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Consists largely of photographs, many of them signed, primarily of artists and writers. Also contains background material Katz collected on the various individuals represented in his Momento Books, including newspaper clippings and related correspondence. It also includes photographs of Henry Moore's work, material from the Arts & Letters Club of Toronto during the 1970s, and misc. professional material (photographs, correspondence, patents, printed matter) from Leon Katz's career as owner and president at Canada X-Ray Ltd. Personal material includes letters from Katz's parents written in the 1930s and a journal kept by Katz from 1958-1961. Additional correspondence includes holiday cards from friends, as well as letters from anonymous collectors solicited by Katz in advertisements in various magazines for a study he hoped to do on the psychology of collecting.

The collection includes manuscript drafts of Ritter's literary output, including her plays, novels and various short pieces for newspapers, magazines and radio. It also includes correspondence.

Includes correspondence 2000s (not extensive), drafts and edited proofs for : Rags, Bones and Bottles; Easy Does It; Never Counting the Cost; Captain Scott of the Antarctic; A Little of Everything; On the Way to the River; last holograph notebooks written with CNIB writing guide, notebooks with last poems dictated by Raymond Souster to Donna Dunlop; appearances and ephemera related to the life and work of Raymond Souster. A few computer and audio discs included.

The collection largely consists of prints and photographs of Norman Bethune, some of which are in Stewart's books on Bethune. Most of the prints are in black and white and are identified. It also includes the Elizabeth Wallace collection of Bethune memorabilia, as well correspondence, prints and clippings.

Includes extensive research, drafts and notes for work on Dr. Norman Bethune, including for Stewart’s The Mind of Norman Bethune and Phoenix: The Life of Norman Bethune. Includes extensive research relating to the Spanish Civil War and Dr. Bethune, China, and the life and work of Dr. Bethune.

Includes 41 slides of paintings created in 1962-63 (‘originals lost, alas’); 19 small albums containing 36 original and/or copies of drawings, 684 altogether; 1 large album of photos taken from slides of 29 paintings, plus 12 reproductions of small drawings; some miscellaneous papers and his 10th book, Kites, published by Ekstasis Editions in 2007.

Includes correspondence with other writers; material from the launch of Swim Class at St. Thomas’ Church, Toronto, Ontario; Passing Through Eden; small album of original drawings by George Whipple

Collection consists of notebooks and drafts of Whiteman's various writing projects, including poetry, book reviews, articles, lectures and other literary endeavours. There is also an extensive collection of research materials compiled for an unfinished bibliography of Contact Press, as well as correspondence.

Includes poetry submissions, manuscripts, book reviews, short prose pieces, journals, notes, drafts, photographs and other material related to his life and work as writer, librarian and musician.

Includes drafts and research for his work on Constantine Simonides; Frances Jammes; drafts, proofs and other material for Intimate Letters; personal and professional correspondence; reviews and other material related to the life and work of Bruce Whiteman

Collection consists of literary papers and manuscripts, personal papers and correspondence, photographs, business records, printed appearances, and books from her library.

Includes photographs, in particular Richard E. Spencer and Shirley Douglas at the unveiling of the Tommy Douglas bust at the Saskatchewan Legislature; notes for his Reflections in my Wintertime; and correspondence and other material related to his diagnosis of terminal cancer.

Includes research files, working papers and other material for his Thomas Hardy: a biography revisited; Hardy family and extended family research and genealogical material; individual files on Hardy novels, short, collected and uncollected stories; correspondence with Hardy scholars, collectors, biographers and biographical information (modern and contemporary); research on all locations where Hardy lived/visited (Dorset/Dorchester); research on Hardy non-literary interests; people related to Hardy; Michael Millgate publications on Thomas Hardy; editing (both Thomas Hardy letters and other authors); Richard Purdy: correspondence, by and about (relating to TH); Kingston House; St. Juliot Church; Millgate correspondence with Thomas Hardy scholars, bibliographers, and others; Thomas Hardy non- literary material; films made from Thomas Hardy works; book history, authorship and publishing files; Mailer, Faulkner, Tennyson, Robert and Pen Browning, Mark Twain editing project; alphabetical Hardy research files, and research and other material related to Volume 8 of the Letters of Thomas Hardy.

This accession for John Millyard's papers includes: drafts, notes, manuscripts, research accounts, business files, photography (predominantly from the 1960s-70s) and other material related to the life and work of John Millyard and Money Jar Publishing.

This gift is representative of Manguel's entire body of work, 1960s to 2002, from both his business and personal life. It includes drafts, revisions, manuscripts, galleys, illustrations, publisher's correspondence, person correspondence, photographs, printed appearances and other material. It includes material related to: A Dictionary of Imaginary Places; A History of Reading; Reading Pictures: A History of Love and Hate; News From a Foreign Country Came; Soho Square; Black Water; Other Fires; Meanwhile in Another Part of the Forest; Into the Looking-Glass Wood; Mothers and Daughters; Fathers and Sons; God's Spies, and many other translations, anthologies, articles, conferences, literary juries and other projects Manguel has been involved with. Manguel maintains correspondence with a fascinating array of authors, publishers and many other notable people.

Includes drafts, notes, galleys, correspondence and research related to: With Borges; Stevenson Under the Palm Trees; Solitary Vices; la leyenda dorada; Chesterton; Lamentations; le poète mourant (Henrich Heine); translations and different issues of A History of Reading; other authors' work; reviews written by Manguel for various publications; adaptations for CBC; essays; videotapes; reel-to-reel audio tapes; CD-ROM; audio cassettes; Bestiario (special book with loose pages in handmade silk box by Spanish artist Salvador Retana, with text by Manguel; only 10 in total made by the artist); Christmas and birthday cards; ink, pencil and watercolour sketches and drawings by Manguel.

Includes interviews and correspondence with prominent Canadian authors, as well as notes and biographical information on them. Also includes correspondence, manuscripts and other editorial papers stemming from her work as an editor at Somerville House, and as editor-in-chief of Descant; drafts, notes and correspondence relating to her literary works.

January Accession, Boxes 1-9:

A collection of papers relating to the edition and publication of Descant, issues 111-115 (2000-2001). Includes author correspondence, manuscripts, proofs, production files, editorial correspondence and notes, subscription lists, and distribution files. Also includes materials relating to Mulhallens trip to Hungary in 2000, a manuscript of Stan Jonnanesen's "Sister Patsy", author photographs for use in Paper Guitar, a proof of the Descant index, donor files, photographs of events, and magnetic tape backups of computer files (issues 88-99 with gaps).

April-May Accession, Boxes 10-16:

Manuscripts and background materials for Mulhallen's War Surgery (1996), and materials for Descant 113-116, including author correspondence, manuscripts and editorial files.

June Accession, Boxes 17-23:

Manuscripts, correspondence, notes, and background materials relating to Mulhallen's writings, including The Grace of Private Passage, individual poems, essays, reviews, juvenalia, and other writing. Also includes a collection of her printed appearances 1960-2002.

Consists of manuscripts, general correspondence, and various papers relating to Descant magazine. The gift also consists of some of Mulhallen's professional and personal correspondence. Also included are correspondence and manuscripts relating to Modern Love, Herm on Tour, War Surgery and In The Era of Acid Rain.

1999 Accession:

A collection of draft manuscripts, notes and correspondence pertaining to her book, In The Era of Acid Rain, Windsor, Ont. : Black Moss Press, 1993. Also includes correspondence with Virgil Burnett, a draft of Simon Louvich's "Cosmic Follies", and galleys and rejected submissions for Descant.

2000 Accession: Materials relating to the editing and publication of Descant, the literary journal edited by Karen Mulhallen. Includes author correspondence, manuscripts, photographs, drawings, proofs, cover proofs, promotional materials, and financial and administrative documents (1989-2000). Also included are material pertaining to other editing work Mulhallen has done, manuscripts, proofs, notes and correspondence pertaining to her book The Grace of Private Passage. Windsor, Ont.: Black Moss Press, 2000, and gifts to her.

2001 Accession:

Materials relating to the editing and publication of Descant, 1987-2001. Includes author correspondence, manuscripts, manuscripts on diskettes, proofs, production and research notes, and office, subscription and distribution documents.

This collection consists primarily of material related to the production of Descant, the literary journal edited by Karen Mulhallen, as well as some of Mulhallen's personal papers. The Descant papers include original manuscripts, correspondence, copy edits, typeset galleys and office administration files.

Collection consists of editorial material - including manuscripts, page proofs and correspondence - for issues of the Mulhallen-edited literary journal Descant (nos. 133-136), as well as manuscripts and other materials of Mulhallen's own literary output. It includes a Renga Talk written in collaboration with artist Virgil Burnett, and material related to her book Sea Horses (Black Moss Press, 2007). The remainder of the collection is research and lecture notes, both for courses taken by Mulhallen when she was a student at the University of Toronto and for her own lectures at Ryerson University, as well as other personal and miscellaneous materials.

Includes editorial material - primarily manuscripts, proofs and correspondence - for issues 137, 138, 140 and 141 of the literary journal Descant, as well as files related to fund-raising activities and outreach. The collection also contains some of Mulhallen's personal and professional files related to her writing and her readings, and material related to her teaching at Ryerson University.

This collection contains papers and other material pertaining to the work of Eric Ormsby, a Montreal-based writer and Islamic studies scholar. Born 16 October 1941 in Atlanta, GA, Ormsby, a McGill professor, is the author of several collections of poetry and works of non-fiction. His poems have been published in numerous well-known publications, including The New Republic, The New Yorker, The New Criterion and the Norton Introduction to Literature.

Includes word-processed and holograph versions of numerous poems, including sections of forthcoming collection Time's Covenant, short stories, plays, reviews, and essays. Collection also includes notebooks and mss. dating back to the 1950s, speaking tour information, photographs, personal and professional correspondence, and material related to academic activities in Canada and abroad. Ormsby currently lives in London, England.

Includes proofs, photographs (New York City, 1967), holograph notebooks, printed appearances in numerous journals such as The New Criterion; Books in Canada; videotaped appearance at Bentley College, September 2, 2002; David Solway manuscripts; Correspondence with other writers, editors and publishers: John Black; Richard Outram; David Solway; Karen Mulhallen/Descant; Shlomo Dov Goitein; PhD thesis, Princeton; drafts and proofs of Al-Ghazali; gallies, correspondence and cover art for Daybreak at the Straits and Other Poems.

Includes correspondence (personal, publishing and editorial); drafts for articles; talks; unpublished works; ‘discarded poems’; photographs (E.O., Morocco and others); printed appearances; E.O.’s bible 1965; holograph notebooks; ‘letters to Dorothy Ormsby (former wife), 1966’; notes pertaining to Islamic Studies work and translation.

Includes ‘Readings’, Eric Ormsby’s weekly column in the New York Sun, both print and draft versions; Al-Ghazali drafts and translation; short pieces, reviews and poems, both published and unpublished; ‘Student Writings’ on various subjects, University of Pennsylvania, 1969-1972; a holograph notebook, 2004-2005; personal and publishing correspondence; first published poems and first published article and other material related to his life and work.

Includes drafts and notes for his many columns, reviews and other work; Ghazali; Time’s Covenant; personal and professional correspondence(including letters to childhood friend Marjorie Saunders in 1958); personal photographs; New York Sun columns in print form, as well as word processed versions of each; three holograph notebooks.

Collection of family papers and photographs; correspondence with Margaret Atwood concerning their collaboration on the design and printing of five of her books, 1964-1980; and drafts and working copies of the books; his paintings and other activities.

Collection is comprised exclusively of correspondence, including photographs and drawings from various friends and associates of Charles Pachter, many of whom are prominent Canadians. The collection contains personal and business material from the 1950s to 2001. The correspondence reflects Pachter's extensive and changeable career as an artist, including material from all of his exhibitions; for the retrospective of his work, Charles Pachter by Bogomila Welsh-Ovcharov; his close friendship with his mother and father ("Dibbles and Har") and his large circle of friends, fans and acquaintances. Pachter studied art at the Sorbonne in Paris, the Cranbook Academy of Art in Michigan and the University of Toronto. His involvement in graphic art production, papermaking, real estate, building renovation and Gracie's, his Queen Street West restaurant in Toronto are all documented here. The collection also includes material related to his work as writer, lecturer, informal Canadian historian and his extensive charitable pursuits.

Includes numerous photographs, documents, letters and other material related to Sara Pachter, Harry Pachter and the extended Pachter and Sanders families; Charles Pachter correspondence, 2000-2009; art-related events and projects; personal diaries (restricted); books inscribed to Pachter by the authors, including Margaret Atwood and Rick Salutin as well as various materials related to the life and work of Charles Pachter

A collection of manuscripts and artworks. Manuscripts include drafts of Beds and Consenting Dreamers, and A Tentacled Mother, proofs of The Voluptuous Gardener, drafts of Italian translations of Rosenblatt's works, personal and business correspondence, and inscribed copies of books 1994-1998. Artworks by Rosenblatt include ink drawings, mixed media on paper, and mixed media on canvas. Some works framed.

The collection contains literary papers relating to Walcott's poetic, theatrical and prose writings from the early 1980s to the mid-1990s. Holograph notes, rough drafts and revisions are included, as well as final drafts and galleys of publications. Many drafts are the result of a 'cut-and-paste' method using a variety of formats. These are referred to as "composite drafts" throughout. Many works, both poetic and theatrical, also include screen adaptations.

There is a small collection of material relating to Walcott's role as stage director, particularly with the Trinidad Theatre Workshop. The literary papers are complemented by sketches and watercolours by Walcott, often in the form of stage directions or film storyboards.

Collection of manuscript drafts for published and unpublished literary works; correspondence; ephemera; printed appearances / clippings relating to his readings and lectures.

Includes drafts and other material related to The Prodigal; Steel; The Haytian Earth; Walker; Omeros; an Arthur Miller tribute; the Haitian Bicentenary Conference, as well as correspondence, short pieces, i.e. on Guillermo Cabera Infante, sketches, photographs, souvenirs, travel, conferences, honours and other material related to his life and work.

Contains original drawings and paintings by Derek Walcott for his plays O Babylon!, Marie Laveau, Pantomime, as well as other works

Includes a script containing notes and extensive revisions of Ti-Jean and His Brothers; The Burial at Thebes script as performed on the Peacock Stage at the Abbey Theatre, Dublin, Ireland; The Prodigal various proofs; The Odyssey notes, drafts and correspondence; “For Elizabeth Hardwick” remembrance drafts; appearances and invitations; personal and professional correspondence; print; ephemera.

Drafts, manuscripts and correspondence related to the publication of Eric Wright's short stories and novels.

Includes, variously, drafts and edited drafts of published and unpublished works, correspondence, reviews, notes, and other material related to a number of short stories and the following novels: “The Kidnapping of Rosie Dawn”, “A Likely Story”, “Finding Home”, “Dempsey’s Lodge”, and “The Land Mine” (1998-2015). Also includes business correspondence with, and royalty reports from publishers, correspondence and other materials related to a proposed film/television adaptation of “The Night the Gods Smiled”, a number of clippings of Wright’s short stories and essays that appeared in magazines and newspapers (including three translated stories from European publications), clippings of feature articles about or mentioning Wright from newspapers and magazines, and cassette tapes containing interviews with Wright and a 1985 CBC reading of “The Night the Gods Smiled” (1984-2015). This collection also includes some personal correspondence, fan mail, photographs, and memorabilia (193?-199?), personal/travel journals ranging between 1976 and 2010, and appointment calendars for 1991- 2015.