College airs : based on excerpts from Canadian university song collections : for string quartet
- CA OTUFM 10-A-79-1
- File
- 1990
Part of John Beckwith fonds
Showing 430 results
Archival descriptionFour songs : for medium-low voice and piano
- CA OTUFM 10-A-7a-1
- File
- 1976
Part of John Beckwith fonds
Four pieces : for two bassoons
- CA OTUFM 10-A-8-1
- File
- 1951
Part of John Beckwith fonds
Four pieces : for two bassoons
- CA OTUFM 10-A-8-2
- File
- 1951
Part of John Beckwith fonds
Four pieces : for two bassoons
- CA OTUFM 10-A-8-3
- File
- 1951
Part of John Beckwith fonds
The Hector : a documentary cantata
- CA OTUFM 10-A-80-1
- File
- 1990
Part of John Beckwith fonds
File contains sketches, score, and parts for Beckwith's documentary cantata "The Hector," ror soprano/narrator, fife/flute/recorder, clarinet/recorder, guitar/mandolin, and harpsichord.
beep : for soprano solo, baritone solo, and SSATBB chorus
- CA OTUFM 10-A-81-1
- File
- 1990
Part of John Beckwith fonds
Fifteen figural chorales : from J. S. Bach's Das Orgelbüchlein : for orchestra
- CA OTUFM 10-A-82-1
- File
- 1991
Part of John Beckwith fonds
Scene : for clarinet, trumpet, percussion, piano, and double bass
- CA OTUFM 10-A-83-1
- File
- 1991
Part of John Beckwith fonds
A birthday greeting for HARRy FREEDmAn : for voice and piano
- CA OTUFM 10-A-84-1
- File
- 1992
Part of John Beckwith fonds
- CA OTUFM 10-A-85-1
- File
- 1992
Part of John Beckwith fonds
Round and round : for orchestra
- CA OTUFM 10-A-86-1
- File
- 1992
Part of John Beckwith fonds
Round and round : for orchestra
- CA OTUFM 10-A-86-2
- File
- 1992
Part of John Beckwith fonds
Yesteryear : for piano four hands
- CA OTUFM 10-A-86-3
- File
- 2010
Part of John Beckwith fonds
File contains John Beckwith's piano duet arrangement of his orchestral work Round and Round (1992).
Fourteen figural chorales : from J. S. Bach's Das Orgelbüchlein : second set : for orchestra
- CA OTUFM 10-A-87-1
- File
- 1993
Part of John Beckwith fonds
After-images, after Webern : for guitar and violoncello
- CA OTUFM 10-A-88-1
- File
- 1994
Part of John Beckwith fonds
Blue Continuum : for trumpet, piano, violin, viola, and violoncello
- CA OTUFM 10-A-89-1
- File
- 1994
Part of John Beckwith fonds
- CA OTUFM 10-A-9-1
- File
- 1951
Part of John Beckwith fonds
- CA OTUFM 10-A-9-2
- File
- 1951
Part of John Beckwith fonds
- CA OTUFM 10-A-90-1
- File
- 1995
Part of John Beckwith fonds
Echoes of Thiele : for oboe, two trumpets, trombone, percussion, viola, violoncello, and double bass
- CA OTUFM 10-A-91-1
- File
- 1995
Part of John Beckwith fonds
- CA OTUFM 10-A-92-1
- File
- 1993-1994
Part of John Beckwith fonds
File contains the score for "Taptoo!," written for "a minimum of fifteen singers," piano, and drums.
- CA OTUFM 10-A-92-2
- File
- 1994-1995
Part of John Beckwith fonds
Echoes of Quesnel : for violin, viola, cor anglais, and organ
- CA OTUFM 10-A-93-1
- File
- 1995
Part of John Beckwith fonds
Topical flutes : Aitken at 60 : for two flutes
- CA OTUFM 10-A-94-1
- File
- 1999, 2000
Part of John Beckwith fonds
File contains the manuscript score for John Beckwith's "Topical Flutes" for two flutes (duration 3 min., written August 27-28, 1999), and a copy of the coda for "Topical Flutes," which he added in 2010 (duration 30 sec.).
[Arrangements for The Hannaford Street Silver Band] : for brass band
- CA OTUFM 10-A-95-1
- File
- 1984
Part of John Beckwith fonds
Moore's Irish melodies : sketches : for SATB, harp, and piano
- CA OTUFM 10-A-96-1
- File
- 1986
Part of John Beckwith fonds
Lucas et Cécile : comédie mélée d'ariettes
- CA OTUFM 10-A-97-1
- File
- [1990]
Part of John Beckwith fonds
Quintet : for flute, trumpet, bassoon, viola, and double bass
- CA OTUFM 10-A-98-1
- File
- 2015
Part of John Beckwith fonds
File contains a fair copy of "Quintet" by John Beckwith (estimated duration 12 min.).
Calling : for flugelhorn, euphonium, two tenor trombones, bass trombone, and double bass
- CA OTUFM 10-A-99-1
- File
- 2016
Part of John Beckwith fonds
Librettos, texts, performance records
- CA OTUFM 10-B
- Series
- 1949-2017
Part of John Beckwith fonds
Series consists of texts and librettos for John Beckwith’s compositions and arranges, as well as related correspondence, programs, reviews, and other notes.
Four conceits : correspondence
- CA OTUFM 10-B-1-1
- File
- April 29, 1988
Part of John Beckwith fonds
Rhapsody : program from premiere performance
- CA OTUFM 10-B-10-1
- File
- December 13, 1951
Part of John Beckwith fonds
File consists of a program for the premiere performance of Beckwith's "Rhapsody for Piano" by Gene Gash in Paris, presented by The American Students' and Artists' Centre.
- CA OTUFM 10-B-101-1
- File
- 1995-1996
Part of John Beckwith fonds
File contains correspondence, programs, and reviews.
- CA OTUFM 10-B-102-1
- File
- 1995-2000
Part of John Beckwith fonds
File includes correspondence with Vivienne Spiteri.
Lines overlapping, On the other hand..., and Blurred lines : program notes
- CA OTUFM 10-B-102-2
- File
- [1997]
Part of John Beckwith fonds
File contains John Beckwith’s program notes for three harpsichord pieces: Lines overlapping (banjo and harpsichord), On the other hand… (solo harpsichord), and Blurred lines (violin and harpsichord).
Sixteen figural chorales : from J. S. Bach's Das Orgelbüchlein : third set
- CA OTUFM 10-B-103-1
- File
- 1997-2000
Part of John Beckwith fonds
File contains correspondence, programs, and notes.
- CA OTUFM 10-B-107-1
- File
- 1998
Part of John Beckwith fonds
File includes a program note on “Basic Music” by John Beckwith and copies of press comments on the premiere in 1998.
Five pieces for brass trio : correspondence with Robert Nagel
- CA OTUFM 10-B-11-1
- File
- 1962
Part of John Beckwith fonds
File contains a letter from Robert Nagel, and a copy of John Beckwith's response.
Three songs to poems by Miriam Waddington : performance records
- CA OTUFM 10-B-118-1
- File
- 2000-2003
Part of John Beckwith fonds
File contains programs and correspondence.
A new pibroch : sketch materials and performance records
- CA OTUFM 10-B-123-1
- File
- 2002-2003
Part of John Beckwith fonds
File contains sketch materials, programs, and reviews.
Madness : a mini-collage for baroque orchestra : performance records
- CA OTUFM 10-B-127-1
- File
- 2003-2004
Part of John Beckwith fonds
File contains correspondence and reviews
Novelette : correspondence with Pamela Margles
- CA OTUFM 10-B-13-1
- File
- 1984
Part of John Beckwith fonds
File contains a letter from Pamela Margles, and John Beckwith's response, including a program note.
- CA OTUFM 10-B-130-1
- File
- 2005
Part of John Beckwith fonds
Fractions : correspondence and program note
- CA OTUFM 10-B-132-1
- File
- 2007
Part of John Beckwith fonds
Derailed : a sound-documentary : research and performance records
- CA OTUFM 10-B-134-1
- File
- 2007-2009
Part of John Beckwith fonds
File contains correspondence, drafts of text, and a program.
Vagabond : research materials, libretto drafts, and correspondence
- CA OTUFM 10-B-137-1
- File
- 2001-2005
Part of John Beckwith fonds
Beckett songs : performance records
- CA OTUFM 10-B-139-1
- File
- 2008, 2011
Part of John Beckwith fonds
File contains two programs from performances of John Beckwith’s “Beckett Songs” as performed by Peter Groom (baritone), and Peter Higham (guitar) at Mount Allison University (premiere performance on December 3, 2008) and, on May 24, 2011 by Doug McNaughton (voice and guitar) as part of the vocal series at the Canadian Opera Company. File also includes a photograph of Groom, Higham, and Danise Ferguson (cello) from the premiere performance.
Quartet : letter from Chester Duncan
- CA OTUFM 10-B-14-1
- File
- September 17, 1953
Part of John Beckwith fonds
Ut re me fa sol la : performance and publication records
- CA OTUFM 10-B-148-1
- File
- 2013-2014
Part of John Beckwith fonds
File contains a copy of the program, program note, and poster for the premiere performance of “Ut re mi fa sol la: six fantasies for solo guitar” by John Beckwith, performed by Peter Higham. File also contains an annotated proof of the piece with suggestions and corrections from Higham and related correspondence between Higham and Beckwith. “Ut re mi fa sol la” was written for Higham and commissioned with the support of Mount Allison University’s Marjorie Young Bell Fine Arts and Music Fund.
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