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The collection consists of drafts of writings, notebooks, correspondence and biographical material.

The papers consist of manuscripts and typescripts together with some research materials for M. Bliss' books: 'The Discovery of Insulin' (McClelland & Stewart: 1982) and 'Banting: a Biography' (McClelland & Stewart: 1984). The remainder of Michael Bliss' papers are being donated to the University Archives.

The collection consists of manuscripts, typescripts and carbon copies of short stories, essays and excerpts from Two Thousand Miles of Gold, from Val d'Or to Yellowknife (1946). It also includes newspapers clippings on gold mines and mining in Canada, as well as notes.

The collection consists of manuscripts, research notes and correspondence related to McFee's published and unpublished material. It includes writing assignments from the 1960s, as well as drafts and notes for her book Sandbars and its sequel, Silent Eyes.

Typescripts with holograph notes for Barometer Rising, "Requiem" published as The Watch that Ends the Night, and Seven Rivers of Canada.

Collection consists of notes and manuscript drafts for McMurrich’s unpublished book, The History of Anatomy as well as a portrait of McMurrich.

The collection consists of correspondence, reports, notes and diaries chiefly concerning western wheat pool marketing.

The collection consists of drawings in pen and ink for the book Anatomy of the Dromedary by Malie M.S. Smuts and A.J. Bezuidenhout (1987).

The Alberto Manguel Papers consist of material related to the literary output of the noted author, anthologist and translator. It's a comprehensive collection of Manguel's literary output since the 1960s up to the present day. It includes manuscript drafts, revisions, galleys, illustrations, publisher’s correspondence, personal correspondence, photographs, printed appearances and other material.

Notes, drafts for published and unpublished writings, notebooks, correspondence.

Collection of Thoreau MacDonald papers (1917-1981) and others in the Canadian and American art world in the 1920s.

Papers consist of research notes , manuscript drafts, final manuscripts, galleys, correspondence for her published works: The Space a Name Makes; Blue Panic; By Heart: Elizabeth Smart, A Life; Shadow Maker: Gwendolyn MacEwen; The Red Shoes; Margaret Atwood Starting Out; The Home Ladder; published writings in journals and anthologies; research material relating to her two biographies, Gwen MacEwen and Elizabeth Smart. 7 VHS and 30 cassette tapes; 34 photos.

Business and financial records, correspondence, scrapbooks, pamphlets.To be consulted only with permission of Hannah Institute.

Includes extensive materials related to Leonard Cohen’s early writing and publications, both poetry and prose, as well as some plays and television play scripts. There are multiple drafts of many poems from Cohen’s undergraduate years through his mid-late 20s, both typescript (many with holograph revisions) and holograph. There are similar drafts of prose: short stories, and prose fragments, from the same period. Many of these writings became the basis for Cohen’s publications. Also included are materials directly related to the publication of Let Us Compare Mythologies, The Spice Box of Earth, The Favorite Game, Flowers for Hitler, and The Death of a Lady’s Man, including typescripts, page proofs, and correspondence with publishers and literary agents. There is also correspondence with friends, mentors, and colleagues, as well as some fan mail from 1967-68. The materials span 1950-1968.

Collection consists of manuscript drafts for Harris' books and writing projects, along with editorial correspondence and material from her role as production manager at London, Ont.-based Brick Books.

The collection consists of research notes, manuscript notes and drafts for published and unpublished writings; correspondence with various people; documents, including legal and correspondence, relating to the class action lawsuit against the University of Toronto over pension equity. Collection includes some special media material.

The collection consists of correspondence, minutes, programmes, reports, articles and speeches relating to the Council of Friendship and its work with immigrants.

The collection consists of notebooks, diaries, drafts for writings, lectures, broadcasts, correspondence, pamphlets, newspapers clippings, films and photographs related to the journalistic career of Gayn.

Collection consists of 79 stereoscopic and panorama glass negatives taken by Girdwood and by commercial photographers, one of whom was possibly American photographer James Thomson. Fifteen of the slides depict scenes in and around Niagara Falls and are mounted with descriptions. Other locations depicted include Montreal and Ottawa, however, in many cases there is no information about either the photographer or location. Some of the negatives have been split into two pictures as each side contained a different image, and some of the negatives have only one image as they were taken as panoramas instead of stereo images.

A collection of research materials for a PhD. thesis on thirteenth century French poems: De l'hermite et del jougleour. Includes photocopies of two ms. texts of poem and of related ms. materials includes published thesis.

Collection of notes and drafts of published works, The high white forest (1964); Ask the name of the Lion (1962); Ordeal by fire (1961); material on Cyprus and BattleCreek, Mich.

The papers of William Amhurst Tyssen Amherst, 1st Baron Amherst of Hackney (1835-1909) includes invoices and correspondence from Quaritch and other booksellers relating to the formation and the later sale of Amherst's extensive library, 1856-1908, correspondence on bibliographical matters; general correspondence and family letters; correspondence and papers relating to the management of Amherst's estate, Didlington Hall, Yorks, and to the Home Farm; papers and legal documents collected in the course of genealogical research into Amherst family.

Notebooks of materials relating to the Canadian army during World War I.

Correspondence with naturalists; a dictionary of naturalists; drafts for a life of Charles Fothergill; bird-watching journals kept by Baillie from 1920-1970; Baillie’s weekly columns in The Toronto Evening Telegram, 1931-70 (on microfilm); some material by other naturalists.

This collection consists primarily of a long sequence of letters from Alex Colville to Helen Dow, many of which contain detailed comments on individual paintings as well as on his aesthetic and philosophical views. In addition, there is correspondence from Colville's wife, Rhoda, thanking Dow for small gifts, and from his daughter, Ann, who worked at Fischer Fine Art Ltd., in London, England, the firm handling Colville's English sales. There is also a copy of Colville's B.A. thesis.

Collection of thirteen letters from Stephen Leacock and one letter from Mrs. Leacock, to W. C. Bell; gallery proofs for 'College Days'; newspaper clippings about Leacock and other Leacock material.

A collection of photographs and rubbings of bindings, tool designs, tooling patterns, designs, and drawings executed by the firm of Birdsall and Son, Northampton, England, from the 1840's to 1961.

Correspondence with officials and British authors, journals kept while in China 1883-85 and 1906-1910, typescripts of chapters of his various published books, his unfinished autobiography, scrapbooks, photos and memorabilia.

The collection consists of typescripts, some with holograph corrections, along with newspaper clippings containing the published versions as they appeared in North American Russian-language newspapers. It also contains some correspondence relating mainly to his newspaper work.

Original and transcribed letters from John Hale, Receiver-General of Lower Canada, and his wife, Elizabeth, between 1799-1823. The collection also contains copies of other family letters and documents giving genealogical information.

Collection consists of manuscript notes and drafts, both holograph and typescript, for Haultain's biographical sketch of Lorne Pierce, as well as correspondence to Haultain. Collection also contains the 1911 Coronation memorabilia of her uncle, George Ewan McCraney.

Contains music; typescript of books and articles on local history of Roches Point, Ont.; short stories.

Drafts and final typescripts of literary works, juvenilia, correspondence, photographs, and biographical materials. Copies of all Buckler's published books are available in Fisher Library's main collections.

The collection consists of Calverley's miscellaneous correspondence, poems, drawings and translations.

Collection of literary papers of Marjorie Wilkins Campbell including published and unpublished works, personal and business correspondence.

Drafts and typescripts of literary works, correspondence, photographs, and biographical material. Includes research materials about Mazo De La Roche compiled by Ronald Hambleton in the course of writing a biography about De La Roche.

Collection contains journals (dated 1791-1792 and 1796-1812) of the fur trader and surveyor.

Contains the only known records of Captain Fritz Hauch Eden Crowe. The collection comprises of two leaves from a scrapbook, which has pasted-in watercolours and clippings, as well as three singular watercolours and one pencil drawing. These eleven watercolours and two pencil drawings were made during the course of his travels as a British naval officer and Consul-General to Portuguese East Africa at the following locations: Bahia Blanca (Argentina), Chupat, Patagonia (Argentina), Colonia, Rio Plata (Uruguay), Santa Catarina and Anhatomirim Island (Brazil), Simambaya Island (off the coast of Lamu, Kenya), Cape Verde (off the Senegalese coast), Egypt and Ascension Island (South Atlantic Ocean, 1600 km from the coast of Africa). Collected clippings demonstrate Crowe’s interest in naval history and exploration. Crowe’s papers also contain personal correspondence, notably three letters written to his mother (1863, 1872, 1878), and one to his grandfather as a 14 year old naval cadet. Correspondence and documentation also relates to his career as a naval officer and consul-general including a commission document, a letter of introduction and a letter from Crowe requesting retirement. The collected papers comprises some estate documents, such as an original codicil to Crowe’s will, which makes arrangements for his young daughter, as well as documents outlining the distribution of inheritance from his Uncle and his parents.

Personal documents (1909-1978) pertaining to Samuel Bamber of Stockport, Chesire, United Kingdom, and William Brown, also of Stockport, a member of the International Brigade (London) who went to fight in Spain during the Spanish Civil War.

Contains the personal archives of Lester Douglas of four artists: Earl Horter, Hans Foy, David Karfunkle and Barbara Shermund. Douglas was acquainted with these artists through his role as the Director of Art and Printing for the Chamber of Commerce of the United States and through his work as a typographer and book designer. These collections include original artworks from all four artists, including drawings, paintings, etchings and engravings, some of them inscribed with dedications to Douglas. Apart from Horter, the artworks are contained in portfolios created by Douglas. Also included is correspondence from Horter and Foy to Douglas, as well as some ephemera, such as newspaper clippings and exhibition pamphlets for Horter, Foy and Karfunkle.

Includes audio cassette interview conducted by Miriam Beckerman with Margaret Atwood, at home, January 12, 1972; correspondence from John Fowles, Adrienne Clarkson, Margaret Atwood, Helen Weinzweig (including carbon typed transcript of interview), rejection letter from Chateleine magazine re: Weinzweig interview, "Margaret Atwood: Her Poems and Novels", essay by Miriam Beckerman, marked by Michael Ondaatje, with detailed holograph comments, February 16, 1972

Includes correspondence (mostly copies) of Yiddish writers Chaim Grade (1910-1982), Morris Gruda (1919- ) and Leon Eisner, 1960s-1980s. Also includes print material about Chaim Grade and some unidentified black and white photographs of Grade and others. Most material is in Yiddish.

Contains a set of three documents: two hand-drawn certificates, and one typewritten cover letter, dated 20 & 27 January 1923 in Krasnoiarsk, Siberia that were given to Stanislava Eduardovna Dranishnikova on the occasion of her 20th anniversary as an actress.