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Letters from Phyllis A. Williams

File consists of letters from Phyllis A. Williams, letters to her from Jonathan C. Barker, D. Min. and Fr. Sylvester Feeley regarding Nouwen, and a typed letter from Nouwen.

Letters from Charles Busch

File consists of fourteen letters from from (Rev.) Charles Busch, of Tombstone Community Congregational Church of the United Church of Christ (Tombstone, AZ). Includes a letter with his church news bulletin, two embroidered cards, one including a quotation from D.H. Lawrence, an invitation to his wedding to Cathey Lynn Ball on January 14, and a postcard and note to file a card and photograph under "Charles (Pierre)". File also includes a letter from Jutta Ayer with the annotation to file it under "Busch".

Letters from Rose Marciano Lucey

File consists of seven letters (one addressed to Connie Ellis, Nouwen's administrative assistant), a note, and two cards (one to Ellis), from Rose Marciano Lucey. File also includes a photocopy of a newspaper article; two newsletters; two order forms for the book, "John and Mary"; a prayer card; a poem; a letter to Mike Bibler from Nouwen, sent via Lucey; and a copy of a typed letter of response from Ellis.

Letters from Foster Parents Plan

File consists of a letter from Sabina Castillo on behalf of Foster Parents Plan regarding Nouwen's sponsorship of a boy, Hugo Corini, from Bolivia.

Letters from L'Arche

File consists of letters, including four photo cards, and articles from members of the L'Arche community of Trosly-Breuil (also called La Ferme) in France, including official correspondence from Jean Vanier and letters from Thérèse Monique, Barbara, Agnes, Simone Landrien and Larry Gray. Also includes the original draft of a letter written by Nouwen to his students at Boston College explaining his reasons for joining the L'Arche community, and a letter from Therese [Cecury?] giving Nouwen the address to her parents Paul and Marie Peeters in France (it has been annotated "file: Trosly").

Letters from Laura Rice

File consists of letters from Laura Rice, including a pamphlet from Chapel House of Colgate University (Hamilton, NY).

Christmas Cards

File consists of Christmas cards sent to Nouwen. Correspondents include:

  1. The Forrester Dufresnes (Ed, Sandy, Rachel and Aimee)
  2. Mary E. Hobgood and Thomas B.Chittick
  3. Sr. Julie Raman, ICM (writing from The Phillipines)
  4. James W. Skehan, SJ
  5. Barbara M. Fader
  6. Mary Deeley, husband, Dan Lum and daughter Katie [photograph removed]

Letters from Paul Beals

File consists of letters, including a photo card, from Paul Beals, including a typescript "Journey of a Madman" by Mark Andrew Beals, and a copy of a letter from Beth Porter welcoming Beals to L'Arche Daybreak.

Stuart Grenville Hennessey fonds

  • UTA 1371
  • Fonds
  • 1920-1985

Personal records of Dr. Hennessey documenting his academic activities as professor in Dept. of Political Economy, especially with Extension and Professional Association education. Includes correspondence (1949-1985), lecture notes and course outlines (1933-1983); student assignments, student marks, essays and examinations (printed) (1924-1983); subject files; photographs.

Hennessey, Stuart Grenville

Photographs

Portraits of C.A. Ashley, James Mavor, and W.T. Easterbrook ; Business and Economic students, graduating classes 1945-1947; Economics and Commerce students, graduating classes 1954-1976 (not complete); members of the Commerce Club including its executive for 1934-1935.

Marion Walker fonds

  • UTA 1930
  • Fonds
  • [1920?]-1998

This accession consists of the personal records of Marion Dorothy Walker. The records document Ms. Walker’s activities as a production assistant for Hart House Theatre, as a professor in the University of Toronto Department of Fine Art and as a creative writer. Types of records include: personal correspondence, manuscripts, theatre programmes, playbills, lecture notes, research notes, scrapbooks, costume designs, stage designs, photographs and slides. This accession is arranged in the following 5 series:

Series 1: Early Biographical Information
Series 2: Personal Correspondence
Series 3: Hart House Theatre
Series 4: Department of Fine Art
Series 5: Fiction

Walker, Marion Dorothy

Hart House Theatre

Marion Walker was Production Assistant at Hart House Theatre from 1946 to 1957. Under the directorship of Robert Gill, she designed sets and costumes for each of the Theatre’s annual four plays. Her first production was St. Joan, starring Charmian King. Other early performers who worked with Ms. Walker at Hart House Theatre included Kate Reid, Donald Sutherland, and William Hutt.

The records in this series pertain to Ms. Walker’s involvement with Hart House Theatre. Textual records include scripts 1946, annotated Hart House Theatre programmes 1946 – 1957, and obituaries for Robert Gill, 1974.

Series also includes approximately 100 photographs of various productions for which Ms. Walker designed costumes and sets. The photographs depict various scenes, actors and set designs. Productions represented are: Romeo and Juliet, 1947; Julius Caesar, 1948; the Seagull, 1948; The Skin of Our Teeth, 1948, The Doctor’s Dilemma, 1948; Crime and Punishment, 1949; Othello, 1949; Fortune My Foe, 1950; The Guardsman, 1950; Captain Brassbound’s Conversion, 1950; Medea, 1950; Henry IV, 1950; Marco Millions, 1950; Richard II, 1951; Pygmalion, 1951; The Madwoman of Chaillot, 1951; The Admirable Crichton, 1952; The Winslow Boy, 1952; Macbeth, 1952; The Wild Duck, 1953; The School for Wives, 1956; and The Innocent, 1957.

Series also contains 8 sketchbooks of costume designs for the following Hart House productions: The Internal Machine, 1946; Othello, 1949; Medea, 1950; Richard II, 1951; School for Wives, 1956; Hamlet, [n.d.]; and King Lear, [n.d.].

Photographs

Photographs of Dr. Rhodes at various professional meetings and functions. There are also several portraits of Dr. Rhodes in his office and at his desk as well as passport shots of himself and his wife Harriette.

Graphic material

Photographs document members of the Blake and Wrong families including Samuel H. Blake and his wife Rebecca Blake, Edward Blake and Gerald Blake, as well as cousins Murray, Hume and Harold Wrong. Most are studio portraits, some of which are unidentified. There is one album depicting life at the summer residences Point au Pic and Murray Bay.

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