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Performers : Jacques Israelievitch, violin
Program : Bach
Venue : Indiana University School of Music, Recital Hall

File includes miscellaneous manuscript pages, including drafts of "For viola alone," "Serenade for clarinet, vibraphone, viola," "Quartet for violin, clarinet, trombone, bass and violin solo," "Jimmy's piece," and "Little suite for brass and percussion."

Series consists of a typeset collection of Derek Healey's poetic output, including a preliminary introduction to the set, written by Healey upon compilation of the texts in 2023. The bulk of the poems were written in Maidenhead, England (1963-1968) and Brooklyn, New York (2004-present), when time permitted. Healey wrote very few poems in Guelph, Ontario and Eugene, Oregon, and wrote nothing in Victoria, British Columbia or Ruislip, England. Many of the texts were set to music. In 2004, Healey studied poetry at the Gotham Writers' Workshop in Manhattan with Mary Donnelly.

File consists of a scrapbook (1947-1969) of newspaper clippings, programs, reports, collected by Derek Healey. The scrapbook includes comments from Dr. Herbert Howells on Healey's Royal College of Music (RCM) reports, and the program from "The President's Concert" (November 7, 1957) at RCM for Her Majesty Queen Elizabeth the Queen Mother, who presented medals and prizes, including the Farrar Prize for Composition to Derek Healey. Healey selected a copy of the vocal score for Benjamin Britten's The Turn of the Screw, op. 54 (Hawkes & Son (London) Ltd., 1957); the specially-bound score is also included in this file. The scrapbook also includes programs from Composers Concerts at RCM that Healey organized, often filling in for last-minute cancellations; programs and newspaper clippings from his time in Italy at the Accademia Musicale Chigiana, where he studied with Boris Porena (1961-1963), and programs and newspaper clippings relating to the Cookham Arts Festival (1967) that Healey organized. A complete contents listing is included inside the front cover of the scrapbook.

File consists of piano part, with text.

Essay draft that addresses the idea that Beethoven could not write fugues. Compares Beethoven's fugal technique to Bach's, sets out two principal forces (polarity and intensification), and analyses these principles at work, together with the concept of sonata form, in the Grosse Fuge. Light handwritten edits in Zuckerkandl's hand to phrasing; no edits in content.

The memorandum of agreement outlines the terms agreed upon between Zuckerkandl and Princeton University Press. 1. Zuckerkandl grants exclusive rights to publish and 2. guarantees that he is the sole author of the work and the work does not infringe any copyright, contain any unlawful or libelous matter, and does not invade the privacy of any other individual. 3. The Press assumes all publishing and printing expenses. 4. Zuckerkandl agrees not to publish the same or similar material with any other publisher and 5-6. commits to deliver the entire manuscript and associated materials. 7. Both Zuckerkandl and the Press agree to full cooperation in the editing process, as well as in the event of 8. author’s alterations or editing errors. 9. Zuckerkandl agrees to revise subsequent editions and to supply additional material if necessary. 10. The Press provides insurance of materials to the amount provided by Zuckerkandl. 11. Zuckerkandl and the Press agree to a bi-annual royalty payment rate and schedule on U.S. and international sales. 12. Zuckerkandl grants exclusive sales and licensing rights to the Press. 13. Zuckerkandl is entitled to 10 free copies and discounted copies. 14. Zuckerkandl and the Press agree to the terms of termination of contract. 15. Zuckerkandl agrees to present the Press the first offer of publication on his next work. 16. Zuckerkandl and the Press agree to the terms of transfer or assignment of rights to heirs and/or others.

File consists of programs, program notes, John Beckwith's notes, and related correspondence for the first "Music at Sharon" weekends (1981), an annual summer concert series at the Temple of the Children of Peace in Sharon, Ontario.

Item is a recording of a radio documentary that John Beckwith researched and wrote for the CBC radio program "Music Diary."

File contains correspondence, meeting minutes, and reports regarding a concert of music by contemporary Canadian composers at the Canadian Conference for the Arts (May 5, 1961), including letters from Ken Winters, Barbara Pentland, John Adaskin, Vida H. Peene, Dorothy Ball, John Weinzweig, Alan Jarvis, Catherine Smyth, Arthur Berger, Robert Whitney, and Jean Papineau-Couture.

Item is a promotional headshot of harp student Gianetta Baril.

Item is a photograph, signed "For W. G. Hall / In sympathetic remembrance and with heartfelt-good wishes / In the Great Wilderness / Feb. 27th Anno MacMillan I.

Subseries contains recordings of Victor Feldbrill conducting the Academy Symphony Orchestra of the Vancouver Academy of Music (formerly the Community Music School of Greater Vancouver, founded in 1969). This orchestra gives three concerts a year with guest conductors at the Orpheum Theatre. Victor Feldbrill was a repeat conductor.

Program:

• Symphony no. 1 / Boyce
• Serenade for strings / Elgar
• Symphony no. 29 / Mozart

Program: Symonds, Mendelssohn, Sibelius

Program:

• Concerto grosso / Vivaldi
• Oboe concerto / Marcello (Lynda Wulkan, oboe)
• Two sketches / MacMillan
• Violin and oboe concerto / Bach (Yasha Milkis, violin ; Lynda Wulkan, oboe)
• Divertimento no. 136 / Mozart
• Romanian dances / Bartok

Program:

• Oberon overture / Weber
• Variations / Franck (Patsy Parr, soloist)

File consists of an arrangement of "A beautiful friendship" by Jule Styne amd G. Kahn, arranged by Gene Puerling. File includes a manuscript copy of the vocal score for SATB with "solo changes insert" and annotated copies of parts for the conductor, piano, bass (2), and drums.

File contains scripts and correspondence regarding John Beckwith's early appearances on Canadian Broadcasting Corporation (CBC) radio, including a show "Lois Marshall : an appreciation" (ca. 1954) and an episode of "Views the Shows" (William Krehm, CJBC, November 29, [1954]) on a concert by the Canadian League of Composers.

File consists of programs, program notes, John Beckwith's notes, and related correspondence for the 1984 "Music at Sharon" series.

File also includes materials relating to the performance "Musical Toronto : A Concert Party" as part of the Toronto International Festival. Materials include the program, John Beckwith's notes, newspaper clippings of reviews, and correspondence. The complete program was recorded at Timothy Eaton Memorial Church (February 1984) in celebration of the Toronto sesquicentennial, and was performed lived at Roy Thomson Hall on June 20, 1984. Performers included Elmer Iseler Singers, conducted by Elmer Iseler, with Rosemarie Landry, soprano; Mark DuBois, tenor; an instrumental ensemble conducted by John Beckwith; and William Kilbourn, narration. File includes documents relating to both the recording and the live performance.

File consists of programs, program notes, John Beckwith's notes, and related correspondence for the 1985 "Music at Sharon" series.

File consists of programs, program notes, John Beckwith's notes, and related correspondence for the 1986 "Music at Sharon" series.

File consists of programs, program notes, John Beckwith's notes, and related correspondence for the 1988 "Music at Sharon" series.

File consists of an autographed yearbook and newspaper clippings relating to John Beckwith's high school (Oak Bay High School in Victoria, British Columbia) and a reunion of the graduating classes.

File consists of course outlines, bibliographies, handouts, musical examples, assignments, test, and exams for a course that John Beckwith started at the University of Toronto Faculty of Music.

File consists of a lead sheet for an arrangement of "Bewitched, [bothered and bewildered]" by [Richard Rodgers and Lorenz Hart].

File consists of a recording by Mauro Bertoli, piano.

File consists of a recording of a concert at Gallery 345 featuring the Ugly Beauties Trio (Marilyn Lerner, piano ; Matt Brubeck, cello ; Nick Fraser, drums) with Jane Bunnette, flute and saxophone. They performed the music of Thelonius Monk.

File consists of masters of the handwritten transparencies for the original version (1961) and copies of the master handwritten revised score (1986). "This demanding four movement sonata has rather heroic dimensions":

1. Adagio maestoso - Allegro commodo - Adagio
2. Scherzo-vivace
3. Aria con variazioni - Larghetto
4. Finale - Presto adiratamente.

File contains reviews, programs, correspondence, and a copy of John Beckwith's draft program notes for the piece.

Item is a promotional headshot of Denis Brott with his cello. Brott was a member of the Orford String Quartet, the Faculty of Music's quartet-in-residence, from 1980 until 1989.

File consists of two copies of the same solo piano sheet music, stamped "Complimentary " and "Compliments of the composer".

File consists of typeset computer score masters for "a short easy anthem, suitable for a small choir or children's chorus." Text from the Sarum Primer 1558.

File consists of a summary page of performances of Healey's organ sonata, programs from various performances, and notes and rough manuscript sketches regarding the revised version (April 11, 1986).

File consists of typeset computer score masters for "an extended setting in a vigorous medieval style." Text from the 15th century, anonymous.

File consists of a copy of John Beckwith's article and a rejection letter from The Canadian Forum.

Schulmeister explains to Zuckerkandl that they have decided to include the images from all essays in a single section of the publication and that Zuckerkandl’s requests cannot be met exactly. Schulmeister suggests that Zuckerkandl reconsider his selection of the images, keeping in mind the formatting decisions of the editors.

File consists of a recording of a concert by the National Arts Centre Orchestra with Boyd Neel, guest conductor and Anton Kuerti, piano. The program included:

• Fugal concerto, op. 40, no. 2 / Gustav Holst
• Two etudes for string orchestra / Godfrey Ridout
• Introduction and allegro / Robert Schumann
• Appassionato in G, op. 92 / Schumann
• Ballad for piano and orchestra/ Gabriel Faure
• Symphony no. 97 in C / Franz Joseph Haydn.