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Thursday afternoon series

Subseries consists of programs and recordings of concerts in the Thursday Afternoon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Faculty and guest artists

Subseries consists of concerts and events by faculty members of the Faculty of Music and other guest artists, including the Faculty Artist Series, which included at least four concerts, only two of which were recorded.

Student recitals

Subseries consists of programs from student recitals at the University of Toronto Faculty of Music during the 1982-1983 academic year. Volume also includes programs from select faculty ensemble and guest artist recitals.

Opera division

Subseries consists of programs and recordings from performances by students in the University of Toronto Opera Division at the Faculty of Music.

Thursday series

Subseries consists of programs and recordings of concerts in the Thursday Afternoon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Student recitals

Subseries consists of programs from student recitals at the University of Toronto Faculty of Music during the 1983-1984 academic year. Volume also includes programs from select faculty ensemble and guest artist recitals (listed at the start of the volume).

APO C-II deficiency research

Series contains material documenting specific studies and general research within the Studies of Familial Apolipoprotein CII Deficiency project. Initiated in 1977, the project aimed to study family members with apolipoprotein C-II deficiencies in order to establish the clinical and genetic characteristics of the condition. Lead investigators were Diane Wilson Cox, Carl Breckenridge, and Alick Little. The project also included collaborative studies with external researchers. Included in the material are records related to the APO CII Deficient Pedigree Study and the Apoloprotein CII deficiency: An investigation of abnormalities of Lipids and Lipoproteins and the Anemia of Homozygotes project as well as documentation of field trips to the United States (Texas. Records include proposals, correspondence with patients, fellow researchers and doctors, patient records, data print-outs, family study questionnaires, lab results, and reports.

Material regarding Vincent van Gogh

Subseries consists of photocopies of textual records created in the process of developing a film on Vincent Van Gogh, with which Nouwen was involved, including correspondence, grant applications, research notes, typescripts, film scripts, and film schedules relating to the development and execution of the project. Records are separated into the following 13 folders:

  • File 1: Van Gogh – Quotes I [1980-1981]
  • File 2: Van Gogh – Quotes II [1980]
  • File 3: Van Gogh – Quotes III [1980]
  • File 4: Van Gogh – Notes and correspondence I [1980-1984]
  • File 5: Van Gogh – Notes and correspondence II [1979-1980]
  • File 6: Van Gogh – Notes and correspondence III [1978-1979]
  • File 7: Van Gogh – Notes and correspondence IV [1978-1980]
  • File 8: Compassion – Henri Nouwen I Van Gogh, Hold [1980]
  • File 9: Compassion – Henri Nouwen II – Text for Recording [1980-1981]
  • File 10: Compassion – Henri Nouwen III – Text for Recording [1980-1981]
  • File 11: Compassion – Henri Nouwen IV – Text for Recording [1980]
  • File 12: Compassion – Henri Nouwen V – Text for recording July 21, 1980 [1980]
  • File 13: Compassion – Henri Nouwen VI [1978 or 1980]

Jazz

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Student recitals

Subseries consists of programs from student recitals at the University of Toronto Faculty of Music during the 1984-1985 academic year. Volume also includes programs from Opera Excerpts concerts and recitals in the Thursday Afternoon Series.

Thursday series

Subseries consists of programs and recordings of concerts in the Thursday Afternoon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Opera division

Subseries consists of programs and recordings from performances by students in the University of Toronto Opera Division at the Faculty of Music.

Law Reform

In 1968, I received a Canada Council grant to undertake a project on the machinery of law reform (file 2). My plan was to write a comprehensive book on the various techniques for changing the law, from parliament and judicial lawmaking to the new Law Commissions that were emerging in the English-speaking world. In 1969, I gave a lecture sponsored by the Centre of Criminology on the machinery of criminal law reform, which was excerpted and commented upon in the Globe (files 5-8).

In 1969, for nine months, I explored the subject abroad: a few weeks in New Zealand, a month in Australia, and the rest of the time in England (files 9-13). I spent considerable time in London with the Law Commission (file 12) and other bodies. For most of that time, I was in the law library in Cambridge collecting materials and working out ideas for the book. Over the years, I wrote innumerable draft outlines for the book (file 15-19).

When I returned to Canada I was invited to present some of my ideas to the Department of Justice, which, as set out in the boxes on my work for the federal government, helped to influence the setting up of the federal Law Reform Commission.

I continued to work on the book, but in 1971 I was appointed to the Law Reform Commission of Canada, which made it difficult to devote much time to the project. When I returned to Toronto as dean in 1972 I continued to do work in the area, but concentrated on publishing specific papers on areas that interested me, that I thought would later form the foundation for the book. I did a paper, published in the University of Toronto Law Journal in 1974, on prospective and retrospective judicial lawmaking (file 35). Another paper was published in a festschrift edited by Peter Glazebrook for Glanville Williams in 1978 on pressure groups (files 36-40). As set out in the boxes on access to the law, I also published a book on the form of the law.

Throughout the 1970s, I did rough drafts of many areas of law (files 22-34) which I shared with my students in the seminar that I gave on law reform (see the boxes on teaching). Boxes of law reform materials were set out for their and my use (file 14). I also did considerable work on a paper, which was never completed, involving the House of Lords case of DPP v. Smith, which was the first subject dealt with by the English Law Commission (file 41).

When I concluded my term as dean in June, 1979, I went to Israel for the fall and to England for the spring. I was determined to come to grips with the great amount of material that I had collected and to publish a book on law reform. While in Israel I taught a course on law reform at the Hebrew University while working at Tel Aviv University (we lived in Netanya) (file 42). I commenced worked on the subject of codification (file 42)
which was to form a chapter of the book, but as described in the box of materials on R. S. Wright’s code, I spent most of my time in England researching and writing the article on Wright’s code.

When I returned to Toronto I wanted to find some way of completing the project. I decided to do a book of essays on law reform (files 46-49) and submitted a manuscript to the U of T Press (file 48). The book didn’t hang together, however, and eventually I withdrew it from the Press and published it with Carswells (files 51-60) in a different format under the title, A Century of Criminal Justice: Perspectives on the Development of Canadian Law, basing the main title on the paper that I did for the Royal Society for its Centenary celebration in 1982 (see boxes on other professional activities). I added articles that I had published in the last few years, plus an additional unpublished paper on the constitution and the criminal law. The book was published in 1984 and received good reviews. It did not, however, purport to be a book on law reform, although many of the essays dealt with aspects of the subject. It was simply a book on various essays on criminal justice. That ended my long involvement in attempting to publish a book on law reform. Still, I have never left my interest in the area. Indeed, today (January 20, 1998) I gave a talk at a workshop at the law school on commissions and committees, discussing the Somalia and Krever inquiries, and in preparation reread my very rough draft on the subject from the mid 1970s.

Jazz

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Thursday series

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Student recitals

Subseries consists of programs from student recitals at the University of Toronto Faculty of Music (1985-1986). Volume also includes programs from the Thursday Noon Series and programs from masterclasses and other special events held at the Faculty of Music.

Letters of recommendation

This series consists of chronologically arranged letters of recommendation for graduate students and for other students with whom he was involved indirectly. These files are followed by individual files containing correspondence such as letters of recommendation prepared during their years at University of Toronto and after graduation.

Articles co-authored by Nouwen

Sub-series consists of published articles co-written by Nouwen between 1970 and 1986. The articles are in various formats including entire periodicals, offprints, newsletters, clippings and photocopies. In addition to featuring unique writings including a book review, the articles also represent published material that has been excerpted, and reprinted from Nouwen's books, articles, and lectures. Specific books excerpted include Intimacy, Aging, and Compassion.

C.K. Bliss

This subseries contains materials relating to the legal case between Blissymbolics Communication International - Canada and Charles K. Bliss regarding the usage and licensing of Blissymbols.

Jazz

Subseries consists of programs and recordings of concerts by the Faculty of Music's jazz ensembles.

Thursday Noon series

Subseries consists of programs and recordings of concerts in the Thursday Noon series. This series features faculty artists as well as guests, and usually feature small ensemble chamber music and vocal or instrumental recitals.

Student recitals

Subseries consists of programs from student recitals at the University of Toronto Faculty of Music (1986-1987). Volume also includes programs from the Thursday Noon Series, masterclasses, and other special events, lectures, seminars, workshops, and programs held at the Faculty of Music.

Negotiating freer trade: the United Kingdom, the United States, Canada and the trade agreements of 1938.(Waterloo, Ont.: Wilfrid Laurier University Press, 1989). Written with Norman Hillmer

Early manuscripts of this book were prepared under the title "A shaft of Baltic pine: negotiating the anglo-american-Canadian Trade agreements of 1938." Included in this subseries are an annotated paper presented to the 61st Annual meeting of the CHA (1982); manuscript version originally submitted to the Social Science Federation of Canada for subsidy (Sept. 1985); drafts of various chapters, research notes, and correspondence with Wilfrid Laurier University Press.

Progress without planning: the economic history of Ontario from Confederation to the Second World War (Toronto: University of Toronto Press, 1987)

B1995-0013/013: Chapters 1 to 14: drafts and correspondence, 1981-1986
B1995-0013/014: Chapters 15 to 19; appendices, figures. Drafts and correspondence, 1980-1985
B1995-0013/015: Final drafts of manuscript with editor's marks and comments of D.G. Paterson, ca 1987. See also correspondence regarding this publication in Box /007(06-07)

General

Sub-series consists of general records relating to research for the Bible project. Records include correspondence, grant records, notebooks, articles by Brieger and others, and other research materials. The last file in the series consists of samples of the cards that were created for the project, which include photographs of illustrations. These cards have been retained only as a sample, in order to demonstrate the project’s methodology. The remainder of the cards are still with Dr. Paul. One oversized folder contains a large chart, that indexes features of each Bible edition.

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