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File consists of manuscript sketches and rough draft materials, a rejected page from the manuscript transparencies, programs, and correspondence.

File consists of published editions of each carol by the Associated Music Publishers (1984), manuscript sketches and rough draft materials, correspondence, and programs.

File consists of manuscript sketches and rough draft materials, a note from Derek Healey explaining the non-premiere of his Symphony no. 3, and related correspondence.

File consists of manuscript sketches and rough draft materials, programs, and a copy of the Delius Society newsletter announcing the premiere performance.

File consists of manuscript sketches and rough draft materials, correspondence, and program notes by Derek Healey.

File consists of a copy of the published edition by Jaymar Music (1993), manuscript sketches and rough draft materials, correspondence, program notes, and programs.

File consists of correspondence, sketches and manuscript draft material, performance notes, programs, and reviews.

File consists of manuscript sketches and rough drafts, manuscript transparencies of material cut during editing, programs, newspaper clippings of reviews, and a summary page of performances.

File consists of manuscript sketches and rough draft materials, correspondence, programs, and reviews.

File consists of a summary page of performances, programs, reviews, manuscript sketches, program notes, and the original manuscript version (May 1955), written at the request of James Joseph while Derek Healey was a student at the Royal College of Music, London. The work was seriously rewritten in 1979.

File consists of an autographed program from the premiere performance by Edward Kammerer, horn and Brett Anderson, piano (December 6, 1982) and program notes written by Edward Kammerer.

File consists of manuscript sketches and rough draft materials, correspondence, and manuscript sketches for an earlier abandoned Idyll (1972) for orchestra based on Indigenous themes from the Canadian Pacific Coast.

File consists of manuscript sketches and rough draft materials, program and performance notes, a program from a performance of the final movement "The Willow," and pages removed from the final manuscript.

File includes of a copy of the excerpt from Henry David Thoreau's journal, which served as the inspiration for this piece, formerly titled Mr. Thoreau's Escapade. File also includes program notes, programs, correspondence, and rough manuscript sketches,

File consists of manuscript sketches and rough draft materials, music removed from the manuscript transcriptions during revisions, programs, newspaper clippings of reviews, and a summary page of performances.

File consists of manuscript sketches and rough draft materials; an autographed program from the premiere performance by Peter Berquist, bassoon and Marla Lowen, piano; and a summary page of performances.

File consists of manuscript sketches and rough draft materials, correspondence, and a program from a performance as part of Derek Healey's 60th birthday celebrations.

File consists of manuscript sketches and rough draft materials, correspondence, and a program from the premiere performance at the University of Victoria (August 7, 1985).

File consists of a copy of the published edition by the Canadian Music Centre (1986), manuscript sketches, rough drafts, and rejected manuscript transparencies.

File consists of manuscript sketches and rough draft materials, programs, and correspondence regarding the performance of Triptych by the RAF Central Band, directed by Wing Commander Barrie Hingley, who also commissioned the piece.

File consists of a summary page of performances, correspondence, reviews, programs, manuscript transparencies of material cut from the opera, and printouts of photographs from rehearsals with conductor Nicholas "Niki" Goldschmidt. File includes extensive correspondence with Norman Newton, the librettist, including rough notes and the libretto, and a timeline of the creation of the opera.

File consists of manuscript sketches and rough draft materials, summary pages of performances, correspondence, and programs.

File consists of manuscript sketches and rough draft materials, correspondence, programs, newspaper clippings of reviews, and a summary page of performances of this work.

File consists of manuscript sketches and rough draft materials, an autographed program from the premiere performance by the University of Oregon Percussion Ensemble conducted by Charles Dowd, programs and correspondence from other performances, and a summary page of performances.

File consists of manuscript sketches and rough draft materials, programs, correspondence, and draft program notes.

File consists of manuscript sketches and rough draft materials, correspondence, programs, reviews, notes regarding the rewriting and revisions in 1994, and music removed from the score during revisions.

File consists of manuscript sketches and rough draft materials, correspondence, and an autographed program from the premiere performance by The Chamber Singers, directed by James A. Miller (March 13, 1987).

File consists of manuscript sketches and rough draft materials, correspondence, programs, and excerpts from Laurie Ricou's book Salal: Listening for the Northwest Understory, which included a reference to and image of Healey's Salal manuscript.

File consists of manuscript sketches and rough draft materials, material cut from the final score, and programs.

File consists of annotated typeset rough drafts and correspondence.

File consists of a copy of the published edition by Novello and Company Limited (1965), a summary page of performances, and programs and correspondence from performances.

File consists of a copy of the published edition by E.C. Kerby Ltd. (1976) and programs, correspondence, and reviews of performances of this piece.

File consists of a summary page of performances, programs, reviews, and printouts of photographs of Derek Healey at the Accademia Chigiana, Siena, Italy with the class of Goffredo Petrassi, and from the premiere performance of Laudes, op. 26.

File consists of a summary page of performances, programs, reviews, correspondence, performance notes, and advertisements for Derek Healey's Discendi, amor santo, op. 28a.

File consists of correspondence, printouts of photographs from the premiere performance at the University of Victoria (July 20, 1970), sketch material and draft manuscript pages, programs, and reviews.

File consists of correspondence, sketches and draft manuscript pages, programs, and a copy of the analysis as part of the John Adaskin Project.

File consists of sketches and draft manuscript pages, notes, programs, program notes, reviews, and correspondence regarding this composition.

File consists of correspondence; copies of published editions of each of the folk songs by Gordon V. Thompson Limited (1973); rough notes and sketches; clippings of announcements of concerts and publications; announcements of recordings and broadcasts; programs, correspondence, and announcements regarding performances by The Festival Singers conducted by Elmer Iseler, the Elmer Iseler Singers conducted by Lydia Adams, musica intima, and the Vancouver Chamber Singers conducted by Jon Washburn; a summary list of known performances; newspaper clippings of reviews; programs from complete and excerpt performances; and correspondence with Gordon V. Thompson regarding the publication of Six Canadian Folk Songs.

File consists of an overview of versions of the Cookham Notebook, transparencies from an incomplete movement, manuscript drafts from re-workings in 2005, a summary page of performances, and programs.

File consists of a summary page of performances, programs, and reviews of Derek Healey's Festus, op. 32.

File consists of a summary page of performances, a copy of the published edition by Jaymar Music (1972), manuscript sketch pages, Healey's performance note, reviews, programs, and correspondence.

File consists of an overview of performances of Derek Healey's Arctic Images, op. 40, programs, correspondence, copies of inspirational images, sketch and draft manuscripts, performance notes, reviews, and advertisements for the published score.

File consists of rough notes and synthol synthesizer patches, correspondence, programs, and reviews from the premiere performance by John Hawkins, piano (July 21, 1975).

File consists of correspondence, programs, and reviews of performances of this piece.

File consists of a program from a performance and manuscript sketch material.

File consists of a colour copy of the first page of the manuscript draft piano score, a summary page of performances, and the program from the premiere performance at the Maidenhead Town Hall (Spring 1968).

File consists of correspondence, programs, a summary page of performances, reviews and a copy of the published edition by Augsburg Publishing House (1978)

File consists of a summary page of performances, Derek Healey's performance note, a copy of the published edition by Waterloo Music Company Limited (1973), sketches and manuscript draft materials, newspaper clippings of reviews, programs, correspondence, and a printout of a photograph of a rehearsal for the premiere performance with Barrie Cabena.

File consists of typeset draft printouts of variations 6 and 7, which were added to the original set of variations in 2005, and manuscript sketches and correspondence from this re-write. Files also includes programs and reviews of performances, a copy of the published edition by the Royal Canadian College of Organists (2010), and a copy of the certificate for receiving first prize in the Delius Composition Contest (1981).

File consists of a copy of the published edition by Novello and Company Limited (1967), a summary page of performances, programs, newspaper clippings of reviews, correspondence, and sketch material.