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File consists of Derek Healey's proposed plan for the ballet and correspondence with the director of the quarterly magazine Balletto, Adriaan H. Luijdjens.

File consists of a summary page of performances of Healey's Serenata, op. 24b, programs, correspondence, and reviews of performances.

File consists of a summary page of performances of Healey's Partita '65, op. 25, programs from various performances, and a copy of the published edition by Novello and Company Limited (1967).

File consists of correspondence, programs, notes, and the original manuscript arrangement of op. 28a, arranged and re-written for organ solo.

File consists of copies from Amina Andreola's illustrated Maschere Italiane (Rome: Franco Spinosi, 1966), newspaper clippings, programs, correspondence, and a summary page of performances.

File consists of a summary page of performances, programs, the libretto by Derek Healey with prop notes, and correspondence.

File consists of rough notes, correspondence from Canadian Broadcasting Corporation producer Norman Newton, contracts, and rough drafts of the libretto for the radio paly by David Gascoyne.

File consists of Derek Healey's diary, sketches, and draft manuscript material for his Triple Concerto 'Noh', written in conformity with the requirements of the Degree of Doctor of Music at the University of Toronto (1974).

File consists of Derek Healey's notes on his own compositions from lessons with Boris Porena in Rome.

File includes notes on the following compositions:

• March and rhapsody : for oboe
• Invention : for flute and cello
• Kyrie : for tenor and bass
• Two short pieces : for flute, mandolin, and celesta
• Movement : for chamber orchestra
• Movement : for string quartet
• Movement : for oboe, bells, percussion, and harpsichord
• In nomine : for trumpet, tambourine, bells, and harp
• O dolce notte : for choir and orchestra [rearranged In nomine]
• Non puo, signor mio caro : for mezzo soprano and orchestra
• Miserere mei : motet for SATB
• Two pieces : for piano
• Four pieces : for piano
• Cinque pezzi : per pianoforte
• Movement 1, 2, and 3 : for orchestra
• Motet : per due chori
• Del verbo divino : motet per 6 voci
• Five Rococo sketches : for descant recorder and piano or harpsichord
• Mobile : for flute and six instruments.

File consists of a summary of performances, programs, rough notes, reviews, the original manuscript (1957), and a copy of the published edition by Chappell & Co. Ltd. (1965).

File consists of a summary page of performances and programs from performances of Derek Healey's cello sonata.

File consists of a summary page, performance notes, programs, posters, and correspondence regarding performances of Derek Healey's Six American songs, op. 14.

File consists of copies of the published editions by Chappell & Co. Ltd. (1964) for both Partita Bizarra, op. 17a and Italian Notebook, op. 17b, summary pages for each, and programs from performances.

File consists of a summary of performances for op. 2a and op. 2b, and a copy of the program from the public premiere of Three Pieces for Solo Flute, op. 2b.

File consists of programs and newspaper clippings of reviews from performances of Derek Healey's Partita moderna, op. 5.

File consists of Derek Healey's notes on the composition, and programs and correspondence relating to performances of this piece.

File consists of the published editions of Bagatelles for Beginners, op 17c (Chappell & Co. Ltd., 1964) and Five Cameos, op. 17d (Boosey & Hawkes Music Publishers , 1966), programs and correspondence from performances, and summary pages for each composition.

File consists of a summary of performances for each of Healey's voluntaries for organ; programs, clippings of reviews, and correspondence with performers; and copies of the publications by Jaymar Music (1971-1972).

File consists of a summary of performances.

File consists of a summary of performances, a copy of the published edition by Jaymar Music (1972), newspaper clippings of reviews of performances, and correspondence with performers. File includes a video of a performance by Kei Enomoto in Fukuoka, Japan (August 11, 2023).

File consists of a summary page of performances, programs, the original manuscript (dated August 2, 1960), and a revision copy of the manuscript with an additional cello part and other alterations (dated September 5, 1979).

File consists of a copy of Derek Healey's Bachelor of Music diploma (1961) from the University of Durham and a summary page of other B.Mus. graduates from 1961 and their compositions submitted in accordance with the degree requirements.

File consists of a summary page of performances of Healey's organ sonata, programs from various performances, and notes and rough manuscript sketches regarding the revised version (April 11, 1986).

File consists of the published edition of op. 15c by Novello & Company Limited (1965), and summary pages, programs, reviews, and correspondence from performances of Healey's three sets of organ voluntaries.

File consists of Derek Healey's self-professed "favourite" notebook of sketch material for various compositions and other notes and compositional material (e.g., Indian talas, piano struts, etc.) that he referenced and used regularly throughout his compositional career. The notebook includes an index of contents created by Healey.

File consists of a summary of performances of the waltz and a copy of the program from the premiere performance by Derek Bell, piano.

File consists of a copy of the edition published by the Royal Canadian College of Organists [2010], a summary of performances, and correspondence, programs, and reviews from various performances, including as part of the inaugural concerts on the Edward Johnson Building Concert Hall Organ, Casavant #M225HR34 (December 2, 1973).

File consists of programs, correspondence, summary pages, and performance notes for Derek Healey's Six Greek Fragments, op. 11 and Five Thomas Hardy songs, op. 13.

File consists of the typeset score for a "colourful work with a demanding obbligato flute part." To be sung by children or adult female voces. Traditional Hopi text.

Subseries consists of music that Derek Healey wrote as birthday presents and other gifts for his wife Olive May Healey (née Smith), Derek George Fleetwood Bell, and other family and friends.

File consists of three manuscript scores written for Derek George Fleetwood Bell:

• Irish legend : for oboe and piano (completed September 15, 1959)
• Three atonal pieces : for piano (completed October 3, 1959)
• Chant : for oboe and piano (completed November 1960).

File consists of typeset score masters for "a one minute lighthearted song for soprano and piano written for the CMS's 50th anniversary in Atlan, GA in 2008." Text by John Fletcher.

File consists of eight manuscript scores written as birthday and Christmas presents for Derek Healey's wife, Olive May Healey (nee Smith):

• A Pastoral fantasy : for piano (Christmas present for Olive; December 1956)
• The May-tree : for soprano and piano (Olive's 20th birthday; completed April 19, 1957)
• Piece : oboe and piano (Christmas present for Olive; completed December 22, 1960)
• Song without words no. 1 : for oboe and piano (for Olive's 24th birthday ; completed April 12, 1961)
• Duo : oboe and mandolin (Christmas present for Olive; completed December 23, 1961)
• Loveliest of trees : for soprano and piano (text by A.E. Houseman; dedicated to Olive; completed April 29, 1963)
• Nel modo romantico : for oboe and piano (Christmas present for Olive; 1963)
• Waltz "A,B" and March "B" March : for descant recorder and piano (to [daughter] Jackie [Healey] and Olive; Christmas 1965).

File consists of typeset score for two pieces for oboe and mandolin: Interrupted Aria and Barocco.

File consists of typeset score masters for "a boisterous setting of a Newfoundland and Nova Scotian folk song."

File consists of typeset score masters for "a prayer with text in Italian taken from the Beatitudes." Text from Matthew V, verses 3-8.

File consists of six manuscript scores written as birthdays, weddings, and funerals:

• Love is patient and kind : for choir and organ (anthem for the wedding of Maureen Gibbons and Leslie Thomas; January 7, 1959).
• Janet's fancy : for clarinet and piano (for Janet Barton; dated March 1959)
• Elegy : for organ (for the funeral of George Wylde Leyland; August 2, 1959)
• What happens when.... : a tragic cantata for Ralph Stenner's 21st birthday party : for four voices and piano (completed November 15, 1959)
• Sarabande : for organ (for the funeral of Healey's grandmother Edith Rose; January 14, 1960)
• Cinque pezzi : per pianoforte (dedicated to Ralph and Janet Stenner; March 13, 26, 1963).

Series consists of Derek Healey's rough notes, including manuscript sketches and drafts, for his compositions, which he began to keep and maintain after a conversation with librarian Rollyn Morris at the University of Victoria. After 1999, when Healey began to compose on the computer (starting with Six Canadian Folk Songs, Set II, op. 86, these rough notes are fewer, as the majority of his "notes" were on the computer. These later compositions include printouts of the work's status about a week after it was started.

Series also contains performance records for Healey's compositions, including correspondence with performers, programs, posters, reviews, and other pertinent materials. Healey began collecting performance materials after arriving in Canada in August 1979.

Series also includes notes on Healey's compositions taken during and following lessons with Boris Porena (1962-1963) and his "favourite" notebook with sketch and reference material (e.g., Indian talas, piano struts, etc.) that he referenced and used regularly throughout his compositional career.

File consists of typeset score masters for "an easy anthem with an imposing opening and a quiet close." Text by Robert Bridges (1844-1930). File also includes an early printout from Healey's working copy of the score.

File consists of typeset score masters for "a setting of a well-known communion hymn text. Not difficult." Text from "Sancti, venite" (7th century), translated by J.M. Neale (1818-1866).

File consists of typeset computer score masters. In a review in Creator (March/April 2006), the piece was described as a "simply wonderful festival piece which, while useful for general purposes, is especially suited for the celebration of Ascension." Text by the Venerable Beded, translated by Elizabeth Charles and Benjamin Webb.

File consists of typeset computer score masters for "a simple anthem for two antiphonal soprano solos, choir and organ; suitable for the Baptism of Christ or general use." Text by Derek Healey.

File consists of typeset score masters for "a positive melodic setting of Isaac Watt's mystical text, with an important organ part. Suitable for Harvest, Rogationtide, Thanksgiving, or General use. Not difficult." Text by Isaac Watts (1675-1748), adapted by Robert Bridges (1844-1930).

File consists of the typeset score for "a setting of a poem in praise of love by Christina Rossetti, the sister of the founder of the Pre-Raphaelite movement, for choir and organ."

File consists of a copy of the handwritten masters for "the colourful set of tonal variations [that] is suitable for both educational sor concert use. Not difficult. The tuba part is ad lib." May be performed by any equivalent instrumentation.

File consists of a bound copy of the handwritten original score. Healey's note inside reads: "'Lustra' for baritone and orchestra, was to be the first of a set of songs set to poems of Ezra Pound. 'Lustra' was the only one completed—the remainder were not even started. 'Lustra' was composed in Siena, Italy in July 1966 at the Academi Chigiana with Goffredo Petrassi."

File consists of typeset computer score masters for "an easy children's anthem with extended piano interludes." Text by Lee H. Bristol.

File consists of typeset computer score masters for "a short introit for Palm Sunday."

File consists of typeset computer score masters for "a melodic setting of this well known text with an important organ part."

File consists of typeset computer score masters for "a simple recurring melody, with a toccata-like organ accompaniment."