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Subseries consists of scripts, scores, and parts for the Canadian Broadcasting Corporation (CBC) radio series Stage 52, which aired on Sunday nights. Phil Nimmons regularly wrote incidental music for radio plays broadcast on this program.

Subseries consists of scores and parts for arrangements by Phil Nimmons for the 13-episode CBC radio program "Canada Series" with Morris Surdin.

Subseries consists of scripts, scores, and parts for plays that aired on the CBC television program "Folio." "Folio" ran from 1955 to 1959, succeeding "Scope" and preceding "Festival" as CBC's flagship program from television dramas and musical comedies.

Subseries consists of scores, parts, and scripts for episodes of the Canadian variety television series "The Barris Beat," which aired on CBC TV. Musical arrangements for this show were by Phil Nimmons and Nimmons 'N' Nine served as the house band.

Subseries consists of scores and parts for incidental music that Phil Nimmons wrote for "Showtime," previously known as "Canadian General Electric Showtime" or "C.G.E. Showtime" or the "CGE Show".

Subseries consists of scripts, scores, and parts, for incidental music that Phil Nimmons wrote for the CBC television program "Parade," a variety series that aired from 1959 to 1964.

Subseries consists of scores and parts by Phil Nimmons for the "CBC Concert Party," a series of performances to the United Nations Emergency Force, organized and produced by Ken Dalziel. The performances were filmed and aired on CBC television. Phil Nimmons and Nimmons 'N' Nine participated in the following tours:

• [Europe] (November 1962)
• Gaza (April 1965 - May 1965)
• Cypress (November 1965)
• Goose Bay (March 1966)
• Gaza (May 1966)
• with Moe Koffman (March 1967).

Subseries consists of scores and parts by Phil Nimmons for the Gordie Tapp Show, a variety program that aired on CBC radio every weekday from 1:15 to 1:45 pm. Each week featured a different musical group and guest performers. The first week (October 4-8) featured Phil Nimmons' Group (Nimmons 'N' Nine) with Allan Blye and Marci Lynne.

Subseries consists of manuscript scores and parts for original compositions, arrangements, and hymn settings by J. Churchill Arlidge. Pieces include those for flute and piano, voice and piano, medleys, choral works, pieces for orchestra, and others. Subseries includes Arlidge's early compositions and arrangements (ca. 1857-1863).

Subseries consists of technique exercises written out by J. Churchill Arlidge, most likely for his flute students.

Subseries consists of pieces and arrangements by composers other than J. Churchill Arlidge, but copied for Arlidge for particular performances. Subseries also includes sheet music with Arlidge's annotations for performance.

Subseries consists of pieces by other composers, most of which were likely written out by J. Churchill Arlidge so that he could add flute obbligato parts. Most pieces in the subseries were likely performed at least once by Arlidge during his career, but the date of performance is unknown.

Subseries consists of the arrangements without bandstand numbers.

Subseries consists of Leslie Bell's scores and parts for band, including original compositions and arrangements.

Subseries consists of blueprint-style manuscripts, manuscripts written in ink or pencil, and copies of blueprint scores. Most of the manuscripts are Leslie Bell's arrangements of popular songs, show tunes, hymns, and other songs, with some original compositions. Information about the original composers, intended ensembles, dates, and where and when the songs were performed is not consistently recorded in the manuscripts' heading. The manuscripts are generally autographed with one of the following: Leslie Bell, Leslie Richard Bell, L.B., or L.R.B. The arrangements are predominantly for the Leslie Bell Singers (originally the Alumnae Singers), formed in 1939.

Subseries consists of radio scripts written by Leslie Bell and indices for particular programs that Bell hosted.

Subseries includes notes from Leslie Bell's teaching career and his time as a student, as well as research notes for Bell's radio programs and various lectures.

Subseries consists of loose-leaf pages of radio scripts and program notes from files labeled "From scrapbook." These files were presumably intended to be added to a scrapbook, or were removed from a scrapbook at some point.

Subseries consists of original compositions by Derek Holman.

Subseries consists of manuscripts for Derek Holman's arrangements and realizations of music written by other composers.

Subseries consists of Derek Holman's earliest compositions, written when he was a child (up to age 16).

Subseries consists of titled and untitled sketches for Derek Holman's compositions.

Subseries consists of music written by other composers and either collected by Derek Holman for reference purposes, or sent to Holman as a gift and/or for his feedback.

Subseries consists of certificates and related documents, including photographs and correspondence, for awards and degrees that Derek Holman received, including his Doctor of Music from the University of London, honorary Doctor of Sacred Letters from the University of Trinity College, Order of Canada, and Canadian citizenship.

Subseries consists of programs, posters, and reviews for performances by Derek Holman and of compositions by Holman.

Subseries contains records from Derek Holman's student years, including materials from his time at Truro School, Royal Academy of Music, and the University of London.

Subseries contains records from Derek Holman's career in education, conducting, composition, and performance, including his time with the Bishop Strachan School, Canadian Children's Opera Chorus, Church of St. Simon the Apostle, Concord Singers, Croydon Bach Society, Croydon Parish Church, Grace Church-on-the-Hill, Royal School of Church Music, St. Thomas' Church Choir, University of London, and the University of Toronto. The subseries includes correspondence, photographs, contracts and agreements, assorted writings, lecture notes, and programs.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, an annual series of concerts.

Subseries consists of a program and recording of a concert of works written by student composers.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, an annual concert series.

Subseries consists of programs and recordings of concerts of works written by student composers.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Subseries consists of programs and recordings from the Faculty of Music's New Music Festival, a series of concerts that take place each year in January.

Subseries consists of programs from performances by students in the University of Toronto Opera Division at the Faculty of Music.

Subseries consists of programs and recordings of concerts of works written by student composers.

Subseries consists of programs and recordings of concerts in the Thursday at Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals. These events take place in the Walter Hall at the Faculty of Music on Thursday afternoons.

Subseries consists of programs and recordings of performances by ensembles in the Faculty of Music.

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists.