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Fonds consists of constitution, 1990; minutes, 1940-1982; Board of Stewards minutes and other records, 1941-1979, 1991-1998, 2001-2009; financial record books, 1941-1965, 1990-1991, recipe and menu records, 2004-2005; and one series of photographs.

Fonds consists of speeches, addresses, lecture notes, degrees, memorabilia, correspondence, 1915–1971, of Harold Bennett; verse exercise by John Charles Robertson, 1929.

Collection contains personal and professional papers pertaining to Robertson Davies. This includes material relating to Davies’ early life, including writing and acting as a student at Upper Canada College (1929-1932), his studies at Baillol College at Oxford (1935-1938), and participation in theatrical performances in Kingston, Oxford, the Old Vic Theatre, Peterborough and the Stratford Festival (1934-1960). The papers contain a small amount of material related to Davies’ career as a journalist at Saturday Night magazine and the Peterborough Examiner. These papers contain extensive material on the novels, books and writing of Davies. This includes drafts, proofs, correspondence, reviews, clippings and any stage adaptations of his novels from The Salterton Trilogy (Tempest-Tost, Leaven of Malice and A Mixture of Frailties), The Deptford Trilogy (Fifth Business, The Manticore and World of Wonders), The Cornish Trilogy (The Rebel Angels, What’s Bred in the Bone and The Lyre of Orpheus) and the incomplete Toronto Trilogy (Murther and Walking Spirits and The Cunning Man). Also included are a complete set of original drafts and woodcuts for the Penguin edition covers of Davies’ novels, which were designed by the American printmaker Bascove. Limited material related to his essays, short stories and non-fiction publications, notably including Shakespeare’s Boy Actors, A Voice from the Attic, High Spirits and his books of fictional essays by Samuel Marchbanks are a part of the papers. Additionally, the collection includes considerable records relating to Davies’ contributions to anthologies as well as professional writing in academic journals, newspapers and magazines. These papers encompass Davies’ career as a playwright, including material related to twenty-two original works including drafts, scripts, photographs, posters, playbills and clippings, as well as the complete papers relating to the production of The Golden Ass which was staged after Davies’ death. The collection contains a large sampling of correspondence of both a professional and personal nature spanning from 1934 to his death in 1995. Also included in the collection is material related to the professional career of Davies’ as a well-known Canadian writer, this includes photographs and press clippings as well as speeches and commentaries made by Davies and his awards. Records also pertain to academic and trade writing on Davies and his work, most notably a complete set of interviews conducted with family, friends, colleagues and acquaintances by Val Ross during the course of her writing Robertson Davies: A Portrait in Mosaic (2009). Papers also relate to the eighteen years Davies spent as the Master of Massey College beginning in 1963. Including articles on the founding of Massey College, the death of Vincent Massey, newsletters, teaching material and invitations and programmes for the annual Christmas Gaudy, printed on the Massey College Press. Also included is a small amount of personal records including travel records, calendars, real estate and list of personal effects. Finally, the collection contains a series dedicated to the collecting practices of Dr. Rick Davis, who collected and assembled these papers. This includes Davis’ invoices and notes for his Davies material, as well as correspondence including exchanges with Robertson Davies, Moira Whalon, Brenda Davies and Jennifer Surridge.

Fonds consists of the compositions, recordings, and papers of Derek Holman, a former professor at the Faculty of Music, University of Toronto. The fonds contains manuscript scores and parts by Derek Holman, including original compositions, arrangements and realizations, juvenilia, and sketch materials; audio and video recordings of Holman’s compositions and performances; papers and photographs from Holman’s work with various choirs and churches (including at the University of London, University of Toronto, University of Trinity College, Bishop-Strachan, Royal School of Church Music, St. Simon’s, Concord Singers, Croydon Bach Society, Grace Church-on-the-Hill, and the Canadian Children’s Opera Company); and, Holman’s personal papers, including awards, certificates, degrees, and notebooks.

Fonds consists of records documenting the activities of Dr. Gordon Neil Patterson, founder and first Director of the Institute for Aeronautical Studies at the University of Toronto. Consists of three accessions of records:
-B1984-0021: Twenty-five bound volumes containing correspondence, minutes, memoranda, notes, reports, manuscripts, publications, lectures, addresses, graphs, diagrams, drawings and photoprints assembled by Professor Patterson for his book, Pathway to Excellence: UTIAS -- the first twenty-five years (1977); bound photocopied volume of the Book of Aeronauts (1945). (1935-1974; 9 boxes)
-B1993-0040: Manuscripts, publications, notes, and correspondence relating to the activities of Professor Patterson in his capacity as an aeronautical engineer in England, Australia and as Director of the Institute for Aeronautical Studies at the University of Toronto. (1934-1991; 5 boxes and 1 oversized folder)
-B1995-0012: Correspondence, certificates, contracts, addresses, drafts of articles and books (including audiotapes), and photoprints (1930-1990; 9 boxes, 3 oversized folders, 6 audio cassette tapes)

Notebooks of Mabel B. Taylor relating to courses in pharmacy, bacteriology, anatomy & physiology, nursing and dietetics, demonstrations, chemistry, hygiene at the Hospital for Sick Children, 1914 and 1918-1919. Associated materials relating to nursing include: clippings, Hospital for Sick Children "Rules for Nurses", examinations, and booklets for students at U. of T., "The training school for nurses of the Hospital for Sick Children" 1886-1917.

Memorabilia for undergraduate programme in medicine (1908-1913), belonging to Benjamin Franklin Keillor, MB 1913.

Photographs include: Faculty of Medicine, graduating class of 1913; members of the University of Toronto Medical Society Executive, 1911-1912; Faculty of Medicine calendar for 1909.

Personal records of Derek York, professor emeritus of physics at the University of Toronto. Included are mass spectrometer log books and the world's first mass spectrometer manual; laser manual for the earliest commercially available high-powered laser; instruction manuals, laboratory notes, argon geochronology laboratory reports; Pat Smith's lab books; sample maps, photographs, offprints and articles; contracts and contract reports; research binder on birds; other research binders, including some with Pat Smith and also some of the latter's lab books; press clippings about Professor York; floppy discs.

Personal records of David Richard Olson, Professor Emeritus OISE/UT and University Professor, documenting his career as a leader in educational theory and applied psychology, and consisting of files on his education and early teaching; journals, daybooks, and notebooks; correspondence; drafts (with associated correspondence) of articles, books, addresses, and some university lectures. Also included is a position paper on the McLuhan Centre for Culture and Technology (1981), some photoprints and postcards, and certificates of honours bestowed.

Fonds consists of the professional and personal records of Prof. A.P. Thornton, historian and former Chair of the UofT’s Department of History. Records document some of his publishing activity, academic work presenting and teaching, as well as aspects of his personal life including creative writing and family history. While Prof. Thornton’s administrative role at the University is not significantly reflected in the records, the material contains documentation of the professor’s work with the Presidential Advisory Board in the mid-1980’s related to divestment in South Africa. Other records include family photographs, correspondence, and genealogical research.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

Memorabilia including programmes, snapshots, group portraits, clippings documenting two graduates of the class of 1941 who later married: Shirley Hill, UC (Law) and James Warner Eakins, BASc (Civil). Of interest are a set of napkins embroidered for Shirley Hill by her mother Gladys Legge (B.A. 1914) for her graduation and several graduation snapshots of her and her classmates, all law students. There is a few documents on class reunions, 1941 programs for U.C. Follies and Skule Nite, as well as a May 1939 Presentation of Colours program.

Fonds consists of correspondence and other records re teaching and other activities at Emmanuel College, 1976-1998; published lectures, article and review, 1989-1993; publicity material, programmes, photographs and other records re conferences, concerts, 1988-[2001?]; correspondence, reviews, publicity material, photographs and other records re "Crucified Woman", 1986-1992; course descriptions, [200-?]; published lectures, article and review, 1989-1993; curriculum vitae, 2001; and photographs of travels, conferences, students, Emmanuel faculty, and other subjects.

This fonds contains 1 accession of records. See accession-level descriptions for more details.

This fonds contains 3 accessions of records. See accession-level descriptions for more details.

Fonds consists of material relating to Kathleen Parlow's personal life and her musical career, including photographs, correspondence, daybooks, sheet music, concert programs, press, and personal material.

This fonds contains 9 accessions of records. See accession-level descriptions for more details.

The T.F. McIlwraith fonds consists of records documenting McIlwraith’s training and career as an anthropologist as well as his roles as an administrator and professor at the University of Toronto. Covering three separate accessions, material primarily includes professional records related to his research, teaching, and publishing activity. Fonds includes significant coverage is of McIlwraith’s writing, both published and unpublished. Series 17 (The Bella Coola Indians) focuses on his research with the Nuxalk Nation for the book The Bella Coola Indians. Extensive correspondence, subject files, maps and photographs are included within the fonds and partially consist of material collected and/ or sent to McIlwraith in connection with his research.

Also includes a typescript of Prof. McIlwraith's book "The Bella Coola Indians" (Toronto: University of Toronto Press, 1948) including field notes, vocabulary card, photographs and copper plates of illustrations related to his research about the Nuxalk Peoples of Bella Coola, British Columbia.

This fonds contains the personal and professional papers of Dr. Helen Sawyer Hogg documenting her contribution to professional astronomy, her high regard as a popular educator as well as her responsibilities as a parent, daughter, wife and friend. The records have been arranged into series either by type of record or to reflect a certain type of activity. Records documenting various aspects of her career are filed first, followed by papers reflecting her personal life.

Included is both professional and personal correspondence; records relating to her activities on associations, boards and organizations; records such as draft manuscripts, correspondence and outlines and data relating to her publishing activities and research; papers relating to her education and her teaching responsibilities; as well as diaries and family papers series.

Because Dr. Hogg's career spanned nearly seven decades during a time astronomy as a discipline was still developing both nationally and internationally, these records are not only useful to those researching Dr. Hogg's achievements but will be insightful to those researchers studying the development of astronomy as a science and profession. Moreover, Dr. Hogg was a woman in a field of science, which is still dominated by men. Those studying women's history may find Dr. Hogg's personal records a useful case study in one woman's success in a largely male dominated profession.

Contained within the Helen S. Hogg personal records are three sous-fonds: Frank S. Hogg [1922-1952], her first husband and also an astronomer at the David Dunlap Observatory; Prof. Ruth Northcott [1932-1969], close personal friend and professional colleague of Helen Hogg, also on staff at the D.D.O.; Dr. C.A. Chant [193- - 194-], director emeritus of the D.D.O and head of the Department of Astronomy at the University of Toronto from 1904-1935. These sous-fonds are individually described and have been filed after the Helen Hogg personal records.

Fonds consists of material documenting the professional life and work of Prof. Judith Friedland. Records focus on her education and career within academia, in particular as a professor, and former Chair of the Department of Occupational Therapy. Material also covers some aspects of Prof. Friedland’s career working as an occupational therapist. Records include typescripts and presentation notes, administrative records from the Department of Occupational Therapy, teaching and course material, clinical notes, correspondence, awards, and biographical material.

The history of occupational therapy in Canada has significant coverage through records related to the research and publication of Prof. Friedland’s book, Restoring the Spirit, as well as through the collected records of Helene Primrose LeVesconte, Thelma Cardwell, and Isobel Robinson. Represented in Series 8 to 10, these three individuals each served as former heads of the UofT’s Department of Occupational Therapy, in addition to teaching and practicing occupational therapy. The collected historical material includes minutes, typescripts, correspondence, artifacts and teaching material.

This fonds contains 1 accession of records. See accession-level descriptions for more details.

This fonds contains 2 accessions of records. See accession-level descriptions for more details.

Fonds consists of compositions, programs and reviews, photographs and family documents.

Fonds consist of 3 accessions. See accession-level descriptions for more details.

Collection consists of Herman Geiger-Torel's library of piano-vocal scores, including his markings and notes for various opera productions, including performances that he directed in Troppau, Czechoslovakia; Teatro Colón, Buenos Aires; Montevideo, Uruguay; Teatro Municipal, Rio de Janiero; Canadian Opera Company; and the Royal Conservatory of Music Opera School.

Fonds consists of a photograph and correspondence.

This fonds contains 9 accessions of records. See accession-level descriptions for more details.

This fonds contains 52 accessions of records. See accession-level descriptions for more details.

This fonds contains 3 accessions of records. See accession-level descriptions for more details.

Contains drafts, manuscripts, correspondence and other material pertaining to the life, education, poetry and published work of Jay MillAr (1971-). The collection also includes his involvement and interaction with the Toronto experimental poetry community and other poets and writers, notably Brian T. Francis, John Barlow, Rob Ruzic and Rob McLennan. In addition, the collection also includes publications, correspondence and manuscript material from the two literary presses – Boondoggle Books (1992-1997) and BookThug (1997-) – that he founded and operates.

The gift includes personal documents, photographs, a few DP camp periodicals, scripts for plays, and poems.

Contains series:
1) Documents and publications
2) Photographs

Contains 13 photographs, of various Ukrainian-Canadian groups, events, and organizations from Ontario and Quebec.

Fonds consists of arrangements by Vic Centro, and related ephemera, including photographs, correspondence, publicity materials, and recordings. Much of the material relates to Centro's time performing and recording in Toronto with Phil Nimmons and CBC radio.

Photographs relating to Ukrainians in Ontario, Canada, primarily in St. Catherines.

Collection of materials related to the life and work of Argentinian designer and illustrator Víctor Viano. Includes books, book covers, pre-print paste-ups and negatives, logos, drawings, paintings, posters, cards, brochures, cards, catalogues, and some additional ephemera including a photograph, a newspaper clipping, posters for exhibitions, a pamphlet featuring his work, and a mounted printing plate with one of his designs. The collection documents Viano’s design process from an initial drawing for a book cover or a logo to the finished product and his artistic production and work in commercial and editorial design in Argentina, Venezuela, and Spain between 1958 and 1988.

Fonds consists of the records of the University of Toronto Opera Division, including promotional materials, production files, costume designs, and photographs.

Collection of personal & business correspondence with authors,publishers, organizations, readers; minutes of the Canadian Authors Assoc.; manuscripts and typescripts of his writings and lectures as well as galleys and publicity for his books; clippings and scrapbooks of his columns and articles in the Globe & Mail and Saturday Night; 976 photographs of Canadian and international authors.

Includes extensive correspondence, manuscripts, etc. with Joe Rosenblatt, David Gurr; drafts, research and correspondence related to Barbara Klein-Muskrat: Then and Now; The Lubavitchers Are Coming to Second Avenue; Ritual Slaughter; The Mikveh Man; The Golden Ghetto; The Magic Pot; correspondence, research and drafts for piece on Richard Landon and the Thomas Fisher Rare Book Library; Arthur Drache material; unpublished children’s stories; family material; ghost writing; mentoring and other material related to the life and work of Sharon Abron Drache.

Includes sketches and book jackets.

Includes personal and professional correspondence; personal photographs; official documents; receipts and invoices; typescript drafts of books; newspaper articles, passports, cultural and political pursuits. Various highlighted items in his collection include many interesting photographs documenting the May Day Rallies of 1933-4 in Hamilton, Ontario-suggesting that he had an active role in organizing these demonstrations. There are also a number of newspaper clippings (primarily from The Daily Colonist (Victoria, B.C.), documenting such issues as communism, the war in Vietnam, Cyprus, various actions taken by the Canadian Government, and celebrities such as Marilyn Munroe and Princess Diana. A series of postcards document a trip taken by Sam Lawrence across Europe in 1936. Also featured is a collection of photographs of Lenin from 1897-1917 from a book of photographs entitled “Lenin” edited by Vladimir Il’ich and a collection of postcards documenting the Third Congress of Komintern in Russia, 1919. Lastly, there are two typescript books dedicated to Morisse and written by Georgoula Beikos entitled “The Greece That Fights: A Collection of Articles in Russian”, and a book of poems written by political prisoners on the Cypriot island of Gioura after the Greek civil war from 1945-1949.

Box 1. Ontario pt. 1 -- Box 2. Ontario pt. 2, Quebec, and the Maritime provinces -- Box 3. Western provinces -- Box 4. O'Keefe pt. 1 -- Box 5. O'Keefe pt. 2, the earliest labels in the collection and miscellaneous labels from different provinces that were added in 2012.

A detailed list of the breweries represented is attached to this record
A selection of samples from this collection have been digitized and are available on Flickr.

Items are organized in five boxes by geography and date, with items from the Carling O'Keefe Brewery separated.
The collection consists of specimens of printed and lithographed Canadian beer labels from a variety of breweries across the country. Lithographers include Barclay & Clark Co., Standard Litho Co., and Rolph Clark Stone Ltd.

Fonds consists of Emmy Heim's lecture notes for the Toronto Conservatory of Music (TCM) and Royal Conservatory of Music in Toronto (RCMT), correspondence, programs, posters, and a photograph. Fonds also includes manuscripts of songs written for, or copied by, Emmy Heim.

Fonds consists of the administrative records of New Music Concerts (NMC), from its first concert in 1972 to 2020. Records consist of administrative and financial records, including correspondence with composers, performers, and concert venues, budgets, grant applications, and board meeting minutes; concert planning documents, including touring records; and promotion and publicity documents, including programs, brochures, posters, reviews, advertisements, and press releases. The fonds also includes select audio and video recordings of NMC concerts.

Collection of 558 chromolithographed trade labels intended for the Indian and Chinese market.
Many samples bear the names of the colours, places of manufacture, and names of local merchant companies in China and India including Carlowitz & Co. and Manilal Mooljee.
Probably produced by Paul Israel in Werra, Germany.
Samples are illustrated with Asian and Indian motifs, and include mythological and religious figures, including characters from Journey to the West

Contains maps, articles, clippings, and pictures of various areas in London, as well as their histories.

A collection of Canadian ephemera. Materials include posters, poems, book prosectuses, calendars, and more, on the topics of agriculture, book selling, disarmament, education, hotels and taverns, government, publishing, regimental history, and women.

A collection of 365 separate items with particular focus on concrete poetry and alternative publishing practices taking place in England in the 1960s and 1970s, but with international leanings. Presents the practice of Concrete Poetry as an international movement in which borders are blurred, including those between countries; between languages; and between the entites known as the author, the publisher, and the reader. Related movements such as Mail Art and Fluxus are represented. Shows a close relationship between writing and the physicality of published material through the exploration of alternative publishing practices that utilize a variety of printing and binding techniques. This materiality of the book provides a spectrum that stretches from Independent Publishing Alternatives to Fine Press Publishing through the use of offet printing, letterpress, Xerox, Mimeo, and printing by hand; binding techniques used include anything from stapled chapbooks to loose leaflets in plastic bags or custom folders, or single sheets or cards with no binding at all.

Collection comprises more than six thousand sheets of engravings and lithographs illustrating the characters and scenery from British and some European plays between 1810 and 1940.

Collection documents Levine’s writing process for several publications, poems, and short stories. This includes drafts, edited manuscripts, and handwritten notes. Collection also contains personal and professional correspondence, educational records, documents from promotional events, familial records, and teaching materials. Additionally, the collection contains publications of Levine’s work.

Collection contains personal and professional papers relating to Howard Engel. These papers contain extensive material on the novels,
books, screenplays, playscripts and radio episodes of Engel. This notably includes drafts for all fourteen novels in the Benny Cooperman series, many including prolific drafts with holograph and editorial revisions. Also included in the collection are extensive drafts for Engel’s final Cooperman novel, Over the River, which was slated to be published in both 2016 and 2018 but was eventually cancelled by the publisher, along with the complete drafts for two unpublished Benny Cooperman novels, and partial drafts and outlines for three additional novels. In addition to his fictional writing, the archives include poetry, articles, reviews, and drafts and proofs for his works of non-fiction. In particular, there are extensive drafts for the memoir of his 2001 stroke, The Man Who Forgot How to Read, the book was originally intended as an autobiography and several earlier drafts exist which detail Engel’s childhood, adolescence and adulthood. During the process of recovering from his stroke, Engel became acquainted with Oliver Sacks, who would later pen an article on Engel in The New Yorker and would go-on to write the afterword of Engel’s memoir. Their extensive correspondence, along with several drafts of Sacks is also present. In addition to material related to Engel’s professional career as a writer, including photographs and press clippings, as well as speeches given over the course of several decades. Engel’s career as a journalist, writer and producer at the CBC is well-documented through scripts and research written or produced by Engel, which is further augmented by audio tapes and reels. The personal life of Engel is well-documented through a nearly complete set of diaries dating between 1991 and 2019, with additional diaries dating from the 1940s, 1950s, 1960s and 1980s, as well as photographs, mementos and through correspondence of a personal and professional nature. The collection contains manuscripts written by other writers, often sent to Engel for feedback or as gifts, this includes drafts or proofs from Kildare Dobbs, Mavis Gallant, Eric Wright and Jack Batten.