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Archival description
University of St. Michael's College, John M. Kelly Library, Special Collections
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El Salvador file

File consists of materials pertaining to the play “A peasant of El Salvador” and its performance at Yale Divinity School that was organized by Nouwen in 1983. File also includes a promotional package for the play, the contract for the performance and a promotional photograph.

Photograph of Nouwen and others

Item consists of a photograph of Nouwen at Abbey of the Genesee (wearing grey hooded tunic with belt) and standing with four men (L to R): Mark Haynes, Dan Thomas, Mark Hunt, and Tim Senior. All of the men are smiling at the camera. Tim Senior is holding a copy of Henri Nouwen's book Making All Things New in his right hand.

Photograph of Nouwen

Item consists of a headshot of Nouwen. Nouwen is wearing black sweater and tie, and is looking to the right of the camera and smiling. This photograph was taken by a professional photographer, but the photographer is unknown.

Photograph of Nouwen

Item consists of a photograph of Nouwen wearing zip up sweater, white collared shirt and tie. He is leaning on his right knee and smiling to the right of the camera.

Photograph of Nouwen

Item consists of a headshot of Nouwen. Nouwen is wearing black sweater and tie, and smiling at the camera.

Photograph of Nouwen

Item consists of a photograph of Nouwen wearing zip up sweater, white collared shirt and tie, smiling to the left of the camera.

Photograph of Nouwen

Item consists of a slide featuring a photograph of Nouwen. Nouwen is wearing a white collared shirt and a plaid tie. He is smiling at the camera and leaning his face onto his left arm.

Photograph of Nouwen and unknown man

Item consists of a photograph of Nouwen talking to an unknown man. Nouwen is wearing a black sweater and black tie. Nouwen is photographed from the side, and is using his hands to talk. The man is wearing a tie, sweater, and suit jacket. His arms are crossed and he is facing Nouwen.

Photograph of Nouwen

Item consists of a slide featuring a photograph of Nouwen. Nouwen is wearing a white collared shirt and a plaid tie. He is gesturing towards the camera.

Art/artists - Resources file

File consists of two copies of Rembrandt’s self-portrait, a Spring 1989 newsletter from The Pierpont Morgan Library with an article mentioning Rembrandt and a guide to the Rembrandt exhibit at the Rijksmuseum with a small print of the Rembrandt's Prodigal Son. Also included is a postcard depicting "The Storm on the Sea of Galilee" by Rembrandt and a slide featuring the same painting.

File also consists of an article about an art installation titled "Celestial Vault at Kijkduin" by James Turrell. This was an installation in the dunes near The Hague, created by Turrell (an American artist). There is also an article titled "Een cilinder vol zeegeruis" by Jan Wolkers, a Dutch author and artist.

Abbey of the Genesee file

  • CA ON00389 F4-13-14055
  • File
  • 1982 - 1996, predomonant 1982 - 1985
  • Part of Henri Nouwen fonds

File consists of twelve letters from Brother Christian at the Abbey of the Genesee between 1982 and 1996, predominantly 1982-1985. File also contains a photograph and copies of two articles with one of the articles referring to Nouwen's death.

Administrative resources files

Series consists of administrative resources files which were maintained for Nouwen by Nouwen's administrative staffs from 1983 to 1997. These files contain materials collected by Nouwen in order to assist him with his roles as pastor, writer, researcher, and friend. In addition to subject-based material such as newspaper clippings and brochures, it is evident that Nouwen's administrative assistants at Daybreak used these files to hold administrative material related to liturgical events such as Christmas, Lent, and Easter, as well as other aspects of Nouwen's duties in the community. These files were likely maintained as a resource for Nouwen regarding his daily work.

The titles of the files are taken directly from the file labels created by Nouwen and his administrative assistants, unless otherwise noted. The files are arranged by subject or topic (such as Latin America, Vincent van Gogh, or Abbey of the Genesee), are in alphabetical order, and materials within the files have been maintained chronologically. Many of the materials have been placed in this series because they contain annotations, either by Nouwen or an assistant, saying "File" with the subject or name or "File - Resource files."

Financial files

  • CA ON00389 F4-6
  • Series
  • December 1980 - December 1997, predominant August 1986 - September 1996
  • Part of Henri Nouwen fonds

Series consists of Nouwen's financial files dating from 1980 and 1997, predominantly from 1986 -1997. Prior to 1986 Nouwen's personal accountant kept the majority of Nouwen's records and likely discarded them after the mandatory seven years retention period. The records from this time period are therefore minimal and consist primarily of financial overviews, cash books and American bank and retirement accounts and insurance files. After 1986, the records become more detailed and voluminous, including files about Nouwen's income (stipends, donations and royalties), expenses, taxes, insurance, retirement plans, credit cards and bank accounts.

Although the boxes were in no discernable order, they have been arranged in the following six sub-series by taking into account both the function of the records and the Nouwen staff member responsible for the maintenance of the majority of the records in that grouping:

1.6.1. General Files
1.6.2. Ledgers
1.6.3. Personal Accountant Files
1.6.4. Expenses Files
1.6.5. Cheque and Deposit Books
1.6.6. Donations Files

A more detailed description of each sub-series, as well as each sub-series arrangement can be found in the sub-series descriptions.

The files were created and kept by various secretaries and financial secretaries that Nouwen hired to control his complicated and extensive financial accounts. In the mid-1970s Nouwen hired Joe Sarno as his personal accountant. Sarno was responsible for Nouwen's income tax returns, American bank accounts and retirement funds until 1994 when Nouwen decided to consolidate his accounts to Daybreak. Carol Plantinga served as his financial secretary from the mid-1970s to 1986. From 1983-1985 Nouwen's assistant Peter Weiskel also worked with the financial files. At Daybreak, Connie Ellis took on the roles of both administrative assistant and financial secretary. After Ellis' became ill in 1992 Kathy Christie became Nouwen's administrative assistant and Lydia Banducci was hired as his financial secretary. Christie remained with Nouwen until his death in 1996. In 1993 Banducci was replaced by Margaret Sutton. Sutton remained in this position until 1997. In 1994 Nouwen began to consolidate all his financial and accounting information at Daybreak. Completing Nouwen's 1994 tax return was Sarno's last responsibility as his accountant. In 1996 Sutton arranged for all the records created and kept by Sarno to be transferred to Daybreak. Nouwen began transferring his accounting to account manager Alka Vijan at Canada Trust in 1994.

General financial files

Sub-series consists of Nouwen's general financial files kept by his staff between 1980 and 1997. Includes material regarding bank accounts, credit cards, expenses, financial statements, frequent flyer programs, income from donations, honorariums, royalties and stipend, income tax, car, health and travel insurance and RRSP/retirement funds. Includes applications, correspondence, forms, informational pamphlets and booklets, invoices, newsletters, receipts, reports, and statements. Photographs accompany some correspondence (none of which are of Nouwen).
The files have been grouped chronologically according to the Nouwen staff member(s) responsible for the creation of the majority of the file. There are four groupings: files 1270-1281 consist of material from 1980 to 1986 created predominantly by Carol Plantinga and Peter Weiskel; files 1282-1303 consist material from 1986 to 1995 predominantly created by Connie Ellis; files 1304-1311 consist of material from 1984 to 1993 predominantly created by Lydia Banducci; and files 1312-1404 consist of material from 1985 to 1997 predominantly created by Margaret Sutton. Within each chronological grouping the material is arranged alphabetically by file title. There is also one file containing financial invoices, receipts, and financial statements from the period of 1956 - 1967.

Framed Items, Box 17

-Large photograph of Henry Bauer, literary critic.
-Framed front page of Le Petit Journal, Supplément illustré, 31 juillet 1898 – illustration of Zola going to Versailles for his trial.
-According to a hand-written note at the back of the frame (note by J.B. Sanders): watercolour by Jules Antoine (brother of André Antoine), figuring André Antoine in his role as Jacques Damour – adapted from Zola’s short story.

Photographs related to Zola

Photographs
-L'Assommoir. Two stills from a lost 1909 version of Emile Zola's L'Assommoir, by Albert Cappelani (3 reels; 45 minutes)
-Zola, Emile. Photographic portrait. On the back, indication of the photographer as Porel, successor to the Maison Melandri in Paris.
-Zola, Emile. Two sketches of the novelist by his confrere, Pierre Loti (1850-1923), not dated. In 1891, Loti beat out Zola in the election to the Academie Francaise when the seat of Octave Feuillet became vacant.
-Zola, Emile. Photographic portrait of the novelist in his study. On the back, in pencil, an indication of Zola's address, 21 bis, rue de Bruxelles, which would date the photograph some time after September 1889.
-Photographs [probably taken by J. Sanders]. Three contemporary photographs (i) the tomb of Numa Coste (died 1907) in Aix-en-Provence; (ii) the tomb of Zola's parents in Aix-en-Provence; (iii) the tomb of Paul Cezanne in Aix-en-Provence.

Clippings, programmes, photographs, letters related to Zola

-Le Charivari, 4 April 1888. This comic newspaper loved poking fun at Zola. In this issue, a satirical article on Zola's political ambitions, entitled "Zola Consultant", signed Cascadio (p. 1-2).
-Theatre du Vaudeville, 20 May 1892. Programme for a one-time matinee performance of Zola's Therese Raquin at the Theatre du Vaudeville in support of the Oeuvre de la Societe maternelle parisienne (La Pouponnière), a benefit organization for orphaned children.
-Signed theatre programme for a special matinee in support of a tomb and a monument for Henry Becque, 31 May 1904. The matinee featured drama, a lecture and a poetry reading. The programme is signed by Victories Sardou, Georges de Porto-Riche, Emile Fabre and Camille Le Sense.
-3 photographs (one of H. Becque as a young man, two of his monument).
-Autograph letter from [signature illegible – great-nephew of Becque] to Madame Georges Ancey, dated «le 23 novembre 1932». Is preparing an edition of Henry Becque’s work – knows that Becque and Ancey were close. Is inquiring if there are letters and documents he could consult. Antoine told him that it could be the case.
-Autograph letter from J. Molbert [?] to [?], dated «3 juin 1905». Asks for tickets for the play. Praises the play, which is penetrating and passionate.

Actor René Maupré (René de Chauffour)

-Press clippings (221 pages) following the career of actor René Maupré – clippings ranging from 1904-1930 approx. (many clippings are not dated) – some clippings with photographs – great variety of important French newspapers: L’Humanité, Le Matin, La Petite République, L’Aurore, Le Monde illustré, Le Figaro, etc. – clippings about the Théâtre Antoine (Maupré was one of its stars) – some playbills from the Théâtre Antoine – some clippings from American and English newspapers (from p. 145) and some from Italian newspapers (p. 192 sq.) – a very interesting article by Maupré himself (1920?) on the future of cinema as a new art for the “masses” (p. 177).
-8 photographs (black and white) glued on coloured cardboard – Antoine, Camaret, staging of Coriolan by Antoine.

L’Illustration théâtrale

-L’Illustration théâtrale, issue of 21 mars 1903 about the play Ramuntcho, by Pierre Loti Supplement to the magazine L’Illustration – L’Illustration théâtrale was not sold separately from L’Illustration Heavy repairs with scotch tape
-L’Illustration théâtrale, issue of 3 novembre 1906, text of the play La préférée, by Lucien Descaves Supplement to the magazine L’Illustration – L’Illustration théâtrale was not sold separately from L’Illustration Light repairs with scotch tape
-L’Illustration théâtrale, issue of 1er novembre 1913, text of the play La saignée, by Lucien Descaves et Nozière Supplement to the magazine L’Illustration – L’Illustration théâtrale was not sold separately from L’Illustration Repairs with scotch tape
-L’Illustration théâtrale, issue of 23 novembre 1929, text of the play L’Ascension de Virginie, by Maurice Donnay et Lucien Descaves Supplement to the magazine L’Illustration – L’Illustration théâtrale was not sold separately from L’Illustration

Various magazines

-Magazine: Le Théâtre, septembre 1904 – special issue on Théâtre Antoine.
-Magazine: Le Théâtre, septembre 1902 (incomplete) – special issue on Théâtre Antoine.
-Magazine: La Revue théâtrale, mai 1906 (cover missing) – special issue on Théâtre Antoine.
-Magazine: Le Théâtre, octobre 1905.NOTE: an article on the Théâtre de l’Odéon.
-Magazine : Comoedia illustré.2 issues : 1er avril 1911 and 1er décembre 1911.Profusely illustrated with portraits of actresses and photographs.
-Magazine : Revue illustréeIssue: 15 septembre 1889.
-Magazine : Le Théâtre et Comoedia illustré. One issue : 15 janvier 1926.
-Magazine: L’Illustration théâtrale. Journal d’actualités dramatiques publiant le texte complet des pièces nouvelles jouées dans les principaux théâtres de Paris. Two loose issues (8 December 1906 and 15 October 191?) – poor condition.

Théâtre Libre

Théâtre Libre – various secondary sources; copies of photographs (mise en scène).
Two copies of (in German): Guide for the Guest Performande of Théâtre Libre in Residenz-Theater of Benno Jacobson, first volume.

Contract with M. Chimene, poster and cover

Typed contract between Antoine and M. Chimene, dated «2 février 1917», on letterhead «28, Place Dauphine».
Regarding the partnership between Antoine and Chimene for the Gaité theatre.
With a two-page letter [first page missing), where Antoine explains that he does not want to take care of financial issues.
Poster (colour) for the Théâtre Antoine, announcing Blanchette and Boubouroche.
Poor condition – repairs with scotch tape – folded
Cover of Le monde illustré, 2 novembre 1935 – with photo of Antoine.

Letters related to Colonna Romano

  • One postcard and one letter (stamped 2-7 1955) from Colonna Romano to J. Sanders.
  • Autograph letter from André Antoine to Colonna Romano [?], dated «31 avril», on letterhead «Golf Hotel La Ciotat-Plage». Has not heard from her, but guesses that she will come back with Alcover. Is himself leaving for Marseille, will be back in Paris the week after.
  • Autograph letter from André Antoine to Colonna Romano [?], dated «Mardi», on letterhead «28, Place Dauphine. Tél.: Gobelins 03-59». Here is the solution to the problem they were discussing the other day.
  • Autograph letter from André Antoine to Colonna Romano [?], dated «25 novembre 36», on letterhead «Hôtel d’Albany. 202, rue de Rivoli». Is in financial trouble because he has not paid his income tax. Can she help?
  • Autograph letter from M.A. Lévy-Alcover [son of Colonna Romano] to J. Sanders, dated «le 22 février 1981», address «Dr. M.A. Lévy-Alcover, 11bis, Passage de la Visitation, Paris, 75007». Tells Sanders that his parents were close friends with Antoine. His parents bought Antoine’s house in 1936, and he still goes there every summer.
  • Three postcards – pictures of Colonna Romano
  • Newspaper clipping with picture of Colonna Romano
  • Two pictures (black and white) of Colonna Romano
  • Program – Electre, gala donné par Colonna Romano (23 juin 1938)
  • Telegram from Antoine to Colonna Romano, stamped «14 août 13» Best wishes.
  • Autograph letter from Jean and Marguerite Sarment to Colonna Romano, dated «30 décembre 61», stamped «2 – 1 62». Are sending their best wishes for the new year.
  • Autograph letter from Maurice Gervais [?] to Colonna Romano, dated «Paris, le 7 août 1936», on letterhead «Société des poètes français. Le Secrétaire général», with a stamp surimposed: «Maurice Gervais 33bis, rue Faidherbe Paris Xie». Congratulates her – wishes he could do it in person [very poetic letter].
  • Autograph carte-lettre from [?] to Colonna Romano, dated «Bagnères de Bigorre», stamped «8 VIII 36». Congratulates her, even if he is far from Paris. When he thinks about Colonna, he also thinks about the actress Madeleine Roch, who would have been happy to hear the good news.
  • Autograph letter from Paul Vinson to Colonna Romano, dated «Dimanche 2 Août», on letterhead «Comoedia. Journal quotidien illustré. 146, ave des Champs-Elysées Paris (8e)». Congratulates her for her decoration. Her talent is finally recognized.
  • Autograph letter from ? to Colonna Romano, dated «Hameau du Francport par Compiègne (Oise)». Congratulates her for her decoration [Légion d’honneur].
  • Autograph letter from Georges Zeller to Colonna Romano, dated «Paris, le 2/8 1936», on letterhead «Les Chefs-d’oeuvre du Théâtre-Français. Georges Zeller, 93, boulevard Magenda, 93, Paris (Xe)». Congratulates her for her decoration.
  • Autograph letter from Lucien Besnard to Colonna Romano, dated «Launay par Courtomer Orne 4 août 36». Congratulates her for her decoration.
  • Autograph letter from Lucien de Weindel to Colonna Romano, dated «5/8/36/, on letterhead «Excelsior. Illustré quotidien. 20, rue d’Enghien. Le Directeur-Rédacteur en chef» with additional address «L’Hermitage, par Vernon (Eure)». Congratulates her for her decoration.
  • Telegram from Devoyod to Colonna Romano, stamped «Paris 12 8 37». Best wishes. Success is awaiting.
  • Autograph letter from ? to Colonna Romano, dated «4 août 1936». Congratulates her for her decoration.
  • Autograph letter from Edmond Sée to Colonna Romano, dated «Paris, le 2 août 1936», on letterhead «Association syndicale, professionnelle & mutuelle de la critique dramatique et musicale», with added address «Montfort l’Amaury S & O». Congratulates her for her decoration.
  • Autograph letter from Mary Marquet to Colonna Romano, dated «1936 Dimanche 9», on letterhead «Comédie française». Congratulates her for her decoration. Announces that she will get married, but it is still a secret.
  • Autograph letter from Georges Pioch [?] to Colonna Romano and her husband, dated «dimanche 12/5/40», with address «210, rue de Rivoli». Discusses the actors’s interpretation of a play by Racine.
  • 2 press clippings (one is a photocopy) on Colonna Romano’s career

Letters to Georges Ancey and James Sanders

  • Autograph letter from Léon Christian [?] to Georges Ancey, dated «Alexandrie, 2 août 98». Tells about the success of L’École des veufs. Asks for permission to play La dupe. Is working hard and they are staging mostly the répertoire of the Théâtre Libre. Hopes to see the Anceys in Paris.
  • Autograph letter from Gustave Toudouze to Georges Ancey, dated «Château de Kermann’goz en Trégastel, par Lannion (Côtes du Nord), Vendredi 11 septembre 1896». Will soon publish an illustrated novel about Camaret. Is asking Ancey to lend some photographs of the region and of the village to the illustrator, for inspiration. Note: this letter was published by J. Sanders by Les Cahiers de l’Iroise, no 161, février 1994. Offprints in the dossier.
  • Autograph letter from Gustave Toudouze to Georges Ancey, dated «Paris 50 rue de Moscou, mercredi 11 décembre 1901». Likes the play Ces Messieurs very much. It is a shame that it has been censored.
  • Photograph of Gustave Toudouze in Camaret (1903 – as to a note at the back of the photograph – sent to J. Sanders by Toudouze’s son – see letter of 18 juin 1952).
  • Autograph letter from Georges G. Toudouze to J. Sanders, dated «6 mai 1952», on letterhead «Société des auteurs et compositeurs dramatiques, 9, 11, 11bis rue Ballu, Paris (9e). Tel: Trinite 44-97». Will be happy to meet with J. Sanders, at his office, to discuss Georges Ancey.
  • Autograph letter from Georges G. Toudouze to J. Sanders, dated «18 juin 1952», on letterhead «Préfecture de la Seine – Musée Carnavalet. 23, rue de Sévigné. Paris IIIe. Société de l’histoire du costume» - with envelope, not stamped, on letterhead «Préfecture de la Seine». Is sending a photograph of his father, Gustave Toudouze, taken in Camaret in 1903.
  • Autograph letter from Georges G. Toudouze to J. Sanders, dated «Paris, le 29 juin 52», on letterhead «République française. Liberté, égalité, fraternité. Préfecture de la Seine». Sends two books written by his father on Camaret (Péri en mer, Le bâteau des sorcières). Has no copy of his own book on Camaret but sends the address of his publisher.
  • Typed letter from Georges G. Toudouze to J. Sanders, dated «Paris, le 7 juillet 1955», on letterhead «Société mutualiste des auteurs et compositeurs dramatiques. Le Secrétaire général Georges G. Toudouze», with envelope stamped «Paris, 7-7-1955», on letterhead «Société mutualiste des auteurs et compositeurs dramatiques». Is going away, will not be able to see Sanders just yet. Maybe in September, if Sanders is still in Paris.

Léon Deffoux- various letters and documents (photocopies)

  • Photocopied photograph of Léon Deffoux
  • Handwritten note card from Alain Barbier Sainte Marie, dated 5-X-06, attached to a photocopied article by Alain Barbier Sainte Marie: "Léon Deffoux (1881-1944)", Cahiers Edmond et Jules de Goncourt, n° 3, 1996, pp. 104-112.
    -2 copies of a photocopied letter from André Billy to Lucien Descaves about Léon Deffoux’s suicide , dated March 19, 1945.
  • Handwritten letter (plus 1 photocopy of the letter) from Alain Barbier Sainte Marie to James Sanders, dated 10- XI- 2006. Includes envelope and photocopy of a letter written by Léon Deffoux, dated May 18, 1929.
  • Photocopied letters (24) and postcards (2) from Auriant to Deffoux, 1927-1939.
  • Photocopied article written by Auriant entitled "Mme Bovary, née Colet." From L'Actualité Littéraire, May 27, 1936.
  • Photocopied letters (6) from René Dumesnil to Deffoux, 1919-1931.
  • Photocopied letters (19) from publisher G. Crès to Deffoux (with documents – photocopies – pertaining to his bankruptcy), 1924-1936
  • Photocopied article by André Billy about Deffoux. From L'Alliance Littéraire, November 1930, pp. 19-21.

biographical documents: Léon Deffoux

Various biographical documents of interest:

  • 3 pages of advertising material for two books by Deffoux, Un logis de J.-K. Huysmans (1 copy), and Le naturalisme (2 copies)
  • 4 press clippings about his career ranging from 1929-1937
  • 1 small portrait of Léon Deffoux designed by Jean Lébédeff, french engraver
  • 1 photocopy of Léon Deffoux’s handwritten and typed c.v.
  • 1 offprint of an article written by J. Sanders, "Léon Deffoux (1881-1944), échotier et historiographe du naturalisme," Cahiers Naturalistes, vol. 81, 2007, pp. 259-272
  • 1 undated, untitled document (typed) about Deffoux’s career, probably by J. Sanders, may be a draft of the previous article
  • 1 excised article on Léon Deffoux by André Billy from L'Alliance litteraire, November 1930, pp. 19-22.
  • 1 letter from the Institut de France acknowledging receiving a copy of Deffoux’s book

Portrait of Anton T. Boisen

File consists of portrait, taken by an unknown professional photographer, of Anton T. Boisen, wearing a suit and seated in front of a large map.

Lulu Wendel and Anton Boisen

File consists of copies of letters to Lulu Wendel from Anton T. Boisen, and manuscripts by Wendel entitled, "From Bedlam to Bethlehem", collected by Nouwen. Letters to Wendel from Boisen are regarding a manuscript she wrote about her own experience (citing Boisen) in 1961 (letters are dated 1961 and 1962). There are two copies of Wendel's manuscript; one complete version with illustrations, and one without. File also includes an article by Wendel entitled, “A Visit,” and a Christmas portrait of the Wendel family in 1970. The material was sent to Nouwen by Wendel in 1971.

Lannoo correspondence file

File consists of business correspondence concerning The Prodigal Son (also referred to as Canvas of Love), Aging, and Lifesigns; business documents including three Dutch drafts of The Prodigal Son and a colour photographic image for the book cover, a colour photograph of a blade of grass, and royalty statements.

Doubleday correspondence file

File consists of business correspondence concerning The Wounded Healer, The Return of the Prodigal Son (one letter in French), Aging, Interrupted Love (published as The Inner Voice of Love) and Compassion (Japanese edition); business documents including a colour photo suggested as a cover image, three colour mock covers for The Wounded Healer, sample text and Spanish rights offer sheet for The Return of the Prodigal Son.

Doubleday correspondence file

File consists of business correspondence concerning A Cry for Mercy, Compassion and Reaching Out; business documents include an agreement regarding "untitled book on Compassion", permission to use Reaching Out, two original signed copies of agreements for Downward Mobility, eight photographic prints of illustrations (including at least one used for A Cry for Mercy), and publisher advertisements for The Genesee Diary.

Doubleday correspondence file

File consists of business correspondence concerning Compassion, Reaching Out, The Spirituality of Intimacy, Fecundity and Ecstasy (Lifesigns); business documents including a copy of Spanish agreement for Reaching Out, and an agreement for Nouwen to write an introduction to Yushi Nomura's Desert Wisdom; personal correspondence including copies of Nouwen's letters, thank you letters to the Doubleday staff and mentioning that he was enclosing a card made on occasion of the 25th anniversary of his Ordination (card not in file). File also includes four example sheets of calligraphy used for sub-titles and eight ink line drawings by Dr. Joel Filartiga used to illustrate Compassion.

Ordination material

File consists of material from Nouwen’s ordination ceremony on July 21, 1957 in Utrecht and on July 28, 1957 in Scheveningen, including reminder cards, dinner menu and a copy of the photograph of Nouwen as a child playing priest.

Immaculate Heart Hermitage, Camaldolese Monks - July 1994

File consists of correspondence and other material regarding a retreat by Nouwen and Frank Hamilton at the Immaculate Heart Hermitage, Camaldolese Monks, in Big Sur, California. Includes a letter and pictures from the Carmelite Monastery that Nouwen visited while he was in California. Also includes a copy of an article entitled "KQED documentary features Oakland resident and activist," accompanied by a letter from Rose Lucey.

Street Level - April 27 - 30, 1994

File consists of correspondence and other material regarding Nouwen's participation at Street Level: A National Conference for Street workers at the Chestnut Park Hotel, Toronto, Ontario. Nouwen gave the opening address for the conference and led the Thursday morning devotional. Includes schedule, information sheets on workshops and speakers, reference material, and songs of devotion. Includes the May 1993 issue of Context: Research to make Religion Relevant. Also includes 12 photographs of Nouwen for the press.

Tao Fong Shan Christian Centre, Hong Kong - Summer 1994

File consists of a fax from Daniel Yeung inviting Nouwen to the Tao Fong Shan Christian Centre in Hong Kong to teach in the Summer of 1994. Includes description of the Centre's history, mission, and resources. Includes the original of the letter sent by fax and a copy of the Centre's publication "Areopagus" vol. 5, no. 4, Christmas cards and postcards from the Centre, and photographs of the Centre. There is no indication that this invitation was accepted.

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