Collection includes correspondence, notes, transcripts, and other working papers for Ezra Schabas's book Sir Ernest MacMillan: the importance of being Canadian, published by the University of Toronto Press in 1994.
B1984-0006: Correspondence, pamphlets, invitation cards, programmes, articles, photographs and lantern slides relating to the Lister Centennial Commemoration, 1927, which Dr. Cameron attended as the representative of the Faculty of Medicine. (2 boxes, 1923-1930)
B1986-0014: Copy of W.S. Wallace's "A History of the University of Toronto, 1827-1927", annotated by Irving Heward Cameron, who recorded additional sources and provided commentary and personal reminiscences. (1 box, 1927)
Collection contains correspondence, copies of sources, notes, illustrations, photographs, microfilms, and other working papers for Ezra Schabas's book Theodore Thomas : America's conductor and builder of orchestras, 1835-1905 (University of Indiana Press, 1989). The collection also contains articles and lecture notes for presentations written by Schabas about Thomas.
Fonds consists of records created by John Beckwith during his career, predominantly relating to his compositions. Materials include sketches, drafts, final copies, texts, performance records, and related correspondence for most of his works, as well as programs and press notices, and other personal and professional documents. Records include correspondence with other musicians, both personal and professional; materials created through his work with the Canadian Broadcasting Corporation; lecture notes from his time at the University of Toronto and other presentations; and documents pertaining to his various awards and honours.
Fonds consists of sketches, drafts, and texts for Udo Kasemets’s compositions, including scores prior to 1960 that use conventional media, and those after 1960, which consists of multi-purpose scores, combination scores, and theatre pieces. The fonds also contains programs and press notices for performances by Udo Kasemets and of his works; correspondence with many American avant-garde musicians; and Kasemets’s projects and notes from his time teaching at the Ontario College of Art.