints for the 2008 exhibition of the same name.
-The eleventh subseries, ‘City and Country Home article – Miami Beach’ consists of four negatives and work prints of Miami Beach (street scenes, atmospheric shots, etc.)
The twelfth subseries, ‘ ‘Remembering Harold Town’ Exhibition’, consists of 8 large digital prints of the artist Harold Town, including 6 posterized versions of the portrait and a contact sheet for these versions.
-The thirteenth subseries, ‘Miscellaneous’, consists of a collection of various portraits, landscapes and genre scenes of varying scenes. Some of
these works are matted, and others are exhibition prints.

Subjects represented in this fonds include:

Margaret Atwood
Pierre Berton
Tony Bennett
Dave Brubeck
Morley Callaghan
Roch Carrier
David Cronenberg
Robertson Davies
Arthur Erickson
Ivan Eyre
Max Ferguson
Northrup Frye
Dizzy Gillespie
Moe Koffman
Diana Krall
Margaret Laurence
Irving Layton
Peggy Lee
Jack McClelland
Marshall McLuhan
Ed Mirvish
W.O. Mitchell
Oscar Peterson
Piseolak
Mary Pratt
Mordecai Richler
Jack Shadbolt
R. Murray Schafer
Artie Shaw
Harold Town
Kitty Wells
Peter Worthington

John Reeves

George S.N. Luckyj fonds

  • UTA 1493
  • Fonds
  • 1869-2001, predominant 1900-2001

Consists of records documenting the life and career of George S. N. Luckyj as a professor in and chair of the Department of Slavic Studies at the University of Toronto and as a scholar of Ukrainian literature.

See accession-level descriptions for further details.

Luckyj, George S.N.

Victoria College (Toronto, Ont.). French Department fonds

  • CA ON00357 2138
  • Fonds
  • 1970-1998

Fonds consists of Victoria College French Department files concerning individuals who have taught French courses at the College. The files include class evaluations, resumes, letters of recommendation, applications for sabbaticals and funding, and other correspondence, 1970-1998.

Victoria College (Toronto, Ont.). French Department

Victoria University (Toronto, Ont.). Faculty of Theology Fonds

  • CA ON00357 2022
  • Fonds
  • 1868–1928

Fonds consists of three series: Minutes and other records, 1868–1928; Records of the Dean of Theology, 1910–1928; and Records of students, 1871–1928.

Victoria University (Toronto, Ont.). Faculty of Theology

Gordon Hinch fonds

  • CA ON00349 2005.001
  • Fonds
  • 1954-2004

This fonds is divided into 5 series, according to format. These are: Textual Material, Photographic Material/Artwork, Audio Material, Video Material and Cinefilms.
The first series, Textual Material, includes files documenting development, research, financing, preliminary working budgets, casting legal documents, producer’s treatments, schedules, original scripts, licensing agreements, promotional materials and reviews. Hinch’s diaries from his time at CBC may be of particular interest.
The second series, Photographic Material/Artwork, includes publicity and production stills documenting all stages of production for Glory Enough for All. This series also includes 15 set sketches and posters for that production, as well as posters for The Newcomers.
The third series, Audio Material, includes master mixes for most versions of Glory Enough for All.
The fourth series, Video Material, consists of video elements that support masters produced for television broadcast.
The fifth series, Cinefilms, comprises elements for Glory Enough for All, as well as 18 release prints from the Imperial Oil film series.

This fonds includes textual material relating to the following productions:

The Newcomers (Television, 1977)
The Dining Room (Live performance, 1984)
Glory Enough for All (Television, 1988)
Sunshine Boys (Live performance, 1986)
Sullivan & Gilbert (Television, 1988)
This fonds includes audiovisual material relating to the following productions:

Stravinsky (Television, 1965)
The Painted Door (Television, 1966)
New Bottles New Wine (Television, 1966)\
The Orange Sailed Cutter (Television, 1966)
Three Penny Profile (Television, 1966)
Dylan Thomas Revisited (Television, 1966)
You Can Always Learn from a Lady (Television, 1966)
On Camera ’69 (Film, 1970)
Winter Voyage (Film, 1971)
15,000 People in 1,500 Places (Film, 1972)
Edge of Evolution (Film, 1974)
The Great Canadian Energy Saga (Film, 1975)
Wilderness Nomads (Film, 1976)
The Newcomers (Television, 1977)
Objective Energy (Film, 1978)
Leaving Something Over (Film, 1981)
Glory Enough for All (Television, 1988)
La Gloire en Partage (Television, 1988)
Masterpiece Theatre (Television, 1989)

Gordon Hinch

Cowboy Junkies fonds

  • CA ON00349 2005.003
  • Fonds
  • 1966-2004

This fonds is divided into 6 series according to format. These are: Textual Material, Photographs, Audio Material, Video Material, Cinefilms and Artifacts.
The first series, Textual Material, includes files pertaining to the production contracts for recording sessions, as well as other financial and legal documents, correspondence, notes and lyrics. Also included is paperwork related to Latent Records (artist contracts, financial journals and correspondence with other labels). Of particular significance are Margo Timmins’ and Michael Timmins’ tour diaries, Michael’s handwritten lyrics and Margo’s handwritten annotations to lyric sheets. This series also features thousands of press clippings and periodicals ranging from Rolling Stone to esoteric fanzines.
The second series, Photographs, includes photos (many taken by Margo or Michael Timmins) of recording sessions, tours, TV show appearances, special occasions, and performances. Also included are publicity photos and pictures given to the band by their fans.
The third series, Audio Material, includes cassette recordings of the band’s first live performances, as well as radio appearances and interviews. Early rehearsals and the first demos are also included here, as are the complete recording sessions used to create Whites Off Earth Now! and The Trinity Session. Perhaps most valuable are the session tapes, rough mixes, final mixes, discarded final mixes, overdub sessions and multi-track master tapes used to create each of the Cowboy Junkies’ albums (including Sharon, which was never released to the public). This series also includes the Hunger Project single and both albums by Germinal.
The fourth series, Video Material, consists of each of the band’s music videos, as well as many of the production elements for those videos. This series also includes videos that were produced but never used, and several hours of footage shot by the band while on tour and while recording. Of particular note is the footage shot during the band’s first cross Canada tour, and the footage shot for the recording of Sharon. VHS dubs of most of the band’s television performances are also included here.
The fifth series, Cinefilms, consists of 2 reels of 16mm colour negative featuring the Cowboy Junkies circa 1990.
The sixth series, Artifacts, includes backstage passes, stage props, awards, gifts from fans, posters, tshirts, hats, and handpainted drum skins.

This fonds includes graphic and textual material relating to a number of productions,
including:

Whites Off Earth Now! (Album, 1986)
The Trinity Session (Album, 1987)
The Caution Horses (Album, 1990)
Black Eyed Man (Album, 1992)
Pale Sun, Crescent Moon (Album, 1993)
200 More Miles (Album, 1995)
House (Film, 1995)
Lay it Down (Album, 1996)
Miles From Our Home (Album, 1998)
Rarities, BSides and Slow Sad Waltzes (Album, 1999)
Waltz Across America (Album, 2000)
Open (Album, 2001)
Open Road (Album/Film, 2002)
One Soul Now (Album, 2004)
Wilby Wonderful (Film, 2004)
This fonds includes audiovisual material relating to a number of productions, including:

Whites Off Earth Now! (Album, 1986)
The Trinity Session (Album, 1987)
The Caution Horses (Album, 1990)
Black Eyed Man (Album, 1992)
Pale Sun, Crescent Moon (Album, 1993)
Liberty Street (Television, 1994)
200 More Miles (Album, 1995)
House (Film, 1995)
Lay it Down (Album, 1996)
Miles From Our Home (Album, 1998)
Niagara, Niagara (Film, 1998)
Poet: A Tribute to Townes Van Zandt (Album, 1999)
Live in Toronto (Album, 2000)
Waltz Across America (Album, 2000)
Open (Album, 2001)
Winnipeg Folk Festival (Live Performance, 2001)
Open Road (Album/Film, 2002)
One Soul Now (Album, 2004)
Wilby Wonderful (Film, 2004)
Por Vida: A Tribute to Alejandro Escovedo (Album, 2004)

Cowboy Junkies

Greg Gormick (Clyde Gilmour) fonds

  • CA ON00349 2003.003
  • Fonds
  • 1911-2002

This fonds is divided into 5 series. These are: ‘Greg Gormick – Textual & Photographic Series’, ‘Clyde Gilmour – Textual & Photographic Series’, ‘The Audiotape Series’, ‘Commercial LP Albums’, ‘Transcription/NonCommercial Discs’.
The first series, ‘Greg Gormick – Textual & Photographic Series’ consists mainly of textual material and photographs relating to the assembling of Gormick’s radio productions. It is divided into 6 subseries: ‘Film Scripts’, ‘Feature Film (Pennies from Heaven)’; ‘TV Ontario Production Files’, ‘CBC Radio Archives Research Files’, ‘CBC Project Files’, and ‘CBC Project CatchAll’.
The second series, ‘Clyde Gilmour – Textual & Photographic Series’ consists primarily of textual, printed and photographic material (both personal and professional) generated by celebrated columnist and radio host Clyde Gilmour. The series includes correspondence, writing drafts, scrapbooks containing all of Gilmour’s newspaper reviews, clippings, books used for research or for review, and appointment books. The series includes 461 black and white prints, 24 colour prints, 1 colour negative and 18 black and white negatives. Two awards (including an Order of Canada pin) are also represented here.
The third series, ‘The Audiotape Series’, includes masters and dubs related to Gormick’s research and production activities. The subject matter is radio broadcasts, interviews, historically important sound recordings of all types, and film music.
The fourth series, ‘Commercial LP Albums’, consists of albums of film soundtracks and scored music.
The fifth series, ‘Transcription/NonCommercial Discs’, consists of radio programs, musical recordings, Armed Forces Radio programs and home recordings.

This fonds includes graphic and textual material relating to a number of productions,
including:

Gilmour’s Albums (Radio, 1956)
Bright Lights (Radio, 1964)
Saturday Night at the Movies (1978)
Pennies from Heaven (Film, 1981)
Morningside (Radio, 1982)
Morningside (Radio, 1982)
Basic Black (Radio, 1983)
Brave New Waves (Radio, 1984)
Commentary (Radio, 1985)
Ideas (Radio, 1986)
Fascinating Rhythm (Radio, 1987)
Night Camp (Radio, 1987)
Gabereau (Radio, 1991)
Ontario Morning (Radio, 1994)
This fonds includes audiovisual material relating to a number of productions, including:

Gilmour’s Albums (Radio, 1956)
Calling All Cars (Radio, 1937)
Eddie Cantor Show (Radio, 1947)
America Calling (Radio, 1939)
Cisco Kid (Radio, 1942)
Nazi Eyes on Canada (Radio, 1942)
Bob Hope Show (Radio, 1944)
Jimmy Durante Show (Radio, 1947)
Colgate Comedy Hour (Radio, 1950)
Dragnet (Radio, 1954)
Seven Brides for Seven Brothers (Film, 1954)
Oklahoma! (Film, 1955)
Gilmour’s Albums (Radio, 1956)
Matters of Record (Radio, 1961)
Bye Bye Birdie (Film, 1963)
Bright Lights (Radio, 1964)
Pratley at the Movies (Radio, 1968)
Hooray for Hollywood (Radio, ca. 1975)
Saturday Night at the Movies (Television, 1978)
Pennies from Heaven (Film, 1981)
Morningside (Radio, 1982)
Basic Black (Radio, 1983)
Gabereau (Radio, 1985)
Ideas (Radio, 1986)
Night Camp (Radio, 1987)
Fascinating Rhythm (Radio, 1987)
Maritime Magazine (Radio, 1989)

Greg Gormick (Clyde Gilmour)

Lantos, Robert/Serendipity Point Films fonds

  • CA ON00349 2003.006
  • Fonds
  • 1981- 2003

This fonds, which documents the activities of a Toronto-based film producer, is divided into 3 series according to format. These are: Textual Materials, AudioVisual, and Photographs.
The first series, Textual Materials, includes scripts, correspondence, production files/binders, financial records, budgets, crew/cast lists, contracts, licensing agreements, shooting schedules, newspaper and magazine clippings, notebooks, 7 computer floppy discs, posters, architectural drawings and awards.
The second series, AudioVisual, consists of audiotapes, videotapes, CDs and cinefilm. Included are camera original negative, dailies/rushes, cutting copies, internegatives, interpositives, release prints, soundtracks, trailers, different language/region versions, protection masters, screening cassettes, demo reels, casting reels/audition tapes and camera tests.
The third series, Photographs, consists of images (contact sheets, prints, negatives, transparencies, Photo CDROMs including actor headshots, production stills, and promotional images.
This fonds includes graphic and textual material relating to a number of productions, including:

eXistenz
This fonds includes audiovisual material relating to a number of productions, including:

In Praise of Older Women (Film, 1978)
Suzanne (Film, 1980)
Agency (Film, 1980)
Your Ticket is no Longer Valid (Film, 1981)
Paradise (Film, 1982)
Scandale (Film, 1982)
Heavenly Bodies (Film, 1984)
Joshua Then and Now (Film, 1985)
Separate Vacations (Film, 1986)
Leolo (Film, 1992)
Exotica (Film, 1994)
eXistenz (Film, 1998)
Sunshine (Film, 1999)
Stardom (Film, 2000)
Picture Claire (Film, 2001)
Ararat (Film, 2002)
Men with Brooms (Film, 2002)
The Statement (Film, 2003)
Being Julia (Film, 2003)

Robert Lantos

Michael Maclear fonds

  • CA ON00349 2004.005
  • Fonds
  • 1956 - 2004

This fonds divided into 5 series, by format. These series are: Textual Material, Photographic Material, Video Materials, Audio Materials, and Cinefilm Materials.
The first series, Textual Material, includes personal papers, scripts, correspondence, administrative papers, transcripts, budget breakdowns and research material for Maclear’s productions. Of particular significance are the materials for proposals which were never made into complete programs (e.g. Obasan, which was based on Joy Kogawa’s book of the same name, and America’s Sweetheart, which sought to document the life of Mary Pickford).
The second series, Photographic Material, consists of prints, slides and negatives. Many of these were created during Maclear’s time as a foreign correspondent, and the rest were produced during the creation of Maclear’s television programs. Many of the photographs were obtained from archives around the world, and are consequently of considerable historical interest.
The third series, Video Materials, consists of nearly 4000 videotapes (finished productions, field tapes, archival and stock footage) representing the many series, mini-series and individual programs with which Maclear has been involved. Approximately half of these pertain to the program Flightpath.
The fourth series, Audio Materials, consists primarily of narration from the Flightpath series.
The fifth series, Cinefilms, consists of one 16mm film featuring Maclear in Havana immediately following Fidel Castro’s 1959 takeover of Cuba.

This fonds includes textual material relating to a number of productions, including:

Maclear (Television, 1975-1978)
Vietnam: The 10,000 Day War (Film, 1980)
American Caesar (Television, 1982)
The American Century (Television, 1987)
Ken Dryden’s Home Game (Television, 1989)
Acts of War (Television, 1990)
The Greenpeace Years (Television, 1990)
Hunger’s Children (Television, 1993-1994)
A Soldier’s Peace (Television, 1994)
Eco Journeys (Pilot) (Television, 1994)
A Day…Doctors Without Borders (Television, 1994)
The End of Television (Television, 1995)
Flightpath (Television, 1996)
Deadly Seas (Television, 1998)
Niagara: A History of the Falls (Television, 1999)
Eatons: A Canadian Saga (Television, 2001-2003)
History’s Courtroom (Television, 2001-2003)
Flightpath: Top Ten Aircraft (Television, 2002)
Vietnam: Ghosts of War (Television, 2004)
This fonds includes audiovisual material relating to a number of productions, including:

Maclear (Television, 1975-1978)
Vietnam: The 10,000 Day War (Film, 1980)
Greatest Journey (Television, 1981)
Going Great (Television, 1983-1985)
The Canadians (Television, 1986)
The American Century (Television, 1987)
Ken Dryden’s Home Game (Television, 1989)
Beautiful Dreamers (Television, 1989)
Acts of War (Television, 1990)
The Greenpeace Years (Television, 1990)
Hunger’s Children (Television, 1993-1994)
Eco Journeys (Pilot) (Television, 1994)
A Soldier’s Peace (Television, 1994)
The End of Television (Television, 1995)
Flightpath (Television, 1996)
Deadly Seas (Television, 1998)
Niagara: A History of the Falls (Television, 1999)
Eatons: A Canadian Saga (Television, 2001-2003)
History’s Courtroom (Television, 2001-2003)
Flightpath: Top Ten Aircraft (Television, 2002)
Vietnam: Ghosts of War (Television, 2004)
Hot Docs retrospective (Television, 2004)

Michael Maclear

McGreevy (John) Productions

  • CA ON00349 2004.007
  • Fonds
  • 1972-2002

This fonds consists of 7 series, divided by format. These series include: Textual Material; Photographs and Artwork; Awards/Nominations; Posters; Audio; Video; and Cinefilm.

The first series, Textual Material, includes production files, correspondence, transcripts, budgets, scripts, and research for McGreevy’s productions. Several books are included here, as are scripts and proposals for programs that have not been produced (including a screenplay by author Anthony Burgess).

The second series, Photographs and Artwork consists of negatives, prints, and slides taken for publicity purposes during most of McGreevy’s major productions (including Beaverbrook, Return Journey, People of Our Time, and Peter Ustinov on the Orient Express). Numerous celebrities, such Omar Sharif, Melina Mercouri, John Huston and Glenn Gould are featured here. This series also includes 32 original pen sketches drawn by Peter Ustinov, featuring Ustinov and McGreevy on location.

The third series, Awards/Nominations, consists of award and nomination certificates from ACTRA, the Banff Festival, CFTA, the Geminis, the Emmys and the Genies.

The fourth series, Posters, consists of 9 posters from McGreevy’s productions.

The fifth series, Audio, consists of audio cassettes and transcripts from radio interviews with McGreevy. This series also includes recordings of Glenn Gould’s funeral, various events with Peter Ustinov, and research for McGreevy’s productions.

The sixth series, Video, includes viewing copies of some of McGreevy’s productions (e.g. American Caesar, Cities, Paths of the Gods and Around the World in 15 Minutes). This series also encompasses the original, uncut interviews with subjects of Born Talking, as well as interview tapes from the Robertson Davies biography project.

The seventh series, Cinefilm, includes release prints of People of Our Time, Beaverbrook, and Peter Ustinov’s Leningrad. This series also includes unique film elements from the production of Locomotion, which documented the 1986 Expo.

This fonds includes textual material relating to a number of productions, including:

Mandelstam’s Witness (Theatrical performance, 1975)
Beaverbrook (Television, 1976)
Cities (Television, 1976)
The Newcomers—1832 (Television, 1978)
Quintet (Film, 1984)
Return Journey (Television, 1985-1987)
Pen ‘86 (Television, 1986)
Peter Ustinov’s Russia (Television, 1986)
Peter Ustinov in China (Television, 1987)
In the Beginning (Television, 1988)
Secrets of the Phantom of the Opera (Television, 1988)
Around the World in 15 Minutes (1989)
Voyage Across the 80s (Television, 1989)
Born Talking (Television, 1990)
Ustinov on the Orient Express (Television, 1991)
Inside the Vatican (Television, 1994)
Paths of the Gods (Television, 1995)
East Meets West (Television, 1995)
Quebec/Canada 1995 (Television, 1995)
The Danger Tree (Television, 1996)
The Canadian Revolution (Television, 1997)
Empire of the Bay (Television, 1998)
Sir Wilfrid Laurier and the Romance of Canada (1999)
Visions of an Island (Film, 2000)
This fonds includes audiovisual material relating to a number of productions, including:

Mandelstam’s Witness (Theatrical performance, 1975)
Beaverbrook (Television, 1976)
Cities (Television, 1976)
The Newcomers—1832 (Television, 1978)
Acts of War (Television, 1983)
American Caesar (Television, 1983)
Writers and Places: Robertson Davies in Kingston (Television, 1983)
Return Journey (Television, 1985-1987)
Pen ‘86 (Television, 1986)
Peter Ustinov’s Russia (Television, 1986)
Peter Ustinov in China (Television, 1987)
In the Beginning (Television, 1988)
Secrets of the Phantom of the Opera (Television, 1988)
Around the World in 15 Minutes (1989)
Voyage Across the 80s (Television, 1989)
John Neville, Actor for All Seasons (Video, 1989)
Born Talking (Television, 1990)
Ustinov on the Orient Express (Television, 1991)
Children of Russia (Television, 1993)
Inside the Vatican (Television, 1994)
Paths of the Gods (Television, 1995)
Quebec/Canada 1995 (Television, 1995)
East Meets West (Television, 1995)
The Danger Tree (Television, 1996)
Life and Times of Robertson Davies (Television, 1996)
An Evening with Sir Peter Ustinov (Television, 1996)
The Canadian Revolution (Television, 1997)
Deadly Seas (Television, 1998)
Empire of the Bay (Television, 1998)
Sir Wilfrid Laurier and the Romance of Canada (1999)
Visions of an Island (Film, 2000)
Eatons: A Canadian Saga (Television, 2002)
Reflections on Science and Conscience (Video, 2003)

John McGreevy

Gordon Sparling fonds

  • CA ON00349 1993.001
  • Fonds
  • 1919 - 1992

Fonds illustrates several facets of Gordon Sparling’s long and productive life. The bulk of the material was collected and organized by Sparling as he sought to research and document the development of the Canadian film industry (ca. 1915 – 1992). This material includes press clippings, book excerpts, photographs, negatives, audio reels, cinefilm reels, interview notes and correspondence with prominent figures such as F.R. ‘Budge’ Crawley, Roy Tash, Gratien Gelinas and Dick Bird. Sparling’s professional activities with the Ontario Motion Picture Bureau, Canadian Government Motion Picture Bureau, Paramount Studios, Associated Screen News and National Film Board are well represented here through press clippings, promotional materials, notes, scripts, and other production documents [ca 1924 – 1966]. His service with the Canadian Army Film and Photo Unit is reflected through correspondence, photographs, negatives, newsletters and press clippings (ca. 1943 – 1989), as is his involvement with such organizations as the Canadian Film Institute, Cinematheque Canadienne, Cinematheque Quebecoise, Society of Filmmakers and the Academy of Motion Picture Arts & Sciences (ca 1950 – 1992).
Sparling’s family life is documented through correspondence, photographs, negatives, and audio reels (ca. 1950 – 1992), and his student activities at Trinity College (1919 – 1923) are illustrated through notes, correspondence, photographs, press clippings and prompt books.
The materials were originally arranged in files by Sparling, and this order has been largely maintained.

This fonds includes textual material relating to the following productions:

The Great Shadow (Film, 1920)
Oh Oh Jean! (Film, 1922)
The Man From Glengarry (Film, 1922)
The Proof of Innocence (Film, 1922)
The Bells (Film, 1926)
The Viking (Film, 1928)
His Destiny (Film, 1928)
Wilderness Patrol (Film, 1928)
Carry On, Sergeant! (Film, 1928)
The Silent Enemy (Film, 1930)
The Smiling Lieutenant (Film, 1931)
King’s Plate (Film, 1935)
From Nine to Nine (Film, 1935)
The Great Barrier (1937)
Crystal Ballet (Film, 1937)
Peoples of Canada (Film, 1940)
Northwest Mounted Police (Film, 1940)
49 th Parallel (Film, 1941)
Hudson’s Bay (Film, 1941)
There Too Go I (Film, 1942)
Undercover (Film, 1943)
K225 (Film, 1943)
The Antwerp Story (Film, 1946)
Sins of the Father (Film, 194?)
Bush Pilot (Film, 1947)
Calgary Stampede (Film, 1948)
All About Emily (Film, 1949)
Forbidden Journey (Film, 1949)
Les Lumieres de ma Ville (Film, 1950)
The Immortal Scoundrel/Etienne Brule, Gibier de Potence (Film, 1952)
The Man With A Thousand Hands (Film, 1953)
Coeur de Maman (Film, 1953)
The Little Canadian (Film, 1955)
McLain of Hudson’s Bay (Television?, 1957)
Dreamland: A History of Early Canadian Movies 1895-1939 (Film, 1974)
Fencer’s Art (Film, 1982)
Decline of the American Empire (Film, 1986)
Those Roos Boys and Friends (Film, 1988)
The fonds also includes audiovisual material relating to the following productions:

The Man From Glengarry (Film, 1922)
Carry On, Sergeant! (Film, 1928)
Peoples of Canada (Film, 1940)

Gordon Sparling

Richard Story Fonds

  • CA ON00349 2019.018
  • Fonds
  • 1964 – 2014, predominant 1979 - 2010

This fonds consists of 16 series, divided by production, format, and project, based on Story’s original division and organisation of files. The series are as follows:

1.“Some Letters to a Young Poet Feature Film”
2.“Echo Lake Feature Film”
3.“Palace short film”

  1. “The Time Traveler TV Movie”
  2. “Works in Development”
  3. “The Chair short film”
  4. “Duke Redbird short film”
  5. “Elusive short film”
  6. “Canadian Aboriginal Archive Project”
  7. “Writing Projects”
  8. “European Mime Tour 1990”
  9. “Personal Calendars 1986 – 2011”
  10. “Teaching Materials”
  11. “Personal Files”
  12. “Book Collection”
  13. “Indigenous Collection”.

The first series, “Some Letters to a Young Poet Feature Film”, includes story research notes, script drafts, art design research, shooting script, production stills, audio cassettes, raw footage, ¾ inch U-Matic video cassettes, Betacam SP video cassettes, VHS cassettes, casting tapes, original music recordings, handwritten tape-logs, EDLs, director’s notes, production journal, promotional materials, photographic prints and negatives, print press kits, press clippings and memorabilia related to the production of the feature film.

The second series, “Echo Lake Feature Film”, includes research notes, script drafts, shooting script with hand-written notes, art design research, location scout VHS cassettes, casting VHS cassettes, raw footage, MiniDV video cassettes, Betacam SP master video cassette, correspondences, pre-licences, financing agreements, production stills, select props, original music CD, handwritten tape-logs, director’s notes, screener VHS cassettes, production journal, DVD data discs, photographic prints and negatives, print press kits, and press clippings related to the production of the feature film.

The third series, “Palace short film”, includes script drafts in short film and feature-length formats, research notes, production stills, JPEG digital files and photographic prints, funding application, shooting script, shot lists, credits, cast correspondences, film festival programmes, DVD data discs, Mini DV video cassettes, audio CD, and one external hard drive, relating to the production of the short film.

The fourth series, “The Time Traveler TV Movie”, includes story research notes, script drafts, shooting script, art design research, casting material, development agreement, series bible, casting VHS cassettes, six first draft episodic scripts, production stills, camera reports, production notes, raw footage, handwritten tape-logs, director’s notes, production journal, mini DV video cassettes, DVD data discs, digital mov files, digital TIFF files, DVD discs, Blu-ray discs, HDCAM video cassettes, Betacam SP video cassettes, internal hard drives, textile wardrobe items, relating to the production of the TV movie.

Note there are two video cassettes (Betcam & HDCAM) in this series which have a Cree audio dub of the pilot episode, as well as versioning notes and a time-coded translation of the script in Cree and English.

The fifth series, “Works in Development”, includes textual materials such as writing notes, research notes, screenplays, beat sheets, grant applications, funding paperwork, development notes for various unproduced works. The series also contains audio-visual materials such as Mini-DV audition tapes, VHS video cassettes, and 3/4 inch U-Matic video cassettes of live comedy shows.

The sixth series, “The Chair short film”, includes textual production materials, digital prints on data CD, rough cuts on VHS video cassette, as well as final edit on DVD-R and mini DV cassette for a short film written by Sally O'Neill, and produced by Richard Story and Sally O’Neill.

The seventh series, “Duke Redbird short film”, includes promotional postcard, DVDs, DVD-R, mini DV and VHS video cassette, featuring rough cuts and final edit of the short documentary.

The eighth series, “Elusive short film”, includes script drafts for the short film and feature formats, casting documents, financing and distribution materials, photographic prints, shooting script, shot lists, VHS video cassettes, Mini DV video cassettes, DVDs, and a 3 ½ inch floppy disk relating to the production of the short film.

The ninth series, “Canadian Aboriginal Archive Project”, includes a soundtrack on audio cassette, interviews with actor Lorne Cardinal, release agreement, funding applications, digital script on 3 ½ inch floppy disk, VHS video cassettes and Mini DV video cassettes relating to the production of the project.

The tenth series, “Writing Projects”, includes textual materials relating to Story’s writing, such as a book proposal, draft, and supporting press materials for Producing & Directing an Independent Digital Movie; a sales kit, notes, correspondences, and finished drafts of The Portable Film School; and a number of 3 ½ inch floppy disks with other works.

The eleventh series, “European Mime Tour 1990”, includes VHS video cassettes, 3/4 inch U-Matic video cassettes, audio cassettes, 33 rpm audio record, photographic prints, as well as ephemera and artifacts from the tour.

The twelfth series, “Personal Calendars 1986 – 2011”, includes hand-written and colour-coded monthly calendars for each year. The calendar for 2008 is not included. Items were digitized by donor, prior to donation. The digital files are not included in this donation.

The thirteenth series, “Teaching Materials”, includes textual materials such as course notes, course descriptions, exam papers, feedback forms, film festival programmes, flipbooks, grant applications and film release press kits used as teaching examples. The series contains 36 VHS video cassettes of commercially released film productions used in the donor’s course curriculums. Photographs and digital prints are included in some of the press kits in the series. Also included are 7 mounted 35mm colour transparencies of production stills from commercially released film titles.

Please note that this series contains confidential information relation to student names, contact info and grades.

The fourteenth series, “Personal Files”, includes materials relating to the donor’s teenage years in Vancouver, and his interest in the punk and skateboarding scenes. The series includes commercial and independent music releases on 33rpm and 45rpm discs, as well as newspaper clippings, photographs, skateboarder magazines, newsletters, stickers, club membership cards, flags, and various ephemera. Artifacts include a medal, trophy, ribbons, and rosettes from skateboarding competitions.

The fifteenth series, “Book Collection”, includes a range of published books relating to the donor’s creative influences. Authors represented included Gaston Bachelard, Walter Murch, Friedrich Nietzsche and Andrey Tarkovsky.

The sixteenth series, “Indigenous Collection”, includes materials relating to the donor’s creative work and teaching in the Indigenous and Aboriginal media communities, in Canada and internationally. Textual materials include press clippings, festival brochures, media directories, training leaflets, magazines and publications relating to Indigenous issues. The series also includes commercially released DVDs and CDs from Indigenous artists, and festival tote bags.

This fonds includes textual and audio-visual material relating to the following film productions:
• Echo Lake
• Elusive
• Palace
• Some Letters to a Young Poet
• The Chair
• The Time Traveller

This fonds includes textual material relating to the following film productions:
• The Hidden Path
• Z-Virus

This fonds includes audio-visual material relating to the following film productions:
• Duke Redbird

Story, Richard

Triumph Productions

  • CA ON00349 2004.004
  • Fonds
  • 1976 - 2004

This fonds is divided into two series, Textual Material and Audiovisual Material.

The first series, Textual Material, includes handwritten lyric sheets, fan mail, stage plots, legal documents, financial records, performance contracts, press clippings, and business correspondence.

The second series, Audiovisual Material, consists of photographs (candid shots, production shots, stills, and rehearsal shots), audio recordings (masters, demos, out-takes, performance recordings, rehearsals, soundchecks, alternate takes, remixes, and media appearances), cinefilms (concert footage) and video recordings (raw footage and release videos, demo reels, live performances and television appearances).

This fonds includes textual material relating to the following productions:

Triumph (Album, 1976)
Rock ‘N Roll Machine (Album, 1977)
Progressions of Power (Album, 1980)
Allied Forces (Album, 1981)
Never Surrender (Album, 1983)
Thunder Seven (Album, 1984)
Stages (Album, 1985)
The Sport of Kings (Album, 1986)
Surveillance (Album, 1987)
Classics (Album, 1989)
Edge of Excess (Album, 1992)
Live at the U.S. Festival (Album/Film, 2003)
This fonds includes audiovisual material relating to the following productions:

Triumph (Album, 1976)
Rock ‘N Roll Machine (Album, 1977)
Progressions of Power (Album, 1980)
Allied Forces (Album, 1981)
Never Surrender (Album, 1983)
Thunder Seven (Album, 1984)
Stages (Album, 1985)
The Sport of Kings (Album, 1986)
Surveillance (Album, 1987)
Classics (Album, 1989)
Edge of Excess (Album, 1992)
Live at the U.S. Festival (Album/Film, 2003)

Triumph Productions

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