Showing 35107 results

Fonds contains music manuscripts, published copies of Branscombe's arrangements and compositions with inscriptions from the composer, photographs, and programs.

Series includes various records collected, created, or maintained by Parlow throughout her personal life. Records include dinner menus and programs from events, promotional materials, financial and legal information, obituaries, passports, drivers' licenses, calendar, newspaper or magazine articles by Parlow, professional papers, and obituaries.

File consists of an annotated score for an unspecified production.

Subseries consists of records relating to Kathleen Parlow's finances, including mortgage information.

Subseries consists of calling cards, souvenir programs, and various other items collected by Kathleen Parlow throughout her life and travels.

Subseries consists of miscellaneous reference items about Kathleen Parlow and the creation of her recording archives, as well as two catalogues of her record collection.

Series consists of Ezra Schabas's textual research files for his biography of Sir Ernest MacMillan. Files include correspondence with Schabas, copies of correspondence with MacMillan, copies of newspaper articles and photographs, and copies of research on MacMillan by other individuals, including that by Keith MacMillan.

File consists of an annotated score with fingering and expressions marked in pencil for a student.

Subseries consists of classical sheet music, predominantly performed by Harry and Ida "Claudette" Culley as part of their piano duo, the Black and White Spotters. With the exception of occasional pieces for solo instrument and piano; and published arrangements for two pianos, four hands, the sheet music is mainly for solo piano, with some manuscript second piano parts written out by Harry Culley. The sheet music includes annotations and alterations for performance, and most include precise timings. The Culley's performed regularly on radio shows from the 1930s to 1950s and would have to fill a set amount of time. These timings would have helped them select their repertoire for each show. The subseries also contains some orchestral parts, which were likely used by Harry Culley when he was conductor of the Royal York Orchestra (1929-1930) or Music Director at the Royal Alexandra Theatre (1948-1955). Subseries also includes vocal sheet music used by Ida (Fernley) Culley during her time demonstrating pianos in the warerooms of local piano retailers and manufacturers, and collections of etudes used by Harry Culley for lesson books as a child.

Fonds consists of records pertaining to the two-piano, four-hands duo of Harry and Ida "Claudette" Culley, the "The Black and White Spotters". Records include annotated sheet music and manuscript parts copied by Harry Culley for performance; newspaper articles and press releases; posters; programs; photographs; and correspondence.

Series consists of annotated sheet music and manuscript copies of sheet music in Harry Culley's hand, which were predominantly used for performances by the Black and White Spotters (Harry and Ida Culley's two-piano, four-hands duo). Many pieces include precise timings, as the Culley's frequently performed on radio shows on CKCL, CFRB, and CBC from the 1930s to 1950s. Series also includes some dance band music used by Harry Culley in his positions as conductor of the Royal York Orchestra (1929-1930) and Music Director at the Royal Alexandra Theatre (1948-1955).

File consists of an annotated score for an unspecified production.

Subseries includes manuscript scores given and/or dedicated to Kathleen Parlow.

File contains binder's albums of French and Italian sheet music. File also includes a copy of a paper inventory of volume 1, completed by Lynn McIntyre (December 1988) and entitled "A bound volume of the Edward Johnson collection entitled Debussy, Hahn, Bemberg, Bizet, Gounod, Massenet, e Schumann" and an inventory of another volume (CA OTUFM 01-9-3) completed by John Fodi and entitled "A bound item in the Edward Johnson collection of sheet music." The papers were submitted to Prof. P. Fleming for the course Analytical and Historical Bibliography at the Faculty of Music, University of Toronto. McIntyre's paper includes a Table of Contents for the first volume of the Edward Johnson collection (pp. 7-8) and both papers include bibliographic references.

File consists of an annotated score with Herman Geiger-Torel's notes and sketches for the stage design of a 1926 production (as dated on the title page).

File consists of an annotated score for an unspecified production.

File consists of an annotated score with Herman Geiger-Torel's notes for a Guild Scholarship Evening program with Michael Evans, piano. German libretto handwritten in.

File consists of solo piano sheet music and a manuscript piano part.

Subseries consists of sheet music and published scores performed by Kathleen Parlow and/or given to her by the composer. The subseries includes quartet parts used by the Parlow String Quartet, and a piano score for Violin Concerto no. 2 by Henryk Wieniawski with annotations by Parlow's teacher Leopold Auer. Most of the sheet music has been annotated by Parlow.