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University of Toronto Music Library
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Duo, trio, small band music

File contains: 7 Skylark -- 8 Who could care -- C 10 Last night when we were young/Young and foolish [Last night/ Y&F] [Yonge & foolish] -- C 11 Dream dancing [D. Dancing] [D.D.] -- 12 Falling in love with love [Falling in with ] -- 13 A sleepinÆ bee [SleepinÆ B] -- C 14 I donÆt know enough about you [I donÆt know enough about U] -- 15 -- Thump, thump, thump -- 16 IÆll never be the same -- C 17 IÆm thru with love/ Seems like old times -- 18 ItÆs a blue world -- 19 London by night [L by N] -- C 20 Our waltz -- 21 Wonder why -- 22 Yours is my heart alone [Yours is my alone] [ ] -- C 23 Two for the road } -- C 23A Royal blue } Medley (Mancini) -- C 24 Dreamsville } -- 25 Nancy -- C 26 Dream a little dream of me [Dream a little drum of me] -- 27 Lonely town -- C 28 In the blue of evening [Blue of evening] -- 29 Lollipops & roses [Lollipops] -- 30 Why shouldnÆt I -- 31 This heart of mine -- A 32 Open country -- B 33 Snow White [Snowhite/CanÆt we be friends] -- 34 -- Minuet (circa Æ61) Brookmeyer -- 35 IÆm gonna sit right down and write myself a letter [Letter] -- B 36 I have dreamed -- 37 IÆm old fashioned [IÆm old] -- A 38 [Ballads] Imagination/What is there to say [Imagination/What say] -- 39 Maybe September/ Indian summer [Maybe Sept. & I.S.] [Sept & I.S.] -- B 40 My ideal -- A 41 Royal Garden Blues [Royal Garden] + ôSouth Rampart St. Paradeö -- B 42 This love of mine/ This is always [Love/Always] -- 43 Red devil [ôa quasi calypso, bossa-nova, polka (?)ö] -- 44 A lovely way to spend an evening [Lovely way] -- B 45 CanÆt we be friends -- 46 -- This happy madness -- 47 -- You are too beautiful [You are 2 beautiful] -- 48 IÆm glad there is you [IÆm glad there is U] [You] -- B 49 Long ago and far away [Long ago] -- 50 Manha de Carnaval [ M. of C.] -- 51 For L & L -- 52 Dirty man -- (Brookmeyer) -- 53 Stardust [Sawdust] (8 pc band û flute, vibes, sax, 2 trombones, bass, drums, acoustic guitar) -- A 54 Everywhere -- 55 All or nothing at all -- C 56 Sunny side of the street -- A 57 April in Paris [A in P] -- 58 Theme for Jobim (Mulligan) -- 59 Autumn nocturne -- 60 Moment to moment -- B 61 æDeed I do -- 62 Change partners -- 63 ThereÆs no you [ThereÆs no U] -- A 64 Wrap your troubles in dreams [Troubles] -- 65 I wish I knew -- 66 Maybe youÆll be there [MUBT}/ Endings - I only have eyes for you [Eyes 4 U] [IÆs 4 U] -- 67 You can depend on me -- 68 It all depends on you -- 69 Just tell me yes or no -- 70 Hawg jawz --71 Sea-Jay (in memoriam, Carl Jefferson) [C.J., Concord Records]

One-key boxwood flute with ivory mounts : George Goulding, London

Item is a flute, made by George Goulding of London, England, with a silver square-ended D-sharp key. Its typical eighteenth-century small embouchure and finger holes produce a sweet and delicate tone. This type of flute was first seen in about 1672 on the European continent, about 1705 in England, and was in general use until 1780.

Fisher flute collection

  • CA OTUFM 46
  • Collection
  • [ca. 1760 - ca. 1905]

Collection consists of late-eighteenth, nineteenth, and early-twentieth century flutes, predominantly made by various builders and companies in London, England, as well as two from Paris, one from France, and one from Bayreuth, Germany. The collection covers the mechanization and modernization of the flute, including the addition of holes and keys, and the move from wood to metal for the body of the flute.

Fisher, Sidney T.

Eight-key cocuswood flute with wide sterling-silver bands : Thomas Prowse, London

Item is a flute, made by Thomas Prowse in London. The flute has sterling-silver keys with salt-spoon style ends, mounted on blocks. It is a brilliant example of the large-holed flute developed by the great English flutist Charles Nicholson Jr. The historical importance of this model is that Theodore Boehm heard Nicholson playing it during a visit to England in 1831. The epoch-making Boehm flute universally used today was the result.

Ten-key African blackwood flute with ivory head-joint : Stengel, Bayreuth

Item is a flute, made by Stengel in Bayreuth, with German-silver bands and keywork. This is an ultra-conservative conical-bore model which retains the eighteenth-century fingering, and has finger holes of the small pre-Nicholson type, and a long foot-joint to B. This model was in use for a century after Boehm introduced his cylindrical-bore model, and Wagner preferred it. Such flutes were listed by the German maker Heckel as late as 1931.

Ten-key cocuswood flute : Abel Siccama, London

Item is a flute, designed by Abel Siccama and made in London, with sterling-silver bands and keys with adjustable pad sockets, except for the C and C-sharp keys, which have pewter plugs. The A and E holes are out of direct reach of the fingers, and are covered by keys.

Conical Boehm-style flute in African blackwood : Couesnon, Paris

Item is a flute, made by Couesnon in Paris, with German-silver bands and keywork. Boehm's research led in 1832 to his conical flute, fully vented and with large holes. It is largely regarded as "the greatest landmark of all in the modern history of woodwind design." This is the 1832 flute with the addition of the Briccialdi thumb key.

Cocuswood Pratten-system flute : [Boosey, London]

Item is a flute, likely made by Boosey in London, with German-silver bands and keywork mounted on pillars. Pratten, a celebrated English flutist, developed this system in 1852, and in 1856 Boosey started to make Pratten flutes. This flute has a cylindrical bore with large holes all covered, and is fingered like the eight-keyed flute.

Ten-key flute in plated brass : France

Item is a flute, made in France, with built-up embouchure and finger holes. Al of the holes are small, except those in the foot-joint. The fingering is the same as the old conical-bored eight-key flute, plus a C and D trill key and an extra vent for F.

Gli Uccelli : set and costume designs

File contains a set design and five costume designs from the ballet Gli Ucelli (The Birds) by Ottorino Respighi from two different performances: Buenos Aires, Argentina in 1937 (set design) and at Teatro alla Scala in Milan, Italy in 1951 (costume designs). File also includes a list of Benois's designs for the latter production, with those included in the collection marked.

Benois, Nicola

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