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Photographs from various contracts with companies, celebrities, and private events. This includes work with El Mocombo Records, the Government of Ontario, and CBC.

A large selection of prints and negatives shot for NOW Magazine.

Various magazines where Anne Murray has been featured on the cover, or in an article.

Promotional brochures, postcards, concert program books, and other textual advertisement for shows which Murray headlined or wad featured.

Tickets for shows Murray headlined, and tickets for shows and ceremonies she was either featured in or attended.

Letters, memo, notes, contract drafts, handwritten ledger pages from and for various clients and organizations.

Signed original and copies of management agreement relating to Murray’s career. This includes contracts to Balmur Ltd, and contracts for tours and partnership agreements.

Agreements between and/or with Anne Murray, Balmur Ltd., and other talent agencies. Includes correspondence regarding these agreements.

Signed agreements, correspondence, and contract negotiations between Balmur Ltd. And Capitol Records/EMI Canada Contracts.

Series consists of programs and recordings of events hosted by the Faculty of Music during the 2009-2010 concert season including faculty, student, and guest artists as well as ongoing concert series and faculty ensembles.

Series consists of correspondence, rehearsal schedules, recording take lists, budgets, and research notes, regarding the production of the Aldeburgh Connection’s recording projects, including one cassette and six compact discs. The albums include recordings from various Aldeburgh Connection concerts, recordings with musicians featured in these concerts, and recordings of compositions commissioned by the Aldeburgh Connection.

Series consists of the following autographs, collected by Florence L. Clarke, first wife of Henry John Cody, president of University of Toronto (1932-1945): Emma Abbott (1882); Teresa Carreño (1883); Emma Juch (1885); Clara Louise Kellogg (1885); Sofia Scalchi-Lolli; Ede Remenyi; Marcella Sembrich (1883); Potta (1882); Blatchford Kavanagh; Etelka Gerster Gardini (1882); Gabriella Boema; Emma Thursby (1883); Eugenia Pappenheim; Helena Modjeske (1882); Camilla Urn (1883); Mary F. Scott-Siddons (1880); Kate Claxton (1882); Zelia Trebelli; Minnie Hauk (1882); Rose Coghlan (1882); Rafael Joseffy; August Wellesley; Geneviève Ward (1882); five other illegible signatures.

Series consists of select manuals and electronic music studio reports from the University of Toronto Electronic Music Studio (UTEMS). Reports and manuals were collected from various other studios around the world.

1. Music IV programmer’s manual / M.V. Mathews, Joan E. Miller (Bell Telephone Laboratories, Incorporated, [1965])
2. Panot : libellus proprius / George J. Skapski (California State University, 1975)
3. Microphones and their general applications in broadcasting (Canadian Broadcasting Corporation, February 1961)
4. The CMU MIDI toolkit : “Charles Ives” edition / Roger B. Dannenberg (Carnegie Mellon University, August 13, 1986)
5. Status of the Case Studio for Experimental Music / R. Wilding-White, W. Hemsath (Case Studio for Experimental Music, December 1965)
6. Colgate University computer music system (1975)
7. Studi musicali DCMP : versione per il sistema 360/67 / P. Grossi, G. Sommi (Consiglio Nazionale delle Richerche, 1974)
8. Musical studies : summary of activities from 1969-1975 / G. Baruzzi, P. Grossi, M. Milani (Italian National Research Council = Consiglio Nazionale delle Richerche, November 1975)
9. Studi musicali modalità operative del TAUMUS, software di gestione del terminale audio TAU2 / Pietro Grossi (Consiglio Nazionale delle Richerche, 1976)
10. Algorithmic music language : an interface guide form AML-1.0 (Electronic Arts Research, 1981)
11. Algorithmic music language : an introduction and user’s guide to AML-1.0 (Electronic Arts Research, 1981)
12. MIDI live : programmer’s manual, version 1.0 / Bruce Pennycook, Basil Hilborn, Ichiro Fujinaga ([McGill University Electronic Music Studio], November 1990)
13. Music-11 tutorial / [Barry Vercoe?] [Experimental Music Studio, Massachussetts Institute for Technology]
14. MUSICOMP, an experimental computer aid for the composition and production of music / P.P. Tanner (National Research Council of Canada, August 1972)
15. An electronic studio manual : for use with R.A. Moog’s voltage controlled, modular sythesizing equipment / Ronald Pellegrino (Ohio State University College of the Arts, 1969)
16. Electronic music : a handbook of synthesis and control (ORCUS Operational Research Company, 1971)
17. Beginner’s manual of Music 4B / Gerald Warfield [Princeton University, 1967]
18. The reference manual of Music 4B / Godfrey Winham [Princeton University, n.d.]
19. DARMS : a reference manual / Raymond Erickson ([Queens College of the City of New York], June 1976)
20. MASC : meta-language for adaptive synthesis : FORTH 79/83 standard listings (Electro-Acoustic Studio, Music Department, San Jose State University, 1987)
21. Computer simulation of music instrument tones in reverberant environments / John M. Chowning, John M. Grey, Loren Rush, James A. Moorer (Center for Computer Research in Music and Acoustics, Department of Music, Stanford University, June 1974)
22. Report on contemporary experimental music / L.A. Hiller, Jr. [University of Illinois, Experimental Music Studio, 1961]
23. A report on the Magnavox sponsored research investigation : The development of new electronic systems for generating musical sound (University of Illinois, Experimental Music Studio, August 1964)
24. Electronic music : resources for performance groups and general music classes / Fred Willman (University of Missouri-St. Louis, September 1979)
25. Macro Music I : user’s guide and language reference manual / Lawrence Sasaki (University of Toronto Department of Electrical Engineering, 1976)
26. Music software user’s manual / William Buxton (Computer Systems Research Group, University of Toronto, June 24, 1981)
27. Electronic music manual / Peter J. Clements (University of Western Ontario Faculty of Music, Electronic Studio, 1973)
28. Studio manual / Jaap Vink, Bill Buxton (Utrecht State University Institute of Sonology, 1974)
29. Project 1 : extended and modified version (PR1XM) : [program listing] / Gottried Michael Koenig ([Institute of Sonology, Utrecht University], October 1978)
30. [Project 1] : PR1XM : manual / Gottfried Michael Koenig (Institute for Sonology, University of Utrecht, 1979-1980)
31. Project 1 : extended and modified version (PR1XM) : [program listing] / G.M. Koenig ([Institute of Sonology, Utrecht University], August 1985)
32. Project 2/82 : a program for musical composition : manual / G.M. Koenig (Institute of Sonology, Utrecht University, 1984)
33. Project 2 : Fortran listing / [Gottried Michael Koenig] [Institute of Sonology, Utrecht University, n.d.]

Series consists of correspondence regarding the John Adaskin Project, particularly from the early stages of the project to determine the project's parameters and funding, and during the years when Patricia Shand was its director.

File consists of annual financial summaries and statements for the John Adaskin Project, and a report on the John Adaskin Memorial Fund.

Series consists of sample forms, information sheets, brochures, and advertisements used and generated by the John Adaskin Project to evaluate music for educational use. Most of the material in this series pertains to Phase 1 of the project (as defined in the information sheets), which was the "preparation of a selective Guidelist of recommended published Canadian music suitable for performance by student bands, choirs, orchestras, string orchestras, and chamber ensembles."

Series consists of drafts and sales records for publications by the John Adaskin Project. Publications, issued by the Canadian Music Centre, were part of Phases 1 and 2 of the project (see information sheets in series B) and consists of one-page evaluations of each selected piece (published and unpublished). The evaluations provide guidance to teachers regarding musical elements (style, mood, form, compositional techniques), degree of difficulty, technical challenges, and other useful pedagogical aspects of the selected compositions.

Series consists of material related to Guido Pugliese’s writing and research on Italian language and literature, translation, Italian Canadians, and other topics. Records include correspondence, drafts of papers, and poetry.

Series consists of glass lantern slides showing images of various instruments. Slides include images of instruments as included in Storia della musica attraverso l'immagine by Georg Kinsky, and Histoire de la musique des origines à la fin du XIVe siècle by Théodore Gérold, as well as reproductions of paintings and other artistic renderings of instruments. Instruments include the theorbo, lute, harp, viola da gamba, viola d'amore, German flute, lyre, guitar, unfretted and fretted clavichords, spinnet, Silberman pianoforte, gravicembalo, and oliphants.

Series consists of glass plate slides of stage designs and settings for particular productions of operas and other stage productions, including: Fidelio by Ludwig van Beethoven; Wozzeck by Alban Berg; Giunio Bruto by Domenico Cimarosa; Pélleas and Mélisande by Claude Debussy; Orfeo ed Eurydice by Christoph Willibald Gluck; unidentified oratorios and operas by George Frideric Handel; Ballet du roi and Isis by Jean-Baptiste Lully; Magic Flute by Wolfgang Amadeus Mozart; Salome by Richard Strauss; Aida, Don Carlos, La forza del destino, and Macbeth by Giuseppe Verdi; and Der fliegende Holländer (The Flying Dutchman), Tannhäuser, Lohengrin, Das Rheingold, Die Walküre, Tristan und Isolde, Die Meistersinger von Nürnberg, Götterdämmerung, and Parsifal* by Richard Wagner.

Stage designers represented in this collection include: Karl Friedrich Schinkel, R.E. Jones, Adolphe Appia, Ludwig Sievert, Panos Aravantinos, Norman Bel Geddes, Salvador Dali, Caspar Neher, Giorgio de Chirico, and Rolf Gérard.

This small series brings together records about Lee or that recognize his achievements. These include summary of activities, cv, letters of appointments, honours, awards, clipping about Lee and memorabilia.

This series consists of course files containing both draft and typed lectures as well as course materials such as outlines, reading lists and assignments. His entire teaching career and the evolution of his interests and expertise are well documented in this series which includes courses taught at Harvard University (1965-1970), Rutgers University (1970-1972) and the University of Toronto Department of Anthropology (1972 - ). There are also some early course files for African Studies and Women’s Studies.

Of note, is Lee’s ANT 363 Origin of the State which he also taught at the Toronto Marxist Institute (1982, 1985). This series contains his lectures but also a typescript for an unpublished book based on the course content. He developed a course around his research around 9/11 and later around his interest in HIV/Aids in southern Africa. By the 2000s, he was teaching The Anthropology of Health, HIV Aids in Africa and a Medical Anthropology Graduate Seminar.

This series also contains a small number of files Lee kept on the graduate students he supervised. These are restricted.

Series consists of audio recordings of interviews with Victor Feldbrill.

Series consists of personal and professional correspondence sent to Elizabeth Benson Guy, and her husband John Dentay. In addition to correspondence with music organizations, universities, and concert venues arranging performance, the series includes letters from Andreas Barban, Maria Kurenko, and Lotte Leonard. Series also includes correspondence relating to her debut at Carnegie Hall (May 10, 1959); her 1967 European tour, which included her debut at Wigmore Hall (October 31, 1967); and the Elizabeth Benson Guy seat endowment at Massey Hall (1979, 1982).

Series consists of programs from performances by Emmy Heim, as well as various programs for performances by Heim's students at the Royal Conservatory of Music in Toronto and for performances that she attended by her colleagues.

Consists of student lecture notes from Emmanuel College.

Consists of a scrapbook titled "Some of my College activities and interests," which includes photographs, ephemera, correspondence and clippings showing activities and events from Alma E. Wales' years as a student at Victoria University, 1924–1928.

Consists of photocopies of military dispatches sent by MacDowell to report on his activities on the battlefront of Europe.

Consists of papers of Victoria University Class of 1920 graduate, Miriam Sheridan (nee Marshall), relating to her membership in the Kappa Kappa Gamma Fraternity, including scrapbook containing printed material and photographs, clippings, notes, certificate and other printed material, 1919–1934; photographs, including scrapbook of life at Victoria and attendance at reunions, ca. 1916–1980, slides of reunion, 1970, portraits, and photographs of Victoria groups, 1916–ca. 1920.

Consists of a scrapbook of Alan Dignan (Victoria Class of 1931) containing clippings, correspondence, notices, programmes and other ephemera concerning student activities at Victoria University, 1927-1931.

Consists of autograph book of Francis Alcot Cassidy containing signatures and sentiments of fellow Victoria College students, 1881.

Consists of student diary, 1913-1916, and photocopy of letter written to a Professor from the Front in 1917.

Consists of medical graduation degree from Cobourg Medical School, 1859; degree from Victoria College, 1859; medical license, 1859; medical registration certificate, 1866.

Consists of a manuscript titled "Memoirs of a Statistical Economist's Random Walk Through Academic Life."

Scrapbook contains photographs and ephemera related to Brian Caldwell's (class of 6T8) football career at Victoria College, the Mulock Cup Football Championship games and the Victoria College Athletic Union.

The series documents Graham's day-to-day activities as Minister of Foreign Affairs, Minister of National Defence, Leader of the Opposition, and interim leader of the Liberal Party through schedules, briefing materials, his personal notes, and various other documents and communications. There is evidence throughout the series that Graham selected many of these items for his personal files. The series is arranged chronologically by month, and the documents for each day are separated as a distinct unit, as they were when transferred to the archives. The final file (67) is a collection of the daily schedules during Graham's time as the Minister of National Defence.

This series includes a small quantity of correspondence between Griffin and others (largely colleagues and researchers) that is not easily associated with articles, research, supervision of students, or employment. Griffin transitioned to email in the mid-1990s, but continued to print out significant correspondence and keep it alongside relevant work.

The majority of Griffin’s correspondence has been filed in Series 6 - Research & Professional Activities, Series 7 - Manuscripts & Publications, and Series 8 - History of the Study of Liquid Helium and Superfluidity.

This series comprises Professor Griffin’s research activities as a condensed matter physicist over the course of his career (1970-2011), and some associated material, such as documents and correspondence related to the supervision of graduate students. Records include: notes, articles by others that have been heavily annotated by Professor Griffin, correspondence with co-researchers (including students), and referee reports. Most of these materials have been retained in the groupings in which they were left by Professor Griffin. Where Professor Griffin had included his own reprints with his research or notes, these have been removed and filed in Series 7 - Manuscripts & Publications. Documents associated with Professor Griffin’s historical research can be found in Series 8 - History of the Study of Liquid Helium and Superfluidity.

This series consists of materials for and associated with addresses given by Professor Griffin, primarily from the beginning and end of Professor Griffin’s career. Consists of notes for talks, transparencies and printed slides. Many talks were given in more than one location over the course of a year; in this case, the location or locations indicated are the one recorded on the surviving slides or notes. Originally, transparencies were stored within the pages of magazines; where the magazine is relevant (i.e. related to the address in some way), the front cover the magazine is also included.

This series documents Dr. Moldofsky’s research activities, in particular, his two major research projects on Microgravity, Sleep and Immune Functions in Humans (SWIF) with the Canadian Space Agency and NASA, funded through the National Institutes of Health (NIH).

The first project (1995-1999) studied the influence of gravity change on sleep and the immune system in astronauts. The aim of this research was to further advance the studies of disordered sleep and altered immune functions observed in distressing circumstances, and in patients with psychiatric (major depression) and medical conditions (i.e. fibromyalgia, post febrile chronic fatigue syndrome). This experiment was conducted during the Mir 23/NASA 4 and Mir 24 missions in 1997-1998.

The second project of the same title (2000-2003) involved experiments carried out in space but then subsequently lost during the Space Shuttle Columbia disaster. This second phase aimed to understand bone loss in astronauts in space as well as osteoporosis on Earth, believing that chemical changes in the human immune system – possibly triggered by sleep deprivation – could instead be a major cause of bone loss in space and on the ground (as opposed to just microgravity).

Included in this series: grant applications; correspondence; files related to visits to the Russian Space Agency in Star City and the Johnson Space Center in Houston (including photographs); baseline data collection (BDC) data sets; and final reports. Also included are EEG electrode caps used by American and Russian astronauts aboard the MIR space station.

File consists of records which document Graham's time as Minister of Foreign Affairs. The first series covers his preparation for and testimony at the Commission of Inquiry into the Actions of Canadian Officials in Relation to Maher Arar. The second series is organized according to major issues he dealt with, the third series holds the reports his ministry published during his tenure, and the fourth series documents his travel and speaking engagements, both domestic and foreign.

Contains memorabilia surrounding Mary's student days at Victoria. Also includes correspondence with the University and with fellow graduates documenting their work and planning for reunion events.

Series consists of two volumes (listed below) used by Edith McConica when she was learning, and later teaching, piano. Both volumes are annotated by Edith and her children.

1. Czerny, Carl. Praktische Fingerübingen für Piano Solo, op. 802, Heft I. Offenbach am Main: Johann André, [1850].
2. Bilbro, Mathilde. First melody lessons for piano. London, Oakville: The Frederick Harris Co., [193-?].

Series contains travel photographs and recorded television programs that feature Spiller or his menu collection.