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Oral History Project

Series consists of materials from the 'Completing the Vision: The Oral History of Henri Nouwen' project that was undertaken by Sister Sue Mosteller, Executrix of the Henri Nouwen Literary Centre in partnership with the Henri Nouwen Society and The Henri Nouwen Archives and Research Collection. The project was funded by grants from the Louisville Institution, the Nouwen Society and gifts in kind. The project intended to capture the personal and intimate nature of Nouwen's life and works by interviewing people from Nouwen's extensive network of intellectuals, clerics, lay ministers and ordinary citizens including those from all socio-economic backgrounds, cultures, faiths and traditions who were influenced by Nouwen or influenced him. The interviews were meant to paint a multi-coloured canvas of Nouwen in his many roles and give us a perspective not available in his own writings. Further, the project was a contribution to the ongoing study of religious experience in the 20th century. The project had three specific goals:

  • Fill in historically significant gaps in the present record of Nouwen's life
  • Gain an understanding of why and how a man of such enormous contradictions touched the lives of so many people and drew criticisms of others
  • To give an opportunity for the wide variety of people who were impacted by Nouwen and who in turn contributed to his theological and pastoral vision to give expression to their experience and understanding

From these goals it is hoped this project would act as a resource for contemporary ministry and be an inspiration for ministers, teachers and lay people alike. Further, the project would compliment the writings of Henri Nouwen and the dozen or so newly published books that have explored his legacy since his death.

The interviews conducted for this project relate to four specific periods in Nouwen's life:

  • Early Seminary/University Years 1951-1964
  • Menniger and Notre Dame Years 1964-1967
  • Yale and Harvard Years 1971-1985
  • Final ten years at L'Arche Daybreak 1986-1987

The interviewees range in age, occupation and geographic location but all had a significant relationship with Nouwen at some point in his life. The methodology of the project involved asking each interviewee to spend 30-40 minutes of their interview naming the influences that formed them, their primary relationships, their mission/profession and how their life crossed with Nouwen's.

Over a 24 month period, 93 interviews were conducted, each averaging two hours in length, providing more than 180 hours of multi-textured content regarding Nouwen's theological vision and its impact. The interviewees also recount events of their personal lives and other significant influences unrelated to their relationship with Nouwen. The interviews took place all over North and South America, Europe and Asia and were documented in audio and/or video format. Some of the interviews have been transcribed and a hard copy and/or electronic copy of the transcription are available. Most the interviews and transcriptions are available in English while some are only available in Dutch.

Henri Nouwen Society

Interview with Andrew Adridge conducted by Rosemonde Desjardins

Item is a video recorded interview between Rosemonde Desjardins (interviewer, representative of FoMARA) and Andrew Adridge (interviewee). Andrew Adridge is a Guyanese-Canadian vocal performer, and a graduate from the University of Toronto opera program. He works as the Operations Associate for Opera.ca, and is the Co-Founder of Opera InReach, an initiative aimed at examining the civi impact of opera, creating an authentic Canadian identity for it, and engaging the next generation of performers with equitable and diverse digital programming and mentorship. Andrew and Rosemonde's conversation covers topics including tokenization and diversity, the arts, Black Lives Matter, and systemic discrimination.

Video recording of Henri Nouwen at Earlham College

File consists of video recordings of a series of events held at Earlham College centered around Nouwen's receipt of an honourary degree. He gave four talks while at the college, all of which were recorded. Includes a video recording of an address given by Nouwen, Kim Barnes (an assistant from Daybreak) and Thelus George (a core member from Daybreak) at Earlham School of Religion, January 30, 1991. The address is primarily given by Barnes on the subject of L'Arche Daybreak. Video recordings also feature an address Nouwen gave to accept an honourary degree from Earlham School of Religion on January 30, 1991.

V13 v1 Common Meal / Earlham School of Religion consists of a video recording of Nouwen giving an address at the Common Meal at Earlham School of Religion on January 29, 1991.

V13 v2 Living the Spiritual Life / Earlham School of Religion consists of a video recording of Nouwen giving a lecture entitled "Living a Spiritual Life" at Earlham School of Religion on January 29, 1991.

V13 v3 Communion as the source of Christian leadership : Honorary Degree Convocation / Earlham School of Religion consists of a video recording of an address Nouwen gave to accept an honourary degree from Earlham School of Religion on January 30, 1991.

Summary of address:

Introduced by a former student Henry Freeman

I.
Explanation of Communion with God as a series of concentric circles.
Reference to the passage in Luke about Jesus spending the night in solitary communion with God, then returning to his disciples (including Judas) and later going amongst a crowd to minister and heal. Central Circle: Communion with God. Second Circle: Communion with Community (disciples). Third Circle: Ministry through words and healing. Communion is the source of Love. Communion as Connectedness. Communion as Spirit, as a breathing between Father and Son. This relationship between Jesus Christ is both totally unique and totally mutual, and it is called Spirit.

Henri says he is convinced more than ever that all human beings are called to Communion with God. The degree to which a person tastes this relationship will determine their degree of integration into society, how much they can contribute to society. By not acknowledging Communion, an individual will become manipulative and violent in their relations with others. Lacking Communion, people will turn to popularity, success and power in attempts to grasp at Belonging. It is important that Communion takes place at ‘Night’ in this passage of Luke because night is when we (and Jesus) are tempted to seek Communion outside our relationship with God.

II.
Out of Communion will grow Community.
References St. Francis, St. Thérèse, Dorothy Day, St. Bernard, St. Ignatius who formed communities as a fruit of this Communion with God. Mentions the importance of the Quaker tradition and his experiences at Pendle Hill in the development of his ideas about Communion.

Following Communion, you will find yourself calling to people or find people gathering around you. BUT: Community is a place where you will always be reminded that it (community) cannot give you that which you truly desire, Communion with God. Which will push you back to solitary Communion.

There is always a discordant note in communities (the person you least want to live with will be there in the community in which reside) (example of Judas). One needs community – it will constantly challenge you not to expect from people that which only God can give (Love). Community is a place of detachment. Community is the place where you live out Communion and then are called to Solitude. Solitude and Community can never be separated.

III.
Community will lead you to ministry. Ministry must be taught communally in groups. Henri mentions that of late he has found that Ministry has become highly individualized. By ministering in groups, one is prevented from manipulating the Good News, one is not tempted to believe that they are the sole source of Truth etc. In Ministry, we are called to proclaim that Communion with God is being offered to all people. The Spirit of God blows where it wants. Healing and Liberation comes from knowledge that God is offering us Communion. The Love you crave is available, and you can forgive each other for not being God.

IV.
Ministry right now, the lives of everyone present, our reality has changed in the last few weeks because we are now at war (The Gulf War). This fact colours our souls. It is a very dark and dangerous atmosphere. How are we going to live and minister in a world that is in full agony? Your First responsibility is not to change the world but to prevent the world from changing you. Television, News, Media will broadcast dark news that pounds on your heart – don’t let the Darkness take away your connection and Communion with God. Don’t let the Dark rip out the most precious gift of Communion.

Henri mentions Biblical quote of people ‘dying of fear’. Keep your head erect in the face of the Son of Man. Proclaim that this war is unjust. Receive Communion at the mountaintop. We do not receive Communion by changing the world, change is not a condition of prophecy. Source: Video Recordings of Nouwen Series – Video Cassettes of Nouwen at Earlham College Subseries, Box 309, item V13. Summary notes by Anna St.Onge, Archives Assistant, June 2, 2005.

V13 v4 Life at Daybreak : Henri Nouwen, Kim Barnes and Thelus George / Earlham School of Religion consists of of a video recording of an address given by Nouwen, Kim Barnes (an assistant from Daybreak), and Thelus George (a core member from Daybreak) at Earlham School of Religion, January 30, 1991. The address is primarily given by Barnes on the subject of L'Arche Daybreak.

Tape 1

Item consists of 1 videocassette featuring a talk given by Sr. Sue Mosteller at an Accompaniment Retreat, held from April 8-11, 1988.

Personal & biographical

This series contains material relating to Professor Olson’s early schooling at Radville Christian College; his teaching at Western Christian College; and copies of his curriculum vitae. Also present are appointment books, journals, and notebooks reflecting his day-to-day activities, reflections, and ideas as well as some family correspondence with his mother (M.E. Olson), father (W.R. Olson), and brother (Roland Olson).

Personal and biographical

Series consists of records documenting Prof. Friedland’s career including aspects of its development as well as professional achievements. Files include job applications, tenure assessment, correspondence regarding cross appointments and research leaves, advocacy work, and biographical material. Also included are awards, correspondence, and presentation material related to honors presented to Prof. Friedland.

Oral history interview with Tasneem Ahmed conducted by Arsalan Rizvi

Tasneem Ahmed is an educated Muslim woman living in Mississauga Canada. She is a mother, wife, and decorated professional. In her oral history with interviewer Arsalan Rizvi (UTM undergraduate student at the time), narrator Tasneem Ahmed speaks about life in Canada, growing up in Pakistan, her relationship with her parents, and their impacts on her life and perceptions. She speaks about religion, religion in Canada, her professional life in Saudi Arabia. She also speaks about her experiences throughout her life, experiences with racism, classism, and how religion has played a role in her life.

Film

Over several decades, Clara Benson took numerous rolls of 16 mm film documenting her family, her trips, as well as life in Toronto especially during World War II, the University of Toronto and various events. Her collection includes some unique footage of women’s sports at the University of Toronto, convocation ceremonies in the 1940s, and skating shows, one of which identified Barbara Ann Scott. From her trips, there is interesting footage of Egypt and Greece in the late 1920s, the New York World Fair and South America in 1939 as well as Atlantic City in the late 1940s. There are several small rolls of film documenting military parades on the streets of Toronto as well as the Royal Visit of 1939 and 1959.

Video recordings of Nouwen

Series consists of video recordings of Nouwen as lecturer, retreat leader, conference leader and television program guest. Many of these videocassettes were given to Nouwen by the organizers's of events in which he participated. There is one sub-series in this series: video recordings accumulated by Nouwen, and there are several sub-sub series. Multiple cassettes from a single event are available for Nouwen at Earlham College; Nouwen at Catholic Charities Volunteer Development Conference; Nouwen on Robert Schuller's Hour of Power; Video Recordings of 'Overal et Nergens' and Nouwen at L'Arche Stratford. The remaining videocassettes consist of thirty-three videocassettes of addresses, lectures, interviews and sermons given by Nouwen at conferences, retreats, churches and other locations from 1983 to 1996.

Audio and visual material

Series consists of audio and video material that documents Prof. Venkatacharya’s community activity, teaching, and family life. Video recordings capture Venkatacharya’s presentations, many of these given at community centres and individuals’ homes. The topics of these talks generally focus on spiritual texts and understanding, though also include some academic presentations, including an event at the Thomas Fisher Rare Book Library. Other videos document the community involvement of both Prof. Venkatacharya and his wife, Vijaya. These include an event recognizing the contributions of Venkatacharya to the Hindu Institute of Learning, the organization’s fundraising initiatives, as well as Diwali celebrations at the AWIC Community and Social Services. Home recordings of family gatherings are also included in the material.

John Beckwith fonds

  • OTUFM 10
  • Fonds
  • 1888-2024, 1936-2022 predominant

Fonds consists of records created and collected by John Beckwith during his career as a composer, writer, music critic, radio broadcaster, administrator, educator, and performer. Records include sketches, drafts, and manuscripts of his compositions and arrangements, as well as programs, posters, reviews, correspondence, recordings, and other materials from premieres and other performances of his works.

Fonds also includes records relating to Beckwith's work as a radio commentator and script writer for the Canadian Broadcasting Corporation (CBC); music critic for the Toronto Star; professor and dean of the University of Toronto Faculty of Music; and writer of numerous lectures, articles, and books.

Beckwith, John

Sound and Moving Images

Series consists primarily of recordings of various interviews and addresses given by Martin Friedland regarding the legal system in addition to his book The University of Toronto: A History.

Wedding ceremony of Jeff Coppage and Elizabeth Ann Dixon

File consists of a video recording of the wedding ceremony for Jeff Coppage and Elizabeth Ann Dixon (married name Ann Dixon Coppage) officiated by Henri Nouwen. The wedding took place at Reynolda Prebyterian Church in Winston-Salem, NC. Co-officiants with Henri Nouwen are Rev. Richard Little, pastor of Reynolda and Rev. Ed Christman, a Baptist who was long-time Chaplain at Wake Forest University.

Audiovisual & digital records

Series consists primarily of photographs, audio interviews and video recordings of play performances, interviews, and poetry readings. Records include both analogue and digital audio and video recordings, and well as digital photographs.

Interview with Lon D. Whitman

File consists of an interview with Lon D. Whitman interviewed by Joe Vorstermans at L'Arche Daybreak (Richmond Hill, ON). Whitman is a community leader living and working in L'Arche Erie (Erie, PA). Whitman first met Nouwen at a retreat in Denver, CO and subsequently visited him at L'Arche Daybreak and became his friend in the L'Arche community. Whitman recalls Nouwen in group and personal settings and his interest in the Flying Rodleighs. Themes present in Whitman's interview include migration, L'Arche Trosly (France), South America, L'Arche Harbour House (Jacksonville, FL), corporate life and Madame Vanier. The interview is transcribed and available electronically or in hard copy.

Jose Lopez, piano and Laura Wilcox, viola

File consists of a recording of a concert at Gallery 345 with Jose Lopez, piano and Laura Wilcox, viola.

Program:

  • Sonata in E-flat major / Jan Křtitel Vaňhal
  • "Instillness" for solo piano / Juraj Kojs (Canadian premiere)
  • Dox for viola and piano / Judith Shatin (Canadian premiere)
  • Visitation from the Seven Hathors / Wende Bartley
  • Sonata for viola and piano / Jindřich Feld.

Kay Armatage fonds

  • UTA 1016
  • Fonds
  • 1937-2011

This fonds documents various facets of Prof. Armatage’s career as a filmmaker, senior programmer for the Toronto International Film Festival, and a professor of Cinema Studies and Women’s Studies at the University of Toronto. The academic activity files in Series 1 give an overview of the breadth of her interests, achievements and promotions. Lecture notes and other course materials in Series 2, along with comments on student works found in Series 3, document her teaching role. These will be especially useful to researchers interested in understanding the early beginnings of both women studies and cinema studies and how these developing academic disciplines were being taught to students. Prof. Armatage’s role as a programmer for the Toronto International Film Festival is documented in her extensive notes found in notebooks where she recorded critiques of films she was screening. These are found in Series 4. The extent of her filmmaking is documented in Series 7 and contains preserved original film elements to several of Prof. Armatage’s films, along with a limited amount of related documentation on the making of these films. Unfortunately, this fonds does not contain release prints for these titles.

This fonds has only a small amount of records relating to her published academic works as well as files relating to conferences she organized and associations in which she was active. These can be found in Series 5 and Series 6.

Armatage, Kay

Mike Downes' In the Current jazz ensemble

File consists of a recording of a concert at Gallery 345.

Performers: Kelly Jefferson, saxophones ; Colleen Allen, saxophones, woodwinds ; Shirantha Beddage, saxophones, woodwinds ; Jon Challoner, trumpet ; James MacDonald, French horn ; Jay Burr, tuba ; Kelsley Grant, trombone ; Mark Kelso, drums ; Brian Dickinson, piano ; Ted Quinlan, guitar ; Mike Downes, bass, composer.

Program:

  • In the Current suite / Mike Downes
  • New works by Bell Park:
    • Soleil Couchant
    • Elation
    • Smoky
    • Whisper
  • Boplicity ; Miles Ahead.

A Recital of art songs by Philippe Sly, bass-baritone and Anne Larlee, piano

File consists of a recording of a concert at Gallery 345 with Philippe Sly, bass-baritone and Anne Larlee, piano.

Program:

  • Chason triste ; Phidylé / Henri Duparc
  • Quatre poèmes d'apres l'Intermezzo de Heine / Guy Ropartz
  • Three Tennyson songs / Jonathan Dove
  • Gruppe aus dem Tartarus ; Wanderers Nachtlied ; Der Tod und das Madchen ; Fischerweise ; An der Musik ; Der Erlkonig / Franz Schubert.

An evening of Russian opera

File consists of a recording of a concert at Gallery 345.

Performers: Luiza Zhuleva, soprano ; Anna Bélikova, contralto ; Slava Serebrainik, tenor ; Serhiy Danko, baritone ; Solomon Tencer, bass ; Igor Emelianov, baritone ; Zhenya Yesmanovich, piano.

Program:

  • The Queen of Spades. Excerpts / P.I. Tchaikovsky
  • The Snow maiden. Excerpts / N.A. Rimsky-Korsakov
  • Iolanta. Excerpts / P.I. Tchaikovsky
  • Eugene Onegin. Excerpts / P.I. Tchaikovsky
  • Khovanshchina. Excerpts / Modest Mussorgsky
  • The Tsar's Bride. Excerpts / N.A. Rimsky-Korsakov
  • Prince Igor. Excerpts / Borodin
  • Ruslan and Lyudmila. Excerpts / Glinka.

Christian Bay fonds

  • UTA 1047
  • Fonds
  • 1938-1997

This accession documents Professor Bay’s personal and professional life. A little over half of the material consists of correspondence to and from Bay of a professional and personal nature. Some of the personal letters include frank opinions of situations in his professional life. Approximately half of the correspondence includes carbon copies and originals written by Bay. The principal years covered are the 1960s to the 1980s. There is also a great deal of material on the Norwegian resistance movement.

The addresses, publications and manuscripts form the second and third largest grouping of material. The latter consists of final copies, drafts, and correspondence related to tributes, letters to the editor, book reviews, as well as books, book chapters, and articles written by Bay from 1949 to 1987.

The remainder of the material consists of personal and biographical documents ( his “personal collections” include ‘illegal’ papers of the Norwegian resistance during World War II); annotated books and offprints sent to Bay; some of his teaching material at the following universities: Michigan State, the University of California Berkley, Stanford, Alberta, and Toronto; material related to his activities in professional associations such as the American Political Science Association and the Caucus for a New Political Science; photographs; and special media which mainly includes recordings of addresses.

This fonds also includes a small sous-fonds on the personal and professional life of his wife, Juanita Bay.

Bay, Christian

Erik Satie : an Arraymusic fundraiser

File consists of a recording of the second half of a concert at Gallery 345.

Performers: Stephen Clarke, piano ; Eve Egoyan, piano ; Christopher Butterfield.

Program:

  • Chanson / Erik Satie [not recorded]
  • Elegie / Erik Satie [not recorded]
  • Les Anges / Erik Satie [not recorded]
  • Trois morceaux en forme de poire : piano, four hands / Erik Satie [not recorded]
  • Socrate / Erik Satie.

Clara Cynthia Benson fonds

  • UTA 1052
  • Fonds
  • [186-] - 1964

These personal records consist mainly of records documenting Clara Benson’s non-professional activities such as work with the Women’s Athletic Association of the University of Toronto, the YWCA and her relationship with family members and friends. The personal correspondence in Series 2 provides the most detailed information about her relationship with family, friends and activities. Letters from her parents and siblings provide an insight into her activities and progress at the University of Toronto during her undergraduate years. A few letters, however, will be found from colleagues at the university such as Prof. A.B. Macallum, Prof. Annie Laird and others.

Unfortunately documentation relating to her academic activities is limited to some correspondence and notes found in Series 5 relating to her efforts from 1920s onwards to have the Women’s Athletic Building built. Her early education in Port Hope is documented in the school books, essays and other records in Series 4. Series 4 also contains her framed diplomas for B.A. and Ph.D. No manuscripts of her publications, including her Ph D. thesis appear to have survived. The lecture notes in Series 7 do provide some indication of the content of her courses in food chemistry, and were probably used repeatedly, year after year.

Dr. Benson also recorded her travel and sightseeing activities both abroad and in Canada on film. Series 10 contains 50 rolls of 16mm film documenting her trips to Egypt (1926), England (1937 and late 1940’s and early 1950’s), South America (1939) and the United States (1939, 1948). Some of her leisure time, both while at the University of Toronto and after her retirement, was spent filming events and scenery in Toronto in general, and the University in particular, as well as her family at home in Port Hope.

Benson, Clara Cynthia

John Burgon Bickersteth fonds

  • UTA 1055
  • Fonds
  • 1913-1983

Fonds consists of 2 series

B2001-0018: Records documenting John Burgon Bickersteth, Warden of Hart House (retired 1947). Includes mainly correspondence as well as reports, published addresses, manuscripts, photographs and films. 1919-1958.

B2005-0013: Personal records of former Warden of Hart House, J. B. Bickersteth. Includes personal correspondence with family, friends, politicians, colleagues at University of Toronto including Robertson Davies as well as other academic institutions, mainly following his retirement; speeches, arrangements for his 90th birthday celebration dinner at Hart House. Also includes correspondence and other papers relating to Hart House memorial on his death and matters relating to his estate. 1913-1983.

Bickersteth, John Burgon

Trio concertante

File consists of a recording of a concert at Gallery 345.

Performers: Nancy Dahn, violin ; Tim Steeves, piano ; Simon Fryer, cello

Program:

  • Piano trio in G major, op. 1, no. 2 / Ludwig van Beethoven
  • Gypsy / Katarina Curcin
  • Trio in B-flat, D.898 / Franz Schubert.

Vincent Wheeler Bladen fonds

  • UTA 1066
  • Fonds
  • 1910-1979

Fonds contains 2 accessions of personal records of Vincent W. Bladen.

B1974-0073 (8 boxes) consists of correspondence; biographical and subject files; briefs to and reports of commissions and committees (e.g., Royal Commission on the Automotive Industry and the Commission on the Financing of Higher Education in Canada); addresses and speeches; and photographs.

B1982-0002 (15 boxes) consists of subject files including Medicine as popular culture; income tax forms (1929-1976); course notes on administration (Spring 1976); manuscripts of articles, books including papers of Jeff Harcourt, "Bladen on Bladen"; personal family records including will of Mrs Bladen and estate of Mrs. Bladen's mother, correspondence from James H. Bladen re: estate of parents, courtship correspondence of V.W. Bladen, displaced English children at Bladen home during World War II, Michael Joy Bladen correspondence, family tree, certificates and diplomas; photoprints; film reels and videocassette of home movies of Bladen family at King and Bladen family at Glenorchy (Jack Ball's Farm), circa 1941 and 1946.

Bladen, Vincent Wheeler

David Amram : from Cairo to Canada to Kerouac

File consists of a recording of a concert at Gallery 345, which featured David Amram, composer and multi-instrumentalist; Les Allt, flute; and Roberto Occhipinti, bass.

Program:

  • Introduction by David Amram
  • Screening of Robert Franks' film Pull my Daisy spontaneously narrated by Jack Kerouac, directed by Alfred Leslie, score and title song composed by David Amram
  • Question and answer session with David Amram
  • Giants of the night. Second movement / David Amram (Les Allt, flute)
  • This is beat / reading of a statement Jack Kerouac by David Amram
  • Jazz and poetry : five classic excerpts read from On the Road, as performed by Kerouac and Amram in 1957 for the first public jazz-poetry readings in New York City
    • Children of the American Bop night
    • Denver at last
    • On the roof of America
    • On hearing shearing
    • So in America
  • Kerouc and Amram's musical favourites:
    • Waltz from Arthur Miller's After the Fall from Amram's score for Miller's play Aya Zehn, famous Egyptian folk song
    • Theme for Splendor in the Grass from Amram's score for the film
    • Mastinchele Wachipi Olwan / traditional Lakota round dance melody
    • Pull my daisy / lyrics by Kerouac, Neal Cassady, and Allen Ginsberg.

Subito : duos for violin and piano

File consists of a recording of a concert at Gallery 345 with Nathaniel Anderson-Frank, violin and Carson Becke, piano.

Program:

  • Sonata for piano and violin in F major, op. 24 "Spring" / Ludwig Van Beethoven
  • Subito : for violin and piano / Witold Lutoslawksi
  • Fratres / Arvo Pärt
  • Sonata for violin and piano in A major / Cesar Franck.

Black (Davidson) Family fonds

  • UTA 1084
  • Fonds
  • 1871-2011

This description is under review
Personal records of the Davidson Black family, covering three generations, with particular reference to Davidson Black, the discoverer of Peking Man. Included are his diaries, extensive family correspondence and a few professional letters; files on his education, his employment, including his service in World War I but especially at Peking Union Medical College, his life in China generally, along with a few on his writings, and some artifacts. There is an extensive and well documented photo collection that helps tie the whole together. There are also a number of films made by Davidson Black between the late 1920s and 1932.

Black (Davidson) Family

Thin Edge New Music Collective

File consists of a recording of a concert at Gallery 345.

Performers: Elizabeth Eccleston, oboe ; Olaf Szester, percussion ; Cheryl Duvall, piano ; Ilana Waniuk, violin

Composers: Margaret Ashburner, Aura Giles, Tova Kardonne, August Murphy-KingNick Storring.

Video recording of Henri Nouwen on L'Arche

File consists of a video recording of Nouwen speaking on the subject of L'Arche at Washington Hall, St. Mary's, near Notre Dame university. Nouwen is introduced by Don McNeill. The theme of the event appears to be "The Year of the Family". This is an amateur video. Joe Vorstermans from L'Arche begins the program by speaking about the history of L'Arche and Jean Vanier.

Film

Film related to milling and refining methods of minerals used more than likely for course instruction in Mining Engineering.

Henri Nouwen's passion and spirituality

File consists of a video tape of a panel discussion and video clips on Nouwen to mark the occasion of the 5th anniversary of his death by the Notre Dame Center for Social Concerns. Panelists include: Don McNeill, Sue Mosteller, Andrea Smith Sharpell and Claude Pomerleau. The video discussed the theme of Taken, Blessed, Broken, Given as expressed by Nouwen in Life of the Beloved and in his appearance on the Hour of Power, Chrystal Cathedrals. Each panelist discusses one aspect of the theme.

  • Taken (or chosen) - claiming our own choseness, and thereby seeing the chosenness of others
  • Blessed - the Christian call is to say good things to people about their belovedness, to bless and be blessed.
  • Broken - to befriend our brokenness, to put the brokenness under the blessing; suffering as a pruning
  • Given - to become fruitful as a result of knowing our belovedness.

The panel is joined by telelink to Wendy Greer, John Holsinger, and Walter Sanchez.

Oral history interview with Sarabjit Singh conducted by Flyura Zakirova

Sarabjit Singh is a well-known chef with extensive culinary expertise who has his own restaurant in Brampton. He was born in India then pursued an education in Australia and settled down in Canada with his family while continuing his cooking journey. Now his work in Canada aims to bring Indian cuisine to Canada in an elevated form which will advance the existing experiences of food for South Asians in Peel.

In his oral history with interviewer Flyura Zakirova (UTM undergraduate student at the time), narrator Sarabjit Singh speaks upon his experience across themes of immigration, community, the importance of Heritage, food and generational changes.

Luciane Cardassi : view from the train

File consists of a recording of a concert at Gallery 345 featuring a program with piano, pianist voice, electronics and video by Luciane Cardassi, piano and voice and Emilie Cecilia LeBel, sound diffusion.

Program:

  • AhojAhoj :for piano and soundtrack / Terri Hron
  • Desassossego latente : for piano and recitation / Felipe de Almeida Ribeiro
  • Thoughts and desire : for piano and singing / Linda Catlin Smith
  • From Wapta ice : for spoken text, piano and electronics / Diana McIntosh, text by Monica Meneguetti
  • Construção : for piano and electronics / Rafael de Oliveira
  • View from the train : for piano, electronics and video / Emilie Cecilia Lebel (premiere)
  • Longing : for piano / Emilie Cecilia Lebel, text by Sue Sinclair.
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