- CA OTUED 8-6-2
- Subseries
- 1975 - 1986
This subseries contains materials relating to the legal case between Blissymbolics Communication International - Canada and Charles K. Bliss regarding the usage and licensing of Blissymbols.
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This subseries contains materials relating to the legal case between Blissymbolics Communication International - Canada and Charles K. Bliss regarding the usage and licensing of Blissymbols.
This subseries includes copies of affiliate agreements and correspondence with affiliates of BCIC from across the globe. It includes organizations in the United States, Finland, France, Hungary, Australia and more.
Part of Elizabeth Benson Guy fonds
Series consists of programs for concerts that Elizabeth Benson Guy performed in, attended, or collected the program from.
Teaching, conducting, composing, and performing records
Part of Derek Holman fonds
Subseries contains records from Derek Holman's career in education, conducting, composition, and performance, including his time with the Bishop Strachan School, Canadian Children's Opera Chorus, Church of St. Simon the Apostle, Concord Singers, Croydon Bach Society, Croydon Parish Church, Grace Church-on-the-Hill, Royal School of Church Music, St. Thomas' Church Choir, University of London, and the University of Toronto. The subseries includes correspondence, photographs, contracts and agreements, assorted writings, lecture notes, and programs.
Part of Derek Holman fonds
Subseries consists of original compositions by Derek Holman.
Part of Derek Holman fonds
Subseries consists of manuscripts for Derek Holman's arrangements and realizations of music written by other composers.
Part of Derek Holman fonds
Subseries contains records from Derek Holman's student years, including materials from his time at Truro School, Royal Academy of Music, and the University of London.
Part of Derek Holman fonds
Subseries consists of certificates and related documents, including photographs and correspondence, for awards and degrees that Derek Holman received, including his Doctor of Music from the University of London, honorary Doctor of Sacred Letters from the University of Trinity College, Order of Canada, and Canadian citizenship.
Programs, posters, and reviews
Part of Derek Holman fonds
Subseries consists of programs, posters, and reviews for performances by Derek Holman and of compositions by Holman.
Part of Derek Holman fonds
Subseries consists of music written by other composers and either collected by Derek Holman for reference purposes, or sent to Holman as a gift and/or for his feedback.
Part of Derek Holman fonds
Subseries consists of titled and untitled sketches for Derek Holman's compositions.
Part of Derek Holman fonds
Subseries consists of Derek Holman's earliest compositions, written when he was a child (up to age 16).
Subseries consists of a bound volume of programs from student recitals at the University of Toronto Faculty of Music (1990-1991). Volume also includes programs from the Faculty's Thursday at Noon series, masterclasses, and other special events, lectures, seminars, and workshops.
Subseries consists of programs from student recitals at the University of Toronto Faculty of Music (1989-1990). Volume also includes programs from the Thursday Noon Series, masterclasses, and other special events, lectures, seminars, workshops, and programs held at the Faculty of Music.
Subseries consists of a bound volume of programs from student recitals at the University of Toronto Faculty of Music (1991-1992). Volume also includes programs from the Thursday Noon Series at the end.
Part of Peter H. Brieger fonds
Sub-series consists of typed and handwritten notes, organized by books of the Bible (Old Testament), detailing illuminations, illustrations, and other details of each book from various versions of the Bible that were examined. Many files also include a typed manuscript detailing the findings. Some files also include photocopies of reference material.
Part of Peter H. Brieger fonds
Sub-series consists of type- and hand-written lists of Bibles held at various repositories, with detailed notes on bindings, illustrations, illuminations, and other elements.
Part of Peter H. Brieger fonds
Sub-series consists of general records relating to research for the Bible project. Records include correspondence, grant records, notebooks, articles by Brieger and others, and other research materials. The last file in the series consists of samples of the cards that were created for the project, which include photographs of illustrations. These cards have been retained only as a sample, in order to demonstrate the project’s methodology. The remainder of the cards are still with Dr. Paul. One oversized folder contains a large chart, that indexes features of each Bible edition.
Subseries consists of records relating to opera productions, including correspondence, budgets, alterations to scripts and scores, rehearsal schedules, technical drawings, set and prop lists, programs, reviews, press releases, and performer agreements.
Productions included in the series are:
Subseries consists of copies and clippings of reviews and press releases for performances by the Opera School and by Opera School alumni.
Subseries consists of various postcards and flyers used to advertise upcoming productions by the Opera School, later named the Opera Department, and now known as the Opera Division.
Subseries consists of programs from productions by the Opera School, later named the Opera Department, and now known as the Opera Division.
Minutes of Opera Department meetings
Subseries consists of copies of minutes for Opera Department staff meetings and staff memorandums.
Community partnerships and scholarships
Subseries consists of records pertaining to community partnerships and scholarships of the Opera School (later the Opera Department and now the Opera Division). Files include correspondence, programs, meeting minutes, newsletters, and lists of scholarship recipients.
Subseries includes files on the Canadian Broadcasting Corporation (CBC) Opera Company (1948-1951); Canadian Opera Company (COC) (1977-1984); Canadian Opera Women's Committee (COWC), later the Canadian Opera Volunteer Committee (COVC) (1969-2006), which administered various scholarships, including the COWC Junior Scholarship and the Herman Geiger-Torel Scholarship; Canadian-Scottish Philharmonic Association (1982-1998); Halifax Opera Company (1946-1951); Harold A. Kopas Opera Scholarship (1985-1997); Josephine Harper Scholarship (1972-1975); Mary A. and John Yaremko Scholarship (1994-2003); Mozart Society (1988-1999); Oakville Guild Scholarship (1979-2004); Rotary Club of Toronto (Armour Heights) Scholarship (1975-1985); Scottish Opera (1987); Unitarian Church (1986-1995); Wagner Society (2003-2004); and the Women's Art Association of Canada, Luella McCleary Award (1982-1993).
General administrative records
Subseries consists of general administrative records for the Opera School (later the Opera Department, now the Opera Division), including correspondence, budgets, procedural documents, programming records, and theatre information.
Subseries consists of various budgets, agreements, and related correspondence for productions by the Opera School.
Subseries consists of general correspondence and correspondence regarding teachers of the Opera School, later the Opera Department, and now the Opera Division. Correspondence relates to the operations of the Opera School, including budgets, hiring of teachers, particular productions, and the Opera School film project with the National Film Board. Subseries includes both incoming and outgoing correspondence.
Part of Elizabeth Benson Guy fonds
Subseries contains a certificate for Elizabeth Benson Guy's performance at Expo '67; her biography and repertoire list (April 1966); festival adjudicator's comments from her participation in the Kiwanis Music Festival (n.d.); and, a poster from a concert that she gave at Saint John High School on January 21, 1969.
Part of Elizabeth Benson Guy fonds
Series includes newspaper clippings of reviews and notices pertaining to Elizabeth Benson Guy, including a scrapbook compiled by Fred Guilldford of the Nova Scotia Opera Association (1948).
Subseries consists of programs and recordings of concerts of works written by student composers.
Subseries consists of events featuring the faculty and students of the voice program. Most events take place on Tuesdays at noon.
Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty and guest artists in small ensemble chamber music and vocal or instrumental recitals. Traditionally, these events take place in Walter Hall at the Faculty of Music on Thursday afternoons.
Subseries consists of programs from student recitals at the University of Toronto Faculty of Music.
Grant applications and correspondence
Part of New Music Concerts fonds
Subseries consists of correspondence and copies of New Music Concerts' applications and reports to granting agencies, including Metro Toronto, the Municipality of Metropolitan Toronto, Ontario Arts Council, and Canada Council. NMC applied for grants to support the operational costs of the performing arts organizations, including the costs of presenting their concert season and commissioning new compositions. Grant applications include budgets, artistic director's reports, financial statements, and proposals for concerts and events.
Part of New Music Concerts fonds
Subseries consists of correspondence between New Music Concerts (NMC), Coopers and Lybrand, and other parties regarding NMC's finances.
Part of New Music Concerts fonds
Subseries consists of the financial ledgers and bankers records for New Music Concerts, showing the organization's expenses and revenue from administrative and operational activities, as well as payments to composers, performers, and venues.
Fundraising correspondence and reports
Part of New Music Concerts fonds
Subseries consists of correspondence with and reports of donations received from private and corporate donors, separate from funding that New Music Concerts received from city, provincial, and national granting agencies.
Budgets and financial statements
Part of New Music Concerts fonds
Subseries consists of annual financial statements and budgets for the operational costs and for NMC's concert seasons.
Part of New Music Concerts fonds
Subseries contains reviews of concerts presented by New Music Concerts (NMC), advertisements for NMC, and press releases for events and performances.
CBC recording and broadcast contracts
Part of New Music Concerts fonds
Subseries consists of correspondence and contracts between New Music Concerts (NMC), the Canadian Broadcasting Corporation (CBC), and Radio Canada International (RCI) regarding the recording and broadcast of NMC concerts.
Part of New Music Concerts fonds
Subseries contains documents relating to the funding, production, release, and distribution of recordings by New Music Concerts, including: New Music Concerts (1990); Lutoslawski conducts Lutoslawksi (1998); Sixteen Dances by John Cage (CP2 Records, 2002), from a recording of a concert by the New Music Concerts Ensemble in Walter Hall, conducted by Paul Zukofsky (January 31, 1982); Vox Balaenae and Other Works (Naxos, 2006), featuring music by George Crumb; and 100th Anniversary Release (Naxos, 2008) of music by Elliott Carter.
Part of New Music Concerts fonds
Subseries contains documents from New Music Concerts tours, including their 1976 tour of Europe and their Northern Ontario and United States tour in 1980.
Part of New Music Concerts fonds
Subseries contains general documents relating to each concert season of New Music Concerts, including ticket sales, programming suggestions, musicians' contracts, venue contracts, and orchestra rehearsal schedules.
Part of New Music Concerts fonds
Subseries contains documents relating to individual concerts and events presented by New Music Concerts. Records include correspondence with performers, composers, venues, and other related individuals; contracts and agreements with musicians; rehearsal schedules; promotional photographs of musicians and composers; stage plots; and other notes.
Part of New Music Concerts fonds
Subseries consists of agendas, meeting minutes, correspondence, and other records relating to the Toronto Coalition of New Music Presenters (TCNMP) or Toronto New Music Alliance, a coalition of ensembles and performing arts organizations in Toronto dedicated to New Music. The coalition formed in 2001 following the closure of Massey Hall and the New Music Festival (NuMuFest) as a collective of 28 music ensembles, concert presenters, and other organizations dedicated to the creation and proliferation of new music in Toronto. Groups include New Music Concerts, Soundstreams Canada, soundaXis, Music Gallery, Esprit Orchestra, MusicWorks, Toca Loca, Les Amis, CONTACT Contemporary Music, the Canadian Music Centre, Arraymusic, the Ambient Ping, Continuum, Earshot! Concerts, Hannaford Street Silver Band, New Adventure in Sound Art, and others.
Part of New Music Concerts fonds
Subseries consists of lease agreements for New Music Concerts' office spaces, an overview of office administrative duties, and a copy of the letters patent for "242636 Concerts" and "New Music Concerts".
Part of New Music Concerts fonds
Subseries contains correspondence with composers, performers, concert venues, music publishers, and performance licensing agencies.
Part of New Music Concerts fonds
Subseries consists of meeting minutes, agendas, and related correspondence, budgets, and reports from and to the Board of Directors for New Music Concerts, including reports from the artistic director Robert Aitken.
Programs, brochures, and pamphlets
Part of New Music Concerts fonds
Subseries contains season brochures, concert programs, and pamphlets for New Music Concerts' performances.
Subseries consists of events featuring the faculty and students of the voice program.