- UTA 1939-2-B2014-0031/001(03)
- File
Part of Germaine Warkentin fonds
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Part of Germaine Warkentin fonds
Zilboorg, Gregory. "The Reciprocal Responsibilities of Law and Psychiatry", The Shingle, 79-96
Part of Edward Stanley Ryerson fonds
Part of Edward Stanley Ryerson fonds
Part of Edward Stanley Ryerson fonds
Part of Edward Stanley Ryerson fonds
Zilboorg, Gregory. "Affects, Personal and Social", Psychoanalytic Quarterly, XIV, 1, 28-45
Part of Edward Stanley Ryerson fonds
Zihlman, Adrienne (University of California, Santo Cruz)
Part of Richard Lee fonds
Zigfrid : Kho-kho, kho-kho : Ariya s molotkom
Part of Stratton-Clarke collection
Ershov, Ivan Vasil'evich, 1867-1943 (tenor). Zigfrid : Kho-kho, kho-kho : Ariya s molotkom. Wagner, Richard, 1813-1883 (composer). Gramophone Monarch: 22034. Matrix 96i. Recorded in St. Petersburg, Russia.
Zigeunerweisen = Gypsy moon (hand in hand)
Part of Stratton-Clarke collection
Tauber, Richard, 1891-1948 (tenor). Zigeunerweisen = Gypsy moon (hand in hand). Borganoff, Igor (composer). Parlophone: RO 20427. Matrix E-9485.
Part of Leslie Bell fonds
File consists of Leslie Bell's arrangement of the song by Pablo de Sarasate.
Part of Stratton-Clarke collection
Lehmann, Lotte, 1888-1976 (soprano) ; Ulanowsky, Paul, 1908-1968 (piano). Zigeunerlieder, op. 103. Brahms, Johannès, 1833-1897 (composer). RCA Victor: DM 1188 (10-1393 to 10-1394). Recorded in Camden, New Jersey.
Zigeunerliebe : Ich bin ein Zigneunerkind = Gypsy love : I am a Gypsy child
Part of Stratton-Clarke collection
Schmidt, Joseph, 1904-1942 (tenor). Zigeunerliebe : Ich bin ein Zigneunerkind = Gypsy love : I am a Gypsy child. Lehár, Franz, 1870-1948 (composer). Parlophone: DP 174. Matrix 85273. Recorded in Vienna, Austria.
Zigeunerbaron : Ja, das Schreiben und das Lesen und Vorspiel zum III. Akt
Part of Stratton-Clarke collection
Hann, Georg, 1897-1950 (bass) ; Nick, Edmund, 1891-1974 (conductor). Zigeunerbaron : Ja, das Schreiben und das Lesen und Vorspiel zum III. Akt. Strauss, Johann, 1825-1899 (composer). Polydor: 57440. Matrix 02069-KK. Recorded in [Berlin, Germany].
Zigeuner (426) : music for jazz ensemble
Part of Phil Nimmons fonds
File contains parts for the Ray Norris Quintette (Jack "Jackie" Williamson, drums and vibraphone; "Bud" Henderson, piano; Ray Norris, guitar; "Doc" Hamilton, bass; and Phil Nimmons, clarinet).
Part of Martin Lawrence Friedland fonds
Zhu, Shangxiang (Beijing Institute of Aeronautics and Astronautics)
Part of Bernard Etkin fonds
Zhizn za Tzarya: Rechitativ i Ariya Susanina : Chuyut pravdu
Part of Stratton-Clarke collection
Tihonov, Pavel Il'ic, 1877-1944 (bass). Zhizn za Tzarya: Rechitativ i Ariya Susanina : Chuyut pravdu. Glinka, Michail Ivanovič, 1804-1857 (composer). Matrix 2788¾c. Recorded in Moscow, Russia.
Zhizn za Tzarya : V pole chistoe glyazhu = A life for the Tzar : I gaze across the open plains
Part of Stratton-Clarke collection
Nezhdanova, Antonina Vasil'evna, 1873-1950 (soprano). Zhizn za Tzarya : V pole chistoe glyazhu = A life for the Tzar : I gaze across the open plains. Glinka, Michail Ivanovich, 1804-1857 (composer). His Master's Voice: 023153. Matrix 317af. Recorded in Moscow, Russia.
Part of Stratton-Clarke collection
Chaliapin, Feodor Ivanovitch, 1873-1938 (bass). Zhizn za Tzarya : Rechitativ Susanina : Ay, gde zhe ty moya Antonidushka = A life for the Czar : Susanin's recitative : Where are you, my dearest Antonidushka?. Glinka, Michail Ivanovich, 1804-1857 (composer). His Master's Voice: DB 758. Matrix Cc-4890-1. Recorded in London, England.
Zhizn za Tzarya : Pesnya Vany = A life for the Tzar : Prayer of Vanya
Part of Stratton-Clarke collection
Zbrujewa, Eugenia, 1868 1936 (mezzo-soprano and alto). Zhizn za Tzarya : Pesnya Vany = A life for the Tzar : Prayer of Vanya. Glinka, Michail Ivanovič, 1804-1857 (composer). Gramophone: GC 2-23372. Matrix 7948L. Recorded in St. Petersburg, Russia.
Zhizn za Tzarya : Chuyut pravdu
Part of Stratton-Clarke collection
Kastorskij, Vladimir Ivanovich, 1871-1948 (bass). Zhizn za Tzarya : Chuyut pravdu. Glinka, Michail Ivanovič, 1804-1857 (composer). Historic Masters ; Gramophone: HM 120. Matrix 4959L. Recorded in St. Petersburg, Russia.
Zhizn za Tzarya : Chuyut pravdu
Part of Stratton-Clarke collection
Kastorskij, Vladimir Ivanovich, 1871-1948 (bass). Zhizn za Tzarya : Chuyut pravdu. Glinka, Michail Ivanovič, 1804-1857 (composer). Gramophone & Typewriter Company: GC 3-22565. Matrix 4959L. Recorded in St. Petersburg, Russia.
Zhizn za Tzarya : Chuyut pravdu
Part of Stratton-Clarke collection
Tihonov, Pavel Il'ic, 1877-1944 (bass). Zhizn za Tzarya : Chuyut pravdu. Glinka, Michail Ivanovich, 1804-1857 (composer). Matrix 2788¾c. Recorded in Moscow, Russia.
Zhizn za Tzarya : Ariya = A life for the Tzar : I look over the empty field
Part of Stratton-Clarke collection
Nezhdanova, Antonina Vasil'evna, 1873-1950 (soprano). Zhizn za Tzarya : Ariya = A life for the Tzar : I look over the empty field. Glinka, Michail Ivanovich, 1804-1857 (composer). Matrix 300s. Recorded in Moscow, Russia.
Zhizn na Tzarya : Mazurka = A life for the Tzar : Mazurka
Part of Stratton-Clarke collection
Varlikh, Gugo, 1856-1922 (conductor). Zhizn na Tzarya : Mazurka = A life for the Tzar : Mazurka. Glinka, Michail Ivanovich, 1804-1857 (composer). Matrix 17936b. Recorded in St. Petersburg, Russia.
Zhidovka : Rakhil, ti mne dana
Part of Stratton-Clarke collection
Davydov, Aleksandr Mikhailovich, 1872-1944 (tenor). Zhidovka : Rakhil, ti mne dana. Halévy, Fromental, 1799-1862 (composer). Gramophone Monarch: 022100. Matrix 274m. Recorded in St. Petersburg, Russia.
ZEUS experiments at DESY: III May
Part of James D. Prentice fonds
ZEUS experiments at DESY: II Notebook
Part of James D. Prentice fonds
ZEUS experiments at DESY: correspondence
Part of James D. Prentice fonds
Zeroing in #4 : for soprano, flute, piano and orchestra
Part of Walter Buczynski fonds
Zeroing in #3 : a piece in progress : for string quartet and orchestra
Part of Walter Buczynski fonds
Zeroing in #2 : distractions and then... : for orchestra
Part of Walter Buczynski fonds
File includes composer's program notes
Zeroing in : zeroing out : for piano
Part of Walter Buczynski fonds
Zeroing in : burlesque for piano, tape, voice
Part of Walter Buczynski fonds
Part of Claude Kenneson fonds
File contains the computer-generated manuscript [dedicated to Triceratops] Includes program note.
Zerada Slack (oral history) [audio]
Part of Brazilian Menu collection
Part of Stratton-Clarke collection
Teyte, Maggie, 1888-1976 (soprano). Zémire et Azor : Rose chérie. Grétry, André-Ernest-Modeste, 1741-1813 (composer). RCA Victor: MO 1169. Matrix D6-RB-2876.
Part of Stratton-Clarke collection
Teyte, Maggie, 1888-1976 (soprano). Zémire et Azor : Rose chérie. Grétry, André-Ernest-Modeste, 1741-1813 (composer). RCA Victor: 10-1370. Matrix D6-RB-2876. Recorded in Camden, New Jersey.
Part of David Richard Olson fonds
Zeitungsausschnitte : für Gesang und Klavier, op. 11 / Hanns Eisler
Part of Emmy Heim fonds
File consists of two copies of Zeitungsausschnitte. One indicates op. 11, the other two indicate op. 10 (op. 8 crossed out), Heft I and II.
The op. 11 copy has 5 movements, rather than the 8 in the published version. It includes no. 1, Mariechen; no. 2, Kinderlied aus dem Wedding; no. 3, Liebeslied eines Kleinbürgermädchens; no. 5, Aus einer Enquête; no. 8 Frühlingsrede an einen Baum im Hinterhaushof. A note in pencil on title page instructs the insertion of Lustige Ecke (Noblesse oblige), "siehe Beilage" (see attachment), between no. 3 and no. 5.
The op. 10, Heft I and II manuscripts are complete, with the addition of Lustige Ecke.
Heft I: Mariechen; Kinderlied aus dem Wedding; Liebeslied eines Kleinbürgermädchens; Kriegslied eines Kindes; Lustige Ecke (Noblesse oblige - Der Kleine Kohn).
Heft II: Aus einer Enquête (Mutter und Vater - Der Tod - Die Sünde); Liebeslied eines Grundbesitzers - Heiratsannonce; Aus einer Romanbeilage; Frühlingsrede an einen Baum im Hinterhaushof.
Zeit und Raum der musikalischen Erfarhung
Part of Victor Zuckerkandl index
An essay exploring the facets of music that make possible musical experience, including tone, movement, time, and space. Zuckerkandl writes that the experience of tone is always interpreted in relation to a tonal field, and that the difference between an acoustic event and a musical event is the dynamism of the latter. On movement, he writes that the idea of sound movement is problematic as sounds are not physical things that can move; the solution is to regard the movement of tones as pure movement that is separated from physical space. Time, on the other hand, is always pervaded by tactical experience through the experience of grouping; Zuckerkandl writes that we do not feel rhythm as equal division, but as a series of departures from and returns to an origin point, thus musical rhythm is felt as a wave, which can be felt at multiple levels. Musical time is thus felt qualitatively, not as absolute measurement. Finally, Zuckerkandl addresses musical space as a dynamic ordering of tones in relation to each other, rather than as a geometric concept, into which a person gains insight by placing themselves within the musical space as a participant. Zuckerkandl references prominent figures of Gestalt psychology throughout the article, including Max Wertheimer, Kurt Koffka, and Geza Revesz, as well as other figures from psychology and philosophy. Minor edits in pencil to phrasing.
Zeit und Raum der musikalischen Erfahrung [Version B]
Part of Victor Zuckerkandl index
Zuckerkandl explores the spatial and temporal experience of music. The text is comprised of four sections: pitch, movement, time, and space. In the first section, Zuckerkandl explains that pitches “refer” to each other; they do not correspond to objects in the real world. Zuckerkandl’s discussion of movement outlines problems with conceptualizing pitch movement as an object "in different positions in pitch-space.” In the section on time, Zuckerkandl asserts that music is experienced in groupings of twos and threes. In the final section on space, Zuckerkandl explores issues regarding the “placelessness” of “audible space.”
Zeit und Raum der musikalischen Erfahrung [Version A]
Part of Victor Zuckerkandl index
Zuckerkandl explores the spatial and temporal experience of music. The text is comprised of four sections: pitch, movement, time, and space; section headers have been pencilled in. In the first section, Zuckerkandl explains that pitches “refer” to each other; they do not correspond to objects in the real world. Zuckerkandl then explores issues in concepts of pitch movement. In the section on time, Zuckerkandl asserts that musical rhythm is experienced in groupings of twos and threes and is felt as a “wave” or “pulse.” In the final section on space, Zuckerkandl explores issues regarding the “placelessness” of “audible space.”
Zeige mir den weg: texte fur alle tage von aschermittwoch bis ostern
Part of Henri Nouwen fonds
Item consists of a book written by Nouwen containing excerpts from his previously published writings. The translated title is: Show Me the Way : Readings for Each Day of Lent. The 40-day Lenten path includes readings for Ash Wednesday, the four weeks of Lent, Passion Week, Holy Week, Good Friday, and Easter Sunday.
Part of Stratton-Clarke collection
Cuénod, Hugues, 1902-2010 (tenor) ; Ensemble Nadia Boulanger ; Derenne, Paul, 1907-1988 (tenor). Zefiro torna : part 2. Monteverdi, Claudio, 1567-1643 (composer). His Master's Voice: DB 5039. Matrix 2LA-1521-1. Recorded in Paris, France.
Part of Stratton-Clarke collection
Cuénod, Hugues, 1902-2010 (tenor) ; Ensemble Nadia Boulanger ; Derenne, Paul, 1907-1988 (tenor). Zefiro torna : part 1. Monteverdi, Claudio, 1567-1643 (composer). His Master's Voice: DB 5039. Matrix 2LA-1520-1. Recorded in Paris, France.
Part of Stratton-Clarke collection
Nezhdanova, Antonina Vasil'evna, 1873-1950 (soprano). Zdes khorosho = How fair is this spot, op. 21, no. 7 ; Solovey = The rose and the nightingale, op. 2, no. 2. Rachmaninoff, Sergei, 1873-1943 (composer) ; Rimsky-Korsakov, Nikolay, 1844-1908 (composer). Matrix 325af. Recorded in Moscow, Russia.